Thu May 12 08:10:27 2005<h3>Search results for butthole rape aflame</h3>
0q :  T hroughout this album, the Fiends display their experience and magpie appropriation of any genre fragments for their own ends - "Gotta Have It" churns to a distorted gunshot Dancehall rhythm overlai.
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1q : Frank Black's Teenager of the Year Favorite Books: ss VOIVOD Killing Technology VOIVOD Lives VOIVOD Negatron VOIVOD Nothingface VOIVOD Phobos VOIVOD Rrroooaaarrr! VOIVOD The Outer Limits VOIVOD Voivod.
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2q :  This is a track where Sex Fiend have harnessed the bass walk and chopped up Reggae beat to an orgasmically-moaned intro into a typical psychedelic stomp sparked up with scrawling guitar and drum mach!
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http://users.cybercity.dk/~dko1478/discography.html
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http://kzsu.stanford.edu/~stefan/playlist.html
http://www.brutalism.com/band_s.html
http://www.nifty.org/nifty/Vince_Water/Bare-Butt-Brave/Bare-Butt-Brave-5
http://www.people.cornell.edu/pages/mvh2/winamp.html
http://www.freq.org.uk/a.html
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746:6:159:: T hroughout this album, the Fiends display their experience and magpie appropriation of any genre fragments for their own ends - "Gotta Have It" churns to a distorted gunshot Dancehall rhythm overlaid with all the Punky attitude (and guitar) they've held dear to their devious hearts since The Batcave days and beyond. The more they borrow and upgrade, the greater the Fiends' abilty to pummel abd bemuse becomes, as is ably demonstrated throughout - where one effect will do, Mrs Fiend pushes it to the limit while Nik lets loose the scrapings of his psyche until the archetypes wriggle to the point of barbed simplicity, as he screams "It's all for me - Fuck you!" as the song writhes and snarls to a peak of volume and egotistical mania suitable for a stage persona which sometimes manifests (as depicted in the CD booklet) as a grim comic-book Nosferatu . "Kiss Arse" and "Voices In My Head" flip into the other side of madness, mashing up digital percussion and bass in a dub frenzy of doubt and uncertainty, mapping the tortuous pathways of existential collapse on an electronic grid of recursive drum loops and multiply-devolved voices until the sense of delerium is palpable. The latter's dreamlike state of drift and breathless descent through ambience and squidgily pulsating reflection marks a slowdown to Earth approach, Nik coasting in on the wings of his missus' digital heavenly choir - "it's like a symphony playing in my mind, playing over and over... those voices in my head".
747:8:1::Frank Black's Teenager of the Year Favorite Books: ss VOIVOD Killing Technology VOIVOD Lives VOIVOD Negatron VOIVOD Nothingface VOIVOD Phobos VOIVOD Rrroooaaarrr! VOIVOD The Outer Limits VOIVOD Voivod VOLTAIRE Almost Human VOLTAIRE The Devil's Bris VON TILL, STEVE As The Crow Flies VOODOO GLOW SKULLS Band Geek Mafia W.A.S.P. Unholy Terror WARGASM Why Play Around? WARLORD Best Of Warlord WARMEN Beyond Abilities WARRIOR SOUL Drugs, God & The New Republic WARRIOR SOUL Last Decade Dead Century WARSAW The Kind WATT, MIKE Ball-hog Or Tugboat? WATT, MIKE Contemplating The Engine Room WAX 13 Unlucky Numbers WELLWATER CONSPIRACY Brotherhood Of Electric: Operational Directive(s) WHENWEDIE Digital Angel EP WHENWEDIE The Poundstone Society WHENWEDIE Whenwedie WHILE HEAVEN WEPT Of Empires Forlorn WHIPLASH Insult To Injury WHIPLASH Thrashback WHIPLASH Ticket To Mayhem WHIPPERSNAPPER Whippersnapper WILSON, RAY Live And Acoustic WIND OF THE BLACK MOUNTAINS Sing Thou Unholy Servants WINDIR Likferd WINTER Into Darkness WIPERS Is This Real? WIPERS Silver Sail WIPERS The Best Of Wipers And Greg Sage WIPERS The Circle WIPERS Youth Of America WIRE Pink Flag WITCH HUNT Souls Enshrouded Fire WITCHERY Symphony For The Devil WITHIN TEMPTATION Mother Earth WITHOUT FACE Deep Inside WOLFCRY Nightbreed WOLVERINE The Window Purpose WOOLWORTHY Recycler (1996-2002) WOOLWORTHY Sweet Second Place WRATHCHILD AMERICA 3-D WRATHCHILD AMERICA Climbin' The Walls WREATHY Leviathan WRECK Creation WRETCH LIKE ME Calling All Cars... WRETCH LIKE ME New Ways To Fall WUTHERING HEIGHTS To Travel For Evermore WYKKED WYTCH Angelic Vengeance X Los Angeles XYSMA Lotto ZEKE Kicked In The Teeth ZEKE Super Sound Racing 
786:6:158:: W hen Nik snarls a catchy chorus of "Rape and Pillage in the global village" in the opening title track, his words twist the bitter knife of helpless rage at a world in self-inflicted flames and struggle, setting the scene for a familiar rampage through the ASF concerns - inequality, sex, pharmecuticals, mania and a hefty dose of simultaneous love for and loathing of humanity - it's no wonder that there is a mocking "Parental Advisory - this record contains Nik Fiend" notice on the cover, though the bleeps inserted into "Motherf*cker Burn" seem an odd step for a band who have never shied away from a little swearing and seem a little unlikely to be too concerned about radio airplay being a problem, especially given the lyrical content of other tracks. Whatever the case, the mix of Rock'n'Roll and delerious electronics is especially evident here, with chugging riffs giving way to an elevated mid section of lilting synthetic voices, acoustc guitars and trippy vocal effects before crashing back gently to earth and the Dubby sensuality of "Baby". This is a track where Sex Fiend have harnessed the bass walk and chopped up Reggae beat to an orgasmically-moaned intro into a typical psychedelic stomp sparked up with scrawling guitar and drum machine handclaps.
807:6:150:: H ad he not been so ugly (and dare I say it, so fucking weird ) I would have hugged him there and then and - oh, hold on a minute, I've got someone on the other line... Shit, yes, the review! God, how nostalgia makes you forget! That and cider. But where were we? Oh yes, Fiend At The Controls . This album is in fact the reason for old Uncle 90210 to come over all nostalgic at ya - let's be honest here, it's been a long time since I listened to ASF, and this, being an album of deleted B-sides, mixes and demos, had not only a whole shitload of stuff (and yes, check it with the OED if you don't believe me, "shitload" is the approved group noun for stuff) that I'd never heard before, such as the Inferno soundtrack, 'cos, being practically the Unabomber, I don't really know video games that well, and loads more versions of stuff I used to love and just haven't heard for ages - "Dead And Buried," "Manic Depression (Dub Mix)" - and at times like that, you just have to sit 
816:6:350:: M agnificent! is as playfully mysterious as its title suggests. Track four, "No, Ha! Spring Was Her Need" is really remarkable, like a drunk Indonesian Tom Waits meets Steve Stapleton on the Trans-Siberian Railroad with Paganini and Smithsonian anthropologists in tow. All of his CDs have demonstrated a remarkable openness to experiment - it's as if the usual authorial/artistic concerns with voice and consistency had somehow just never entered his head. Each song is a springboard into entirely new worlds of musical possibility. In "Memory Sleeping only Cloth-Wrapped", a dark and drifting violin composition like those of Transfixiatio abruptly segues into a surreal monologue about Tantan the town toad, followed by funky clicks and cuts worthy of Thomas Brinkmann . "Spirit Fragrance" is a simple Slavic folk tune gone awry - his lyrics alternate between frantically shouted a la Zelwer , and slyly declamatory. The entire album is tied together by an elegant recurring violin phrase which in "Night Offers Her Face" is delivered to the apparent accompaniment of beer cans being crushed against a forehead and kicked down several flights of stairs. 
821:6:418:: N ow, having listened, I would like the three hours of my life back please. The first cd sounds like life as a small and helpless insect trapped inside a huge, broken foghorn in a factory full of them. Broken foghorns and insects, that is. Respite comes in the form of a holiday in a web of rusting piano strings, amplified of course. If migraine could be recorded it would sound like this. If any despot has run out of ways to inflict slow psychological suffering on an enemy this is available. It is probably cheaper than any alternatives. A Second Dam takes that process further. It consists mostly of a high pitched sound, slightly modified, over 67 minutes. If you want to sit in a room and listen to an unbroken high pitched noise for this length of time you need help. There is no respite this time. Unless you count putting on Spirit Of The Wardrobe which contains large sections of silence interrupted by brief random noises chopped from some unknown source and dropped in at 
821:6:544:: E very now and again, one can hear the question being asked concerning how it is that over and over again there is this resurgence of the black-clad, death abiding, vampire worship trend in outcast youth. How does the market rebuild itself over and over and over and who are the icons of the genre? Certainly there is no danger of thinking that death and darkness are only explored by children of recent times. As Colette wrote in 1936 "...There is always a moment in the lives of the very young when death seems as natural and as attractive as life..." and one only needs to study history, of any time, and any place, to learn that youth has always speculated on the wonders of the dark, on the nether.That this preocupation has found its way to expression in modern times through musick and through its surrounding cultures and fashions should be of no suprise. As for the icons of this mystery in the sense of now, Martin Bowes deserves to be considered a major force in the 
821:6:548:: T he Hand That Feeds is like a sweet melancholic map through the years of this apparent dream. From 1986 there is the eighth track "Dreamsleep", from the album In The Realm of the Hungry Ghosts which speaks of all this, and all like this, "I have climbed the peak to seek new sensation/Can't retrace my steps trapped in my own creation". Then there is the matter of the other CD in the set. This is a collection of remixes. I do not generally like remixes, don't understand the idea behind it. Why bother with others' interpretations of someone else's musick? Still, this being now, and now being the time everything is rehashed for dancability, I will say there is a certain fun in having the subject being some of the world's slowest music turned fast. Like chasing up the barbituates with E's. No big suprise, but the best effort on this portion of the set is "I Am (Eternity)" by Chris 'n' Cosey . Less clubby than the rest, more true to the nature of the music 
822:6:546:: A nd how polite and considerate of Attrition to put together this sort of "Best of.." to waken the memories and pull down the shrouds. I have caught the big lump in my sad throat with almost every track, carried back and heralding my own zombie walk through youth as I listen and remember. It is only now with this nearly 20 year perspective that I realized how much of that was soundtracked by Attrition. Less obvious in name than Bauhaus or the late Roz Williams and his Christian Death , but nevertheless as powerful and influential. Perhaps more so as Attrition did give us that bridge from vampire land over to the isles of the likes of Skinny Puppy and Coil . And Goth-Industrial has led a lot of us back into early Jazz and Blues and further still past to all forms of Classical music and literaure and art. Forever there will be the speculation that the exploration of darkness as a beautiful place will lessen our fear of it all, ease the pain a 
825:6:166:: N ick Fiend has definitely put his penchant for fleshy weird vocals to a depreciated minimum of late and takes even perhaps a calm backseat to getting the bizarre across in the beat. With this in mind, alongside rhythmanical Electro synthetics, Nocturnal Emissions turns out to be a dance record that could easily cross genre pollinate with whatever club scene it might happen to get accidentally (or better, intentionally) stuck in the middle of. Here and again, such as on "Room 101" and "Soaking Wet, Mate" there are nice psycho space breaks, as in the space you get stuck in when you take hallucinogenic remedies. "Big Blue Moon" calmly highlights some of the old Fiend depravity which is a personal favourite of mine. Still and all though, this is a dance record from the old pros who know the beat more than most. Who better really? The Fiends will never be accused of being slaves to the trendlines, but rather it would be a good approximation to realize that they are adaptable without compromise. 
825:6:298:: O ther songs bring less gushing through the veins, but are no less masterful. M. Antony has a voice recalling Boy George and Alison Moyet , and it is speculated that perhaps they are all on the same oestrogen therapy. Still, the honesty and purity of Antony rises and outweighs his sound-a-likes tenfold. Should the listener strike him, or protect him - this is the dilema. The CD also includes a lovely tribute to the late Divine , and this no doubt has contributed to the album's quick rise through the numbers on gay charts. In fact it is in the "divine" style that Antony seems to smile and bleed right in front of us all, shame being only a vehicle for emotional transport. Another track, "Rapture", is difficult to listen to without realizing the scope of death this man/woman must have contended with to come to all this happy bleeding. Playing the record for several cross-sections of audiences, no one yet has been able to deny the loveliness of it all, and so 
826:6:536:: A faux sitar jangles against the tablas on "Camouflage" as a bank of strings slips into and out of the shimmering haze. All very redolent of a Sixties movie that probably only exists in my imagination. It leads into "Face The Fact" which showcases Oakley's almost spoken delivery in among the acoustic guitar and percussion. Her voice doesn't force the lyrics on you, though their message is clear and urgent. I like the way she's another instrument in the carefully chosen layers of sound. For some reason it reminded me of late nights near deserted beaches with the sound of surf breaking and hotel lights set back among parched hills. It has nothing to do with the actual words but that's the atmosphere the music suggests. Oakley's voice is a little more to the fore on "Ridin' In Your Room" as the drum and keyboard sketch out a minimal canvas. A little bit Portishead but without Barrow at the decks. It still exudes a muted air of danger. Music and voice are well 
830:6:657:: M r. Hiller's contributions are not in vain to be sure. It is more a compliment to his versatility really that his modern injections are so laced in as to not be noticed sometimes. And with such strong voices as those of Ms. Diaz , Alfonso , and Cardenas , it is only suited that any accompaniment takes its place firmly in a dim lit background. There are the extremes, for example "Mirame Bien" is so ageless in its Latin romanticism that there is some danger for the faint of heart of absolute swoon. Then we have "Lalle Lalle" which does showcase more of the electronics and the vocals take a side seat at least to reveal an almost Stateside kind of youth Rap you would think of hearing more in Miami than in Havana. All in all, everyone is represented in the most flattering proportions possible and what comes out is a disc full of music that can be held to no particular age or time or space. 
833:6:380:: D rums being carpet-bombed left right and centre while a tenor sax swoops overhead, dumping huge quantities of sonic napalm all around the perimeter. If John Zorn and Oliver Stone ever declared war on one another, this is what it would sound like. And it`s fucking scary. Every now and then, just to break up the mayhem, a voice recites lines on the horror of the Vietnam War. And that`s all the light relief you`re getting, other than the brief pauses between each movement. This sounds more like war than any number of cock-rock wankers, even if the cock-rock wankers were actually shooting at each other. The sheer fucking unpredictability of the Free Jazz medium doesn't let you relax for a moment, even in the quieter passages. Even out on a clear night with no sound but the buzzing of bugs, you just know there's a sniper out there. And he's got a saxophone. And probably a vibraharp too. Not to mention a fuckload of cymbals.
837:6:152:: S o far, so unintelligible. But what (they cry, they scream, and someone has even just tried to carve on my forehead in desperation), the fuck does it sound like? Speaking minimalistically, an Electro rhythm section, some guitar and a bloke shouting. But that ain't no kind of review, is it now? Let's talk psychedelic experiences. The Orb , say, now that's good music for good acid trips. Yes? Good, I'm glad you're with me. Coil ? That's spooky ones. Sex Fiend have always dealt more with the "Christ, who the fuck am I? Shit, I have to go and buy some fags and milk" end of things - or that's what I get from them anyway. Always too much fun to be a "proper" Goth band, yet too dark to be a joke; too Rock 'n'Roll (in an Alice Cooper stylee) to be a Punk band; too Electro to be Black Sabbath , but too good to be Gary Numan . 
837:6:178:: T he sounds All TIme Present draw from their wood-and-wire totems gets through the gamut of scrapes, pucks, pulls and stretches of feedback, and with some complex interplay of the trio's instruments it's all good dirty fun as they sidestep and interact with each other, with Track 4 a particular favourite for its stumbling, staggering scrawls. It's always a pleasure to hear people play instruments for the love of the sounds and textures they can wring from them, especially when the process itself is foregrounded so well. When they take of into flurries of atonal strums and runs (maybe other-tonal would be a better description), mundane terms like melody and rhythm take on whole new dimensions of meaning, sound pictures fleeingly drawn from the what would apparently sound untuned or discordant in other situations (the more conventional Rock or Jazz recording for example). The biggest problem is even beginning to describe the sound - the only option for those interested in the 
837:6:480:: T here's a storming sub-bass-heavy remix of "Rage" with MC D-Stroy at the mic with Hanin Elias and Alec Empire dropping in the screams too - this is the best ATR have been for a long time; and don't forget, they've been stormingly good all that time too. Big music for jumping up and down in the teargas clouds, with tears of anger, resentment - and rage too no doubt - at the state of it all. Will ATR play in pre-IMF Serbia next? Last up on the music front is another take on the raucous " Too Dead For Me ", now fully established as an ATR classic. Then, as is now DHR's habit, the CD single has an MPEG of the "Too Dead For Me" included to spit yet further ire against the forces of bio-tech capitalism, with the Digital Hardcore commandos on the infiltration case once again, broadcasting guerrilla music from the back of a trojan horse corporate truck.
839:6:449:: N ot that this is a full-on Goth misery dirge of an album - the electronics take pride of place, snippy, psychedelic samples ticking over and around each other. Percussion is simple but effective, any the compositions are largely drifting journeys from gentle beginnings into more intense concentrations of shade and texture, and on the whole pretty effectively too. Melodies are often glimpsed and hinted at rather than the foreground element of most of the pieces here, though "For The Vanity Of Youth" steps into acoustic guitar singer-songwriter mode, somewhere in that Tim Buckley arena of fragile, timelessness - or even, and it may or may not be a put-down to say this, but somehow Simon & Garfunkel spring to mind, only more electronic and without the harmonies. Likewise "We Will Meet Again" and "June Afternoon" ride bittersweet swinging chimes on those circling harpsichord-style synth arpeggiations and lilting bass rises which Ka-Spel has made his own - but to dismiss 
840:6:128:: A t times they recall Erik Satie 's work in that you are given a tantalisingly short statement which is then left without further development. It is enough in itself. On other pieces the keyboard is used to produce more sustained barrages of ideas but they are by no means overwhelming. There is an emphasis on succinctness. The player is given little room to improvise and even on a piece like, 'Improvisation on Resolution No 4', he still remains within a compact structure taking no extended flights beyond it. Some tracks make an impression by the force of their brevity just as others appear as spectral visitations and are gone again, leaving the listener with a ghost of an idea to return to. Their apparent simplicity may make them seem unremarkable but it is one of the factors which also makes them attractive. I was happily surprised by this well-presented collection and will look forward to more from Agro.
842:6:272:: S o the lurch into fractured, slippery rhythm on "Prowler Reconstruction" is as much based on tensile metallic half-beat reverberations as the following "SW2xG3" leans towards the avant garde cacophony of snickering electronic shimmer and execrated noise. There is an urge present to take the smaple challenge - identify the sound source, place the reverb setting and extract a pattern first time round on the screwed-up fist of digitalia. Then there's the urge to surrender to the guttering flicker of static amplified to painful levels, to dissolve musical expectations in a slew of distended acoustics, to bathe in the mechanisms pushed over the edge. The fulcrum point eventually explodes into the cyclical whipcrack splutter of "Hesh Round", a glorious assault upon the ear's instinctive defences against noise which folds out in a post-impact gong decay. Where there are moments that are difficult listens in theory, there are other tracks whose hinting at forms of sound construction where 
843:6:358:: W hile there's plenty of vibrant Gypsy spirit meandering it's own merry way throughout the album, there is as much a sense of immanent gloom too, in the sighing and groaning or the accapella self-sufficent choir of "Nervous Breakdown". Its spasmodic bursts of manic violin and blalaika among the dejected piano which wanders through the Blues and out again where the stream of consciousness flows into the mordant love song "Black Eyes". Whatever the mood though, Aranos displays his compositional and performing talents admirably throughout, polishing things off in darkly eccentric style with plenty of disarming flourishes of brilliance peppered throughout some of the more esoteric stretches. The former promote listening to the latter though; as while some can be less accessible in their arrangements at first, they soon become old friends through a familiarity which derives from taking the challenge they offer to give a proper listen to the hesitant amorousness of "Likes Me Too".
844:6:343:: B y turns melancholy and reflective, the album flows erratically from scrape to percussive figure to noise-cropped environmental soundscape with a moving ease. Sometimes it seems that Aranos is singing gruffly in another language, but it turns out to be English, delivered with an intonation which is wholly Eastern European. Swept piano interior chords, clattering cans and cowbells make for dramatic fellows to the ever-descant strings in "Calm Splashes Drown Airports"; the mood is slower still too in thematic fragments such as "Welcoming Body In Blossom-swiping Rain", "And Floats My Unthinking Elevator" and "Runaway Warmth Whirling Alone", which bows metal gleefully at frequencies to set the teeth on edge. As the discordant cutlery of "Memory Sleeping Only Cloth-wrapped" underscores a dreaming tale of cities and towns far distant to Aranos' home on the West coast of Ireland , propulsive rhythms make themselves more than at home in the repeated bowed figure. Wavering dance tunes on 
845:6:149:: O kay! Hands up everyone. Gimme your Alien Sex Fiend Moment (if you don't have one, go out and buy this album and wait until something funny happens. May spoil the whole point of the review, but quite frankly, who gives one?). Mine? Here we go. Off me tits, so to speak, watching Sex Fiend at The University of London Union , oooh, a fuck of a long time ago, and some guy, real scary-lookin', comes up to me having spent several minutes making the approach (so there's me, off my tits as I may have mentioned, going "Who the fuck's this guy stalking towards me?") And I shit you not, visions of mad knifemen, people with guns and even little midgets from the end of Don't Look Now danced before my, I must add, off-me-tits eyes) and says, cagey like: "Is it just me, or was there a giant rat onstage just now?" 
845:6:160:: A s with any good symphony, there's a return, a coda in the shape of the upbeat groove of The Doors ' "Five To One", which conjours both the pilled-up bombast of The Happy Mondays and the harder sort of dancefloor Trance the Fiends were so fond of on the "Evolution" and "Tarot" singles, complete with speech synth and overlaid wailing guitar. As they traipse off into a brightly scrubbed new world with a flicker of delax FX, ready for another trip next time, Mr and Mrs Fiend can be proud of their recapitulation of the lysergic world of ASF on Information Overload . It is an album which has at least equalled the manic peak of the ecstatically-mindblowing Open Head Surgery while pushing their music yet further, something which Nocturnal Emissions in both its editions never quite achieved with the same degree of success, and as such is recommended to space cadets everywhere.
845:6:289:: T his is a beautiful piece of sound, completely calming and seductive in that it draws the mind out of frenetic thinking into more pastoral reflection. The sounds go from spacey drones to sublty piercing highs. There are nice organic sounds of nighttime creatures blended over deep reverberating low tones and pulses, and ocassionally a fairly strong beat is thrown in. "Here to Go" and " PPG Hold PRG 11" feature very blue movie feelings, kind of in the David Lynch ian school of bad bad mystery and proves that Antenne could do a great job at soundtracking strange film noir . What the music lacks as a whole in originality, it makes up for in very special singular noise usage; a rainstick here, cricket and birdsongs there, a heartbeat monitor. There is a definite dark and sinister feel, especially in the Jazziest moments and most of the tracks come up as sparsely romantic.
845:6:372:: T here are tracks recorded in 1970 including, the fabulously titled, "Monolithic Progression With Anticipated Rupture", which showcases the influence of Soft Machine's experiments with repeated riffs and tentative steps towards free form. Imagine some of the second side of Soft Machine Volume Two and you'll be close. This free or impressionistic approach is also evident on "Bleriot : Visibility Poor" where they create a kind of electric fog through which Manderlier's organ swirls and eddies. In 1972 they added a couple of extra instruments to the line up though only the electric flugelhorn of Claude Deron was captured on tape. It shows the band moving further into Jazz territory, as of course the Softs had done. "Riff 14" further exemplifies the technique of building up layers of riffs though, I assume, without the use of extensive tape-looping which Ratledge and Hopper explored. As for Deron's flugelhorn, it does add another colour and allows 
846:6:183:: O brother... The latest and first in a long while from Marc Almond proves not really worth the wait. In all these years, Mr.Almond's voice has not been ruined or even changed very much from its previous glory, but it seems little else has moved on either. The terrible synth-Pop of the music is not quite as horrible as listening to S Club 7 , but almost. The lyrics lack all of Almond's former creativity and go more like pure hip Pop, Bacharach style. Almond almost reaches crescendos worthier of Bette Midler , but without her sense of humour. Perhaps his fanbase from the early Eighties will mostly have grown up and gentrified themselves enough to settle in for this easy listening. Personally I think I will try to forget ever having listened to this record and when in the mood for Soft Cell , go back to the old ways. Non-Stop Erotic 
846:6:214:: T he album is a multi-layered collection, flowing neatly from well-chosen filmic samples and reversed acoustic guitar loops to Electro-Acoustic shimmers. There is a recurring improvisational feel to proceedings, which lends an air of experimentation without descending into meandering rambles. There are parts where the rhythms emerge to a chiming, even Funky loops, such as "Blue Kephra" and "Broken Cone" which display a keen sense of structure, but unfortunately sometimes the keyboard sounds are also a tad digital and intrusively so. Still, despite this and the sometimes imperfect mixing of the analogue tones early on (which soon dissipates into accomplished sound selections), there is much more to enjoy on Zenith Pitch , and an obvious maturing of the sound throughout the album. The openness displayed is refreshing, with tracks evolving organically as audio sources make sharp turns or liquid segues into new pastures. Predictability is not the order of the day, and it's 
847:6:208:: T he slowly heaving industry which opens "The Tower" settles into the wheezing realms of heating-system atmospheres and emergent carrilion brightness of a child at play in the sun; matters become benificent as the clouds clear to a soothing pulse. Side Alpha draws to a fractured close with "Broken Mare", where Danielle Booth 's vocals are treated to the full ectoplasmic effects on waves of fractal splinters carved from whole electronic cloth and shredded gently into a nodding locked loop. The Omega side wells up in the standing drones and occasional bass impacts of "Ghostglass", scoring a sharp trail of slow-motion movement among the quiet of the spaces between the bells and omnipresent meditating hums. "Under The Sun" is virtually a song by contrast, as the distorted voice of Russell Goodwin intones in an apocalyptic dreamstate to his flanged guitar and Robert Patchen 's doomy bass while electronics decay in the undertow.
848:6:216:: O ne thing this CD isn't short of is ideas, even if the execution may not always be entirely smooth in the conventionally accepted sense - and this too, can be advantageous, taking the frame of music's construcion and shifting it slightly. Then a moment will come where everything gels quite excellently, such as the aformentioned "P'Zoar" with its shivery-feeling synth warbles, reprocessed Crowley samples and slow repeated keyboard chord, and the following "Dione (Questioned)" where an ominous, shuddering bass undertow is accompanied by yet more analogue flurries and a pervasive sense of unease. With further disturbances rising gently to the foreground as can be found in the spooky aetherial wails and churning synth sounds of "Messianic Metallurgy", Zenith Pitch works extremely well on these occasions, and is highly recommended for in-depth exploration. There is plenty yet more to come from Amenti Suncrown in the near future, including the companion !!A 
849:6:279:: T here is a certain sonic purity to taking the crackles, crunches and hums of objects isolated from their acoustic setting and placing them in conjunction with sound sources either more usually regarded as instruments (guitars) or tools (computers). The percussive patter of applied contact with microphones; the audible hiss of an open mic or running tape; effects units triggered or left to work off their interacting inputs. The fed-back, looped or distended tones that fill the space between irritant and adapted environment crawl to the accompaniment of levelled-out repeating delays, digitized abstraction, deracinated noise detonations, drones and pulsations, electronic constructions. The exterior intrudes in the shape of motions, rhythms and even notes that are apparently the results of human action - hands fiddle with the input, place half-guessable implements and objects in the role of acoustic source or subject, building the whole into an expansive, highly abstracted yet involving 
849:6:624:: F anciful and wildly inaccurate as that idea is, it's a notion which never quite escapes credulity when listening to Confield . What might start out as a fairly linear rhythm will go astray, seemingly of its own volition. The insertion of a liquid blip here and there soon becomes wilfully lateral, as do the tumbling beats made from sucked-up detritus, fast-chiming metal or deracinated melodies. Recursive carhorn trickles like "Eidetic Casein" command queasy directions to a lapsed beat; dissolution is promised and delivered in the entropic lacerations and tachycardiac stumbling bass and trills of "Uviol". Jazz could be an obvious invocation, but (real) Jazz doesn't sound this cybernetic. Chaos expanded inside the sequencer? Improvisation mmashing up composition and happenstance through a selection of filters, black-boxed or software as seems appropriate? When the percussive entanglements of "Pen Expers" flood out spreading sonic confusion, it really does sound like the apocalypse 
850:6:324:: A ppliance 's music sways, shimmers and grooves along with elegant ease; those warm electronic sounds snickering and gliding across each other as repeated melodies twinkle in the instrumentals, with some restrained guitar, real or otherwise, lending a twinge of emotion. Heartbeat percusion, lilting keyboard plateaux, dubbed-down tempos with a merest hint of slapped-back breakbeat make for even-tempered companions as Brooks reflects huskily on the duality of human consciousness, observes the world outside, ponders on the loss of a space race, tastes and feels water... Like the lyrical content of Spacemen 3 and the wistful out-there qualities of Spectrum , sometimes it's not just the words so much as the half-awake, otherworldly delivery that is important here, and it sometimes sounds like he's dreaming aloud. A hallucinatory groove and distanced lyricism rules everything, and Appliance have made it work to pleasant Elecrto effect with a light touch on Imperial 
851:6:157:: T here is something at once comfortingly ordinary and outrageously Other about Alien Sex Fiend - the extraordinary seems such a part of the Fiends' image that they wear it to the point of blending into the landscape of the musical landscape. Nik Fiend has always delivered his barbed couplets and blokish paranoia with the deadpan conviction of the geezer down the pub who lets everyone know just what's wrong with the world in a highly entertaining manner, while Mrs Fiend gets on with providing the backdrop of sinuous, twisted electronic sounds as the instrumental powerhouse behind the ASF throne. Information Overload is their long-awaited follow up to the Techno trip of Nocturnal Emissions some seven years back (four if taking the improved and expanded Special Edition from 2000 into acount), and takes their sound into the Twenty-First Century proper with yet more devious purpose and infectious appeal.
