A few observations without a conclusion.
1. “College Kids Can’t Take A Joke” by Clarence Page, Chicago Tribune (link)
Clarence Page writes about how Chris Rock doesn’t perform for college audiences any more because they’re too sensitive. Page writes:
I marvel at comedians as varied as Lenny Bruce, Richard Pryor, George Carlin, Dick Gregory, Freddie Prinze and Joan Rivers who manage to make us laugh about race, gender, religion, ethnicity and politics while dancing on the edges of our touchiness.
But Rock detects a new uptightness in today’s campus audiences. He blames a social culture that has taken hypersensitivity overboard as we try to protect kids from insults and other painful realities of life — like race relations.
This reminds me of some essay I read a few days ago and can’t find in which a comedian explains how he doesn’t resent having to be more careful about what audiences will tolerate, as often the intolerance comes at the expense of lazy humor aimed at othering people. I suspect it’s a bit of both. But I think at the heart of his disdain for ‘over-sensitivity’ is the failure to recognize that sensitivity is a good thing — it’s often tied to empathy. There’s a difference, of course, between being sensitive to how people feel and being unwilling to discuss difficult things. I hope it’s the latter Rock is discussing.
2. Clarence Page part 2 – Bill Maher protests
There’s another part of Page’s essay that drives me crazy. Page connects Rock’s lament about over-sensitive college students to this:
…the issue came up when Rock was asked about a protest that tried to cancel HBO host Bill Maher’s December commencement speech at the University of California at Berkeley.
More than 4,000 people signed an online petition to cancel as a protest against his views on Islam, which, among other indignities, he has called “the only religion that acts like the mafia that will (expletive) kill you if you say the wrong thing, draw the wrong picture or write the wrong book.”
I strongly disagree with Maher’s smearing of an entire religion for the crimes of its radical fringes. But I also disagree with those who think silencing him would be a sensible response.
As Maher put it, “Whoever told you you only had to hear what didn’t upset you?”
Page calls this censorship, to which I say “Bullshit.” The proper response to speech we don’t like is more speech. Among that speech can be “Hey Institution I Like, please don’t pay someone saying odious things to come say them to my face at an event celebrating me.” One of the results of saying controversial things is that some people will tell you to fuck off, as these 4,000 protesters did. They aren’t saying “Bill Maher should not be allowed to write or be on tv anymore,” they’re just saying they don’t want to be there when he does it.
As to the snarky reply about hearing things that don’t upset you — they clearly already heard those things, have assessed their value in the give and take of conversation, and told Maher to shove off.
3. Leslie Hall (link)
I like Leslie Hall a lot, particularly for her powerful comedic and musical performances that both revel in and define stereotypes about her body. I mentioned yesterday liking the song “Tight Pants / Body Rolls,” which is both a powerful claiming of herself as a musician and a self-depreciating look at her own imperfections. Clearly much of the humor comes from Hall’s stage persona, a cuddly 80s-quaffed power diva, but her self-assured song style (as in “This is How We Go Out”) elevates her act far beyond a gimmick, even as she lovingly infuses many songs with nerdcore aptitudes (as with “Craft Talk”).
4. Jokes about Race
As the issue about Rock brought up, one of the touchiest spaces in modern comedy is in thinking about race. The “post race” moment we find ourselves in results in an odd experience — the comedic angle that “we’re not racist so we can all laugh together at this racist joke, right?” It’s this attitude that pushed me away from tosh.0 and makes it less fun than I’d like to play Cards Against Humanity. I always end up with a hand full of cards playing on race stereotypes because I don’t think they’re funny.
I wonder if Chris Rock would lump me in with those over-sensitive college students he doesn’t want to perform for anymore.