852:6:655:: W ell I am supposed to listen to this CD and be amazed at what technology can bring to life in the antiquated traditional sounds of Cuban music today. While the production techniques of Holger Hiller are undoubtedly very masterful, what impresses me most is that they do nothing to water down the sumptuous vocals that obviously take their strengths from a long-earned heridity of impassioned Latino singing. All the sampling and processing does nothing to quieten those lush voices; in fact, it simply becomes part of the music and blends nicely with the superior big brass horn sounds that are the dressings underneath. It seems the purpose is to show a more contemporary side of Cuban music, perhaps where it is today, and to this end the album is subtitled The Next Generation of Afro Cuban Pop . Without benefit of being able to translate the 
854:6:444:: G reek conceptual audio artist AS11 presents the sound of running to break the 5000M New WR (World Record), pre-, during and post- acheiving the record. Heartbeat. Breath. Pulse. Put this on headphones and go jogging and see what happens to the heartrate - would it be a help or a hindrance? Apparently the current record, held by Haile Gebereselassie of Ethiopia, is 12 minutes 39.36 seconds, so of course each track takes the listener through the paces surrounding the record attempt itself at the appropriate durations, including the pumping heart muscles afterwards and a settling into near silence. It's all quite a strange set of experiences to listen through, a form of virtual audio reality, especially on headphones. Consequently, a full run through is also rather tiring, but without raising too much of a sweat of course. The ultimate in sports couch potato voyeurism?
855:6:630:: T he first challenge to Autechre`s latest release is which side to play. I received a blank CD, no markings, nothing to even hint that it had passed through the hands of Messers. Booth & Brown . I've not seen the version thats going out for release, but I hold out the hope that it too will be just as uninformative. ( It's black - Ed.). EP7 isn't really an EP, as it lasts for 70 minutes which is somewhat longer that an EP in my book, but this is definitely Autechre. Once again, some really rather nice ambient tracks get the Ae corruption treatment. I can't quite pin down what it is that they do to music, but there's something subtly not quite right about it. It's warped, as if the music and not the record was left too close to a radiator. 
856:6:245:: H er voice may be clear and she perfectly enunciates each word, as on "One White Whale" which is the only track I actually enjoyed. But too often it sounds like she's narrating for a Disney movie; listen to the opening of "Pieces And Parts" for example. It's so twee and affected and the song is about whales again. I know, she's done a project about Moby Dick but it still sounds 21st Century Disney rather than 19th Century Melville. Actually there is one other track I can listen to but it's an instrumental, "Here With You", featuring violin, cello and bass. Following that there are more strings and that banhu creating interesting textures on "Slip Away", a sort of meditation on loss and death. Unfortunately, Laurie's in portentous narrator mode, half-singing and half-speaking drivel like "Oh death that creep that crooked jerk."
856:6:542:: O hail and wail, the Goth revolution lingers... In glorious cinema-like splendor, Martin Bowes and Attrition present us with a double CD collection of some of the most little known but well done Goth extravaganzas chronicling some seventeen years of persistent vision and beauty of sound. Over time, Mr.Bowes and his various collaborators have done much for the bringing together of electronics with raw form music, and though I doubt anyone would rush to give credit to him for this, perhaps we should re-think it all. Attrition is somewhere just to the upper left hand corner of the Gothic world, riding off-center of Industrial Dance and crawling out from under some stacks of baroque centuries old Classical. There is a definite remembrance involved in listening to this collection of the late Eighties/early Nineties, a time when gay clubs in America were just about 
857:6:63:: O pening with a slow drum machine stomp and bringing forth the whinnying swoops of analogue synths over just about three minutes of avant-Pop chug, "Take Me To Your Leader" sounds like nothing so much as The Residents doing over Gary Glitter , distended vocals and music alike. Which, come to think of it, is a real surprise that the anonymous monoculoids haven't done already, but now Add N To (X) have hit that particular nerve, there's really no need, as this is about as good as that particular idea is going to get - ironic and fun at the same time. The CD single includes a Surrealist MPEG video for the track, which features the band struggling across a Jodorowski -style southern Spanish landscape with a big white trunk which might as easily be a coffin as a synthesizer travel case. 
858:6:252:: M onstrous scrapes give rise to equally thunderous crashes and blown drones on the echoplexes and delays, volume controls are set reverberating and that guitar really doesn't sound well at all. Noise is everything, expression the key and sonic interaction the method - tensions uncoiled in febrile particulate sound which spasms as the players seek to maintain control, then let loose the knife edge of overwhelming noise. It is not always a comfortable experience to sit through, nor should it have been expected to be. Asking if the results are any good is a bit like wondering if the weather is well-composed - what is expunging forth from the speakers here is too elemental to judge in simple musical terms. In fact, calling it music is misleading - thaumaturgical sound management might convey the sense of barely-constrained acoustic forces at work.
859:6:618:: T he eclectic jam aesthetic of Price's previous band, the protean Zeb ( Zebulldada ), has been magnified and supercharged. In Ryan Horlacher he has found a suitable opponent and partner in crime. Perhaps the stand out moment of Audiobot vs the Galloping Oscillator proper (the CD also includes the Texturiles EP as a bonus) is the track "Lovey" with lyrics "ghost written" by Zeb co-founder Joe Baker . The rhythm and static fuzzbass of this track carry an awesome nonsense chorus from the highest moments of helium abuse in a demented dying insect dance drama... and then it is gone. But there are too many other apexes and epiphanies, as if the duo were following Stockhausen 's blueprint for the Moment form, and it can probably be best described in voltage diagrams or roadmaps or Dewey numbers or something.
859:6:623:: D ammit, Autechre can still confound and confuse as much as they've ever done. Skims of the sound of the natural world meeting the digital and electronic mesh like no-one else has quite managed to acheive, despite the legions of followers who somehow get the sound but never quite the feel just right. Perhaps it's not just the selection of what could be a ball-bearing revolving endlessly, stochastically around the inside of a virtul metal bowl which opens the album on "VI Scose Poise"; maybe there's more than just the way the rhythms seem to fragment, then reveal that they were just taking a different turn than might be expected. Could there be something to the notion that the machines are making the sounds by themselves, and Messers Booth and Brown are lifting them out as collectors, rather than composers?
861:6:395:: M �tini Br� are Melissa from Chicks On Speed and Jan Schade , and their take on " Control " brings up Schade's cello for what appears initially to be a lenghty swooning intro, but soon turns out to be the string backdrop to Melissa's characteristically quizzical lyrics make for a surprising interpretation of the somewhat bombastic Electro original. The contrast could not be starker. Highfisch Diringer , being trendy Berlin DJs, pump up "The Hole/Das Loch", slewing off the instrumentation into a deracinated purr over a stripped-down beat. Their translation of the English words into Japanese and then on to German is somewhat opaque to non-German speakers, but it's the process that counts sometimes. Perhaps they also did something similar to the bass and drums, because they've come out somewhat garbled in turn - but enjoyably enough.
862:6:641:: I nfected with shivery rewound and rinsed-up trills and even wayward freeform trumpet solos, there's a sufficiently off-beat feel to the production values on Only Tonight to save it from the wavery realms of cheesy danceable schmaltz it frequently threatens to dive right into, and the finale "One Night In Rio" really goes to several towns in this respect. As Mr. Austen chats about his jet-set lifestyle, and a cocktails and lost luggage hijacking adventure in Rio, LA and Berlin with a resulting rescue from the Brazilian anti-terrorist Police, a suitably tropical backing swings and trickles gently in the background. This is definitely the best track on the album, thanks partly to its old-fashioned comedy shaggy dog story delivery and also to the way the music wavers off into the realms of delerium as the tale concludes. 
863:6:402:: A rtist Unknown 's sense of humour is somewhat scathing, as the title and tunes of "Standing On The Shoulders Of Midgets" Parts 1-4 show; each takes a naggingly familar Eighties melody or clich� and pisses around with it for a while - "Part 1" uses their name as a vocal squirm over a shuffling brushed-drum beat; "Part 3" shuffles a beat around some electronic whistles; "Part 4" might rip off Cameo . Elsewhere, when they call a track "Anthem" they mean it, with handclaps, big swirly 303 stabs plus DX7 curlicues and all, topped off with ridiculously pompous lyrics to match: "The music is loud and the time is right/So follow us to the other side, tonight". The spirit of Ultravox lives with a German accent, and is even more amusing when it's delivered deadpan. 
864:6:475:: T he set and the CD lasted 27 minutes - it sometimes comes across more like a small aeon's worth of prowling, glaring audio bile - but varied bile at that. Tidal ebb and flow of rushing noise; sirens wailing a gush of Zen alarm, freeform keyboard bleeps and buzzes merging into surging roils of the sort of noises your mother probably wouldn't even recognise as music, let alone like, that kind of thing - though it might bepend on the mother in question. How would the Metal Muthas take it? Apparently, they weren't that impressed, but fuck 'em if they can't take a (serious) joke. A pre-Y2K blow out, just in case the world did end, this CD will come in handy for New Year's Eve 2000 when the real fun might just start.
864:6:599:: T hey're still on a heavy bass marijuana trip, with every boom echoed, every guitar soaring off in mind-melting directions, though the rhythms are generally quite upbeat and, well, active - so this is more a skunk than hash album, wired over tired, and quite likely designed to suck the head off with ominous vocalisations, spot sound effects and long, winding trails of planet-sized echo. The theme still follows on from the Spaced Opera developed in Apollo Choco (which featured a spaceship made of black hash), as the crew (or "Stoned Troopers" as one track puts it) battle the Evil (H)Empire with their own psycho bud proselytising and driving rhythms. Quite loopy, and obviously completely off their heads most of the time, Audio Active have produced quite the most bizarre smoking album of the year. 
864:6:633::of rusty bolts rhythm drops out of nowhere and starts churning around. After heading nowhere for an unspecified time, the whole piece falls apart when it can no longer sustain itself. So, having got this far it looks like Autechre haven't embarked out into new dimensions. That's true enough, they are refining and working with what they already have - and that's something pretty unique. No other group manage to sound so thrown together at the last minute. Only they manage to get the perfect MIDI to sound like it can't keep up a straight rhythm - quite an achievement. This is one of the deceptive things about Autechre, the arbitrariness of their music hides their inventiveness and technical skill. After all, purely arbitrary throw it all together music inevitably winds up sounding like a pile 
866:6:246:: T here is more narrative nonsense on pieces such as "Dark Angel" which is about the said angel parachuting into an abandoned town, following which nothing really happens in the lyric department. The potential for creating an interesting scenario is also passed over in "Washington Square," where images of the city are loosely strung together but don't say anything. And she tells some of it in that voice which really starts to grate. It does this too on a daft tale about snakes in Eden "One Beautiful Evening" where somehow Egyptian steam trains get into the picture too. The lyrics to this one don't bear much scrutiny but include the kid's rhyme about being a teapot short and stout and a few snippets of 'hey hey nonny nay'. I wish I was joking.
866:6:281:: A F_M places the itself somehwat in the role of augmented document, where the selection and positioning of sounds in the dynamic interplay of time, symbolic resonance and volume almost becomes the be all and end all. Almost, because the expansive possibilites for imaginative immersion are many; equally, as the artists implicitly recognise, the recordings are not necessarily easy to engage with. Thanks to the collaborative nature of the project, the organic elements remain extremely strong for the most part- this is not mathematical software music, but a high/lo-tech extrapolation of sound sculpture shot through with the dynamism which comes from temporal- and space-specific artistic exchange. Perhaps the best approach to this recordis one of open-minded exploration, and the sounds or music, whichever term suits, of AF_M certainly demand a willingness to listen.
866:6:473:: R ecorded at the end of an exhausting world tour in November 1999, with Hanin Elias out of action and Carl Crack gone loopy, as the sleevenotes describe Alec Empire and Nic Endo "were finally standing in front of a sold-out crowd of 4,000 people, Nic and I felt like we were in a bubble, a capsule, cut off from everything around us." With their support slot for Nine Inch Nails marking the opportunity to give the Industrial Rockers' fans some real noise, as much as to get the frustrations of the tour out of their psyched-up systems, Atari Teenage Riot let go the Digital Punk song structures, and with an opening cries of "Digital Hard Core!" an an ironic "1234!" let slip some of the most poundingly atonal music they've ever recorded.
868:6:616:: I an Price and Ryan Horlacher , or perhaps Audiobot vs the Galloping Oscillator , are engaged cheerfully in a fateful battle of wills. The equipment has become so integral to the performer's method that questions of distinctions between human performers and sound producing machineries have become somewhat obscure and pedantic. But all this is a flurry of overcooked horsechestnuts: What distinguishes these performers and their prosthetic crutches from a hundred others engaged in similar power struggles is the sheer joy with which the whole endeavour has been embued. Genre is more often completely ignored rather than subverted or perverted. The careful listener may hear fragments of Electro, Drum'n'Bass, Krautrock, Jazz, Lounge and a number of other well worn pigeonholes but that same over-intellectualized ear will perhaps learn if it listens 
869:6:357:: F rom time to time Making Love In Small Spaces brings Aranos' concerns with personal freedom and musical ellipsis to the fore so strongly that it becomes quite overwhelming. The descant falling off of melody into a whirl of strings and fragmentary drum machine beat is as likely to speed off into a lugubrious Eastern European Folk dance tune as into avant passages of undefinable abstraction where his keen ear for dynamic maintains an occasionally outr�sense of melody. Sometimes songs like "New Guitar" or "Never So Good" with its resonantly toe-tapping telling of the avoidance of work in a welfare Disneyland hold hints of The West (to Amrica or of Ireland) as much as the East, but Aranos inhabits his own gruff world of surprising arrangements and swinging environmental sounds.
871:6:10:: T he leanings of each track tends towards progressive accretion of sounds - chirping clinks in "Dream Machine", circling buzzes on "Without Gravity", the radio static and stuttering loops of "Nerves" - and then something happens. "Without Gravity" gets a clunky-funky beat introduced to underpin the spiralling synths and a sprightly keyboard melody to boot for example, or the spluttering analogue loop of "Spinal Tremor" dissolves into stentorian thuds and a miasma of aquatic squirls thoughout its somewhat extended duration which closes the CD. There are moments of Ambient Electronica aplenty here, and Paul has certainly learnt a thing or two from Autechre and applied it to the mix, though there's still a quite linear feel still to a lot of the pieces on Selected Freqencies... by comparision.
871:6:312:: T he four remixes set the same high quality as the original and capture the moody atmosphere of Duplex . Thomas Fehlmann takes the delicate piano melodies and rhythms of "Schallstrom" and produces dubby Techno that is easily the funkiest remix on the EP. Seattle based L'Usine Icl reworks "Contradiction" into drifting vocal and instrumental textures reinforced by crunchy Electro beats. Apparat's vocals are still present ... just. They are processed to the point of no return. The result is laid back veering towards melancholic. Monolake takes the complex sax laden "Steinholz" and creates a deep organic sounding remix. Anders Liar 's remix of "Wooden" is the most minimal track on the EP. He reworks the original into droning distant voices over a stripped down insistent bass drum.
872:6:274:: I f Early Mess has a definining characteristic, is is probably to be found in a prowling sniff at just how much the disparate sounds can become unified in the dubspace between contact mic, environmental collage and digital studio abstraction. There is a greater concentration on the effect of processing on the indivual sounds themselves and their concurrent placement and cross-pollution in a sequence than the glitchware electronic pulse of much of the click and cut (re)generation. The real world remains a constant presence, at least as reference point, throughout most of the tracks - as heard bouncing off the crevices occupied by a woodlouse or termite gnawing on those tasty cables right up inside the warmly resonating machinery, and the occasionally consequent short circuits which result.
873:6:318:: T he filmic moods range from the pastoral cycles of acoustic guitar and sparse downtempo electronic beat construction to more unsettled soundscapes of dialogue fragments in several languages. The conversations drift past like overheard transmissions plucked from the aether, passing moods more than direct sentences. A virtual babel of restated phrases and banter seeps around the wheezing sequences and gently evocative guitar, never quite holding into any particular place, but passing through from painterly tranquility to urgent drama in the course of one track. "Crescendo" is made from the sharp intake of breath and its expulsion, raspberries and other labial fricatives turned into a shuffling rhtyhm accompanied by an equally Jazzy piano, the human beatbox rolled upon itself in a virtuoso display of restrained sample manipulation.
873:6:345:: T he switchback slide from identifiable songs, melodies and thence to the joys of found percussion and abstracted Electro-Acoustic manipulations which characterises Magnificent!... keeps everything well and truly on its toes. "Spirit Fragrance" is possibly the most invigorating tune on the record, with the violin rising and whirling magnificently to the plucked rhythms, as Aranos sings his (and possibly someone else's) heart out in fulsomely surreal style. It is a real pleasure to find joyful melancholy made inseparable from seriously gleeful experimentalism like this, and as the thoughtfully-spaced notes of "Ocean's Bed Is Aflame" sustain gently for 23 minutes through bell chimes, scratch and sussurus at the album's close, a quiet calm is soon apparent in the rise of deeper gong tones, and a pizzicato farwell.
874:6:356:: M aking Love In Small Spaces reels and roams from an evocative description in "Russian Tanks" of the time when Soveit troops arrived in Aranos ' native Bohemia to praise of indolence in "Steady Job". As the latter song declares "I'd rather be poor/homeless and insecure/than pay taxes to support your system", reeling in multi-track delight and reedy gloom to a loping string bass rhythm, the violins slipping and gliding with mischeivous high tones as the sheep declare their preference for fresh air over government and city living. As the tempo rises into a bleating whirl for the conclusion, the fantastic imagery of a row of sheep dancing into the twilight of their empire in Irish echo of The Seventh Seal springs irristibly to mind. 
874:6:448:: A 78 is Lars Tngmark and the firsat thing that's noticable about Intervention! is (apart from the effective, minimal sleeve) is that he's obviously a big fan of The Legendary Pink Dots , or more specifically Edward Ka-Spel as the very melancholic "Wave Goodbye" demonstrates early on. Another bonus is that this and other songs like show that Lars' singing voice and delivery are quietly haunting, soft and treading a fine line between enuiui and sorrow. The CD also shows an affinity for the more mournful end of synthesizer layerings and the joys of the digital delay and its associated pitch controls, subtly-used too, which is often easier said than done, as found on the propulsive, circulating ambiences of a track like "Lonesome Cabin Omission". 
875:6:258:: I nstantly a flood of recognition and nostalgia. Growing up in the Midwest in the 1970s is something that tends to leave cultural marks fused deeply into the consciousness - sub- or otherwise. And there was a time when a boy could make some sort of living by collecting bottles and cans, as Michigan will give you anywhere from five to twenty cents for each one you bring into the convenience store. At such time, the loud-speakers were exceptionally loud. Loud enough to bring the nostalgia for an age yet to come (that of being a hessian without no aggression, swig puff puff) into fuzz and into focus. So too is it with these sounds - guitar, bass, magpie vocals and drum drum drums. 
875:6:401:: O pening track " Control " is straight off their last EP which didn't actually have a title; "Piper At The Gates Of Detroit", "Siechen" and "Funkytown"-revisited track "Dsseldorf" are taken from the same source too. All are still just as deranged in their blending of synthpoppy funk and crispy Eighties beats'n'bleeps with occasional squirmingly distorted vocals or moodily uplifting FM synth chords as appropriate. "Danclikespastyx" has a mildly offensive title, but the squeaks and clipped nodules which make the basic melody for some arpeggiating, defiantly midrange synths, to chirrup around are brightly enjoyable enough. "Mantra Debil" lopes along in flanged-bloop mode, taking the inevitable autobahn to Komputer world, while "Luvgun" is strangely like Iggy Pop at his most downbeat meshed with lo-NRG beats.
875:6:474:: T his is a document of a live shop, but the audience noise can hardly be heard under the weight of effects in revolution, phasers set to kill, never mind stun. A cathartic blast for the band, no doubt, and a fucking gruelling one for the listener as much as the audience too. But it has a calming, eye of the hurricane feel in there as well; feeling the almost physical presence of the digitalized noise spluttering out from speaker to ears and back becomes a naturalised sound, and immersive environment. When the echoes calm to a muttering pulse, it becomes curiously gentle by comparison, buffeting back for a scream of cross-bled unnatural harmonics and the occasional hint of demonic vocoder improvisation from Crack.
875:6:535:: M ichael Zimmermann meets Patricia Oakley in a series of gently Ambient scenarios and produces some mesmerising Electronica. There's barely a harsh note on the CD, which makes a change from other releases in this genre. Zimmermann's arrangements use textures from certain kinds of Jazz and rhythms from all over the place. Take a track like "Dee One". It has a simple wash of keyboard over a bass figure plus lots of percussive effects. Then the piano gets a little more dense and the piece is filled with clusters of choppy chords. They too fade and we are back with a minimal drum beat and keyboard that drifts in and out of your head. The effect is that of a superior soothing Lounge music.
875:6:564:: A ube is Akifume Nakajima , a noted Japanese noise artist, who has crossed a border with Ricochetentrance . For years and years we've been hearing people make music out of anything they could force to produce sound. It has been said that the need to have music in life is so strong as to drive people to create noise by whatever means they have available. Instruments have been optional forever. Think of primitive early American mountain dwellers, strumming out melodies from their corrugated washboards, cavemen beating on bones, Platform 5 weilding spanners on their radiators. This is how instruments were ever even invented, right? But here we have a man who has taken one essence of life, and used it to produce another.. 
876:6:144:: T he rumble and quake of one tone leads to a ringing bell and voices out of a sea of confusion. Many different kind of bells speak to each other in misunderstood introspection. Do tones have secret lives of their own? A more measured cadence bridges backward voice to backwards voice - it's easy to see where this could be rampantly applied in modern dance. Tones vault, frightened flocks of birds in the seas of unease and the rumble and shine reverberates (which incidentally is the longest word one can type using solely the left hand). Mass acceleration hits like a bell that was struck and beats wash effulgently across the speakers and what's being called out by the ringing tone? The end?
876:6:209:: T he electronic instrumental mood continues in "Oppenheimer Swarm", as a sampled voice loops upon its own tail and outwards into a hall of echoed mirrors and fragmented husks of words estranged from meaning and brought to a grainy end in Babel. The concluding movement, "Tellurium", shivers and shakes up a cluster of granulations and further deracinated phrases into a dry heave of samples and mixer tones, groaning out almost the on the edges of the groove itself until the final loop of condensed gutturals and irritating, wakening squeak. Golden Nadir is an oddly beguiling record which skims the fringes of Dark Ambient without descending into the banalities of the form, accumulating an apparent identity and mood for Amenti Suncrown in the process.
877:6:513:: T hen we get "Revolution Action", plus a mad fucking mix of "Anarchy 999" - one of the best tracks on the album, where guest HipHoppers The Arsonists shout "The world the world the world is on fire!!!" and it feels literally true - and a totally incredible live recording of oldie "No Remorse", still an important part of their set, with Hanin Elias again urging the audience to "Start the riot!!". Whether they did or not is unrecorded, but on the strength of this track, they fucking well should have - Drum & Bass to burn flags to. And in case you still think of ATR as "cartoon Punks", just try imagining Scooby Doo with an Uzi jammed up your arse. 
878:6:381:: A part (obviously) from the Jazz element, there's something to this that reminds me of Crass ' Reality Asylum , or Current 93 's classic Dog`s Blood Rising ; the random bursts of fucked-up poetry, the anger, the sheer fucking sonic chaos. The third part starts with a fantastic sample of a Vietnam vet railing against a country that sent him off to war then wouldn't let him talk about it "Cuz it`s kinda upsetting around dinnertime... Well it upset a lot of people to the point where they're fucking dead", before the Jazz noise kicks back in, as embittered and angry as the speaker. Drums fire small-arms, and the sax responds with everything it's got. And the war goes on.
880:6:640:: T here's guest production from Ken Cesar on opener "Music", which out-funks the Madonna track of the same name by several degrees of tuxedoo'd schmooze, while the Disco pianos of "Hoping" work overtime with the handclap as Louie raises his eyebrows in contemplation of his latest act of dancefloor prodigousness. Naughty friend Peaches pops in for a quick raunch and an early morning wake-up surprise on "Grab My Shaft!", with no innuendo needed or implied - it's all there in (possibly too much) dirty Electro detail. With singalong stompers like "Hear My Song!" and "Amore (I Love You)" to get the handbags swinging and wavering to the low end along as their owners dance around them on the floor. 
881:6:271:: B ringing together various portions of Antenna Farm 's cut'n'paste environmental modifications, Early Mess piles on the noise and snips through the urban melodies which found their way through hybrid analogue/digital methods into their Powerbooks. Extrapolating and remodelling their way from the early days of turntablism into yet further abstracted areas of sound manipulation, the ghost of Musique Concr�e hovers everywhere in their machines it seems, even when the devices are being fucked over in real time without the direct aid of software. Linear rhythms are not really on the agenda here, though engrossing inside-out moments like the bassy "Prowler" or the gentle scissors-reverb-snippet of "Macro Collapse" dance around the fringe of more palpably defined agendas and genres.
882:6:137:: A beacon wends its way - much wending - from the fog that is itself, into a clearer signal. Signposts of familiarity - guitar skree and feeding back - arise sporadically, then more regularly. Somnolent staggerings rise up against the chittering of whatsit in the background. It's as if the piece levitates from the swamp and mire - compact with the Blues unannounced? Reverberations gong the call - have the number of psyche-activating frequencies been charted yet? And then an organic organ distinguishes itself from the fray, which seems to calm - or is this just before a storm? It's as if there are distinct chapters being called forth in a story - but what determines the
885:6:127:: A gro 's compositions are played/interpreted by Tomas Bachli and convey a range of moods, such as the restraint of the opening 'Two Short Pieces' with their gently rippling motifs and the sustained chords of 'Poem no 3'. They aren't often particularly memorable in a melodic sense but sometimes a chord progression will remain with you, as in 'Poem no 7' which recalls a brief fragment ; something remembered from a longer work, an overture abstracted from a piece you can no longer recall. The same maybe said of 'Prelude 12' where the melody alludes to another earlier classical style. These are miniatures, carefully condensed constructions, with minimum embellishment. Nothing showy or ostentatious here.
885:6:349:: A ranos has brightened my day once again, this time with a CD called Magnificent! Magnificent! No One Knows the Final Word - Its unique distribution scheme alone makes it a pleasure, but when it arrived this morning wrapped in real estate adverts from The City Times , (I like the three floor family house in Bedford Gardens for only 1.25 million Pounds) I really was surprised -it's certainly the most beautifully packaged CD I've ever seen, with a spine made of real bamboo, covers made of handmade Nepali paper intricately pressed with wildflowers, and a pair of hemp ties attached with beautiful purple clasps. Looks as if he made it just for me. 
885:6:371:: I t was the band's intention to develop the Arkham sound along the lines of the so - called Canterbury bands like the Softs and Egg and it is possible to hear echoes of those very English trios in Jean-Luc Manderlier 's keyboards, particularly his Hammond organ. The fuzz-organs of yesteryear indeed. Some of his compositions use patterns and riffs that wouldn't be out of place on Egg's The Polite Force or the Softs recordings before they expanded out of the trio format. They use shifting time signatures and spiky, angular organ solos that veer towards Jazzy improvisation whilst retaining a melodic line, much like those played by David Sinclair on early Caravan albums.
885:6:439:: T his is something of a landmark, being Koji Asano's twentieth solo release in the space of far fewer years, and it opens up with the sound of the wind. This wind could be as easily electronic as environmental; buffets of noise wash against the microphoone, and at intervals a rather large bass presence emerges from the depths of the single 72-minute track. Quoted Landscape demands as an absolute necessity that it be played at loud volume through the most capable speakers available, or on headphones. To do so is to be enveloped in an alternate reality, where the sound of the onrushing crackle, wafts and breezy booms takes over the ears and senses.
886:6:658:: I t is also to Mr. Hiller's credit that he has recognized and not exploited the much sought-after Cubano sound. One can only hope that as time goes on and the trend of the Cuban experience wanes, others will take his example. There is value in that tiny nation far beyond the marketing profits to be drawn out by those such as Barcardi and others who would turn yellow rice into exotic "paellas". Having been so isolated and ignored for so long, it is not suprising that their voices are now so full. Holger Hiller's gentle approach to helping give a platform to Azcar Letal is a gracious one to say the least. 
887:6:512:: I f ever music needed repoliticising, it fucking needs it now, when even governments seem to be losing interest in politics. Along with Asian Dub Foundation (also shit hot, but not for my money in quite the same league), ATR have taken this job head on, coming out of Techno (admittedly an unlikely breeding ground for Situatuionist rhetoric) and dragging it into the forefront of it's role as "the new Punk" (remember when that phrase was bandied about constantly?) and making it louder. "Like a toy without belief, like a seed for the Fascist society, you! You are too dead for me!!!!!!!!!" shouts Alec Empire , and cop cars explode around him. 
888:6:291:: F or those who love "Here To Go", there is an extended CD available with a few too many versions in my opinion. The edits pale beside the full version, but there are remixes by other artists including Full Swing , Zammutto , Acclera Deck , Metamatics , and Geiom . The versions vary just enough to create a 30 minute plus Ambient set before it gets tiresome. I think Antenne have captured the art of hypnosis through repitition and the full length album #1 has some wonderous moments towards that end, but to be honest, all the remixing of the most Pop-like song seems to me a bit of overkill. 
888:6:409:: T here isn't much change on the next couple of tracks, except for the addition of some minimal bass and live sounding drums. Track 5 comes alive thanks to a Mike Ratledge -esque organ solo - yes, Soft Machine were another of Asahara's influences. It threads its crabbed way across the sustained din of manipulated noises, a bit like Ratledge guesting on a Faust jam, if you can imagine that. To follow there is a short trumpet solo that sounds like it was recorded in a large barn full of buzz-saws and angle grinders, which would further highlight the Faust connection. There is even the self-explanatory "Jazzy Freak Out" before "Closing". 
888:6:479:: Y eah, bring the nnnnnnnnnnoise!!!!!!!!!!!!!!!!!!!!! Atari Teenage Riooooooooooooooooot ! Kicking hardcore riot beats! Fuck tha Police! Slogans like "Our Governments Are Fucking Murderers!" Tom Morello from Rage Against The Machine plays Punk guitar - a band who've gone up in some people's estimation of their politics since the police riot ("Let the police/out of their cage!") after their free gig for the demonstrations outside the Democrat convention in Los Angeles earlier in the year. Another activity ATR and RATM share is signing deals with major labels and then spending the cash on activism and supporting other bands and causes, rather than faster, harder sports cars and the like. Kick- ass .
888:6:5:: A bfahrt Hinwil 's contribution to the Expanding Records EVS Series clicks and wheezes to life with "Links Oben", built around a distracted melody constructed from synthetic bells. The undercurrents gurgle, fizz and whirr with biomechanical trills, keeping the electronica sweetly chilled. "The Light" starts off langorously swirled, rotating on a synthetic textural axis while deep down a bass tone generates vibrations. A gradual insertion of ticks and echoed clicks passes through, merging seamlessly with environmental sounds in the classic ambient sequence of "was that on the record, or outside?" remarks. Warm and enveloping, "The Light" slips easily from audibility with hardly a trace, but a slight sense of absence remains. 
891:6:266:: T he gentle pastoral cicada comedown of "Two Sails On A Sound" is soon brought up to shuddering levels of heavy-pedalled piano disturbance while the electronic wind wails, but it's the propulsive Punky outburst "Slippi" which explodes the disc into an impassioned spasm of manic joi de vivre in a scorching outburst of rattly percussion and brazen distortion - and it's also the only moment resembling conventional song structure on the album. "Too Soon" invokes the spirit of Faust past and never-ending Cosmic jams yet to be in a halting shimmer of liquid drips, reined in drum rolls and far-flung vocal treatments - and suddenly it's all over.
891:6:505::Embassy. Collateral damage? Fuck you!). There's definitely more of a sense of this being a Band (or maybe terrorist cell's a better analogy) now, rather than an Alec Empire project - itself a rareity in electronic music, where traditionally artists have been content to let personality slide by unnoticed. This is an old-skool Punk band playing ultra-modern music, and their much-maligned "cartoon" image can only work in their favour- this is cultural, as well as sonic, terrorism, and now DHR are UK-based, we can only hope that their profile will increase and they will get the recognition they deserve (fuck critical acclaim- this is music that needs an audience, 
891:6:626:: D espite all this hungry activity, Confield rarely sounds confused, though it's often confounding. Labels as diverse as Experimental Techno, deranged HipHop, Psychedelic Avant-Gardism, Drum Bass, Electronica and whatever it is that the arrangements of glitches upon crackles can usefully be called flicker and fade into something more weird, more dissonant. Understanding this album ultimately requires immersion, the willing suspension of disbelief that anyone would want to make these sounds public. Confield soon becomes its own reality, a microcsomic sonic architecture that leaks into the known universe. Infectious, like worms, electronic or otherwise - released into the wild, Confield could quite probably mutate and evolve, all by itself.
892:6:164:: M r. Mrs. Fiend sure know how to evolve. First listen to this go 'round of Nocturnal Emissions admittedly made me wonder why they bothered with a pared down version of their sound. Production is nice, artwork is good, and there are the bonus tracks which is a quick mix or two of "Evolution "(the "Hup 2-3-4" mix, the "Back From The Dread Pt1" mix" are new additions from the various EP releases here), but really what were they on about? Still, this being Alien Sex Fiend , I let it play over about a hundered times and realized just what growing up gracefully is all about.
892:6:21:: "G eshe" and "Sequenzen des Windes" are no more B-sides than they are that much different from the flipside - the former tune emphasises the phasing puslewidth of Acid-style instrumentation, rising up to peaks and dripping down into troughs over and around the one-two of the handclap and synth-wobble bassline. "Sequenzen" makes everything so much more compast, filtering and compressing the beats closer and closer together for an urgent number which is bound to raise a good ecstatic sweat on the floor - Hardcore Trance just isn't going to go away, and why should it when it fulfills such an admirably hectic function like these tracks do? 
892:6:526::manner of unnatural sounds find their way into the slipstream, detritus amongst the eddies, changing the channels and the riverways all the while. Static enters the fold and wobbles the speaker cones as if they were acorns bobbing on an angry and shifting shore, against the backdrop of a slowly lowing foghorn and a gathering wind. A slow fade of water off to the horizon, and then the dripping tap emerges. You know, previously, listening to a dripping tap for 20 minutes usually meant a call to the plumber. A banging on metal, amidst the drip drip drip, blossoms gradually from nowhere. A sudden stop, and only the
893:6:145:: D rone emerges against the wind and the heavy engine incarnates, pulsing with its own secret heart. Telegraph signals wave in its path and it grows, planet on the prowl. The living thing - the recording that can be turned on, just below the level of hearing, increasing a certain amount of emotion or tension - moves onward, second by inexorable second. How long can the manta ray live? No one knows, not even the sudden voice that appears, gesticulating urgently. A gentle test tone inculcates. A sweeping wave of the sound from hands drinks in the remaining waters from Styx, possibly moving on to Lethe...
893:6:582:: N o-one gets a track title, just an artist tag to hang the piece on; not being familiar with the source material it's a little difficult to say how radical the remixes might or might not be, but they flow together nicely, warbling, washing and extruding to the slow beat of the evolving laptop sound set up for the century ahead. Danceable and loungable by turns, it doesn't feel particvularly groundbreaking, but it's entirely agreeable in setting up then knocking down and playing around with the accepted notions of what seems increasingly vague to call Techno, frequently done with a healthy disrespect for the form too. 
893:6:597:: M anaging to combine Star Wars iconography with adoration of the sacred herb (the album opens with a sharp intake of smoke), Audio Active slip further away from their dub reggae core, radiating off into directions equally bass-laden. Somewhere in the realms of downtempo HipHop, breakbeat fusion and Funktional psychedelic Space Rock madness, whatever music they're creating might be termed, it's certainly wigged out more than most. The sleeve is a mash-up of cartoon city-scapes, Samurai-Vaders, dope-smoking virtual robots and images of the band as curious observers in some kind of genetically-modified laboratory - and what weeds might be being made super-strong can only be imagined. 
893:6:91:: E ven more so is the "Murray's Space Shoes" mix in wave yer hands round yer head full on pumping Disco style, complete with oscillator-sequence breakdown and melody breaks. All it needs is some tumbling beats rising to a creschendo, and it's a killer cheesy-grin dancefloor smash. For robots and humans with a technology fetish, natch. Lastly, "Hey Double Double" is a bit of a smoother groover underneath it all, while splaying synth noise around some lubering drum machine bangs and some freestyle speech synth and/or vocodering over a two-finger melody. Not nearly as infectious as the title track, but acceptable enough in its retro-Techno oddness.
894:6:189:: T he EP includes remixes by Flowchart , Accelera Deck , and Pacifica , as well as Alphastone cast member Steve Janes . Flowchart's take is a little too Disco-y, if you ask me, trying a little too hard to make a slow driving song quick. And they have that irritating electronic handclap thing way overdone. They do call it "Doinky" themselves though. The next two versions equally emphasize the ambient availability of the song, in different ways, with Pacifica losing it to the Dance thing. The best remix is probably by the band's own drummer Janes, which highlights not suprizingly the valium-Disco drum parts.
894:6:323:: F irst thought about Imperial Metric is not just how obviously Eighties-influenced it all sounds in its instrumentation, but also how much like a particlar sort of European early Nineties post-Industrial Electro; moments from Dark Star 's Travelogue spring to mind in particular. The way James Brooks phrases his lyrics is a bit like a laid-back Young Gods song; the dynamics of each song owes a lot to minimal Techno, Post-Punk and moody Synth Pop, and it's all undeniably infectious, worming in on pulsing bass and automated drums sprinkled with all of the uniquely springy, whooshy, twisty sounds of analogue synthesis and subtle digital editing.
894:6:96:: T he highlight and reason for buying either or both editions of this single at all is Add N to (X)'s collaboration with Jon Spencer on "White Scrapie" and "Wax Gravy", the former of which is a down and dirty old Blues number which once again recalls the Butthole Surfer 's take on the swampier sides of Rock'n'Roll with added background chatter and some evil windswept synthery-pokery in the murky, reeking sound. "Wax Gravy" drops down the song elements in favour of the dirt, spoken or aural, with much giggly discussion of intimate plastic surgery to the same slow electric Blues and spluttery analogue electronics.
895:6:253:: T his is not to give the impression that there are no dynamics or progress to the noise cavalcade - far from it - but sometimes it's best to just fall back into an ear-bashing, and Angel are damn good at that. Track "Nr.7" even bleeps, clanks and rumbles, Pan Sonic style,in to an excoriated Industrial Techno prowling behemoth - washed in a deep vat of chip fat, naturally. Likewise, "Nr. 8" lets the typewriter of the apocalypse rip, and by the end of the track, the listener should feel thoroughly purified by the sonic purgative dredged from the bowels of the effects units. 
896:6:297:: ". It is the type of track that one wishes to place on repeat and let the evocative strings and cryptically painful lyrics pull and tug whatever tears out that one might be saving for only the most private of moments. What this man must have been through as a child... and what he has done with it all in public as an adult; it is impossible not to be affected utterly by this song. A saxophone swells just like the pus-filled aberation of injury and bleeds out across a range of vocal emotion and violins until breath is finally elusive. Jesus ....
896:6:511:: N ow this really is the shit. Everybody's favourite anarchist noise terrorists ATR are back, and as recent live shows have amply proved, there's no sign of them slowing down on their aural assault. "we won't calm down" indeed. The title track, taken like it's predecessor "Revolution Action" from this year's awesome live grenade of an album 60 Second Wipeout quite simply ROCKS . It's BIG, it's LOUD, it's NASTY and it's loads of fun. Righteous indignation, waving your fist in the air, shooting Nazis, Breaking Stuff To Make Music To Break Stuff To. Noise, Gabba Techno, mad Punk riffs, shouting. Fucking wonderful. 
896:6:95:: O ne of the bouncier numbers from Add Insult To Injury , "The Poker Roll" rattles along in swoops and pitch-bends of the group's fearsome banks of electronics old and new over a chunky beat in their own curious blend of Electronic Rock, circa 1973 (when it did sometimes get called Techno Rock) and the ecstatic sound of synths on the larey rampage. The "Bugger All" remix (they seem to have made the main title sample into a computer-enhanced/generated voice saying the very same) winds up on the second CD single and 12", and does a very Electro beat thang to the tune.
897:6:244:: U ntil hearing this I hadn't given much attention to the work of Laurie Anderson . Not sure why. So I was intrigued to find out what I'd been missing and was pleased to see the presence of such luminaries as Bill Frisell , David Torn , Joey Baron and Mitchell Froom on the album. The combinations of various instruments looked promising too with things I've never heard like, baritone banhu, mixed with cello, violin, gongs, bells and samples. After that you know what's coming, don't you ? No, I didn't like most of this at all. And I can say why. 
897:6:265:: T he group seem content to let their whims guide the course of any one track, while succeeding in holding back the chaos to levels of listenable dementia for the most part with the practised ease of Improv selectivity. Massed echo effects and overloaded bass rumbles circled by the drawn-out plucking of guitar strings soon dissolve the doors of perception; "Panic" seems particularly appropriate a track title for a peyote-addled journey into the sound of an infinite number of shamen (or is it just the collective One?) tripping out their superego with the intensity of what sounds like a multi-dimensional totem sheep. 
898:6:11:: A ll in all, this album meanders its way from echoed sound snippet to ominous 303 snarl and reverberating bass kick and all points lysergic from there. It's even occasionally post-Industrial as a result, with the harsher rhythms associated with that form more prominent than say the Techno influence. Download is possibly a good starting point for comparision, should one be required, at least as far as "Brain Gate" is concerned, though "Interior Interference" has a suitably seashore sussurus to complement its Ambient breakbeat trundlings. By no means merely generic, there's much to Selected Freqencies... to please the discerning Ambient enthusiast.
899:6:207:: T he companion LP to Amenti Suncrown 's debut Zenith Pitch release, Golden Nadir holds a selection of darkling electronic atmospheres into the somewhat tighter space of suitably translucent orange vinyl. "Worm" calls out voices from the aether in mordant mood, oozing Lovecraft-style through the textures and piercing tones to presage things to come. "The Path Of The Mask" hisses and chimes into an elevated, contemplative state; gathered synthetic swirls and environmental crepitations promise nothing benevolent is out there, though there is a rising melody to the drones and sparks of brightness which hint at redemption in the ringing bells. 
899:6:224:: A nd now sitar sits in on a softly sung Middle Eastern piece, in that word but Microsoft Word don't do that sort of thing. Jingoistic software? There is a deeply poignant sense of yearning and longing in these songs - or just what is it? Is the longing for a place in time or a place and time - or is it for something that happened in that long-ago, for which one pines but cannot completely identify? A perfume forgotten, a remark made and then suppressed, an item that is no longer made but made an impression out of
899:6:346:: A nother of the delights of this album is the packaging. Made from fair-traded Nepalese paper and strips of bamboo, the hemp string-tied gatefold cover is a thing of hand-made artistry in itself. Furthermore, Aranos has opted for an experimental anarchistic disribution, whereby he sends out the CD and the listener either decides how much to send in return, or to give the CD back. How many times does that happen? So seize the opportunity to participate in yer actual overthrow of the record business, to support an artist directly, and most importantly, to get some challenging and beautiful music. 
899:6:408:: W ell, it certainly shows how much you can do with a single organ chord sustained for an hour, which is the foundation for this composition. You can shift it through various filters, tape loop bits and generally manipulate it, then you can drop some subliminal sounds into the mix and see if anyone notices. This is pretty much what happens on the first two tracks, invitingly titled, "Begin and Continue". They make up half of the recording. If drones are what yank your chain then this is Drone Heaven, and some devotees of Riley will find refuge here too.
899:6:583:: S o events wander from the single-minded cycling whirrs of technicians Gez Varley and Sutekh to the equally driven stepping chirrups of Goem 's mix, throught loopily-layered dentist-drill'n'house mania courtesy of DAT Politics and the surprising interjection of cheery melody combined with environmental chaostrophe from Ricardo Villalobos to Full Swing 's slow motion rubberbanded gloom. There's plenty of variety and hynotic grooves of not too disparate kinds to be found on Remix Tomorrow Goodbye . Want to lean back, relax with furrowed brow, then jump up and down in a grinning tranced-out way for a while? This'll do the trick.
900:6:213:: Z enith Pitch has a brooding presence to it, founded on a sensibility which can in part be attributed to Russell Goodwin , J Paul Morton and Gary A. Ayres ' shared enthusiasm for Coil , on whose mailing list they met, virtually speaking, and then decided to collaborate by email. Amenti Suncrown 's "P'Zoar" has already appeared on the Coil tribute compilation At The Threshold Moment , and despite not containing much to connect it to that group, has an eerie echo of the material to be found on Balance and Christopherson 's seminal Black Light District album.
901:6:295:: S o the story goes that David Tibet of Current 93 found this act in some seedy New York drag cabaret and was so knocked out that he brought them to his Durtro label and released this CD as soon as possible. Well, it is little wonder that Antony The Johnsons would cause such a stir. Thematically the most "Goth" music I have come across in years, this highly dramatic work pierces the subconcious with visions of everything black and bleak and toturous and painful disguised in the most beautiful gossamer folliage of clean pure blue light music. 
901:6:394:: "E rrorist" itself is a sleazy Electro snarler, grinding our a prowling bassline and schlurping percussion to the accompaniment of brutalised keyboard reverberations, while one of the mysterious Berlin duo moans and groans the lyrics. "I'm in your brain" he observes, as the chords trill off and his own mind melts. The remainer of the EP is remixes from the Future album. DMX Krew emphasise the Eighties lyrical stylings of "Anthem" to the maximum while making his own bleepy Two-Step remodellings slip and slide for a strangely futurist-retro sound for a change, complete with re-garbled analogue synth expansion. 
902:6:195::himself as a leading member in the realm of electronic sound and visual design. He has performed and created installations in many prestigious spaces around. Transform sits comfortably between the dancefloor and abstract electronic art, between what might be found in a museum of modern art and what might be found rocking the floor. Carsten doesn't use sequencers, instead the mathematically edits his tracks to create the structure. Glitches form the essential rhythms of sound, created with oscillators, tone generators, and modem sounds. The result is deliberate and utterly precise, always minimal, and somewhere between clinical and groovesome.
902:6:424:: L ong strokes of the upright bass give rise to a question - how much stock is there in projecting one's emotions across a sea of sound? How much "listening" happens, at that point? Regardless of how self-centered the "listening" process is - someone is hearing "something." A feeling of descent jumps from other strings. Level of degrees? A violin's strokes are underpinned by a lengthy resonance. All instruments make their voices heard - an argument? A flock of statements? And where does the timbre and temper of voice make itself known in instrumental pieces like these? 
903:6:514:: T he really fucking great thing about the CD version of the EP (sadly absent from the vinyl unless there's an MPEG file encoded in the run-out groove - but it's also available as a Real Audio stream from the DHR website) is inclusion of the infamous "Revolution Action" video those thought police and kings of subliminals at MTV deemed unsuitable for broadcast "at any time". It's fucking ace too - some kind of computer virus sweeps through an office complex, triggering scenes of faces turning into computer animation, general insanity and much smashing of computers. 
904:6:259:: I s there an evolution in psychedelic music? Can the reworking of forms create something entirely new in what "seems" to be entirely old? Witness even the recent paper trail from In Search Of to The Blair Witch Project. The continuation of Psychedelia into today mirrors one of its most crucial concepts - that of birth and rebirth. Of course, "mirrors" are another of those crucial concepts...as is "concept" itself. Another skein running through this vein is that of Psychedelia's desire to make others "see" what the psychedelic sees. Brotherhood or vanity? It is unclear... 
906:6:379:: I t starts with gunfire, then a brief snatch of reggae, then the jazz comes on. Jazz? Yes, soldier, jazz. This is not, as you might surmise from the Vietnam imagery on the sleeve, some kind of Industrial or bad Metal thang. This is not even, as you might surmise from the picture of two guys, one in shades, on the insert, a sub- Suicide noise thang. This is an avant-Jazz odyssey into the heart of darkness, and believe you me, this motherfucker goes all the way up the river. And then some.
906:6:90:: B lessed with just about the best chorus for a song about Electro-loving devices since "Daisy Daisy" was covered by Max Mathews 's mainframe, "Plug Me In" starts off evocatively with the speech-cynth lyrics "I've got two machines/Do do doo do dooo/I just plug them in/do do dooo do do/They are my best friends/Do do do doo do" and goes on into warm analogue Avant-Synth-Pop directions from there. Naturally, by the time the main chorus has mutated into "Fuck me in", it's all gone ever so gorgeously danceable and a little bit saucy.
907:6:342:: A nyone familiar with recent Nurse With Wound releases will have come to recognize the short string strokes of Aranos peppered throughout the music, though perhaps recognizing less his contributions to the overall sound - Santoor Lena Bicycle and Acts Of Senseless Beauty were credited jointly, after all. Magnificent! Magnificent!... offers a continuation, an expansion on the surrealistic imagery found on the NWW discs, falling somehwhere between the Folk and Gypsy tunes of Aranos' Bohemian background, the bizarre melodies and vocal delivery of Tom Waits or The Residents and an avant-garde worldview. 
907:6:364:: A n impression of a sealed environment arises. And if the sounds are not to be pushed around, what about the critical eye? How deeply can one look into the scratches in this recording? How deeply should one look? The gradual fades of some sounds contrast with the sounds themselves. Where is the issue of "beginnings" and "endings" examined? The kunstkampf of the kunstkopf shivers the sounds from one speaker to the next. Again, there is a sense of these sounds coming from somewhere, going to somewhere. Or just where is it? 
908:6:247:: T he final lyrical absurdity, for me, comes in 'Statue of Liberty' : "Freedom is a scary thing/Not many people really want it." I don't believe I just heard that! A pity too that such a howler should obscure the interesting noises of gongs and violin that are going on behind it. So, I can hardly recommend this. I can only conclude that despite recruiting some fine musicians to accompany her and paying a great deal of attention to the packaging she actually wrote the lyrics without much thought or care.
908:6:264:: F rom the acid-drenched woodland scenes of the band members lurking in a mirror wilderness on the cover to the music itself, Here Comes The Indian screams and drones and scrawls with psychedelic brightness and insanity. The Animal Collective yell and chant, whip up frenzied percussive grooves from nothing then let them rip into splashes of unhinged harmonious melody - the lysergic force is almost physical, as deleriously fragmented arrangements skip from slow handclap group unconscious singalongs into soundscapes of noises off and murmered words processed from direct from the undergrowth.
908:6:278:: E dited down from a week's recording in and around Extrapool studio in Nijmegen, Holland by Antenna Farm and Main in the Summer of 2000, AF_M is the first in the Brombron series of collaborations initiated by Staalplaat and Extrapool. Using laptops, guitars, environmental and close-miked recordngs and the studio itself, the five untitled tracks were improvised then later whittled down in strict order of recording without extra processing. This real-time production gives some sense of immediacy to proceedings, and provides a solid and essentially straightforward conceptual base to the CD.
908:7:283::U've also said in other threads that the moderator of this forum should learn how to play an instrument befor ehe can critise, pot,kettle,black if u ask me, I've seen ken play and he is damn good, I've also seen people play classic rock and jazz, and their fingers going so fast u cant see exactly what chords they are playing, these are some of the best musicians in teh country, and they are well know, and play great music, yet they still listen to some of the bands u have mentioned. 
908:7:289::U've also said in other threads that the moderator of this forum should learn how to play an instrument befor ehe can critise, pot,kettle,black if u ask me, I've seen ken play and he is damn good, I've also seen people play classic rock and jazz, and their fingers going so fast u cant see exactly what chords they are playing, these are some of the best musicians in teh country, and they are well know, and play great music, yet they still listen to some of the bands u have mentioned. 
909:7:259::U should really stop trying to tell ppl what to like or what not to, its down to opinion, whats to some, might mean alot to others. Alot of people in this forum have quite an ignorant outlook, I admit, i have often told people that they listen to **** music, but thats really down to opinion, i dont then badger them or list out what they should and shouldnt listen to, kinda reminds me of ppl being poor or uncool if they didnt have adidas or nike in primary school. 
909:7:275::U should really stop trying to tell ppl what to like or what not to, its down to opinion, whats to some, might mean alot to others. Alot of people in this forum have quite an ignorant outlook, I admit, i have often told people that they listen to **** music, but thats really down to opinion, i dont then badger them or list out what they should and shouldnt listen to, kinda reminds me of ppl being poor or uncool if they didnt have adidas or nike in primary school. 
910:6:426::And is this another way that music is listened to in the modern age - as a soundtrack, as a piece nonexistent individually but instead hinting at belonging elsewhere? At points it is as if each instrument casts off, casts out for direction - but this is not to say that the sounds fall aimlessly to writhe and die on the ground. Their movement is almost as that of leaves in the wind - scattering hither and thon and then welling up in unison to form one billowing amber cloud. 
912:6:407:: W hat would you make of a release that is described as a forgotten classic from the 1970s Japanese drone-Prog-Jazz underground ? Would you run screaming out of the room rather than listen ? That seems to have been the reception afforded it on its initial release, when it received one lone, and less than complimentary, review. The hapless reviewer cited Terry Riley , LaMonte Young in collision with Faust and Magma and called the composer, Masao Asahara , a mad woman. Now, does it sound intriguing?
912:6:432:: T he piano stretches, sand across its wilderness, much like the attendant cover of the recording. Would that a LP version could have been afforded, if only to see the larger view of the photograph! Perhaps one day...and "one day" is the underpinning of a preparation. Is the piano prepared as well - or is it the recording of the sounds that it makes? It's sand through the microphone, a bit, or dust from another time, from an crack into the attic and down to the parlor
912:6:515:: Q uite a groovy little storyline runs through the video, even featuring spoken dialogue and subtitled thoughts, until the band show up and menace an exec tied to a chair. In short, I can't see why it was banned - unless maybe the fuckers in charge found the whole corporate depersonalisation theme just that little bit too familiar..? If riot sounds creat riots, this video should by rights be broadcast and projected on every flat space available - just to see what happens. It'd be a start. 
913:6:64:: "T he Trees Are Dreamless Leafless Genius", while comparisions are being made (which seems to be appropriate for such magpies as these), combines a creakily percussive Gun Club -style programmed RB stomp with Jean-Jacques Perrey into a buzzing Electro rainforest bleep. As for "The Monkey Skirt Marters", it's pretty much impure Add N To (X), with trebly electronic discordances writhing around a funky rhythm and sinister surges of sinewave and echoing scuzz and a distant cut-up guest vocal from one (presumably the ) Kurt Shwitters (sic).
914:6:363:: S cattered, tattered tapping scraping - an attack of the nerves? It's difficult in these days to refrain from trying to figure where sounds come from, and how they're made. Is there an innate tendency to rationalise? If so, how long has it been there? Ultimately, repetition can be divined. Is there naturally a rise from chaos to order - as apparent in the pieces so far - and, it follows, vice-versa? A watery burble escapes here and there. Am I only scratching the surface? 
915:6:165:: A SF have moved swiftly through their own incarnations, adapting as they see fit to the ever fickle world of the alternative. Nocturnal Emissions is no exception. Though they still have the most loyal of followings from the Goth/Industrial world, and by their own choice have picked up stragglers out of the Trance/Dance scene, they remain able to throw off the shackling binds of either/or and retain their own pace, their own place as it were and do pretty much as they see fit.
915:6:290:: M y favorite tracks are "Let Me Ride It", which does the best at incorporating the natural with the mechanical, and "Something Not To Do" which puts together a very mismatched bit of orchestral synthesis with a bubbly chem lab rhythm track. Ms. Munch sings in a more full-bodied way on this track which makes a much more complimentary statement to her ability. She really just puts more guts into it and sounds so much less directed than on any of the other songs.
916:6:549::and therefore quite more in the traditions, CC's version almost succeeds in not exploring the what if of Attrition having been an millennial rave band. Almost. Actually, I want to go to the club which plays Attrition remixes and explore for myself the idea of dancing faster, if not happier. I suppose it can be said then that this remix album has opened my mind to the idea more than any other, and it is still Attrition after all, and thankfully recognizable as such.
916:6:563:: T he first and most obvious thing to say about this CD is that one should perhaps empty one's bladder before attempting it. Here is a magical use of water as a sound source, the Main soundsource. Layers and layers of water, dripping, running, rippling, everything that water can sound like, then done double to make it sound like something else. Sometimes it is relaxing, sometimes it is unnerving. Sometimes, when it does really sound like water, it makes you have to "go". 
918:6:457::rise and make coffee or tea for someone that you know will be gone soon - but, one doesn't think of such things in times of breakfast or breaking a fast. The sounds well up from beneath the water from the faucet and as water seeks its own level, so too is this exceptionally fine fuck music for mornings tinged with spring and edging into summer. Tendrilled fingers wend their ways over the guitarspace as the drumming enters from a desert someplace.
918:6:598:: T he continuing links with the On-U Sound crew remains strong, with production spots by Adrian Sherwood , Skip MacDOnald and Mark Stewart 's musical collaborator Simon Mundey , and musical guests I-ROy and Carlton "Bubblers" Ogilvie of 2BadCard too. All this and violins from Sovra and guest raps from Deedar of Asian Dub Foundation , and it's a packed jamboree of the well-baked on board the starship Audio Active... who now also have their own Health Service too it seems. 
919:6:359:: I t is perhaps an offhand tribute to his skill to say it, but one of the things which makes Making Love In Small Spaces work so well is the instant familiary of several of the songs above which makes it appear as if some are cover versions. That they are all his own work reveals not only Aranos' knowledgable positioning within the various forms he expands upon and references, but also his mastery of the techniques in doing so.
919:6:625::is being staged for rhythm amid the trangression of breakbeat culture. A demonic posession by machine elves? Even the wheezing chords of something which may be keyboard or could be a tattered pipe organ can't hold the line down too long; as the furious whorls of scattershot beats make the walls reel, the struggle to retain listening balance becomes decidedly precarious. The re-assertion of gunshot richochet signifies some kind of titanic audio struggle; it's like being hailed with tingly sonic bullets.
920:6:20:: W hat a perfect name to describe the music which Mr. Acid produces; straightforward, no-nonsense, punishingly trancey Techno which pulses, rips and throbs into shattering intensities of excoriating noise, just as it should, right from the first beats and analogue squelches of "Die Nacht aus Blei." Four-square and thumping, this track could be one of thousands in mix, but would fit perfectly for any moment of dancefloor excercise workouts the world over. Why compromise when it works so well? 
920:6:374::These final recordings may not have the fire that Soft Machine could raise when the trio was augmented by Elton Dean . But they do show some of the potential the band might have developed had two of the team not been poached by that linguistically inventive demon drummer, Christian Vander . As another instalment from the Prog Rock archive I think you could do worse than give this a listen. Of course, I believe that Magma are still around...
920:7:168:: hostyle 01-04-2003, 13:33 Pretty much a dead thread I know, but in case anyone tunes in now and then you absolutley must listen to Otep - debut album out last year called Sevas Tra, EP out the year before called Jihad, but I still prefer their initial 2 song demo (featuring early versions of Possesion and The Lord Is My Weapon). Plus the chick singer is real hot and can make bear noises with the best of them :) 
921:6:188:: T hough I don't see the corrolation here for driving, the point is well expressed that if life is a motorway, some of it involves traffic jams. Alphastone presents a nice song of spacey textures laced with good gutiar and drum work and a tune that does stick in the mind. It is always a pleasure to hear from Pete Bassman ( Spacemen 3 ) who seems to have an infinite understanding of life in the sllllowwww lane.
921:7:265:: Antisocialiser 20-04-2003, 21:26 Some of my fav bands are in both of those sections. Am i a semi-gay - hmm thats pretty interesting taht u can determine sexualities by what type of music they play. Although every1 is open to there opinion making fun of people's opinion that are different to you is not acceptable. I like blink 182 and ratm and i also like big butts and i cannot lie. YOU GOOD SIR CAN SUCK MY MEMBER 
922:6:177:: S ome fairly intense improvisations from this New York trio of guitarists Chris Forsyth , Ethan Sklar and Rich Gross , playing what they describe as momentary music - recorded live without pre-arranged forms in mind. What emerges is often quite angular, as is often the case with such situations, and all the better for it. Each untitled track is identified only by the date and place of taping, either in NYC or Philadelphia, and a duration. 
922:6:524::about his business, taking in culture, listening, watching, reading. A fountain of information and influence and inspiration to go along with the more easily-identifiable water water water seeking its own level. And along with the sound of water, in the mind, comes the scent of water itself as it is said, long-term olfactory memory is almost unassailable and can a more measured approach to sound somehow encourage a triggering of other senses, even the sixth or seventh sense?
923:6:365:: T he sounds breathes out, through the speaker cones, testing its environment. An extension of the breathe-r? The shaking of the sounds becomes fuller, more pronounced. Is the situation of "shaking" - the environment that's being explored? And how many shakes are there in repetition? A rather thick booklet accompanies the recording, chronicling several art actions and Musique Concr�e , including live actions concerning Le Livre Sonore . A case of put up or cut up? 
923:6:370::Probably not. They were formed in Brussels in 1970, were 'very popular in the Benelux region' for a couple of years but did not release any albums. Until now that is. The sleeve notes, or whatever you call them on CDs, apologise for some of the sound quality but it's no worse than, say, Live At The Paradiso by Soft Machine . Though on one track it sounds as though someone is throwing stones at the drums. 
923:6:440:: B y no means simply monotone in the rustle and shift of the wind's dynamics on the microphone, the moments of noise come chaotically as a change of direction pushes the air at right angles directly iinto the mic and out of the speakers with a jolt. These peak interruptions are the most obvious moments of change and transfigured sound, but a continuing sense of dislocated presence, as the title itelf hints at, pervades this recording.
925:6:565:: W ater to music. Blatantly obvious idea. And, he's done it well. I think Aube may go on to continue discovering soundsources, new ways to re-do what's been done in patterns too long. Hopefully, Mr. Nakajima will also continue to develop these water sounds. Water is life, and life needs music. What genius to use one to make the other. It should be noted that this CD has been done in limited edition, with
926:6:311:: D uplex.remixes is a vinyl-only 12" with four remixes from Apparat 's stunning Duplex album: an album full of glitches, rich instrumentation, textures, and emotions. Unlike a lot of electronica Duplex sounds all too human. Apparat avoids the usual electronic pitfalls of sounding like a theoretical exercise or a purely mechanical assembly line ... or as Shitkatapult say "Apparat bypasses the mundane and empty laptop sounds of the giant sweat-shop of electronic music."
926:6:344::fiddle and mandola accompany a hand drum on the infectious "Bed Down On Blackened Feathers", while Bernard Tobias and Al Tiernan add drums and bass to Aranos' violin on "Regarded Retarded Life In Bernard's Kitchen", where spine-scraping pitches creak and squeak as the rhythm section does something only very distantly of the sort. May-Britt Mitrovic 's wavering Mezzo-soprano brings yet further resonances to "In Soft Cavities", her wordless vocalising segueing into the customary theme.
926:6:466:: Tempel is removed from Ashra at one point. Tearing up the plans, tearing down a temple's walls? It is not for nothing that London's April live action saw no old songs performed. Beginnings and endings - though not just yet, for that last bit. Kosmische is utterly suited for the compact disc because it can be set to repeat infinitely. Kuckuck 's final sound was that of the cuckoo clock. Time and circles.
927:6:317:: C ombining soundtrack work with the actual noises generated by and samples from film and its mechanical apparatus, Tonefilm allows Hans Appelqvist free reign to play with the audio side of cinema. Through a series of short scenarios composed of spoken word snippets, jaunty or melancholic paino melodies and electronic glitchworks, the CD hops and flickers from a brightly-drawn introduction into the realms of darkened auditoria on an unwinding reel of film.
928:6:400:: T hey're back and dressed in white, to suit the retro-Futurist take on Electro they're purveying here, the undercover duo who like their synths vintage and their vocoders set to eleven. They may possibly be from Berlin, but they're notorious liars and wear masks all the time. Just like the sleeve pics which show them running around various brightly-lit environments with big lamps in their hands, they're kitschly fun sorta guys. 
929:6:656::Cubano Spanish, its hard to tell if the lyrics reflect this. Blind listening gives me richly-coloured pictures of pure happiness inspired hip swaying and street sounds from a people less concerned with the modern world than perhaps some would have them be; but then Azcar Letal translates literally as Deadly Sugar , so there are hints there of things under the surface of Cuba today that are not so sunny too.
929:7:81::Tull are excellent. Good to see King Crimson mentioned too. Just got an album called Sometimes God Hides: The Young Persons Guide To Discipline -- lots of Crimson and plenty of Fripp on his own or with others. Only one solo Belew track, but it's very good -- Burned By The Fire We Make from The Acoustic Adrian Belew. Couple of interesting tracks from the California Guitar Trio too (not metal). 
930:6:451:: T here is much to enjoy anout Intervention! , and the mix of songs and more abstracted instrumental synth pieces is well made. Add in decidedly odd whoop-up samples and regurgitations which meld into hissing, chugging noise on "Gothic Upright /11fff11" and the album shows that Tngmark knows what he is about in the creation of some intriguing distractions, pleasantly sinister sounds and whimsical melancholia of curiously affecting dimensions. 
931:6:239:: I n the Nineties, after the ugly days of Reagan, Bush, and the Gulf War, her music and performances became increasingly political. Anderson's songs return to her earlier simplicity - voice, violin, and keyboard. I'll resist saying that she's come full circle. It's corny, misses the point, and anyway it implies completion which isn't true. She says it best herself: "I never feel like I've ever finished anything."
931:6:417:: I think that I am prepared to give anything a fair listen so I gave these three CDs just that. To begin with I was intrigued since there was very little information with them and on all three the track titles were the same only adding incrementally the title of each successive cd. The cover photography by Asano was quite attractive too, in an ECM sort of way.
932:6:139:: T he smoke of another experiment curls up and across the tapping and drums. It wavers in loops and passes through and around the drums and continued tapping. Static rhythms into slowfall silence, a lingering scent...whereupon gentle tendrils of guitar take root, and drums tentatively step into the background. Somewhere, a kiss is envisioned. The tapping falls in drops on the microphone, and a warbling tone softly
932:6:251:: T en numbered tracks make up this album (which may also be untitled), recorded live and unedited by Ilpo V�s�en and Dirk Dresselhaus of Schneider TM using an equipment list which includes effects, CD player, amplification, typewriter and "the most fucked up electric guitar Dirk could find". Indeed - and it sounds like it too, wriggling live and direct as the duo give it their improvisational best.
932:6:254::Quite literally stunning. The gradual climb down into ticking over engine sounds and feedback provides a gentle calm of sorts for the welcome relief of the concluding electro-mechanical reprise, skirling and droning fitfully. Angel just can't let go without a final jack-plug wrench and the realisation comes that there's an audience clapping their exhausted (somewhat Nietzschean) pleasure to echo the home listener's at having persevered through the storm.. 
932:6:9:: F ollowing on from his time in Abstract Quadrant and Neural Coital , Valerio Zucca Paul pursues the Ambient electronic strand in this collection of electronic doodles. The textures range from bleeps and chimes into more vertiginous compositions of hypnotivc loops and electronic ghost trails; with titles like "Dream Machine" and "Landscape Out Of Focus", the intent is defintiely psychotropic and the results slow moving, breath-speed atmospherics.
933:6:153:: T here are some bands who think (the fools!) that Elvis is dead, some who think that He's alive; Alien Sex Fiend, on the basis of their recorded output, are fervent believers in the fact that if he did die, and then came back to life, he'd be rockin' more than ever. Oh, and there was a giant rat onstage. Like I say, it's a Moment. 
933:6:396:: A s a bonus, the CD single has David Harrow 's mix of "Anthem", spruced up into a stomping genuflection to the legacy of Georgio Moroder . Filtering the bass, pulsating keyboards and percussion through a variety of phases while Vocoding the original words into still more extreme hands-in-the-air territory than the original, Harrow acheives every remixer's aim and surpasses the source for sheer floor-filling grooviness.
934:6:103:: T he real problem with UK Techno is that most of it is Harcdore/Gabba or rainbow Handbag Goa-way Trance. OK, I`m sure its very good if you`re speedin' off yr trolley - but the point is ANYTHING with an up-tempo rhythm would be just as good. Including The Advent. As far as I can see it, there's a vicious circle at work here: the clubs 
934:6:531:: W ith 14 years of production behind him Atlon Inc. , the current alias of German producer Rob Acid , knows how to make banging Techno. Main Things is aimed very much at the dance floor, but it's more than just functional dance music. Rob Acid has produced stripped down and bare album of Techno that demonstrates that aesthetics and the dancefloor aren't mutually exclusive. 
935:6:126:: S ome music needs time to make an impression on you and some is more immediate. This is a mixture of both. There are twenty short solo piano pieces with titles like, 'Etude 2A', 'Prelude 9'and 'Poem no 1', titles which may suggest a certain kind of music; calm and reflective, requiring careful attention. They are titles which do not distract from the music. 
935:6:581:: A uch 's Kiss Tomorrow Goodbye was by all accounts one of the albums which brought the glitch to the wider dancefloors filled with the minimal Techno put out by Force-Inc and similarly-inclined labels. Here it gets demixed further into the realms of attenuated, deracinated clickety-snips and thumping grooves alike by eleven co-creators (plus one crackling self-mix) of electronic bleeps, belches and occasional blasts.
936:6:101:: W hen I first got The War Head EP I wasn`t too sure - I found this record took a little time to grow on me. Since then "Mega-Tom Bomb" has become a firm favourite. The Advent are up to their usual standard. It just doesn`t stop, the rhythm is good and incessant, and the weird churning noises behind it sound like a 
936:6:319:: P robably best listened to with eyes closed and flickering to the whirr of the projector rolls as they turn, Tonefilm brushes past the ears and heads straight for the area of the brain where disbelief is suspended in the interface of darkened room and light on screen. As with most cinema, it's a once in a while experience, and one to watch.
936:6:410:: S o this was Prog Japanese style in 1974. It has to be said that it sounds more interesting than other more recent releases which is a pretty sad indictment really. There are plans for live performances in 2004 involving, among others, Martin Archer who does a mean Ratledge organ impression himself. Whether it will gain any more followers remains to be seen.
937:6:68:: A double vinyl album is a concept every band worth taking notice of has to contend with, or at least abuse, once in their career. Led Zeppelin did it, Can did it. For God`s sake, Yes built a whole career our of triple live albums. Even if Metallica havn't got around to a double album in practice, they are there in spirit. 
938:6:15:: S tains and Scribbles is the latest work from Italian electronic musician Valerio Zucca Paul . A good collection of tracks that range from Electro to Drum and Bass to Dubby ambience and back again. The sound is as intricate and dirty as a slower paced Current Value with some wonderful analogue tweaks in between the collapsing rhythms and digital distortion. 
938:6:486:: Meat Beat Manifesto then played a lot faster, this is music to smash states to - or failing that, to drink loads of Special Brew and jump up and down in your room to (while planning how to smash states, obviously). "No Success (Digital Hardcore Remix)" goes all out for pulverisation- this is a chaotic, painful, scary, angry, beautiful sound that 
938:6:490::truly shines, old-skool Gabba but writ much larger, much louder, much more righteously angry; but unfortunately, much shorter than ever before. But fuck it, why quibble over the length of a track when you can play it again... and again... and again... until your neighbours have no choice but to forcibly remove you from your stereo, no doubt in some kind of 
938:6:498::interviews have been at pains to point out, as active a producer of noise as Empire) belt through a 13-track set that leaves you thinking it was only a couple of minutes long, and you have to listen to it again. This time around they have some friends manning the barricades with them- Dino Cazares (of Industrial Metallers Fear Factory ), hip-hop 
938:6:504::shambles, but ATR managed to rein the chaos in just enough to make it coherent, but with enough rough edges to take the skin off your ears. It's all like a precisely-guided missile packing one motherfucker of a warhead, aimed simultaneously at your head and the White House (and not, as NATO may recommend, at civilian convoys, railway bridges, or the Chinese 
938:6:574:: I t's fascinating, the amount of varied sounds Nakajima -san obtains from one sound source. But is it the sound sources themselves that inform the recordings, or the techniques and machines with which he extracts the sounds? Pursuing his quarry? And now the return to the workplace of the "rhythm". Might he have an innate sense of timing? Or are all
939:6:172:: T he "Seven" mix gets to freak out at the end, a reminder (if one was needed) that this is what the fiends do best, a psychedelic cocktail of those old favourites, sex, drugs and the obvious but poundingly updated, Rock and Roll. The "No.6" mix is a more straightforward Trance-out of dropped and echoed breaks, loops and bubbles, but 
939:6:389::telling. As for the drum-machine boogie of "Siechen" - it's quite adequate, if a little under the spell of Jan Hammer , but phased synths get the vote every time whatever the rest of the track's shortcomings. "Dsseldorf" rips off "Funkytown" bigtime - but that's allowable too, as almost eveyone's got a little bit of Disco in their soul, even if 
939:6:501::be far off?) "They want to cut an advert out of your dreams" claim ATR on the wonderfully inflammatory "Death Of A President (DIY)", and it's clear that this time round there's a bit more poetry to the polemic, but don't worry- there's plenty of Situationist sloganeering as well - "The revolution and I", "Fuck the intellectual warheads", "The new Auschwitz 
940:6:102::synthesizer thas been forcibly made to drink Special Brew. If the Advent were a freight train you`d be a fool to stand in front of them, five miles and 20,000 tons of locomotive would grind you into the rails. And I`m always happy to see something from the lads; its a reminder that not all of UK Techno is piss-poor. 
940:6:120:: W hat the good Professor manages is the difficult trick of taking an approach which allows for subtlety where required - but not to the point where the listener is left wondering "What remix?" Instead, a build up of familiar elements is allowed to grow, before the full-on Drum & Bass touches are applied, as found in "You Learn," 
940:6:16:: I t would be inappropriate to talk about the aims of Abstract Q , the sounds are sonic scribbles drawn without reason or intention. So the CD is stains and scribbles quite literally - electronic Rorschach inkblots. Traces that are surely free, instinctive, inner, and irrational. Lines that mirror and uncontrolled part of our brain: Stains And Scribbles . 
940:6:200:: clinical techno with warped tweaks of synthesiser floating around the rhythm. It's good and solid Techno which offers little breaks. The handclap patterns, the cymbals, the weird metallic synthy tweaks, and the false stops and starts... it all points to the US. So I was rather surprised to find out that our man is from the UK, and pleased. 
940:6:306:: T here's a track with what appears to be a mathematical formula for a title next, and it's an opportunity for the A-Twin to match sounds to letters and symbols as far as can be determined; Drum & Bass doesn't really come close to describing the swirl of deracinated sounds glooping and floundering around each other like so much 
940:6:587:: A pollo Choco was Audio Active 's very own Space Opera concept album, and while it had its moments, there was never really much lasting satisfaction to be gained from the (as is only to be expected) rambling story of the adventures of the crew of a spaceship made of fine black hashish. The remixes here have allowed the 
940:6:639:: H aving met down their local boxing club in Vienna, old-school crooner Louie Austen teamed up with Cheap 's Patrick Pulsinger and Mario Neugebaur to produce the "Consequences" and "Hoping" single releases. With subsequent club and critical success, the follow-up album Only Tonight refines, reworks and expands on the crossover of crinkly-eyed Las Vegas suave with House, Vienna style.
940:6:647:: A ll of which doesn't quite square with the schematics of a piece like "(Title Track)," which grooves along to itself, TripHop style, sidling in a darkside manner up close to whisper the album name and theme out of a fog of bass and hiss. However, the digital wind instruments of "The Night The Rain Stopped" and "Senseless" provide 
940:7:92:: DerekD Goldfish 17-09-2002, 15:17 Whipping boy were a great alternative irish rock band from the early 90's there album heartworm is unblivable. it not a million miles away from grunge. also not sure if its youre thing but jeff buckley album grace is the best singer songwriter album of all time. the holy bible as mentioned is also brilliant 
941:6:121::"Run Come Chant" and "The Fullness" - even if there's a little too much emphasis on the pipes. Keeping to the middle ground between Dub and DB remixes (with occasional forays into Ambient stylings in the title track or "Hot Pursuit", or the Technoid groove of "Pacesetter"), Stretch has been remarkably faithful to the spirit of the original without 
941:6:267:: I ntriguing and at times inspired in their passion, The Animal Collective are a band to watch - conveniently, Fat Cat will also be reissuing the band's first two albums as a double CD before the end of 2003, with plenty of new material in the pipeline from various band member projects on their Paw Tracks label too.
941:6:386:: O kay, the EP's actually untitled, but it features the mysterious duo's previous hit "Control", so seem to be known by that name for better or worse. "Control" itself is a fairly demented slice of Electro, wheezing back and forth on a squeaky synth, an minor electric piano chord here and there, and an arpeggiatiing bassline to make 
941:6:388:: L ikewise, anyone who titles a track "The Piper At The Gates Of Detroit" has got to be on(to) something good - even if it sounds more like Ultravox than Derrick May - that is until the very distorted robovoice kicks in with something extremely unintelligable to those not on a higher plane - and they're probably not 
941:6:495:: A s we approach the Apocalypse (and for those of you who think I'm exaggerating, have you seen the news lately? The indestructible Oliver Reed is dead, for fuck's sake! Doesn't that mean anything to you?) it is becoming more and more important that we have some kind of soundtrack to this ( Millennium 's use of Patti 
941:6:645:: A shimmering melange of Electronica, much of it produced for dance pieces, Once I Had It All... opens with the edgy virtual fanfare of the tone-setting "In Optimo City" - from here on in it's a half-enamoured whirl of cityscape sounds - the pulsing rush of "Blipvert", not quite hands in the air - the undercurrents of menace 
942:6:110:: "O ne For The Trouble" is a scratchier, hissier affair, with a check for the Renegade Master and his ill behaviour - and not a Speed Garage bass slide to be heard. Illbient is probably not quite the right term either, though there's dark, wary uncertainty expressed through some finely interacting rapping in a gloomy stream of 
942:6:222:: B anjo, drums, guitar, feedback, grit and short songs about various people and things. A little house on the prairie but without the mind-numbingly large amounts of accidents and natural calamities. This is a kind of American folk that, as with most folk, will go almost completely unnoticed - the boot on the fence along the information
942:6:500:: A gain, ATR use lyrics that are much better shouted than written on paper, and again the beats are hard and fast. This time, however, there's a bit more of a hip-hop element (albeit a very fucked-up one) to the proceedings (think Meat Beat Manifesto trapped in a food mixer- and surely a Jack Dangers collaboration can't 
942:6:557::emits while the chaos of other signals tatters the synapscape. Various high pitches voyage through past the body's systems until gradually fading to pitch-black. The sounds calm unto rumbles, pacing, waiting, as if asleep in some way. The sound - or the brain-waves themselves? It's as if the sounds create a body for themselves - calling to other
942:6:592::originates from the same EP too. "Weed Specialist" was already a cover of 2Badcard 's digital Roots classic, but here the gang themselves show that a little hectic breakbeat manipulation and the application of the Bass controls go a long way to making a good song even better. Kuranaka are presumably a fellow Japanese band, and they tackle 
943:6:555::often these recordings by Nakajima -san are tied thematically but what lies behind those themes? The rhythmic ravens call names and cross a jungle to fly again, and again. One raven flows into another, and becomes a duck, dipping into the ocean, never coming up - instead flowing into a raven, and so forth, and so forth. 
943:6:591:: T he "Cattle Mutilation" mix of "Penalty Taker" already appeared on the Start Rec EP a couple of years back, but is still a damn good slice of Audio Active's Drum & Bass activities, though it's a pity they haven't taken the opportunity to extend them further, and Sherwood's (still excellent) take on "Open The Gate" 
943:6:631:: T he track titles are just as mangled. What about RPEG Is it a tune or a new multimedia format? At a guess I'd say both. Then theres "Ccec," "Liccflii," and Netlon Sentinel . What do any of these mean? I don`t know, but the latter should be given the best title of the year award. 
944:6:118::heavily on its source material but isn't afraid to head of in entirely new directions either. From the opening "Brother Of Reality" this is the case, as decidedly non-AHC vocals and soaring keyboards work to create a track segued into the compelling percussive undertow, Skip McDonald's distinctive guitar picking and the characteristic surging synths of the 
944:6:55:: W ell, Barry, it's been kind of a weird journey, hasn't it? From Bad Seed to composer of soundtracks to fictional movies, to composer of soundtracks to David Lynch movies, to- this is where "What It Means" comes in. Again, Adamson plays the John Barry character, where we all play the viewer. Or listener. (Depending 
944:6:588::various hands of editorial control to work some changes on the less coherent edges, and generally for the better. Patron saint of dub mixers Adrian Sherwood takes the already pretty languid "Coolness In My Foolishness" into even more relaxed instrumental territories, while his take on "Robot War" edges out some of the original's more comic book 
944:6:97:: A s for the extra on the computer-readable part of the CDs, it's that very controversial video in MPEG format for " Plug Me In ", conveniently stickered on the sleeve just so the buyer gets the idea that it's explicit - which it is, quite, in the amusing saucy/pervy Add N To (X) style.
945:6:115:: A frican Head Charge were created initially as a virtual band, brought together around the Nyabinghi rhythms of Bonjo Noah House of Dread and samples from such choice sources as Music inthe World Of Islam in the mixing desk of Adrian Sherwood (partly as a response to Eno and Byrne "Vision of a psychedelic 
945:6:132:: A pretty damn fine reworking of War's over-soundtracked "Low Rider" classic by the acceptable face of major-label Electronica. Mixed in three various flavours to savour depending on mood, or just breeze on through all three, with a handy course in German linguaphonics in the interval. Now when will this version crop up in the 
945:6:173::none the worse for that, while mix-man Pod does his thing to the Dub version in fine bass-heavy style. Still somehow disregarded by the mass of Electronica/Dance culture, "Tarot" shows that not only were Sex Fiend enthusiastic pioneers of the warped groove in their own (unfairly mocked) field, but are also nowhere near irrelevant now. 
945:6:369:: R emember Magma ? The French band whose Basque vocalist sang in a language invented by their drummer ? One of the truly original outfits of the Seventies or, perhaps, one of the most laughable. It depends. Anyway, two thirds of prog trio Arkham became part of that mighty/dreadful ensemble. Remember Arkham, then ?
945:6:489:: T he wonderfully-titled "Your Uniform (Does Not Impress Me)" falls somewhere between the two, with Hanin Elias and Carl Crack providing most of the vocals, but it is the last track, a live version (for anyone who thought this stuff wouldn't work except in a studio... FOOLISH MORTALS) of "Hunt Down The Nazis" which 
945:6:554:: "W hat's that sound?", from the other room. Brain-wave sounds. Electroencephalograms. "Okay, whatever turns you on..." And so on. I think what he meant to ask was, "What were they thinking when they recorded this?" Which is an incredibly salient point. The sounds come from those brain-waves but what thoughts engendered those waves? So
945:6:648::calming interludes of rainforest samples and echoed pianos or synths sonrities - obvious, perhaps, but effective enough for all that. All this is a lead up to the centrepiece of "Wherefore is this night distinguished from all other nights", a message from Terry O'Connor to Avery reflecting on existence through a series of questions (handily 
946:6:104::don`t experiment because they know the audience get off on what they play ... and the clubs don't experiment, and Trance goes even further up its own arse. Ho hum. I suppose I shouldn`t get a bee in my bonnet about it. The Advent make great techno, though, and this record's pretty damm good. 
946:6:108:: T hese guys certainly do let it all hang out; slow-walking bass, Funky HipHop beats, slim scratching and mic action of some lyrical dexterity (though they're better at the beat-cutting). Emphatically catchy, with smart beats for transient fun on the original mix, and some serious grooving in the sub- James Brown style from 
946:6:507:: C ome the revolution, this is the music that Burroughsian (again, if there's no such word, then English is a crap language) Wild Boys will be playing out of windows to start the riots that will jam a grenade up Capitalism's arse- or something like that. Whatever. Long live the First DHR International! 
946:6:81:: T his isn't to say it's bad; more that the very familiarity of the instruemntation is in denger of breeding contempt. that it doesn't is a testament to the group's inventiveness as well as the sheer fervour with which they combine oscillator with funky drumming, echoed arepggiated down-turns with Theremin (in another time-honoured 
946:7:150:: Pugsley 20-09-2002, 19:19 Or if you want something TOTALY diffrent get some apocalyptica stuff, they do songs from famous metal bands (metallica and pantera are their 2 fave bands it seems :)) and then they play their songs with all classical instruments!!! Think of pantera - domination.......... by an orchestra! very cool stuff. 
947:6:140::guesses a morning after; of rain and deep heartbeats in drum, of something upcoming. Light strikes an opening eye and there is chaos, or speed - whichever word escapes the lips quickest. The melee turns into a relay, as a rhythm and other patterns arise and arrive. Can even a nihilist "get religion"? 
947:6:619:: P erhaps this is the trajectory electronic music will have to assume to escape the twin demons of beard stroking post-Rock and anorak-clad Dance culture. It is difficult to predict where these two artists, either individually or together, will take this Baroque kaleidoscope but for the time being: They're having a laugh!
947:6:650:: O ther tracks like "The Gun Dance" continue the pahsed-out beats and ambience generation, all in all making for a farily defocussed album; it's curiously affectless, detatched even, and sometimes slips into longeurs which suffer from the lack of human accompaniment dancers would provide. With the drama absent from the music, the 
948:6:170:: T aking one of the best tracks from Nocturnal Emissions and sticking it through the electronic mangle, Mr. & Mrs. Fiend embark on a high-octane blast through all the Electro, Techno, breakbeat and goddam' Rock machinations possible at once , topped off by Nik's unchanged vocal style - demented. The amphetamine 
948:6:559:: A s if transmitted over radio waves - much like the body does - the sounds beat together, warble apart and build in intensity, gathering more laboured etchings with each thought carrying through. As the final moments of the piece group into one, they mist into vapor, just another passing notion. 
949:6:403:: F uture is a funny, post-modern romp through as many Electro forms as the dynamic duo could manage in an album; recommended for the simple reason that it works on its own level and never lets pretension get in the way of bashing out some storming tracks along the way. 
949:6:485:: T itle track "Revolution Action" I probably don't need to describe, except to point out that it sounds like Atari Teenage Riot always do, only maybe a bit better, if such a thing is possible. "Punk as fuck" is the obvious journalistic clich holds true - like Crass remixed by 
949:6:497:: B oasting inner sleeve artwork (probably consciously) echoing Public Enemy 's seminal Fear Of A Black Planet , it sounds kind of how you'd expect, only more so. Kicking off with single "Revolution Action" , the boy Empire and chums ( Nic Endo now a full-time member, and, as recent 
949:6:503:: A s their recent wonderful live show indicated, Carl Crack is taking a larger role now, providing a foil for Empire and Hanin Elias ' Crass -esque (if such a word indeed exists, and if it doesn't, then it fucking well should) rantings. By rights, this should be an absolute 
949:6:79:: B ringing more of the Moog album craziness to the sound than on their debut album , Add N To (X) seem intent on creating a virtual world of mock-Victorian electronica - preferably steam-driven. Covered up in a Jerry Cornelius -like kitschadelic Sixties-pastiching collage sleeve (time and historicism being somewhat 
949:7:5::unfortunately for the good many metalheads that are out there, i dont really go in for howling vocals and rolling drums! i'm fairly well rounded apart from that but i'm kind of stuck in an early 90's alice in chains/pearl jam/soundgarden groove which id like to get out of. please help! 
950:6:122::compromising on radical restructuring. For this he is to be thanked, as no-one likes the aural butchery a bad remix can work on a classic sound - and Drums Of Defiance , while by no means perfect, generally lives up adequately to the the exacting standards of the original material. 
950:6:85:: F rom start to finish the Avant Hard rollercoaster makes it's own internally-consistent universe, where Rock and Roll didn't bother with tedious, fiddly strings, and where the cocktail lounges serve bitter battery-acid in a long glass, spike with the finest benzedrine the mad scientists can provide. Cartoonish, insouciant on 
950:7:157::Or if you want something TOTALY diffrent get some apocalyptica stuff, they do songs from famous metal bands (metallica and pantera are their 2 fave bands it seems :)) and then they play their songs with all classical instruments!!! Think of pantera - domination.......... by an orchestra! very cool stuff. 
951:6:117:: S till, here it's just one remixer, Professor Stretch of The Underwolves , and this fact certainly engenders a unity of construction which is inevitably absent from multi-artist efforts of interpretation and remodelling. Hence the Versus in the name, and what emerges is essentially a collaboration which draws 
951:6:304:: A curiously accessible mire of vocal samples splutter and waft from and electronic soup from almost the first moment of "Windowlicker", before Richard James applies some customarily deep-fried production to what could otherwise have been a languorous bass and kickdrum smoocher. Instead, linearity gets a darned good rogering, 
951:6:496::Smith notwithstanding) so we've got stuff we can be pissed off that we can't hear when our electricity goes. Kind of.Anyway, 60 Second Wipeout , the newie from Alec Empire 's technopunk terrorists Atari Teenage Riot , could well be on the playlist (or otherwise) in such an eventuality. 
951:6:543::the only haven for lovers of the darker side, for the kids who wanted to paint themselves and go dance. Now of course, this is all just a fashion statement in the minds of many, and goth clubs turn into tourist attractions in almost every city of the world. 
951:6:575::the machines helping him? Not to cast aspersion, of course - we all need our machines. Yet, as repetitive as the beat is, it does change from time to time, almost imperceptibly. Now comes a scratchy kind of scrambling, running across the wavecrests of a low rumble. Then a
952:6:296:: B y far the most impressive track is " Cripple and the Starfish " which leaves its indelible and invisible brand in the heart such as that of "Song to the Siren" done by This Mortal Coil or Bobby Conn 's aching version of " Without You 
952:6:459::rattle, intermittently, skips over the synth wash and bassline holding it up, like abandoned cities in the Mojave. Now a curve of classical guitar, pulled out of the dry air like a bullet in flight. The guitar soars and cores in finality, elegiacally writing a cloudbank across the
952:6:468::rhythms could be extended indeed for weeks and this time the trip is clean and clear. This message floats in the slowly-seeping water - launched through that ocean of time, to some one, for something - knocking against the glass in errant percussion and muffled drip of sea
952:6:651::second half drifts along without much emphasis, though the reverberating arpeggiations of "Recent Ghosts" are nice enough, and the fade to grey of "Club Of No Regrets" closes the show with a minor-key finale of melancholic piano, making the whole album one for dreary days or unsettled nights. 
953:6:307::minced magnetic tape in a cut and paste explosion in a (Musique) Concrte mixer. "Nannou" plucks a typically disarming melody from a mess of watch ticks, comb scratches and music boxes, providing a delicate finish to another one of those sideways Aphex singles he does so well.
953:6:352::collectible cd - but be prepared to fork over enormous sums of money. You'll see why -It's worth every penny. Go to: http://www.aranos.com for a breath of fresh Korean air, and then go to his Brainwashed website for details about his refreshingly simple order and payment arrangements.
953:6:537::matched and the mood is carried on through "Your Time Has Arrived" though there are flurries of flute that scurry across the darker regions of this terrain and lighten it a little. Lighter too, perhaps, is "Ornament" with its repeated keyboard motif, tabla and melodic Moog solo.
953:6:82::tradition) and an appreciation of the finer possibilites of full-on, headmelting space-rock extravaganzas like "Robot New York" or the pitch-bending, acid-spitting, incongrously Easy-vocalled Techno-blast "Fyuz". Rejigging an old Favourite into "Revenge Of The Black Regent" makes for a particularly soaring slice of sinuous Mellotron-style grandeur, and as 
953:7:114:: Saboteur 18-09-2002, 20:19 Do yourself a favour and get , by Nevermore. You won't regret it. I've played it for people with all different Metal/Rock tastes and they all loved it. It's not too heavy, yet not too light. Probably exactly what you are looking for!!!! 
953:7:60::thankies for the suggestions, some albums, i have, some i've been meaning to get, some bands i've never heard of... altho i will reiterate the request for no recommendations of howling vocals and rolling drums coz ive got a nasty suspicion the metalheads aren't listening to me!:p 
954:6:201:: Y ou see, I`ve got this dim view of UK Techno. Generally it's either Goa-way Trance, Gabba/Trancecore/call-it-what-you-like-its-still-fucking-shit-core/etc, or nasty nasty Housey Techno. OK, there are numerous exceptions to this ( Autechre , The Advent , Surgeon , Mick Harris , etc, etc), but this is 
954:6:420:: T here are people out there who will defend this and dredge up fatuous creation theories to support whatever it is Asano is doing. Don't bother to explain them to me. As I've said, three hours of life have already been sacrificed to this. Enough. 
954:6:83::for tracks like "Steve's Going To Teach Himself Who's Boss", they're at least as musically funny as they're archly titled, with swiling screches slammed up full-tilt against some of the most ominously deranged lyrics since Arthur Brown (or maybe Viv Stanshell ) and a clod-hopping Electronic 
955:6:435::in "time lost"? Or has it simply fallen through the cracks between the keys, to be unearthed and retaken at a later date? It's rather like the first time the piano is looked at closely, and how long one can make the plink-plonk sound last. 
955:6:484:: T hey're back! Everyone's favourite anti-fascist German Gabba outfit fire a warning shot before unleashing what promises to be a veritable... well, blitz, I suppose, with next month's long-awaited new album. So, what we got to set light to cop cars with here, then? 
955:7:247:: colin caustic 20-04-2003, 13:40 that's sorta homopohobic donchya think? 'fagrock' and 'gay riffs'... i personally am not a fan of any of those bands coz i only listen to hardcore but just coz they suck is no reason to refer to em as 'gay'... 
955:7:260::BTW, if u wondering what i listen to, i'll tell u have i have Deep Purple blairing out of the speakers of the cafe atm, after that I will play some Cranes, and should my mood continue then it could be some HIM or Coral. 
955:7:276::BTW, if u wondering what i listen to, i'll tell u have i have Deep Purple blairing out of the speakers of the cafe atm, after that I will play some Cranes, and should my mood continue then it could be some HIM or Coral. 
956:6:215::especially pleasing to note that expecations are frequently misplaced by a burst of squittering noise, dark whispers or evocative flute trills, a whoop or whistle there, a wheezing emergent rhythm here, or the snickering sectioning of time itself on tracks like "Red Nine (Mirror)".
956:6:469::seeking some other level than its own. What was the song that played when your child was conceived? Or when you first lost your burgeoning virginity? Another message, a different bottle. And the question that started the journey itself is another matter in itself.
956:6:572::source is stone. It's packaged between two sheets of stone. Fucking-a right! Scraping repeats repeats and so forth as other pieces of stone make occasional and spectral appearances. The wow of the feedback moves alongside the scraping repetition spinning in slo-mo dervish joy. These
956:6:590::moments in favour of some highly energetic mixing desk manoevres. That other omnipresent slider-man, Alec Empire , reconfigures "My Way" into a characteristically noisy extended Dub fest. There must be some kind of contractual obligation for this man to be involved in remix albums. 
957:6:387::the Eighties live again. That and the effected voice declaiming that "I am under control of a mighty force" and it all makes some kind of late-Disco sense, and so much more fun than the current obsession with, say, ABC ( ABC!!! ). 
957:7:293::If you were able to read, you would have noticed that I said: . I never said that he can't play an instrument at all. Don't be so quick to jump on the bandwagon....learn to spell too. Your spelling and grammar is pathetic. 
957:7:303::If you were able to read, you would have noticed that I said: . I never said that he can't play an instrument at all. Don't be so quick to jump on the bandwagon....learn to spell too. Your spelling and grammar is pathetic. 
958:6:171::groove ASF have been on for most of their career seems somehow to be better suited to the chaotic Nineties, and what was once a crazed underground thing is now well accepted by millions of punters - and so much the better. 
958:7:307::In some cases we just know your not worth the I know I couldn't be bothered wasting 5 minutes of my time pointing out, a, b, c, or d. So I just say shut the hell up or something short like that. 
959:2:1009::Lawrence Spitz, Jim Bollen, Anne Burlak Timpson, Nick Aiello - Union Activists of the 1930s recall our labor history - Fifth Annual New England Labor History Conference - The Great Depression and the Rise of Organized Labor - Winsocket, RI, 5/14/94 
959:6:506::not fawning muso bullshit)- even (spit, spit) Virgin Megastore, who looked at me blankly only a few months back when I asked about DHR product are stocking the wonderful Bomb 20 now, so it can only be a matter of time... 
959:7:331:: Karl Hungus 21-04-2003, 20:39 I've absolutely no patience for this kind of muppetry. Herbie, one more instance of this kind of ****e, and you're banned. You've been nothing more than an abusive muppet, not either cop on, or cop out. 
960:6:231::The compilation begins with her first recordings, "O Superman" and "From The Air" ... the tape loops and vocoder tales from her first album Big Science . However, this is by no means the beginning of Anderson's career as performance
960:6:593::"Citizen Zombie" in impressively clattery style - even getting some Metal riffs in there for a headbanging Laibach in Dub experience. For once there's a remix album which is as good (or in this case, even better) as the original. 
960:6:632:: C onsider "Dropp"; this became an instant favourite of mine. It starts of with a piano like sounds that rambles around as aimlessly as a John Cage piece. All very nice in a meaningless way, then deformed HipHop/white noise/bag 
960:7:249::that's sorta homopohobic donchya think? 'fagrock' and 'gay riffs'... i personally am not a fan of any of those bands coz i only listen to hardcore but just coz they suck is no reason to refer to em as 'gay'... 
961:2:181::Greg Albo, Doug Henwood, Larry Pratt, David Abdulah, Ananya Mukerjee-Reed - Ruthless Criticisms: What's Wrong With Global Capitalism - Panel 47, Radical Alternatives on the Eve of the Millennium, Socialist Scholars Converence march 28-30, 1997 Radio Free Maine ] 
961:6:199:: F riend and collaborator with Alexander Purkart , Mark Ambrose hails from the UK - which isn`t that obvious listening to the record. "Memory Status" and "Offline" are very much in the vein of Synewave Newyork , hard 
961:6:203:: T his is where Mark Ambrose fits in, and "Memory Status" isn't about to define yet another new genre of electronic music, but it fits into place very well - albeit on the other side of the Atlantic. 
961:6:305::the various melodic lines pulped, smeared and bloated at the still-strange knobs and faders of one of the better twiddlers around. All this and a gorgeous, swelling slab of broncheous overdriven fuzz rising from nowhere into a self-swallowing finish. 
961:6:434:: T he notes rain down, to urge April closer - the girl, or the season? Starts and stops trickle across the keys, as though this is a very old recording indeed. Is time given to practicing lessons counted
961:7:250::I guess it is kinda homophobic, but I didn't come up with the term- it's what serious musicians and fans refer to those bands as. Anyway, just cuz I used the word doesn't make me homophobic- cuz I'm not..... 
962:6:232::artist, musician, film maker, writer ... the list goes on. Her song-stories are glances at politics, religion, and relations between men and women. As much performance and tale as music, with dark humour underlining them. "O Superman" is
962:6:236::Brave . Anderson's songs have a much fuller sound on this album. Unlike a lot of her previous work, where different characters emerged through different electronics, she has a large group of backing musicians performing on Home of
962:6:491::Waco-style siege (although if you're holed up in there for 51 days, you'll miss the album release by ages). Digital Hardcore - still loud, still politicised, and still kicking the shit out of Techno. Long may they riot. 
962:6:525:: A t times it seems as if the waterfall has expanded to encompass a great and grand cathedral, water crackling like blocks being torn asunder and then rebuilt yet again. With cascading water as the backdrop, all
962:6:646::see to that - but peering askance with one eye raised at those who might find themselves in that position. Breakbeats break - beats drop out, and basslines curl around for the rewind rush; so far so danceable. 
962:7:252::Thats what that music sounds like though- its trying really hard to rock; but has no attitude, no style, no talent, no substance and frankly- it just sounds a bit gay: like Green Day meets Erasure or something! 
963:6:202:: what most straightforward Techno boils down to, and the US seems to do it better in my opinion. Less spiral revelations or pilled up inyrface good bloke-isms and more mechanised funk for your pound of vinyl. 
963:6:523:: C ontact microphones are x-d with black duct tape to shiny trashcans on the cover. In the liner notes, there are descriptions of things done while the concept and execution of these fountains were realised. Going
964:2:161::Mimi Abramovitz, Ruth Sidel, Michael Lewis, Frances Geteles - Welfare Reform: The Road To Indentured Servitude, Panel 74, Radical Alternatives on the Eve of the Millennium, Socialist Scholars Converence march 28-30, 1997 Radio Free Maine ] 
964:6:425:: P iano and almost a tuning-up of strings. Fine-tuning. Piano to the fore, then strings and their striking insistence. There are some touches that might be seen as "cinematic" - cues? For what, to whom?
965:6:109:: Rae & Christian 's reworking in a harder style, while their instrumental mix and A.D.O.R. 's own do exactly what they say on the sleeve, with some nice sped-up vocal snippets on the former. 
965:6:433::floor. What is the fine line between "memory" and "reminiscence"? Is it "regret"? Is it something wholly other, undefined yet lying tantalisingly within reach, gotten to by a key in "gee" or even a microtonality? 
965:6:56::on your take on post-modernism.) But, for what it's worth, this is mean, moody, and, (let's face it, this is what it comes down to) if you were IN an movie (yeah, you expected me 
966:6:260:: H eroic strains of melody strumth forge ahead through the thickening syrup and degauss buttons, I can't understand a word and it's all evocative of a time past yet which somehow still beckons... 
966:6:427:: A shake of notes tumbles forth from the piano, and the strings follow - running a race through the air and then tumbling into more measured tones. Looking tentatively around some undiscovered corner,
966:7:170::anything by discharge or at the gates,the government issue discography,anything by crass,fresh fruit for rotting vegetables by dead kennedys,the new stomach album,threefold by the dagda and forced knowledge by ex-cathedra...also energy by op ivy...:p 
967:6:556:: T he brain-waves travel down through their brother pulse, onetwo onetwo, and then the waves come crashing down across the seashore, filling the fauntanals and seeking their own level. A measured time
967:6:69:: S o naturally I`m pleased to see two large black slabs of vinyl from Add N To (X) , and they are doing what they do very well. Cute irreverent ditties with 
967:7:300:: Seraphina 21-04-2003, 16:26 omg, stfu all of you and just recommend albums, this isn't really a discussion thread. tastes vary and most people's opinions are valid. i'll listen to what everyone thinks. 
968:2:480::Voices of the Civil Rights Movement - Been In The Storm So Long, Dog, Dog, The A& P Song, Oh Pritchett, Oh Kelly, I Told Jesus - Black American Freedom Songs 1960-1966 
968:6:313:: I f you pushed me for favourites ... well I might have to go for L'Usine Icl and Monolake. I find that mix of Electro, atmosphere, and texture all too irresistible.
968:6:329::go, lyrically, you can't get much more lasting than "It was the biggest cock you'd ever seen/but you've no idea where that cock has been." And thus, the tone is set for 
968:6:538:: T his is a Soulful, Jazz-influenced series of atmospheres for late nights with incessant rain outside and summer nowhere near. It's often warming, despite the occasional moments of threat and menace.
969:2:614::Svetlana Alexievich, Michio Taku, Karl Grossman, Jay Gould, Minard Hamilton, Helen Caldicott - Critical Mass - Tenth Anniversary of Chernobyl - 4/26/96 at St. John The Divine, NYC. [Radio Free Maine] 
969:2:778::Kmozie Woodward, Maulana Karenga, Julianne Malveaux, Yasmin Adeigbola, Rashidah Ismaili Abu-Bakr, Paul Robeson, Jr. - Million Man March - 4/13/96 - (14th Annual Socialist Scholars Conference, Panel 2) [Radio Free Maine] 
969:2:830::Bogdan Denitch, Ellen Willis, Paul Robeson, Jr, Daniel Singer - Two Cheers For Utopia: Re-Imagining Socialism - 14th Annual Socialist Scholars Conference, April 12-14 1996, New York City [Radio Free Maine] 
969:6:288:: M arie-louise Munch applies quiet Julie Cruise -like vocals to Kim Hansen 's calm, repetitive programming to create a lush Ambient chill out music ever so reminicent of Portishead . 
969:6:57::to say "if you were making a movie", didn't you, well HAH!) then this would be a bloody good soundtrack. (As long as it was a particularly moody, spooky, and stylish 
969:6:611::Of The Century (World War III Mix)" which really allows them freedom to funk, turning in a typically lugubrious track where the Hop to the Hip is definitely chunky, the guitar 
970:6:29::eclectic, post-Modern loungeisms. Smoothly sequenced stylings get a look in too, in the epic "D Voodoo", while the strings and swoons of the single cut " Can't Get Loose " 
970:6:390::the drift into synth-Pop becomes a tad wishy-washy. It also fails completely to even briefly invoke the spirit of Kraftwerk , despite the title - which makes a nice change. 
971:6:330:: Arab Strap's Philophobia. We know, straight off, that we are in the Strap's sordid domain, a world of mornings-after, of spunk-stained sheets and "Packs of Three". A world, 
971:6:33:: T here is a moment of funky beat rage in "Still I Rise" which allows Adamson a good old rant and a rock-out to boot, slyly sampling Anthrax/Chuck 
971:6:573::tones fade out and other, subtler tones take their place. It's as if stones have been thrown into the pond and these tracks are ripples colliding with one another.
971:7:98::sikth - album due out soon, i found an mp3 of theirs online somewhere, and it sounded like a manic System Of A Down, not as good though ... 
972:2:1044::Miguel Nunez, Richard Levins, Mary Alice Waters - Cuba Since Soviet Collapse: Economic Measures, the New Agriculture & The Environment 4/26/95, Roxbury Comm College, Boston [Radio Free Maine] 
972:2:596::Spazz - WWF Rematch At The Co0w Palace (Aluta Continua), 4 Times A Day, Desperate Throat Lock, Bobby's Jackpot Jamboree, Dewey Decimal Stichcore, Swampfoot, C.I.A. - La Revancha 
972:6:111::consciousness. Sam Sever takes his version down slower and even edgier, with dubbed echoes on the vocals and a strange, persistent whine mixed in to unsettle and disrupt. 
972:6:333:: T here are times when you think Aidan Moffat is a frustrated performance poet, but there are also times when you think that without the music, this 
972:6:334::is just some pissed guy in a pub. And therein lies the charm- or otherwise- of Philophobia. This isn't songs- this is stories set to music, sometimes sung, 
972:6:34::D's "Bring The Noise" along the way. Given the recent resurgence of Suicide , it's no surpise that their "Girl" is covered here in depth-charge bass and keyboard 
972:6:35::mode, nor that "Frankie Teardrop's" drums crop up as samples in the scorchingly oppressive closing track "Jesus Wept," which pounds its way across a deluge of muffled voices, 
972:6:37::pretty much continues the theme in incendiary style, as does the Funk & Brass of "Goddess Of Love". As whirling, sleazy Nineties journeys though cinematic soundscapes go, As 
972:6:499::act The Arsonists , and Kathleen Hanna (survivor of one of the better Riot Grrrl bands, Bikini Kill ) all helping them lob their musical Molotovs at coppers. 
972:7:196:: herbie747 19-04-2003, 18:18 Here's a list of what NOT to buy. This type of music is known as , and they actually think they are Punk-Rock- Ha! 
973:2:120::Angela Davis, Geronimo JiJaga, many others - An Evening of Solidarity to Free Mumia Abu-Jamal Recorded August 16, 1997, Mission High School, San Francisco [National Radio Project] 
973:2:539::Branka Sesto, Robert J. Lifton, Erika Munk, Bogdan Denitch - Never Again...Again: Bosnia and Genocide 4/13/96 - 14th Annual Socialist Scholars Conference [ Radio Free Maine ] 
973:6:116::Africa" as proposed by My Life In The Bush Of Ghosts ) - so it's only inevitable that there should be a remix album in the Nineties. 
973:6:31::swing monster, while the deeply noir "Jazz Devil" scatters brushed drums with smokey vocals under the highly entertaining demonic Big Band smooch which, with its Hammonds and 
973:6:428::the strings indulge in self-play until the piano - nestling mother - involves itself in some amount of structure, into a final flourish of all into all. 
973:6:47::Ken Nordine vignette, while "Hear The Angels" is a surprisingly Housey breakbeat jaunt though cover version territory, though with more scraping noise than most ravers would appreciate. 
973:6:48::Once again, Adamson shows his eclectic cut & skills can emulate Babel with the best of them, a towering, infernal combination which finds expression in the murky 
973:6:551:: NOTE: Mail order copies of The Hand That Feeds comes with a limited-edition CDROM of Attrition live in San Francisco - see the website for details. 
973:7:175:: hells angels 03-04-2003, 14:43 i was full sure i posted in this thread already but i cant find the fúckin thing so i say IN FLAMES 
973:7:258::tbh, I dont like any of those bands mentioned, bar Less than jake, some bloodhound gang and a few of the live/acustic versions of 2 staind songs. 
973:7:282:: Doodee 21-04-2003, 15:04 yes but u went to the trouble of making out a list of bands, who by apparent musicians, are thought of as ****. 
974:2:1449::Noam Chomsky with Israel Shahak of Israel - Jewish Fundamentalism and Its Role In Israeli Domestic And Foreign Policy, MIT/ Cambridge, Massachusetts with Questions and Answers 
974:2:6:: Oct. 20 Noam Chomsky - Free Market Fantasies: Capitalism In The Real World, Amy Goodman & Allan Nairn - Massacre: The Story of East Timor
974:6:190:: T his is a preview to the forthcoming album. Should be good, if this song is an indication. Very strong in the trance/dance/pop crossover catagory. 
974:6:28::allows him space to croon, swing and growl his way through ten varied songs which explore various deviances, obsessions and existential crises though the medium of 
974:6:331::basically, like the one the Tindersticks inhabited on tracks like "Jism" and "Drunk Tank", only stripped of its romanticism. And most of the instrumentation. Despite the 
974:6:46::"Havin' fun in heaven while you're crucified" crooned in deceptively jaunty style over a rolling, jolly little tune. "Trouble Asunder (Oedipus Returns)" is like a sardonic 
974:6:607::Crew's "What's Inside Your Afro?" Tackled in relaxed dub style, this is a good reworking of a strange single, while the accompanying head-nodder "Coolness In My 
974:6:609:: R eturning the favour, Ohio's exponents of the warped groove smooth the same album's "Citizen Zombie" into a cool slo-mo mix of typewriter beats and 
974:6:610::TripHop squiggles, retaining the echo chamber excursions of the source material among their own peculiar brand of lounge Jazz stylings. It's their own all-new track, "Turn 
974:7:167::Great album. I didn't mention it because it was a pretty mainstream metal album. But of course, I'd recommend it to anyone who are into metal. 
974:7:195:: colin caustic 11-04-2003, 11:51 the only cd that matters-the Los Crudos discography...thrashy hardcore that's got more balls than most metal bands that are around today! 
974:7:253::And they all look manufactured (even though most of them aren't): as if they are trying too hard to be cool with their fake tatoos, etc... 
975:2:1001::Blowhole - This is not an offering to any person in any state where such an offering may not lawfully be made - Billowing Sheen 
975:2:1022::Sima Bina - Allah Mazare ou Le Reve Du Printemps - the Dream of Spring - Iran: Music of Khorassan - Music From The World 
975:2:515::Helen Caldicott - Hiroshima Day 1996 on the planned transport of nuclear fuel & the launch of the Cassini Probe - [ TUC Radio ] 
975:6:335::occasionally just spoken, but always with a delivery born of apathy; there is no "I've gotta tell you this", more "an' yeah, what happened was..."
975:6:348:: A ranos - M agnificent! M agnificent! N o O ne K nows T he F inal W ord ( A Second Opinion ) 
975:6:419::unspecified intervals. A bit like opening a door to a sound-proof room then closing it quickly. At first I thought my CD player was faulty.
976:6:30::are sharply satirical, undercutting the apparent saccharine before scathing feedback slips into the close. Likewise " What It Means " prowls like a slick 
976:6:36::backmasking and plundered noise, before the soaring redemption of the heavenly closure. There's soundscape and soundtracking aplenty on "The Monkey Speaks His Mind," which 
976:6:465::situation of journeying. Joel Vandroogenbroeck wanders around the world, Timothy Leary launches seven up on a "trip," Hartmut Enke travels deep within and the
976:6:566::beautiful packaging, simply reflecting the source within, designed by Aube as well as its contents. Do collect and reflect: Aube has reminded us that
976:6:606:: A pairing of two idiosyncratic groups in remix split single mode. First up are Tokyo's Audio Active , with their remix of Universe 
976:6:643:: J ohn A very - O nce I H ad I t A ll, N ow I J ust H ave E verything 
976:7:104::Also, another abum I got recently was their 30th aniversary album, its something brill, it has all their good songs off all the albums. 
976:7:269::If you disregard rolling drums, get something by Carcass. I recommend either Heartwork or Swansong. In fact, some of their stuff is pretty funky..... 
977:2:1016::Noam Chomsky - Democracy and Markets in the New World Order - Dove Memorial Lecture - University of Toronto 10/24/94 [Radio Free Maine] 
977:2:353::Nukes In Space: The Nuclearization and Weaponization of the Heavens, an Eco-Expose with Karl Grossman. [Envirovideo #305, For a Free Catalog: Call 1-800-ECO-TV45] 
977:2:601::Skaven - Like the Worms that crawl the earth - Blessed Are The Worms... ...For They Shall Intherit This barren Dirt COLL: Dystopia/Skaven 
977:2:603::Edward Herman - The Insecurity State and the New Relevance of Karl Marx - 5/16/96, Brecht Forum, New York City [Radio Free Maine] 
977:2:887::Harvey Milk - A Small Turn Of Human Kindness - My Love Is Higher Then Your Assessment Of What My Love Could Be 
977:2:960::Dick Levins (Harvard Dept of Public Health) - Predictions, Surprise & Chaos: The Fallibility of Science - World Fellowship Center, Conway, NH, 8/16/94 
977:6:233::an appropriate place to start, all the same. It was her first single, and it was what led up to her recording contract.
977:6:617::properly that these apparent stylings are merely part of the warp and weft of Price and Horlacher's fabric, or should I say texture?
977:6:75:: A dd N To (X) are the kind of band that make me think of the heady days of Space Invaders . 
977:7:288::yes but u went to the trouble of making out a list of bands, who by apparent musicians, are thought of as ****. 
978:2:761::The Orb - Remix of Material - Praying Mantra - Auntie Aubrey's Excursions Beyond The Call Of Duty, The Orb Remix Project 
978:2:865::Harvey Milk - All The Live Long Day - My Love Is Higher Than Your Assessment of What My Love Could Be 
978:2:870::Ruth Hubbard - The Politics Of Women's Health In A Corporate / Military State - 3/15/96 - USM, Portland [Radio Free Maine] 
978:6:106:: A .D.O.R. - O ne F or T he T rouble /L et I t A ll H ang O ut 
978:6:218::excursions into vocal tracks and collaborations with a World Serpent luminary, as well as a planned split 12" with Jowonio Productions .
978:6:45:: F irst single from As Above, So Below , "Can't Get Loose" is a surreptitiously nasty song, with the bitter lyric 
978:6:635:: E P7 is eleven highly crafted arbitrary and meandering tracks, very Autechreish, very good - make mine a pint of Schoenberg. 
978:7:86::Judas Priest, Sin After Sin, Staind Class and Killing Machine - absolute classics (not like Priest now who seriously miss Halford's writting) 
979:2:1034::J.R.R. Tolkien - Side 13 Episode 7: The King of the Golden Hall - The Lord Of The Rings - BBC 
979:2:210::Capitalist Casualties - Bad Habits, Drug Culture, Second Guess, Traditionalist, On The Take, The Sty Of Christ, Insecurities - Capitalist Casualties 
979:2:334::Richard Grossman - Dismantling Corporations, can we revoke the charter of corporations?, International Forum on globalization. 1995 [ TUC Radio ] 
979:2:532::Marcial Reyes y sus Pleneros de Bayamon - El Leon - COLL: Puerto Rico in Washington / Puerto Rico En Washington 
979:2:586::Howard Zinn - You Can't Be Neutral on a Moving Train: Education and Activism, 2/13/95, Sarah Lawrence College, Bronxville, New York 
979:2:710::Human Torches - Yor Love Lifts Me So High I Can See My House From Here, The Dive - It Lives 
979:2:730::Howard Zinn, William Keach, Lawrence Hayes, Cornel West - Stop The Death Penalty, 3/11/96, Harvard University, Cambridge, MA [Radio Free Maine] 
979:2:759::Harvey Milk - The Anvil Will Fall - My Love Is Higher Than Your Assessment Of What My Love Could Be 
979:2:899::Noam Chomsky - Peace In The Middle East - 3/5/96, University of British Columbia, Vancouver, British Columbia, Canada [Radio Free Maine] 
979:6:378:: H ackney. Shit. I`m still only in Hackney. Every time I think I'm gonna wake up back in the jungle.
979:6:460::sonic skies. To re-emphasize - it's great fuck music, especially at lower levels, and your plants will grow because of it.
979:6:649::printed on the sleeve) which resembles some of Laurie Anderson's spoken word pieces quite strongly - which is no bad thing. 
979:7:117::Dark tranquility are generally very good, get all of their songs, and get in flames aswell, 2 truely brilliant bands :) 
979:7:148:: Robbo 20-09-2002, 02:16 Heres something way out of kilter to what the rest would offer: The Rolling Stones - . 
979:7:158::Yeah! Cowboys From Hell sounds great on the violin! I saw it on the Pantera homevideo and it was damn cool! 
979:7:256::and by that who do u mean. a little underground organisation that labels bands cause they have a phd in ROCK? 
979:7:263::If I hear any more of 'This is gay, faggot ****e' again, I'll be using my moderating stick on some heads. 
979:7:97::ill nino - fast becomeing mainstream, they only have the one album Revolution, Revolucion - sound a lot like Soulfly ... 
980:0:4365::stay / I'd be gay in New York, I'd be a fag in LA / So I saved my money
980:2:150::Hecate Enthroned - Aflame In The Halls of Blasphemy - The Slaughter of Innocence, A Rewquiem for the Mighty `
980:2:251::Ralph Nader - Growing Up Corporate, Growing Up Civic, It's Your Choice, Orono, Maine 4/27/97 [ Radio Free Maine ] 
980:2:256::Samsara - Every year The Bureau Of Indian Affairs Sends Me A Check For One Cent - Wake Up Now 
980:2:348::His Hero Is Gone - The End Result of 11 Days In The mental Hospital - Fifteen counts of Arson 
980:2:352::Chumbawamba - Never Do What You Are Told, I Never Gave Up - Showbusiness!(Split CD with Chomsky's Capital Rules CD) 
980:2:366::Ralph Nader - Redifing Democracy, Education, The Environment and Civic Responsibility, Bowdoin College, Maine 10/1/96 [ Radio Free Maine ] 
980:2:484::Chumbawamba - Never Do What You Are Told, I Never Gave Up - Showbusiness!(Split CD with Chomsky's Capital Rules CD) 
980:2:523::TUC Radio version of the film by Terre Nash - Who's Counting? Marilyn Waring on: Sex, Lies & Global Economics 
980:2:551::Marcial Reyes y sus Pleneros de Bayamon - No Tengo Amigos - COLL: Puerto Rico In Washington/Puerto Rico En Washington 
980:2:823::Harvey Milk - Women Dig It - My Love Is Higher Than your Assessment Of What My Love Could Be 
980:6:119::original material - and despite initial misgivings, this approach works well in creating something worthwhile out of already phenomenal material. 
980:6:27:: A strong exploration of Barry Adamson as singer- songwriter, following the years of faux-soundtrack work, As Above, So Below 
980:6:340:: A ranos - M agnificent! M agnificent! N o O ne K nows T he F inal W ord 
980:6:614:: A udiobot vs T he G alloping O scillator - A udiobot vs T he G alloping O scillator 
980:6:86::the finer points of melody and electronic sequencing, Add N To (X) like their retro rough and their influences battered. 
980:7:101::Well, I know they are a well known group but you may/not have heard this album, Its my pers Fav 
980:7:251::I'm sure you have called your friend at some stage: you don't mean anything by it. It's just a slag. 
980:7:94::If that doesn't do it for ya, then get into some good ol Guns N Roses or Stone Temple Pilots 
981:2:1000::JRR Tolkien - Side 15 - Episode 8 - The Voice of Sauron - The Lord Of The Rings 
981:2:1019::J.R.R. Tolkien - Side 14, Episode 7 The King of the Golden Hall - The Lord Of The Rings 
981:2:337::Judy Norsigian - Our Bodies, Ourselves: Women's Health & Sexuality In The 90's, 10/7/96 [ Radio Free Maine ] 
981:2:66::Mumia Abu Jamal - A House Is Not A Home - COLL: Split CD with Man Is The Bastard 
981:2:673::Negativland - Christianity and the Cults, Josep Smith, Brainwashing at the Cuckoo Club - Pastor Dick: Muriel's Purse Fund 
981:2:848::Alien Faktor - No One Can Make Me Do Anything I Don't Want To Do Anyway - Final Expenses 
981:6:147:: A lien S ex F iend - F iend At The C ontrols V ol. 1 & 2 
981:6:223::superhighway. Indeed, there's a version of , wilting from the speakers with fuzz like a kilt. Dead? No, hardly.
981:6:256:: A ngel' I n H eavy S yrup - A ngel' I n H eavy S yrup IV 
981:6:502::is hiding/A nation is accused" - there's plenty here for DHR 's T-shirt designers to be going on with. 
981:7:169:: colin caustic 03-04-2003, 13:52 i'm gonna post for the buzz of it coz noones gonna read it anyhow... 
981:7:80:: beaver 17-09-2002, 14:10 ROFL. You shoot down Tull and then propose Manic Street Preachers? You're joking, right? :) 
981:7:82::I'd also recommend Clutch -- the musics got a very heavy feel to it, but it's very, er, musical... 
982:2:1031::Noam Chomsky - Resisting Corporate America's War on Working People - 5/9/95 MIT Cambridge, MA [Radio Free Maine] 
982:2:168::Today Is The Day - The Man Who Loves To Hurt Himself - Temple Of The Morning Star 
982:2:2486:: My favorite line - - Do you have to see the body bags before you make a
982:2:263::Spazz - Hug Yourself - Sweatin' To the Oldies (All The Out of Print Stuff '93 - '96) 
982:2:2947::Sinead O'Connor - I Do Not Want What I Haven't Got - I Do Not Want What I
982:2:342::Hellnation - PC Scapegoat, The Shit Inside Your Head, Angry White Male, React - Split 7" with CFDL 
982:2:404::Harvey Milk - F.S.T.P. - My Love Is Higher Than Your Assesment Of What My Love Could Be 
982:2:678::Noam Chomsky - Remarks plus Q&A at a Funding Exchange Meeting 4/27/96 Boston Museum Of Science[Radio Free Maine] 
982:2:746::Noam Chomsky - Third World Conditions At Home, Nobody to Blame But Ourselves 3/4/96, Western Washington University, Bellingham 
982:2:763::Howard Zinn - Failure To Quit: Reflections Of An Optimistic Historian - Concord, NH 6/21/96 [Radio Free Maine] 
982:2:788::Harvey Milk - F.S.T.P - My Love Is Higher Than Your Assessment of What My Love Could Be 
982:2:857::Noam Chomsky - From Containment To Rollback: Will Civilization Die? - 4/2/96 University of New Brunswick/ St. John 
982:2:885::Noam Chomsky - Corporate Welfare in the U.S., Americans for Democratic Action, 4/22/96, Brookline, MA [Radio Free Maine] 
982:3:1263:: If you want your band in this list please send me an email and I add it. 
982:4:122:: more than the feel of my cheeks. I want him inside me so I back my ass
982:6:113:: A frican H ead C harge Vs. P rofessor S tretch - D rums of D efiance 
982:6:179::possibilities of guitar abuse is of course to obtain this record, and find out the joys of noise. 
982:6:220:: A mps F or C hrist - T he O ak I n T he A shes 
982:6:300::Antony is cooing at us. This may be the voice of all pain. "Happy bleedy happy bruisy..." indeed.
982:6:32::brass section, burns through an everyday tale of soul-selling and the back streets of a fantasticly-drawn darkling London. 
982:6:487::starts at the beginning and doesn't fucking well finish until it's fucking well got to the fucking end. 
982:6:520:: " T his is sound not of waves, nor ripples on the surface; but on top of
982:6:61:: A dd N T o (X) - T ake M e T o Y our L eader 
982:6:80::irrelevant considerations here), Avant Hard focusses their vintage electronic equipment into a tightly-coiled stream of post-Modern spluttering self-consciouness. 
982:7:151:: ThenComesDudley 20-09-2002, 19:49 i aint got the names of the albums in me hed at the moment 
982:7:171:: Kali 03-04-2003, 14:07 And They Will Know Us By The Trail Of Dead - Source Tags Code 
982:7:273:: Karl Hungus 21-04-2003, 01:48 Madder Mortem are a great band, you should check out their latest album. 
982:7:90::All of the above are really cool bands with some excellent playing and vocals but not really heavy/noisy. 
983:0:1398::find me a man / 'Cause I had me a lunger / For some muscle and tan. 
983:0:1615::was no good what we'd done. I dare a man to say I'm too young, for I'm
983:0:1690::Side 1: We Are Everywhere; I Love A Man; We Go Again; You Did It Out Of
983:0:3684::rolling by. I raised the chain above my head. He said I am but half a man,
983:0:3711::later his wife - is more than a love story. It is at once a tragedy and
983:0:3772::I mean that's all right ... stand up and say I am tempted to be a ...
983:0:4366::and I took a plane / But wherever I go they treat me the same // But
983:0:4774::got to live their life and God knows I've got to live mine ... How can you
983:0:4804::Rumours ( : ): Did you hear about Michael - some say he is gay - I
983:0:5228::I Am What I Am (3:53) (J. Morali - H. Belolo - V. Willis - B. Whitehead). 
983:0:617::the way I felt about time - at times - and I played it back, after we'd
983:2:1205::J.R.R. Tolkien - The Knive In The Dark (part 6 of 26) - The Lord Of The 
983:2:1215::Nick Cave and the Bad Seeds - (I'll Love You) Till The End Of The World - 
983:2:1224::J.R.R. Tolkein - Knife In the Dark (part 5 of 26) Lord of The Rings - BBC 
983:2:1767::750 Kirk Lake - All The Sad News, I Can Handle - So, You Got Anything Else? 
983:2:1862::513 Laurie Anderson - The End Of The World - The Guly One With Jewels and Other
983:2:2561::Jello Biafra And No Means No - Jesus Was A Terrorist - The Sky Is Falling And
983:2:258::North Dakota Shallow - This Apparatus Must Be Earthed, The Lubber - This Aparatus Must Be Earthed 
983:2:2810::Emmy Lou Harris - Two More Bottles of Wine - 1/4 Moon in a Ten Cent Town 
983:2:2817::Asleep at the Wheel / Riders In The Sky - Dusty Skies - Tribute to Bob Wills 
983:2:298::Howard Zinn - Democracy In America: Myth and Reality, 2/11/97, Trinity College, Hartford, CT [Radio Free Maine] 
983:2:333::Zakir Hussain - Berkeley (CA, USA) 1989 SOLO - 6 1/2 BEAT TALA - Magical Momentsof Rhythm 
983:2:355::Noam Chomsky, Howard Zinn - The Cold War & The University, 2/20/97, Boston Univeristy [Radio Free Maine] 
983:2:393::Voices of the Civil Rights Movement - We Shall Overcome - COLL: Black American Freedom Songs 1960-1966 
983:2:441::His Hero Is Gone - the end result of 11 days in the mental hospital - Fifteen 
983:2:478::Voices of the Civil Rights Movement - Ain' Scared of Nobody - Black American Freedom Songs 1960-1966 
983:2:485::Voices of the Civil Rights Movement - We'll Never Turn Back - Black American Freedom Songs 1960-1966 
983:2:969::Scissor Girls - A Dedication to Cronies and Goats (M. Organ) - We People Space With Phantoms 
983:2:982::J.R.R. Tolkien - Side 16, Episode Eight: The Voice of Sauron - The Lord Of The Rings 
983:4:106:: protects me from harm. His is a good heart. Mine was won by him and I
983:4:143:: I gather some up and bring it around to where I can look at it. The
983:4:206:: drink. Even if hes not ready to eat, I am! I find his shield to sit
983:4:290:: love and care for me always? This is what I want yet I fear for him.
983:4:294:: read his face. He walks to his horse and frees the reins from a tree. I
983:4:308:: hurt from yesterday and I know that many miles have yet to be won. Is our
983:4:79:: My eyes widen in alarm. I may still have to bolt! Yet I pause from it
983:6:273::the edges and shapes may be generally familiar, but largely the individual placements are freshly strained throughout. 
983:6:332::amount of players on this album, the overall feel is one of minimalism, both lyrically and musically. 
983:6:527::gently moving soul of water remains, along with all the heavy sound that it potentially can carry 
983:6:533:: A ttention I ndustries Meets P atricia E laine O akley - P attern Of 1 
983:7:112:: Seraphina 18-09-2002, 18:31 c'mon... guns and roses, stone temple pilots, led zeppelin?! im not musically illiterate! 
983:7:127:: lordsippa 19-09-2002, 23:37 Just in case you're looking for something COMPLETELY different here's a few suggestions: 
984:0:1124::or femme? Do you really hate men? What's it like to be a dyke, what's it
984:0:1174::of innocent lovers, And why is it less of a crime to take the life of
984:0:1265::Man Enough To Be A Woman (County); Are You A Boy Or Are You A Girl
984:0:1589::Woman To Woman (3:10) - Gwyn's Tune (4:17) - O. K. O. Y. (3:04) - Theme
984:0:1610::MSPL 18128, Pye 200 727 241, CS: Pye 400 727 251, LP: Marble Arch MAL 867. 
984:0:1614::the breeze of the midnight ... and who's going to be the one to say it
984:0:1616::going to try for the sun ... and when he thought I was asleep he lays
984:0:1778::asked ... first. Is it okay if I call you mine? If I asked you to
984:0:19::for inclusion in his book, but at that time I could not spare the time to
984:0:2045::I like me like this (2:10) - You got to dig deep (2:34): lesbiske som en
984:0:2227::Du berhaupt klar, so ganz ohne Frau / tu nicht so cool / Du bist doch
984:0:2482::up to me and asked me if I wanted to dance, and then he kissed me. 
984:0:2665::some are gay, say you can't be one of us, you only have yourself to blame,
984:0:2669::big stars. How do you rate my sex appeal from one to ten? Is my image,
984:0:2779::Omkring kvart i ti stod I op og gjorde det hele igen. Han har sin egen
984:0:328::to me I give back to you, turn it inside out with love love love .... 
984:0:3683::standing on the corner of the street, he waved his hanky at me as I went
984:0:4012::wenn er ihn liebt ... und wenn eine Frau eine Frau liebt, so soll sie sie
984:0:4367::when the whip comes down! // I go to 53rd street and they spit in my
984:0:446::half. We just knew that we loved each other so much that it had to be
984:0:449::bastard ... well I can sing it loud now, gay and proud. - People say 'you
984:0:4695::p gaflen - ja, jeg vil ikke siger mer' - men det er en svir at
984:0:4707::It Don't Rain (3:53): Loving you is all I want to do ... You are to
984:0:5275::er ej s slemt, men de kys og de smil fra den dag i april, dem
984:0:618::recorded it, and my God, it was a gay song! And I'd no intention of writing
984:0:619::anything at all gay. When I listened to it back I just could not believe it.
984:0:647::like the clothes that you wear, I like to beat your drum. - I like to
984:1:313::25. Anaal Nathrakh - When Fire Rains Down From The Sky, Mankind Will Reap As It 
984:1:396::23. Septic Death - Now That I Have The Attention What Do I Do With It? 
984:2:1122::J.R.R. Tolkein - Side 8, Part 4, The Ring Goes South, Side 9, Part 5, The 
984:2:1457::383 Cradle of Filth - To Eve The Art - COLL: Death Is Just The Beginning 
984:2:1526::293 Tina, Age 13 - cortez the killer - The Alcoholic Father of My Inner Child 
984:2:1636::Ministry - Corrosion - Psalm 69: The Way To Succeed And The Way To Suck Eggs 
984:2:1695:: Dead Or Alive - You Spin Me Round (Like A Record) - Rip It Up 
984:2:1796::702 Strapping Young Lad - In The Rainy Season - Heavy As A Really Heavy Thing 
984:2:1917::385 John Zorn and Fred Frith - The FOUNTAIN and the MIRROR - The Art Of
984:2:1920::159 Peter Brotzmann and Hamid Drake - Trees Have Roots in the Earth - The Dried
984:2:1949:: 878 Mad Professor - Ultimate Experience, The Heart Of The Jungle - It's A Mad
984:2:2032::758 Lead Belly - I Don't Want No More Of Army Life - Lead Belly's Last
984:2:208::Assholeparade - Hash Thrash, 700 Years, Just A Reminder, Launch Ramp - COLL: Possessed To Skate 
984:2:2198::Lead Belly - I Ain't Going Down To The Well No More - Lead Belly's Last
984:2:2234::547 Karen Finley - Testimony of the Reality That Life Is Unfair And Unjust - A
984:2:2563::288 Bloody Mess And The Skabs - OJ Simpson - COLL: Music To Make Your Ears
984:2:2632::839 Skankin' Pickle - I'm Still In Love With A Girl Named Spike - Sing Along
984:2:278::Katha Pollit: What is the Future of Feminism 3/10/97 Bates College, Leiston, Maine [Radio Free Maine] 
984:2:2879::Southern Culture On The Skids - Daddy Was A Preacher Mama Was A Go-Go Girl -
984:2:3071::433 Greg Ginn - Let It Burn - Let It Burn, (Cause I Don't Live There
984:2:3073::544 - Demilich - The Planet That Once Used To Absorb Flesh In Order To Acheive
984:2:3110::433 Greg Ginn - In Your Face Mothersucker - Let It Burn (Because I Don't Live
984:2:3113::446 Peter And The Test Tube Babies - Moped Lads, Banned From The Pub - Pissed
984:2:3200::LL Cool J - Mama Said Knock You Out - Mama Said Knock You Out - 
984:2:3266::866 A.C. - MTV Is Where I Get My New Music - Everyone Should Be Killed 
984:2:3552::They Might Be Giants - Why Does The Sun Shine - Why Does The Sun Shine 
984:2:407::Chumbawamba - Never Do What You Are Told - Showbusiness!(Split CD with Chomsky's Capital Rules CD) 
984:2:469::Michael Parenti - Part 6: The National Security State At Home And Abroad - Radio Democracy 
984:2:489::Michael Parenti - Part 4: The U.S. Military Empire At Home and Abroad - Radio Democracy 
984:2:498::Mats Gustafsson, Barry Guy, Paul Lovens - Part IV - Mouth Eating Trees and Related Activities 
984:2:503::COLL: Tradiotional Music of Peru 3 - Tracks 11-18 Agricultural Music - Cajamarca & Colca Valley 
984:2:549::Smegma - Prowing Noise - COLL: Lowest Form Of Music, The Los Angeles Free Music Society 
984:2:571::Anthony Braxton & Derek Bailey - The Second Set - Area 8 - First Duo Concert!!br.
984:2:627::Noam Chomsky - The Corporate War On Working People, 4/13/96, Harvard, Cambridge, MA [Radio Free Maine] 
984:2:690::Earth - Phase 3: Agni Detonating Over The Tar Desert - Phase 3: Thrones and Dominions 
984:2:69::Howard Zinn - 2/12/97 - Lessons Past, Exploring the Legacy of the 1960's [Radio Free Maine] 
984:2:706::Neil Postman - Multiple Dangers of Mutli-Media - Western Washington University at Bellingham [Radio Free Maine] 
984:2:711::Evolution Control Committee - Jesus Carp (Son of Cod) - Double the Phat and Still Tasteless 
984:2:716::White Zombie - Electric Head Pt. 1 (Satan In High Heels Mix) - Supersexy Swingin Sounds 
984:2:762::The Disposable Heroes Of Hiphoprisy - Television, The Drug Of The Nation - Television CD Single 
984:2:770::Gang Of 4 - I Love A Man In A Uniform - Songs Of The Free 
984:2:812::Dos - Do You Want New Wave Or Do YOu Want The Truth? - Justamente Tres 
984:2:853::Max V. Mathews - Bicycle Built for Two - COLL: Historical CD Of Digital Sound Synthesis 
984:2:931::English Muffin - I Smell The Blood Of An English Muffin - COLL: Industrial F**king Strength 
984:2:939::Noam Chomsky - Economic Impact of Post WWII US Foreign Policy - Phillips Academy/ Andover 4/27/95 
984:2:98::My Dad Is Dead - The Harvesting - Everyone Wants The Honey But Not The Sting 
984:4:107:: want to satisfy him in any way. Lust rules him now. My body will give
984:4:110:: my legs, sticking out from me and aching is my own long dick. Each of
984:4:115:: fucking through my cheeks. His hands grip my hips as if I were a squaw.
984:4:128:: the throbbing of his dick in me and that gets my own dick to shoot.
984:4:135:: the long struggle. I look down at the long squirt of my cum on the
984:4:175:: his sperm between my slimy cheeks. A bold idea comes to me. I spread my
984:4:176:: legs apart so that I can reach my hole. It opens to accept my slippery
984:4:179:: How far inside me did did the man get, I wonder? There was some pain
984:4:17:: good. Only that I had a strange liking for boys which I had to keep
984:4:183:: How painful would it be to really get fucked? One finger is in me as
984:4:184:: far as it can go. I try another. It goes in easily and without much
984:4:190:: Maybe Ill get him all the way inside my butthole the next time he has
984:4:202:: brave speaks my name and rubs his hand across my nose. I laugh at his
984:4:205:: When our fun is over with, I fetch the pouches for us to eat and
984:4:21:: the stream ahead of me. Its with a sly grin that my free hand rushes
984:4:223:: for more of his Indian language. I point to my head and wait to hear
984:4:237:: him as he wants. The braves arms bring me into his lap when our loving
984:4:244:: watch him blow out a long and weary breath. His eyes smile to me. I
984:4:245:: release a long breath and give him a nice smile back. Im so happy to
984:4:265:: about my fears, my pain, and the great love that I have for him. He
984:4:267:: All the pain in my life is coming out. The agony from my first lover.
984:4:269:: awakened my manhood. I see Mr. Telson for what he was, how he used me,
984:4:282:: If I stay with Owopspec will there be a war because of me? Are the
984:4:307:: relieved to be on some kind of path after our rough walk. My feet still
984:4:312:: every movement and I sense his deep love for me. I smile at the attention.
984:4:32:: the first to run up to him from the icy stream. My arms reach around
984:4:343:: rhythmic beat that soothes me. It wants to put me to sleep. Too tired to
984:4:344:: wonder where my lover has gone, I close my eyes. Sleep takes me at last.
984:4:367:: be done. My brave points out his lodge doorway to a man. At the trader
984:4:368:: whom I hate and want very much for my Indian lover to protect me from.
984:4:43:: sniff, he licks it up. I know that Owopspec likes the taste of my cum.
984:4:44:: His face fills with deep longing and I know that his loins want me real
984:4:47:: He quickly ties his horse to a tree. I watch him drop his breechclout to
984:4:54:: didnt mean to bite me but it had happened. In his lust, he also tried
984:4:58:: to be denying his love but my fear looms over me like a dark cloud.
984:4:60:: hands on my shoulders force me down to my knees. He squats behind me. I
984:4:74:: I turn my head to look back at the brave. His eyes are aflame. Its
984:4:87:: done. I suppose thats how a man performs it on a boy. I bend over
984:4:94:: Im held close to him with strong hands on my waist. The heat of his
984:4:99:: forward when the brave slams into my body. I wince out in pain when his
984:6:162:: A lien S ex F iend - N octurnal E missions (S pecial E dition) 
984:6:328::Label: Chemikal Underground Format: CD L et's face it, first impressions last. And as first impressions 
984:6:382:: O utstanding, Army of Ghosts . Outstanding. Get your case of beer for that one.
984:6:471:: A tari T eenage R iot - L ive At B rixton A cademy 1999 
984:6:509:: A tari T eenage R iot - T oo D ead F or M e 
984:6:567::while nothing is original, our worlds can pool with creation, as close as the kitchen sink. 
984:6:612::wahs as it should, and a popping melody with semi-anthemic chorus keep the whole thing together. 
984:6:66:: A dd N T o (X) - A dd I nsult To I njury - 
984:6:7:: A bstract Q - S elected F requencies For U nrepressed N eural E vents 
984:7:149::See where a lot of rock music came from, if you like that sort of thing. 
984:7:272::[edit: I just realized, Black Star is MEGA funky, as in disco funky. D/l it. ] 
984:7:39:: Pugsley 16-09-2002, 00:18 Metallica - master of puppets (was shocked this hasnt been mentioned :o) 
984:7:4::i'm trying to expand my cd collection with some bands that aren't so mainstream, something different. 
985:0:1049::To Go; From the Heart; You Can Do It; Living in the Moment; Here From
985:0:1161::love is strong enough for me - I find it hard to control the desire. 
985:0:1173::it can happen to anyone - How can one man decide the fate and destiny
985:0:1274::antiques do it, whenever you look do it, Ali Kahn and King Feroucq do it,
985:0:1276::Matelot: from the 1945 revue 'Sigh No More'. It is the song of a young
985:0:1280::in 'Sigh No More'. Payn was 14 when he met Coward. He appeared in 'Words
985:0:1350::with your mind ... When I say I don't dance, I mean not like you. 
985:0:1464::full of change Like a fire when it's cold outside or thunder when it rains.
985:0:1465::If I should live forever and all my dreams come true My memories of love
985:0:1528::lost in the wood ... So the robbers caught him. But one of the robbers
985:0:158::about gay life in Paris, when I was much younger in the good old days. 
985:0:1692::Side 2: A New Gay Dawning; We Can't Do It Alone; Maybe I'll Se You;
985:0:1822::eller andet igennem et hul, tak ska' du ha' hvor vi kigger og vi ku'
985:0:1926::F. G. T. H. is a rock group from Liverpool started ultimo 1982. The group's
985:0:1944::We've been friends for so many years. Why am I so afraid to hold you?
985:0:1960::Well Fancy That! (3:06): A 12 year old boy goes to Paris with his male
985:0:1992::faire l'amour avec un autre homme qui m'a dit kiss me hardy kiss me my
985:0:1993::love ... (I went out to make love to another man who said to me,
985:0:2061::lot of time with them. Karen, an old friend of Sal's, is staying with them.
985:0:2082::one life and there's no return and no deposit, one life so it's time to
985:0:2491::Side 2: Ode to First Time Love: Two Poems by Piet Paaltjens 1) At the
985:0:2573::bundet i de kder, som du ved, at jeg ikke kan komme fri af, fanget
985:0:268::and I saw ya kissing all the girls, but you got obsessed with the boys.
985:0:270::story ends, 'cos I've seen you in the parks and alleys. Now I got things
985:0:2823::said that he should like to live together with a young man if his relation
985:0:2921::Lyrics by Fred Ebb. Based on the play by John Van Druten and stories by
985:0:2976::one for life on the outside to change, the other for his life to begin.
985:0:3349::put it back with a vengeance. Marilyn is a bad girl (he likes to wear
985:0:3567::a land where women touch each other, men walk hand in hand in the day
985:0:3787:: - Side 2: Rock And Roll Lullaby (4:15); Find The One I Love (2:45);
985:0:3894:: Contents: Fuk U in the Ass (Bend Over); Fuk U in the Ass (Deeper
985:0:391::little girl does the best she can, Trying to be gay for a sad young
985:0:4051::Sometimes It Snows In April ( : ): handler om en fyr, der er d
985:0:411::denied the love of half the world ... sister wanne be with you ... all
985:0:414::love pours forth ... I'd like to lie with you forever ... Oh woman oh
985:0:4225::in love with a man of eighteen; the vicar found out they'd been having a
985:0:4243::I'm gonna have to tell that girl you're the only boy for me, get even,
985:0:4336::Maybe he should tell someone. He's not sure just what it was, or if it's
985:0:4347::my arse fucked ... Well, I asked a young policeman if he'd only lock me
985:0:4348::up for the night ... he fucked me with his truncheon and his helmet was
985:0:4368::face / But I'm learning the ropes yeh I'm learning the trade / The est
985:0:4369::river truckers are churning with trash / I got so much money but I spend
985:0:4390::Emotions - Wimp - To Myself - Homophobia - Side 2: Must've Been Drunk -
985:0:4425::Jody appeared to be the kind of sailor who gets his kicks out of a
985:0:4426::desperate man, he let me buy his drinks, he let me touch his hand, he
985:0:442::of here cause I think you and your friend are queer, and you know I
985:0:445::We didn't know any lesbians and couldn't say the word for a year and a
985:0:4501::Side 1: From The Silence (2:28); We Kiss In A Shadow (2:51); Medley - The
985:0:4508::The Chorus is a group of gay men based in the Bay Area of northern
985:0:4511::instill that pride in our gay brothers and sisters as well as in the other
985:0:4537::Du er ikke alene (5:14): der er andre, der har det ligesom dig, fat mod,
985:0:4716::make you a career in the business, I'm in, I'll make you rich, I'll make
985:0:4729::River Seine in Paris or under a moonlit sky in the Sahara Desert, let it
985:0:4842:: - Side 2: Every Star On The Screen, Sparkles, Steppin' Out With The Boys,
985:0:4905::it is there now and it was there back in the days of Storyville [...]
985:0:4919::Two Old Maids In A Folding Bed (Monette Moore and her Swing Shop Boys) 1936. 
985:0:5273::gld, men et blik og et ord og de ting, som han svor, dem husker
985:0:5574::He was one of my informants, too. When I found no time to continue collecting
985:0:616::and I thought it was about time, and I wrote very heavily about time, and
985:0:628::Dancing with a girl he wants to tell his boyfriend John that he is only
985:0:633::Side A: Hang On to Yourself / Ziggy Stardust / Watch That Man / Medley:
985:0:646::I like the smell of your flesh, I like the dirt that you dish, I
985:0:727::on cassette: ARGO SAY 1 (UK) - and cassette with book: Chrysalis C BOX 1
985:0:759::Side One: Why? / Ain't Necessarily So / Screaming / No More War / Love 
985:0:761::Side Two: Smalltown Boy: about a boy who in order to find the gay love
985:0:793::We Know How It Feels: they call me names to hurt me ... they don't
985:2:1029::Exhumed - Horrendous Member Dismemberment - Hemdale/Exhumed Split CD - In The Name Of Gore 
985:2:1100::J.R.R. Tolkien - Side 10 Episode 5: The Mirror of Galadriel - The Lord Of 
985:2:1113::Jello Biafra and Nomeansno - The Sky Is Falling, And I Want My Mommy - 
985:2:1164::J.R.R. Tolkien - Side 7 The Ring Goes South - The Lord Of The Rings 
985:2:1190::Man Is The Bastard - Semen In The Eyesocket of Thomas Lenz, Slave To The 
985:2:1192::Life Garden and Voice of Eye - Track 1 - The Hungry Void Volume Two:Air 
985:2:1199::Daniel Johnston - I Live For Love, Almost Got Hit By A Truck - 1990 
985:2:1231::J.R.R. Tolkein - The Lord of the Rings - Episode Two: the Black Riders - 
985:2:1247::Greg Brown - I Don't Want To Have A Nice Day - The Live One 
985:2:1282::J.R.R. Tolkien - Side one, Episode One: The Shadow of the Past - The Lord 
985:2:1488::Daniel Johnston - Keep Punching Joe, No More Pushing Joe Around - Hi, How Are
985:2:1518::299 Misery Loves Co. - Kiss Your Boots ("Open Your Mind" Mix) - Need Another
985:2:1596::914 The Mermen - The Drowning Man Knows His God - A Glorious Lethal Euphoria 
985:2:1602:: 808 Jonathan Richman - The Heart Of Saturday Night - You Must Ask The
985:2:1650::873 Sucking Chest Wound - Why Do Teenagers Take Drugs? (part 1) - War On
985:2:1654::Jungle Brothers - For The Heads At Company Z - J. Beez Wit The Remedy 
985:2:1685::Ambush - Zebaoth, Dumped Back In A Cell In Isolation, Always In Agony - Lach! 
985:2:1692::592 Aube - Frequency for Final Field - Soundtrack for the End of the World 
985:2:1730::733 Jo Maneri Quartet - Pres, One Track Minds, Skippin Thru The Turnips - Get
985:2:1732::L.L. Cool J - Mama Said Knock You Out - Mama Said Knock You Out 
985:2:174::Emperor - The Loss and Curse of Reverence - Anthems to the Welkin At Dusk 
985:2:1762::Autmn Poison - Utopia: A New World In Our Hearts - COLL: Bullshit Detector Vol.
985:2:1774::749 The Residents - The Savage Pack - Hunters - The World of Predators And
985:2:1778::732 Franz Koglman Lee Konitz - Love Is In My Heart - We Thought About
985:2:1801:: underneath 389 Anal Cunt - Some Hits, Some More Hits, Pepe, The Gay Waiter,
985:2:1824::592 Aube - Frequency for Finaol Field - COLL: Soundtrack for the End of the
985:2:1902:: Exit 13 - An Electronic Fugue For The Imminent Demise of Planet Earth -
985:2:1932::In The Hand Of Eric Wood, Problems In The Homeland, I Hate The Kids -
985:2:1946::346 God Is My Co-Pilot - Wetting The Bed - Sex Is For Making Babies 
985:2:1951::389 Anal Cunt (A.C.) - Fore Play With A Tree Shredder - Top 40 Hits 
985:2:2005::Suicidal Tendencies - Trip at the Brain - How Will I Laugh Tomorrow When I
985:2:2034::149 Sparkalepsy - King Of The Hill - COLL: Our Band Could Be Your Life 
985:2:2056::played under: 878 Mad Professor - Ultimate Experience - It's A Mad Mad Mad Mad
985:2:2074::Talking Heads - Take Me To The River - More Songs About Buidlings And Food 
985:2:2084::146 The Meatmen - Real Men (Hang To The Right) - Pope On A Rope 
985:2:2097::146 The Meatmen - Beefsteak Boogie, Pope On A Rope - Pope On A Rope 
985:2:2109::149 The Meices - Political Song For Michael Jackson To Sing - COLL: Our Band
985:2:2120::961 Pitch Shifter - To Die Is Gain - Pitch Shifter Vs... (The Remix War) 
985:2:2124::Nick Cave and the Bad Seeds - I Had A Dream Joe - CD single 
985:2:2173::Morton Subotnick - Silver Apples of The Moon, Part 1 - Silver Apples of The
985:2:2195::758 Lead Belly - Yes, I Was Standing In The Bottom - Lead Belly's Last
985:2:2222::Destroy - Banality of Evil, Get Used To It, Gynocide, Ode To Ramen, Burn This
985:2:2231::Paris - The Devil Made Me Do It - The Devil Made Me Do It 
985:2:2307::546 Karen Finley - Testimony of the Reality That Life Is Unfair And Unjust -
985:2:2326::431 Merzbow Cock E.S.P. - The Ecstacy Of Gold - Music For Man With No
985:2:2345::466 Saffire - The Uppity Blues Women - Bitch With A Bad Attitude "Old, New,
985:2:2395::431 Merzbow Cock E.S.P. - The Good, The Bad The Ugly "Music For Man With
985:2:2467::137 Zero Hour - In Shackles of the Human Skin - Image of Man 7" 
985:2:2488::Minutemen - Dream Told By Moto - Buzz Or Howl Under The Influence Of Heat 
985:2:2541::275 Exit 13 - An Elecronic Fugue For The Imminent Demise Of Planet Earth -
985:2:2719::846 Caffeine - Two Car Garage - Caffeine" plus a bit of Cannibal Corpse off
985:2:2774::839 Skankin' Pickle - $13,000 Is A Lot Of Food - Sing Along With Skankin'
985:2:2844::itself!" and - Blow wind, come wrack! At least we'll die with harness on our
985:2:2951::680 S.W.A.T. - Cops Are The Only Real People Left - Deep Inside A Cop's
985:2:30::Harvey Milk - Women Dig It - My Love Is Higher Than Your Assesment of... 
985:2:3195::Mission of Burma - That's When I Reach For My Revolver - Signals, Calls and
985:2:327::Dark Funeral - The Secrets Of the Black Arts - Secrets of the Black Arts 
985:2:3309::266 African Head Charge - No Don't Follow No Fashion - In Pursuit Of Sunshine
985:2:3350::768 Jeru The Damaja - Ain't The Devil Happy - Sun Rises In The East 
985:2:3492::Elvis Presley - I don't Care if the Sun Don't Shine - Sun Sessions CD 
985:2:3493::Jello Biafra Mojo Nixon - Will The Fetus Be Aborted - Will the Fetus Be
985:2:381::Bill Ding - Waterway Systems Two - Trust In God, But Tie Up Your Camel 
985:2:412::Iggy Pop - Search And Destroy - Nude & Rude: The Best of Iggy Pop 
985:2:466::Bill Ding - Untitled Track 15 - Trust In God, But Tie Up Your Camel 
985:2:468::Miss Murgatroid w/ Marny Spoons - Snack Basket - COLL: When I'm Hungry, I Eat 
985:2:646::Howard Zinn - People's History of the U.S. - 12/19/95 - Revolution Books, Cambridge, MA 
985:2:683::Good Riddance - A Credit To His Gender - A Comprehensive Guide To Moderne Rebellion 
985:2:695::Carmel Budiardjo - &quotSurviving Indonesia's Gulag&quot, Wednesday Oct 16 at 7:30, New College, San Francisco 
985:2:74::Capitalist Casualties - Your Fake Generation, Walk A Straight Lie - Dope & War 7" 
985:2:890::David Lewin - Study No. 2, 1961 - COLL: Historical CD Of Digital Sound Synthesis 
985:2:91::Andy Kimbrell, Beth Burrows, Nicanor Perlas, Vandana Shiva - Biopiracy & Biohazards - TUC Radio 
985:2:934::John Zorn - Heroin Fix, Lucky Run, Vengance Is Mine, Escape - Soundtrack: Filmworks II 
985:2:942::John Zorn - Escape Attempt, Arrival, Prying At The Windows, Aresenal - Soundtrack: Filmworks II 
985:2:95::Foetus - Today I Started Slogging Again - Deaf: You've Got Foetus on Your Breath 
985:3:788:: Mortician Domain Of Death Mortiferian Smell The Whore Mortophilia Morbid Dreams In Toxic Steam 
985:4:100:: stabs push against my hole. I also get a strange thrill from it. Almost
985:4:114:: A funny thought comes to me. Im on my knees with a naked man
985:4:136:: ground. Getting fucked has gotten me to do that. I feel a discomfort in
985:4:140:: heated arms hold onto me for support. His spent dick pulls from my sore
985:4:145:: with my cum. I curiously try the same thing. It smells of mushrooms and
985:4:146:: sweat. I open my mouth and lick it from my fingers. The bland taste
985:4:149:: I turn my head sharply in answer to my name. The brave smiles at
985:4:150:: having seen me eat of his manly wetting. He opens his mouth and rests
985:4:151:: his chin on my shoulder. I quickly reach down for my dripping dick to
985:4:154:: him and watch him lick up our cum. His expression causes me to gasp
985:4:157:: left shoulder for me. I turn towards him and can just touch his mouth.
985:4:162:: My eyes widen at hearing such a thing from him. I thought savages didnt
985:4:197:: long nose. His soft words turn the geldings ears to him. Curious at how
985:4:198:: he names his mount, I face the brave while pointing back at the horse.
985:4:19:: I glance down my belly to see my pole erected against it. Pas story
985:4:200:: I turn to his horse and speak the name. Cogue-ahtose turns to me in
985:4:209:: After handing him a few strips, I take some for myself and eat it
985:4:20:: has excited me again. I glance to my brave and watch him splash through
985:4:210:: hungrily. Our meal is in silence. His eyes speak lovely things to me. I
985:4:213:: Owopspec finishes the last of his meal. He turns to me and looks down
985:4:214:: into my naked lap. With his outstretching hand he opens it over my loins
985:4:215:: as if to cover them from sight. His other hand tugs on his breechclout.
985:4:222:: After nodding my head to his word for an earth lodge, I become eager
985:4:233:: to remember and at least I understand what that part of his name means.
985:4:240:: heart for more. Our need now is for the oneness of our spirits; that
985:4:241:: more beautiful kind of love. We share one breath as his lips on mine
985:4:255:: melody, his Indian song is harsh and difficult to listen to. Yet I feel
985:4:256:: his heart in it. I hear my name mentioned. Is Owopspecs God the same
985:4:259:: strange eyes. His hands drop down to gather my butt. He draws me closer
985:4:263:: reply. Tears come into my eyes. They fall to his shoulder as he holds
985:4:266:: listens to all my rushed words. I clutch his warmth and cry some more.
985:4:26:: it. And although hed probably allow me to fuck his butt again, I just
985:4:272:: My love is now for Owopspec. This man is worthy to receive it. He
985:4:274:: how much I want his love, his caring, his kind smile... even though I
985:4:279:: is my fear of being taken back to the fort by the angry lieutenant;
985:4:280:: either overtaken by his men or simply given back to him by the other
985:4:285:: dont even know how to speak properly. Will I be able to learn their
985:4:28:: My dick enjoys my hand. It sticks up hard against my belly and turns
985:4:293:: Strong arms get me to my feet. Owopspec turns from me before I can
985:4:297:: The braves dark hand reaches out for me. I rush to him and eagerly
985:4:298:: take it. His fingers grip me for a moment then leave me with the
985:4:311:: clearing to eat. Again, our meal is in silence. His dark eyes watch my
985:4:313:: After eating, he gets up to check on Cogue-ahtose. I stand at the mans
985:4:315:: The leg wound must be healing well since my burdens go to his horse.
985:4:326:: night. My nakedness is only for him to see and would have brought me
985:4:336:: meaning from it, I sense great tension fill my lover. He grips me hard
985:4:339:: my weary form to a low burning fire. There are no lodges nearby. He
985:4:340:: gestures for me to lie here. After dropping a blanket over me, he leads
985:4:356:: Most were my friends until this day. Now they peer back at me with
985:4:360:: done on this day. Some hateful eyes amongst the People fall over me. I
985:4:366:: The flow of a great river runs backward. His proud deeds are yet to
985:4:369:: This cunning white man reaches out for me. He gives a mean laugh as
985:4:36:: An intense sensation in my dick has me crying out. A brief rush! I
985:4:371:: the darkness of my pain. The trader turns into a stick in the ground.
985:4:40:: The brave steps up to me with a sly expression on his face. He
985:4:46:: Owopspec grabs my arm while leading me into the dark forest at a run.
985:4:49:: to be released. He approaches me with a mans longing to mate. I tremble
985:4:4:: done in full winter. The boys had to bare themselves and sit for long
985:4:50:: in his sudden embrace. Lust controls him. Will I be forced to take his
985:4:57:: I try to keep the mans kisses from stirring my heart. It pains me
985:4:73:: pushes into the crack of my butt. Does he still intend to fuck me?
985:4:75:: like hes a coiled spring ready to jump into my body. His steady hands
985:4:83:: dick is aimed at my hole but he doesnt push inside with his thrusts.
985:4:91:: excited dripping from his cock. Ive heard that a man does this to aid
985:4:96:: through my butt. It exciting to have my body vulnerable to his lusty need.
985:4:9:: longer. No boy failed to do as he was bidden! After their bodies had
985:6:230:: I t's easier to anthologise Laurie Anderson than it is to summarise her career.
985:6:373::Manderlier to lay down some gentle electric piano grooves without the need to solo himself.
985:6:456:: T he dawn floats in, into the sea and down from the mountaintops, you
985:6:458:: T hree very long and loquacious tracks on this album. The shaking of the
985:6:558::sounds to join cell to cell, growing and aging into something that will be revealed... 
985:6:74::much like the album, is a sprawl of spaghetti cabling aand chunky big black synthesizers. 
985:7:108::type o negative- world coming down (check out who will save the sane truly class) 
985:7:278::Look at the name of the thread. I hardly starting ranting on for no reason. 
985:7:313::rhapsody - (not sure of the names, but they are a good power metal band) 
985:7:315:: Skud 21-04-2003, 16:30 If you want some Irish underground stuff... nobody mentioned artists like 
985:7:65::But for stuff generally with no mad vocals, and leaning more towards the Goth end. 
985:7:99::Raging Speedhorn - loonies, will probably make it big in teh mainstrean real soon ... 
986:0:1015::for a spring. Also to be mentioned: Sweet Darlin' ... and The Road ... 
986:0:1023::Ode To A Gym Teacher: A lesbian classic about Megs falling in love with
986:0:1025::strong woman, the first to come around, to tell me being female meant you
986:0:104::them to share their vision of the song. And they did. - Other women
986:0:1079::hos en fyr, han flytter sammen med, og de elsker hinanden, men hans vrede
986:0:1088::I have been told, that all records of the group should be of relevance.
986:0:1132::the cells for being in love with a man of eighteen; the vicar found
986:0:1163::prejudice, behind closed doors we have to kiss - Our love is like forbidden
986:0:1215::Homo Joe (3:17): A mans falling in love with another gay man, Homo Joe. 
986:0:124::Side 1: Lady Drifter; Talking Gay Bar Blues; For the First Time In My
986:0:1363::Side 2: Dancing in the Street (3:20); Betty Jean (3:20); Out of Pawn (3:42);
986:0:1405::that I'm needing you, woman ... there's a place inside my heart for you,
986:0:1410::Nobody Loves You When You're Old And Gay (Bo Bo Phoenix): om at blive
986:0:1546::Les Boys (4:03): Les boys do cabaret, les boys are glad to be gay,
986:0:15::made to English, but this work has never been finished. The task of compiling
986:0:1613::affair with a gypsy boy hinted: The gypsy boy and I, we slept on
986:0:1617::for cold round the shoulder. - No mirror hanging in the sky, won't you
986:0:1619::flowers, so very few people really know. We stood in the windy city the
986:0:162::Simon (3:25) about a man's tender love to Simon with whom he shared all
986:0:1776::Monty has two close school friends Ralph and Doris. Monty is gay and when
986:0:1777::he finds his two friends kissing he wishes Ralph were gay and he had
986:0:177::Marc Almond is gay. He has appeared together with Bronski Beat and was the
986:0:1808::jeg slet ikke f nok ... jeg har ellers flere gange bollet med en
986:0:1859::et gtepar, en mand mere kommer til, og det ender med, at det bliver
986:0:1924::Never Misses. You can take it all my love, you can take it all.
986:0:1936::Side 2: Some of These Days; A Good Man is Hard to Find; Everything's
986:0:2054::Leaving Dick (3:03) - Rape song (3:14) - Get out there and fight? (1:39)
986:0:207::Side 1 (18:40): Zinga, Zinga, Zinga (3:25); So warm wie ich und du (2:45);
986:0:2083::open up your closet. Life's not worth a damn 'till you can shout out:
986:0:2130::No GDM: There won't be a Great Dark Man if I am a red-haired
986:0:2135::Side 1: 4 a.m. Blues; Come Back Christmas; CIA Dope Dalypso; Put Down Yr
986:0:2136::Cigarette Rag. - Side 2: Slack Key Guitar; Bus Ride Balad; Road to Swn;
986:0:2144::Interest to Gay Men, og s man jo tro det, selv om jeg har
986:0:2225::wohnst Du stndig auf dem Bahnhofsklo / und bist Du einer von denen /
986:0:2226::die sich an Kindern vergehen / Erklr mir mal ganz genau / wie kommst
986:0:2235::Side 2: You Don't Have to be Ashamed (3:48); Many Kinds Of Love (3:51);
986:0:2277::Wenn ich ein Junge wr' (2:14): Hvis jeg var en dreng, ville jeg bl.a.
986:0:230::He drives me home at night, we linger for a while, then he turns
986:0:2339::mascara, try on the tiara, perhaps it'll cover up some of your roots, she's
986:0:2430::It has probably not even occurred to many of their fans that hose two
986:0:2438::There are a number of gay references in their cabaret acts and they have
986:0:2448::Side 2: If Only He'd Locked My Way (2:55); Dialogue (2:16); Cat Duet (2:40);
986:0:2460::Loving That Man Of Mine (4:33); Oh Foolish Fay 2:47); A May Morning (1:56). 
986:0:249::I Really Must Be Going : interpreted as a lesbian song by some, but
986:0:2538::Side 1: Life In A Goldfish Bowl (3:50); The Night We Burnt My Mothers
986:0:2574::i den flde, som du kalder sygdom - men der vil ske en forandring. 
986:0:2595::Side 1: Pope John Can Suck My Dick; Abortion; Missing Link; I Caught AIDS
986:0:261::Me Myself I, The Weakness In Me and Rosie are also found on: Track
986:0:2632::Isherwood reads from Goodbye to Berlin, A Single Man and A Visit to Anselm
986:0:2668::hair so clean, pretty boys, sing and play guitars, pretty boys get to be
986:0:2676::Joe Jackson is the fighting gay man putting the gay problem into a wider
986:0:2775::slags sludder for at berolige ham, og du tog ham med ned til legepladsen
986:0:2780::store n, og han ved lige, hvad den skal bruges til, men han har
986:0:2794::when they look attractive, it's nothing much more than a slap on the back,
986:0:2795::the price tag of being just a little bit different, the first rute to
986:0:2811::attitude of survival in the days of AIDS. Dean and the Weenies is a
986:0:2880::Music): Pogo the clown is the man who will take off your clothes /
986:0:2881::Feel the whip on naked skin driving him insane again / You can't run
986:0:2888::begraaaft hij in de tuin van het huis dat hij, na een mislukt huwelijk,
986:0:2902::Kom ut kom fram (Kalvik/Kalvik): kom ud, kom frem og lev livet uden at
986:0:3021::Man er som man er, og man kan ikke lade v Carlo Thomsen ved
986:0:3048::missen; Jij ging weg; In het leer. In de sauna; Willem van de Heuvelaar;
986:0:3060:: - Manfred Langer is rond 1973 uit Wenen naar Amsterdam gekomen en heeft
986:0:3104::Ich bin wie ich bin (4:06): om at vre sig selv, ikke lade sig
986:0:3236::bl.a.: Die sind alle nicht ganz richtig, wie der Schwule, den wir in der
986:0:3257::leven was lijden; Homo sapiens; Je bent pas 17; Jezus redt; Jij en ik;
986:0:3287::Based on the stage play by Joe Orton. Steve Ellis sings the theme song
986:0:3385::s tit, og det handler The Lovers om. Jeg skrev den med en bestemt
986:0:3450::Pladen er omtalt side 44 ff i Coq nr. 8, 1975, hvor ogs Mickey
986:0:3512::Two Old Maids In A Folding Bed: One looked over to the other and
986:0:3600::Golden Thread handler om at leve i et parforhold og den jalousi, som vi
986:0:3616::byen en glad aften, en mand kommer hen og sprger, om de er alene
986:0:3619::Singing For Out Lives (3:40) er en slags protestsang i stil med We Shall
986:0:3788:: Some People (1:55); Up On The Roof (3:40); Me And The Boys (4:10). 
986:0:3793::the man who is tired of being taken for a fool, playing roles, being
986:0:3798::Side 1: Oo-wee, Oh Me, Oh My (3:37); Take Me To Your Heart (3:30);
986:0:3871::Bob Booker / George Foster / Bruce Vilanch [et al.] present Out of the
986:0:3882::intention, in this Album, to show the life of Gays in human and humorous
986:0:389::Ballad of the Sad Young Men (5:26): All the sad young men, seek a
986:0:3925::is the first disco star to come out of the modern gay ghetto, bringing
986:0:3936::Makes A Man (4:22); Our Day Will Come (2:53); Take Me Home With You
986:0:4133::was not a good mother, ... because she was making it with sisters and
986:0:4152::although the contents is not lesbian at all, but she was an inspirator of
986:0:4165::Don't Take No For An Answer (Tom Robinson); Sing If You're Glad To Be
986:0:4183::Ain't Gonna Take It; Long Hot Summer; The Winter Of '79; Man You Never
986:0:4186::Don't Take No For An Answer; Martin; Glad To Be Gay; Right On Sister;
986:0:4208::Med min colt opretholdt jeg lov og orden og klarede bl.a. all the chinee
986:0:4224::about Peter Wells? One day was arrested and dragged to the cells for being
986:0:4239::get them ... When you go [...] you're closing a door behind you ... 
986:0:42::Down on my knees, help me please, don't know who's there in the dark,
986:0:4319::Anders Aleby): When this song expressing love to the boy Johny is sung by
986:0:4364::When the Whip Comes Down: Momma and Poppa told me I was crazy to
986:0:4384::(3:53); (I Can Have) Attitude (3:51); Cat And Mouse (3:03); She Has A Thing
986:0:4389::Side 1: What Kind Of Self-Respecting Faggot Am I? - Guilt Trip - Lost
986:0:439::she was gay, I've got a friend ... sisters trying to make their way
986:0:4422::anywhere, I'd run up and embrace him, but I'm ashamed to face him, just
986:0:443::don't want to start no great big fight but I know she stayed all
986:0:4502::Man I Love, They Can't Take That Away From Me, Embracable You (6:00); I
986:0:450::ought to get an operation'. - Womanfriend tried to bring me out, had to
986:0:4510::reflect enormous pride in our existence as gay men and to reach out and
986:0:4557::Chivalry Lives (3:23): I met a man he had a smile that dried my
986:0:4560::bit of Tony Bennett, more of Joni Mitchell, and a whole lot of David
986:0:4628::syndig du er grusomt go' ... og du fylder mit indre med drskab og
986:0:4730::go on record that there is such a thing as a perfect night. Also
986:0:4780::This Charming Man (2:43): A cyclist having had a puncture on a remote hill
986:0:4817::Dennis (3:16); Er is een man (3:25); Je miste me niet (2:02); Rues de 
986:0:4834::Commitment; El Salvador; My Love Is Not An Island. - Side 2: Gone, Gone,
986:0:4903::musicians like to put up a macho front, but it is often just that;
986:0:4947::Side 1: Live At 'The Union Tavern' (identical to Side 1 of Lee Sutton
986:0:4948:: - A Near Miss). - Side 2: Live At Bishop's Waltham Country Club
986:0:506::condemnation put a stop to it; the song was signature tune of the film
986:0:508::Please Help Me to Forget (3:51): He has found a new boyfriend and will
986:0:5144::Jazzgossen er ogs sunget af K. G. selv - se under denne! - Also
986:0:5171::og da han ser en 16-rig dreng komme ind i baren, forelsker han sig
986:0:5172::i ham, vil gerne have ham med hjem, men siger: du m hellere holde
986:0:5204::og du kritiserer, bare fordi jeg er gay - du kalder mig sr, fordi
986:0:5222::Y.M.C.A.; Medley: The Women - I'm a Cruiser; Hot Cop; My Roomate; Ups and
986:0:5229::San Francisco (You've Got Me) (4:57) (Morali - Belolo - Whitehead - P. Hurtt). 
986:0:5246::Sex over the phone (4:22); New York City (6:00); Just give me what I
986:0:5247::want (6:14); I won't take no for an answer (5:06); Power of the night
986:0:5289::Har lavet en sang, som kan tolkes som en sang om en lesbisk kvinde.
986:0:5350::Danmark 1984. Genudgivelse af samlede viser og sange. 6 LP + 1 single med
986:0:5391::det havde vret en anden mand - (har fundet konen i sengen med en
986:0:542::'Yellow Submarine' and the birth of the pop video. Bolan died in a car
986:0:5431::Side 1: The Love That Dare Not Speak Its Name (2:52); My Leviticus (2:36);
986:0:5432::You Go Your Way And I'll Go Mine (2:01); Lesbian Seagull (4:13); 1:00 AM
986:0:5452::and two male singers; I wrote the music and words and provide the piano
986:0:555::A 45 rpm record of comedy, $1.80 from Lynette Cimini, 816 N. La Cienega
986:0:56::Here - as part of a much longer story related to a 1927 appearance
986:0:594::David Bowie was one of the first including gay themes in his lyrics; he
986:0:607::The lyrics of this song is printed in David Bowie Songbook * together with
986:0:615::I've received. I've written a song on the new album which is called 'Time',
986:0:637::Side D: Changes / Let's Spend the Night Together / Suffragette City / White
986:0:680::Bill Motley, a bold girl encourages 'all you honky guys' to find a boy
986:0:682::The record may be the start of Boys Town Disco - the genre description
986:0:726::Evelyn Waugh is gay and catholic. The novel has a gay theme. Also available
986:0:740::Op. 88. Opera in two acts, libretto by Myfanwy Piper based on the short
986:0:762::he seeks leaves his parents and the small town, where he grew up among
986:0:765::again, I got those need-a-man blues hurting me oh so bad. / I Feel
986:0:839::and 'Is S/He One?' known from the gay anthology record 'Coming Out - Ready
986:0:883::and conducted by Ennio Morricone, based on the play by Jean Poiret, a film
986:0:884::by Edouard Molinaro. About a gay couple's problems when the son of one of
986:0:897::No, No; Where The Boys Are; Living In Wartime (M. Callen); Oh Oh; Mama. 
986:0:986::Were You There ((2:17); Lo How Our Woes (0:42); God of Our Fathers (0:36);
986:1:270::23. The Dillinger Escape Plan with Mike Patton - Irony Is A Dead Scene 
986:1:302::14. Burnt By The Sun - The Perfect Is The Enemy Of The Good 
986:1:585::Ministry - Psalm 69: The Way To Succeed And The Way To Suck Eggs 
986:2:1017::soundbed: Music Of Indonesia 7 - Music from the forests of Riau and Mentawai 
986:2:1046::J.R.R. Tolkien - Side 12 Episode 6: Breaking of the Fellowship - The Lord 
986:2:1059::Buck O Nine - Miserlou (Performed with Agent Orange) - Water In My Head 
986:2:1081::J.R.R. Tolkien - The Breaking Of The Fellowship side 11 Episode 6 - The 
986:2:1120::Rituel - You Will Be Hypnotized Twice - New Music For A New America 
986:2:1139::Pandit Kamalesh Maitra - Raag Mia Ki Todi - Tabla Tarang: Melody On Drums 
986:2:1236::1 200 000 Dead Tibetans - Ganden, Sangyip, Ngalan Thongla - 1 200 000 
986:2:124::William Carlos Williams - The Vast Canvas From End To End - White Women 
986:2:1329::Exit 13 - A Man and His Lawnmower - ...Just a Fe More Hits 
986:2:1367::Voice Of America - Voice of America Part 1 - Voice of America (Frith 
986:2:1370::and the New Economic World Order - The Clinton Vision - Old Wine, New 
986:2:1381::Peter Brotzmann and Hamid Drake - Open Into The Unknown - The Dried Rat 
986:2:138::Fred Anderson / DKV Trio - Dark Day - Fred Anderson / DKV Trio 
986:2:1434::Exit 13 - A Man And His Lawnmower - ...Just A Few More Hits 
986:2:1445::821 Tribes of Neurot - A Manifestation by Modern Means - Silver Blood Transmission 
986:2:1447::Defunkt - For The Love Of Money - Avoid The Funk: A Defunkt Anthology 
986:2:1510::Clint Ruin Lydia Lunch - Don't Fear The Reaper - Don't Fear The Reaper 
986:2:156::Julius Hemphill - G song - Black Saint Soul Note, Critics' Pick Sampler (Vol.2) 
986:2:1595::920 The Queers - If You Only Had A Brain - Move Back Home 
986:2:1608::799 God Is My Co-Pilot - [[exclamdown]]me ei olla apina! Neko No Akubi (me
986:2:1615::583 Kataklysm - III) Elder God IV) The Resurrected Portal of Heaven - Sorcery 
986:2:1616::895 Shirley Johnson - Too Many Irons In The Fire - Looking For Love 
986:2:1644::Public Enemy w/ Anthrax - Bring The Noise - Apocalypse '91 The Enemy Strikes
986:2:1658::De La Soul - Me Myself And I - 3 Feet High And Rising 
986:2:1667:: 385 John Zorn Fred Frith - The Combiner - The Art Of Memory 
986:2:1670::392 Chris Cutler/ Fred Frith - Meltdown - Vol. 2 Live in Trondheim, Berlin
986:2:1674::732 Franz Koglmann Lee Konitz - Thoughts About Duke II - We Thought About
986:2:1677::733 Joe Maneri Quartet - One track Minds - Get Ready To Receive Yourself 
986:2:1699::FuckFace - Who The Fuck Are You Calling Emo You Fucking Asshole? - Fuckface
986:2:1706::398 Grip Inc. - Torque De Muerto, Savage Seas - Power Of Inner Strength 
986:2:1797::341 Emperor - The Magesty Of The Night Sky - In The Nightside Eclipsse 
986:2:180::B. Bergman, P. Brotzmann, A. Cyrille - Man To Mann Duo 101 - Exhilaration 
986:2:1822::592 The Haters - The Rapture of Transformation - COLL: Soundtrack for the End
986:2:1828::591 SNFU - One Last Love shove - One Voted Most Likeley To Succeed. 
986:2:1891::392 Chris Cutler, Fred Frith - Meltdown - Vol. 2 Live in Trondheim, Berlin
986:2:1931::268 Spazz - Thrice The Heiney, Kiss Of The Sasquatch, Hot Dog Water Popsicle,
986:2:1942::398 Grip, Inc. - Torque De Muerto, Savage Seas - Power of Inner Strength 
986:2:1947::385 John Zorn and Fred Frith - The Field - The Art of Memory 
986:2:1980::Blackhouse - The Holy Ghost - The Father, The Son And The Holy Ghost 
986:2:1991::354 Bob Ostertag - The Man In The Blue Slip - Fear No Love 
986:2:1996::159 Peter Brotzmann and Hamid Drake - The Uninvited Entertainer - Th Dried Rat
986:2:2036::Something with guitar playing one note over and over and a guy growling through
986:2:2069::Archers Of Loaf - Lowest Part is Free! - The Greatest Of All Time 
986:2:2088::966 Fred Frith - Solo Acoustic Guitar - COLL: Sounds of A Distant EP 
986:2:2089::159 Peter Brotzmann and Hamid Drake - Open into the Unknown - The Dried
986:2:2102::Zakir Hussain - Rhythm Sonata in E Major - Zakir Hussain and the Rhythm
986:2:2118::159 Brotzmann Drake Duo - The Dried Rat Dog - The Dried Rat Dog 
986:2:2138::The Fringe - Nick's Nook On The Cape - It's Time For The Fringe 
986:2:2175::804 Lustmord - Sol Om On - The Place Where The Black Star Hangs 
986:2:2197::Lead Belly - Yes, I'm Going Down To Louisiana - Lead Belly's Last Sessions 
986:2:2209::Robert Johnson - Kind Hearted Woman Blues - King Of The Delta Blues Singers,
986:2:2237::Zakir Hussain - Rhythm Sonata in E Major - Zakir Hussain and The Rhythm
986:2:2249::Iconoclast - New Militally Crisis, World Of Grey - Who Does The Freedom and
986:2:2265::Paris - The Devil Made Me Do It -The Devil Made Me Do It 
986:2:2269::Scientist - The Voodoo Curse -Scientist Rids The World Of The Evil Curse Of
986:2:2312::384 Jello Biafra - Eric Meets The Moose Diarrhea Salesman - Beyond The Valley
986:2:2387::384 Jello Biafra - I Have A Dream "Beyond theValley of the Gift Police" 
986:2:2389::435 Fifth Column - I Love You, But... "COLL: Fifth Column / Trailer Queen" 
986:2:2411::Shonen Knife - Till The End Of The Day "Brown Mushrooms And Other Delights" 
986:2:2414::417 New Winds - St. Louis Thank You Note "Digging it hard from afar" 
986:2:2452:: 372 Vandermark Quartet - here comes mr. weasel - Here Comes Mr. Weasel
986:2:2458::Iconoclast - After The Blood Shed - Who Does The Freedom and Equality Exist
986:2:2514::956 Warzone - Can I Get A Witness - Old School To New School 
986:2:2518::352 White Trash Debutantes - What's A Girl To Do - Crawl For It 
986:2:254::Old Man's Child - King Of The Dark Ages - Born Of The Flickering 
986:2:2600::232 Tit Wrench -Thusly Neutered (They're Gone) - Ok You Homos, Out Of The
986:2:2626:: 522 Mad Professor - almost all the album - Lost Scrolls of Moses 
986:2:2641:: 676 Pigpen - Cause I'm In Love Yeah+ - V As In Victim 
986:2:2656:: 546 Dumpster Juice - Chisel You Weasel - Get That Out Of Your
986:2:2742::Jello Biafra Nomeansno - Jesus Was A Terrorist - The Sky Is Falling And
986:2:2790::Dixie Doughboys - The Awful Shape I'm In - Dixie Doughboys/ Live at Lou's 
986:2:2803::Roy Newman His Boys - Everybody's Trying to Be My Baby - Texas Sand 
986:2:2809::Asleep at the Wheel - Red Wing - Tribute to Music of Bob Wills 
986:2:2825::Waylon Jennings - Are You Sure Hank Done It Thisaway - Dreaming my Dreams 
986:2:2832::Austin Lounge Lizards - Hot Tub Of Tears - Creatures from the Black Saloon 
986:2:2840::683 Voice Of America - Voice Of America, Pt II, - Voice Of America 
986:2:2843::762 Tetsuo Furudate - Scene 2 - Alas, poor country! Almost afraid to know
986:2:2899::591 God Is My Copilot - More Pretty Girls Than One - Flexi Disc 
986:2:2926::King Crimson - 21st Century Schitzoid Man - In The Court Of The Crimson
986:2:2953::683 Voice Of America - Voice Of America Part 1 - Voice OF America 
986:2:2984::Jello Biafra Nomeansno - Jesus Was A Terrorist - The Sky Is Falling And
986:2:3002::Dead Kennedys - We've Got A Bigger Problem - In God We Trust, Inc. 
986:2:3009::Diamanda Galas - I Wake Up And I See The Devil - Plague Mass 
986:2:300::Emperor - Alsvartr (The Oath), Ye Entrancemperium - Anthems to the Welkin At Dusk 
986:2:3012::Diamanda Galas - How Shall Our Judgement Be Carried Out Upon The World -
986:2:303::Savage Aural Hotbed - Bong Hits at the Great Pyramid - Pressure of Silence 
986:2:3048::544 Demilich - When The Sun Drank The Weight Of The Water - Nespithe 
986:2:304::Kiss It Goodbye - Sick Day - She Loves Me, She Loves Me Not... 
986:2:3070::546 Dumpster Juice - Chisel You Weasel - Get That Out Of Your Mouth 
986:2:3140::440 MC 900 FT Jesus - Rhubarb - On Steap Ahead of the Spider 
986:2:3141::433 Greg Ginn - Military Destroys Mind/Body - Let It Burn (Because I Don't
986:2:3165::Bonnie Tyler - Total Eclipse of The Heart - Faster Than The Speed Of
986:2:3169::449 Leon Redbone - I'm Crazy `Bout My Baby - Whistling in the Wind 
986:2:317::Dark Funeral - The Dawn No More Rises - Secrets of the Black Arts 
986:2:3186:: 381 Jaron Lanier - Come Along, and 3 more tracks - Instruments of
986:2:3240::Lee Perry Dub Syndicate - Train To Doomsville - Pay It All Back Volume
986:2:3258::248 Fernest Arcencaux - Don't Mess With My Toot Toot - Zydeco Blues Party 
986:2:3276::Art Of Noise - Battle/Beat Box - Into Battle With the Art Of Noise 
986:2:3339::Mission of Burma - This Is Not A Photograph - Mission Of Burma CD 
986:2:3428::Gil Scott Heron - The Revolution Will Not Be Televised - The Revolution Will
986:2:3442::Robert Johnson - Sweet Home Chicago - King of the Delta Blues Singers Vol
986:2:344::C.F.D.L. - Religion sucks, D.V., Canvas boots, Punk Rules - Split 7" with Hellnation 
986:2:3479::Louis Armstrong - A Kiss to Build a Dream On "Best of the Dec..." 
986:2:3496::William S. Burroughs - Words of Advice for Young People - Spare Ass Annie 
986:2:3508::Mission of Burma - That's How I Escaped My Certain Fate - Mission of
986:2:3556:: speaking at end of Franklin's tower, and all of Sepultura song not on
986:2:403::Eyehategod - Man Is Too Ignorant To Exist - In The Name of Suffering 
986:2:432::Michael Parenti - Part 7: The Myth of a Liberal Press - Radio Democracy 
986:2:449::Huun-Huur-Tu - as many tracks as possible - If I'd Been Born an Eagle 
986:2:459::Screw 32 - Paint This Town Red - Under The Influence of Bad People 
986:2:460::His Hero Is Gone - Another of the Undesirables - Fifteen Counts of Arson 
986:2:486::Gendhing "Bondhet" ketuk 2 kerep, minggah 4 (composition) - COLL: Shadow Music of Java 
986:2:546::Merzbow/ Bastard Noise - Re-Entry Chute Failure, Rebel Transmission - COLL: Merzbow/ Bastard Noises 
986:2:595::Gore Beyond Necropsy - 6 or 7 tracks - COLL: Senseless Apocalypse/Gore Beyond Necropsy 
986:2:599::Brutal Truth - Hypocrite Invation, Everflow, Zombie, Homesick, Humanity's Folly - Kill Trend Suicide 
986:2:5:: Oct. 13 Ralph Nader: Growing Up Corporate, Growing Up Civic, It's Your Choice
986:2:769::The Paragons - The Tide Is High - COLL: Roots Of Reggae: Rock Steady 
986:2:76::Man Is The Bastard - Track 15 - Split CD with Mumia Abu Jamal 
986:2:779::soundbed: Die Knodel - die wurst (die noodle!), roll- & rockkragen - Die Noodle! 
986:2:849::Newman Guttman - The Silver Scale - COLL: Historical CD Of Digital Sound Synthesis 
986:2:907::Hellchild - Long And Stable Bridge, Trason Of Death - Where The Conflict Reaches 
986:2:956::soundbed: Liza N Eliaz - Romper Stomper DJ Mix - COLL: Industrial Fucking Strength 
986:2:979::Melt-Banana - EYE-Q Trader, DIG Out!, Cortotion Out Of Confusion - Scratch or Stitch 
986:2:985::Saffire, The Uppity Blues Women - If Love Hurts (You're Not Doiing It Right) 
986:2:990::Dr. Helen Caldicott - Nuclear Madness and Children, Portland, ME 6/7/94 [Radio Free Maine]
986:4:102:: I want to give this wild man his release. Im thrilled by his
986:4:103:: frantic efforts in my butt, his heated body over mine. Im a helpless
986:4:105:: I shake my head at such lustful thoughts. The braves heart is what
986:4:10:: turned blue would the warrior end the test. Freezing boys would race to
986:4:117:: Those taking to men perform the same thing by putting sperm into their
986:4:119:: I think that I would like to get fucked. When beating off, Ive
986:4:11:: him to try being the first to embrace his warmth. Like blue icicles,
986:4:124:: My butthole opens to take into it the mans dick. He gasps for
986:4:125:: breath when our bodies come together. Our lusty joining pains me but I
986:4:12:: the naked bodies of the boys would clutch the warrior and each other.
986:4:130:: hard cock, cums through my body and out my dick. The Indian braves
986:4:137:: my butt; a fullness from his long dick inside me. His thrusts become
986:4:139:: The young brave fights for breath. I straighten my back and feel his
986:4:13:: I had often imagined myself as one of those Indian boys from pas
986:4:144:: pooled thickness on my fingers reminds me of what the Indian had done
986:4:14:: story. It excited me to think that I was embracing the warrior while
986:4:153:: His remaining seed joins with mine on my fingers. I reach back to
986:4:155:: sharply. For an instant I saw the fiercest animal in those dark eyes!
986:4:159:: gentle love. His hands caress my hard nipples. I break from our kissing
986:4:161:: Im very ticklish on my breast. Owopspec joins me with a hearty laugh.
986:4:164:: After our laughter settles down the brave lifts me up with him. His
986:4:165:: strong hands rub over my aching butt. I look at his dripping cock,
986:4:166:: satisfied from putting its sperm in me. He turns away to fetch his
986:4:168:: sweet moment of rememberance. It pleases me to be making lots of love
986:4:16:: thought of it! At the time, I didnt understand why my erection felt
986:4:172:: glance down at myself. When will I have my nakedness covered? Ill be
986:4:180:: from his ending thrusts. Not deep within me but shallow up my hole.
986:4:181:: Maybe he only tipped into my entrance when he shot. My finger isnt
986:4:182:: finding much cum in there. Most of it had gushed between my cheeks.
986:4:185:: pain. Proud of my accomplishment, I pull both fingers out. My eyes peer
986:4:188:: inside me! I feel a strange happiness to know that. Two fingers had
986:4:189:: entered my small hole without pain. I think his long dick could too.
986:4:192:: I spring to Owopspecs side as he tends his horse. He notices my
986:4:193:: bright smile and reaches a hand out to clasp my shoulder. Our bodies
986:4:201:: response. I rub his soft nose and smile for having learned it. The
986:4:203:: silliness. Not to be outdone I rub over his Indian nose while uttering,
986:4:216:: I eagerly nod my head to his offer for a similar garment. My
986:4:217:: nakedness should only be his to see! He speaks a few words while
986:4:218:: pointing to some far away place. When his hands form rounded shapes, I
986:4:226:: To be sure of his meaning I gesture around my whole head while
986:4:232:: can speak his full name, I still like to call him s easier
986:4:239:: Although my loins have been satisfied, I have such a longing in my
986:4:23:: My breaths comes faster when I rub over my hard on with quick
986:4:247:: The braves dark eyes narrow to study me. He glances down my belly
986:4:248:: at my erection. He then looks me straight in the eye. His sudden
986:4:249:: fierceness causes me to look away for some reason, like that time back
986:4:250:: at the fort. Im fearing the wild savage in him again, I suppose.
986:4:251:: Im startled when he begins singing to the sky. His words are filled
986:4:252:: with deep emotion. From the way his arms reach upwards, I get the
986:4:254:: religious songs we praise The Lord with. Without rhyme or even a nice
986:4:258:: The Indians voice trails off to a whispered ending. I look into his
986:4:25:: to be handling myself so close to the Indian brave without him knowing
986:4:260:: into his lap. I feel the softness of his breechclout under me; his
986:4:264:: me and listens. My heart bursts. I tell him everything. I tell him
986:4:268:: I still feel something for the trader inspite of his betrayal. He had
986:4:270:: and feel great anger at him along with some sadness. Strangely, a part
986:4:273:: listens to all my words, broken and soft between sobs, that tell him
986:4:278:: happiness. I see the difficulties ahead of me. Not the least of which
986:4:284:: with the Indians, will they accept me? I look differently from them and
986:4:288:: My mind turns to the braves God-song. He had mentioned my name in
986:4:291:: Will his commitment become too hard a burden for himself and his tribe?
986:4:295:: reach down for the two sacks and wear them on my shoulders. Im
986:4:29:: red from all my chafing. Holding breaths deepen the thrills. I keep my
986:4:300:: his weapons, the Indian leads me deeper through the forest. The way is
986:4:304:: forest briers. Im often tugging on him when he pauses to nibble on
986:4:306:: After a short time the brave finds a trail that suits him. Im
986:4:310:: Owopspec allows a brief rest later in the afternoon. We sit in a
986:4:317:: walk the weary miles. Darkness falls. I grow tired and lean more onto
986:4:318:: his warmth. This will be our second night since running from the fort.
986:4:319:: I notice the bright stars above us. Weve left the cover of the
986:4:321:: remain silent. I try keeping my eyes open and alert. We cross the
986:4:322:: shallows unmolested though I feel eyes upon us. The brave at my side
986:4:324:: The glow of many fires forewarn our approach to a large camp. I
986:4:325:: take in their pleasant smells. Im glad that we enter his tribe at
986:4:328:: In the dim glow of the campfires, several tall shapes pass us by.
986:4:330:: hardly wait to enter his and find sleep on its sheltered floor. A
986:4:331:: bitter memory strikes me like a stone. Please dont let there be a
986:4:333:: Owopspec pauses to greet an Indian. This one appears to be a brave
986:4:338:: We stop. The brave removes the blanket from his white gelding and takes
986:4:341:: his horse away into the darkness. The warmth of the fire comforts me.
986:4:342:: Sounding from far away are the low beats of Indian drums. A slow,
986:4:346:: their guns with a great noise. People fall. I beg Owospec to run!
986:4:347:: He does what he must. All the braves follow him against the forts
986:4:349:: towards the great mountains. Yet I fear more for my lovers life! He
986:4:350:: doesnt know the strength and cunning of the white men as I do.
986:4:353:: their guns after a certain distance. Im telling him in his Indian words
986:4:359:: ride in behind him. The women cry from the terrible things seen and
986:4:361:: become afraid. Shouts echo all around as Im thrown this way and that.
986:4:370:: he takes me away as his boy. Im savagely fucked. Three whistles pierce
986:4:37:: open my eyes to watch it cum three times to the stream. Deep
986:4:41:: reaches out to my dick and pulls over it. His fingers take what
986:4:42:: remains inside me. After bringing that hand up to his nose for a
986:4:55:: to mount my butthole against my will. What prevents him from taking it
986:4:63:: wont be able to save me. This Indian brave must realize this. He
986:4:66:: beastly act as before. Why couldnt he try loving me gently with our
986:4:70:: words. And like his horse, I calm down inspite of not understanding what
986:4:71:: he says. He reaches around me with his arms. His hands gently massage
986:4:72:: my chest. The good sensations are calming. I startle some when his dick
986:4:78:: I gasp in fear when feeling his stiff cock pushing against my hole.
986:4:92:: in his love making. I keep my butt tight to his quick stabs.
986:4:93:: All around me is the mans naked warmth. His surging legs snuggle mine.
986:6:135:: A ir T raffic C ontrollers - A ssistant To The A ssistant 
986:6:142:: L ars kerlund - R ivers Of M ercury/ V ia S tyx 
986:6:175:: A ll T ime P resent - A ll T ime P resent 
986:6:237::the Brave . With Strange Angels we find her discovering something new again: her
986:6:262:: A nimal C ollective - H ere C omes T he I ndian 
986:6:3:: A bfahrt H inwil - L inks O ben /T he L ight 
986:6:571:: T he tentative roughing of the recording - this time out, the sound
986:6:88:: A dd N T o (X) - P lug M e I n 
986:6:93:: A dd N T o (X) - T he P oker R oll 
986:7:161::Kyuss - Everything they have ever done...And The Circus Leaves Town is the best. 
986:7:27:: MrJoeSoap 15-09-2002, 22:57 Queens Of The Stone Age - Songs for the Deaf 
986:7:93:: Dr. Loon 17-09-2002, 15:39 Just one song.... The Macarena by Los Del Rios. 
987:0:1018::Meg Christian with Margie Adam, Amy Taylor Barse, Cris Williamson .. et al. 
987:0:101::Making this album was taking ten of my songs and running my ears
987:0:1020::Song To My Mama; Goodbye Joanna: Morning Song; Ode To A Gym Teacher
987:0:1026::still could be strong, and though graduation mentat that we had to part,
987:0:103::those spaces I invited women whose musical energies I love - and asked
987:0:1041::24 songs about, for and with women. Many of the songs are from
987:0:1095::fremtiden; snart vil min fyr komme ind og lgge sig i min seng. 
987:0:1109::Don, Spend Your Love With Me og otte andre sange p linie med
987:0:1123::Carol Uszkurat: What's It Like To Be A Dyke? (2:18): Are you butch
987:0:1131::hear the story about Peter Wells? One day was arrested and dragged to
987:0:1141::Love song to a boy. This song is dedicated to the defendants of
987:0:1152::man ... never let them drag you down ... this prejudice and ignorance
987:0:1189::only one ... - Hello Hooray is also recorded by Meg Christian on
987:0:1223::is gay: Johnny, are you queer? 'Cos when I see you dancing with
987:0:1226::the cover Johnny casts a sidelong glance at a young guy, and his
987:0:1240::Wayne County is American; 1978 he had a sex change operation in London
987:0:126::Side 2: Politically Correct; Time; Lament For A Battered Woman; A Song For
987:0:1273::Let's Do It: Belgians and Greeks do it, nice young men who sell
987:0:1277::sailor. Wherever he sails he hears two voices. The voice of his mother
987:0:1278::and the voice of his true love! Matelot, Matelot, where you go my
987:0:1296::from AIDS in 1982. Has been producer of several records and has himself
987:0:1319::The original New York Cast Album. Based on the play. Screen version 1970. 
987:0:1320::The story about a birthday party with only one heterosexual guest, the rest
987:0:1335::f.eks. White boys can't control it, white boys never hold it, white boys
987:0:1347::UK 1986. English. Gay pop. LPÛ (CS: TCD 2380 & Virgin 407 590-630). 
987:0:1361::Side 1: Working On My Tan (4:06); She's Not There (2:22); Simplicity (4:17);
987:0:1424::als man beim Gelndespiel Dich nackt im Heu mit Dieter fand, da hat
987:0:147::circumstances but one of them is a hetero, the other is gay (lets
987:0:1529::loved the prince, I love you my robber, I love you my prince. 
987:0:152::If You Were Wondering (4:47)(Words and Music: Peter Allen): I was a boy
987:0:1547::les boys got leather straps, les boys got SS-caps, but they have no
987:0:1564::A Man (8:07), Shake It Up (3:18), Shoot Your Shot (6:24), Love Reaction
987:0:1590::From Getting Ready (3:35) - Just Like A Woman (2:28) - Living With
987:0:1628::desire (2:48); The love that dare not speak its name (4:50) er de
987:0:1642::blir tatt i natt./ Godtfok flirer -- du har AIDS. ... homsepesten er
987:0:1711::CBS 82284 (UK 1978), CBS 35647 (USA 1978). Tekst p cover. LP . 
987:0:1725::The English lead singer Andy Bell is gay. Mentioned in The Advocate 451,
987:0:178::one half of the group Soft Cell. Another LP by Marc Almond: A
987:0:17:: The Encyclopaedia of Gay and Lesbian Recordings , 1990. In Jay McLaren's
987:0:1841::Carrickfergus (3:46): ... come all you young men and lay me down ...(?) 
987:0:1852::Crazy (3:43) - City On Fire (3:58) - Goodnight Children (3:55) - Fly
987:0:1853::Winds (4:20) - Come Like Lady (2:58) - Kara (4:54) - Wheterman (3:55)
987:0:1880::how about you? (3:55) - Battered Wife ( : ) - Matriarchats-blues (5:35)
987:0:18::book you will find additional material. My manuscript was given to Jay McLaren
987:0:1905::side 61-63 i: Hej du! Danske Beatsange med noder og akkorder. Red.: Peter
987:0:1911::All melodies played by Max Goldt (gay) and Gerd Pasemann (m). Max Goldt
987:0:1923::Krisco Kisses (2:50): You fit me like a glove my love. Krisco Kisses
987:0:1928::many gay people are among the fans of the group. (Articles in Information
987:0:1933::Side 1: Give Me Your Hand; Gavolte (from 'Manon'); The Sunshine of Your
987:0:1945::We've been taking so much for granted, but making love shouldn't be taking
987:0:1946::a chance. No more fear. Living life's what it's all about. It shouldn't
987:0:1971::From Canada. His most famous song is a very gay one called 'Love
987:0:2038::Side 1: (Zdravkovic - Potier / Osman)(5:20): I'm a man who needs a
987:0:2055::- Revenge (2:32) - Behind the screens (1:21) - Nobody messes with Shirley
987:0:2063::Beverley Hills, a tv reporter, who is determined to make a programme which
987:0:20::translate the Scandinavian words to English, and it has not been done since. 
987:0:2101::Jazzgossen (3:43) * Tekst og kommentarer findes i kapitel 1 (side 8 f.)
987:0:2167::You're the Guy I Want to Share My Money With, GPS 020-021 * 
987:0:2203::Fri og fri fru Blom (6:48) : Om homosexuel frigrelse i en verden
987:0:2313::Jag vill ha dig (2:50) : ubeskrivelig forelskelse i en anden fyr: jag
987:0:2349::(Erika Pluhar is Heller's former wife who has also performed this song in
987:0:2411::Steinberg) - Mimi: The Man's So Real (4:26) (A. Sojka/R. De Jongh) -
987:0:2426::Side 1: Sing Heigh To You; Zigeuner; Fold Your Wings; We'll Gather Lilacs. 
987:0:2433::Cap in the early 70's with a mixture of operatic arias and light
987:0:2439::a strong following amongst gay men. - In more recent years their albums
987:0:2440::have contained more music and less dialogue. - The best LP as an
987:0:2458::Side 2: Dear Ladies (2:13); The Empire Depends On You (3:15); I'm Going
987:0:2541::My Bridesmaids And I (3:21); I Miss My Norm (4:25); SM Lady (4:00). 
987:0:2564::trakasserer alle homser - ... Sopere er dyr (I persecute all gays -
987:0:2572::Changes (4:00): Jeg ved, du tror, du har mig, hvor du nsker mig,
987:0:2589::Stammer oprindelig fra 'Laser og pjalter' sunget af en kvinde, men er her
987:0:2597::Side 2: Skank For Jesus; I Wanna Fuck Your Dad; Suicide Kills; Genocide;
987:0:2604::Produced by P. Eidel and Indochine. Mixed by Joe Glasmann at Red Bus
987:0:2664::fighting to be girls, people standing in their way, some are straight and
987:0:269::So when you're telling all your lies about me, think awhile before your
987:0:2754::Benny (3:06): Benny voksede op i samme gade som jeg; han var bsse,
987:0:2776::efter lidt action. Omkring kvart i seks fandt du en anden mde at
987:0:2785::synger Elton John om en kvinde; nr Tom Robinson synger den, er det
987:0:2798::just one single night together with his love, would do anything to reach
987:0:2808::arms and legs, bellowing out a survival chant that reads to death the
987:0:2824::to a woman should come to an end. Love is not exclusively reserved
987:0:2859::riots of 1969, the rise of gay activist groups, the gay press, homophile
987:0:2863::history of the gay movement and how it changed radically in just one
987:0:2883::vermoordde John Gacy 33 kinderen en jonge mannen. John Gacy is bij zijn
987:0:2890::idee van de perverse aktiviteiten van haar zoon. In 1979 werd John Gacy
987:0:2891::ter dood veroordeeld. - In 'Pogo The Clown' gaat het over de driften,
987:0:2897::came from San Francisco to the Virgin Islands for Carnival and only wants
987:0:2924::Music by John Kander. Lyrics by Fred Ebb. Produced by Cy Feuer. Directed
987:0:2964::Out Of the Wardrobe (3:39) : om en mand, der efter mange rs
987:0:2972::With William Hurt, Raul Julia and Sonia Braga. Based on the novel by
987:0:2975::Two prisoners, a homosexual and a Marxist lie waiting in a jail cell,
987:0:2995::Es ist mir ganz egal (3:15):... ob Dein Nachbar schwul ist usw., alles
987:0:3049::Jongens mogen niet met poppen spelen; Ik ben kees al lijk ik mien;
987:0:3056::en geluk... soms met een vrolijke glimlach, dan weer ernstig en met een
987:0:3058::waarin alles draait om het besef dat liefde het mooiste tussen mensen is,
987:0:3064:: - In 1980 had hij zijn eerste show in het Amsterdamse Carr,
987:0:3161::Moment mal, und da wurd mir erst wieder klar, da du ein Junge
987:0:3244::men det siges ikke direkte, s til en vis grad er de almene,
987:0:3248::er oversat fra hollandsk af Michael Kunze; R. L. skriver selv alle sine
987:0:331::The Lady Came From Baltimore (2:31): ... but I fell in love with
987:0:3350::dresses and he likes to fuck) and he is currently riding the British
987:0:3384::p, at en eller anden skulle tage mig med hjem. Det sker ikke
987:0:3393::Channing Way: vi er en verden af fremmede, fremmede for andre og fremmede
987:0:3481::Ain't Nobody Straight in L. A.? (3:48): Er der ingen heteroer i Los
987:0:3482::Angeles? Det virker, som om alle er homoer. Homosexualitet er en del af
987:0:3504::Side 1: Don't You Know You're Part Of The Show; High Tide; Obscenity;
987:0:3513::said, I admire your playful tactics dear, but you must stop swinging on
987:0:3519::football hero, not one of those sissy fools, now it's homophobia in the
987:0:3520::locker room when I took guys, Homophobia, it keeps me from touchin' my
987:0:3523::songs are not gay, the reflect and explore the issues of the men's
987:0:3533::a 45rpm, $1.25 from Eve Morris, 1221 Bigelow North, Seattle WA 98109, USA. 
987:0:3549::Dear Men (4:14); Mother Ocean (6:04). - Side 2: Love Life Knough To
987:0:3642::Courageous we take a stand, Good for the world for coming out..., When
987:0:3756::Pladecoveret viser en mand, dels som bondemand ved siden af sin hest og
987:0:3794::cheated, taken for granted; try to understand that I am not that type
987:0:379::to space to avoid a public scandal, in March 1985 she returned to
987:0:3851::chapter in the history of the popular music industry's effort on behalf of
987:0:3863::Side 1: Out Of The Closet (5:10); The Wedding (3:44); Tom And Stephanie
987:0:3879::waiting for the world to accept you for what you are. What are
987:0:3986::can't send me some woman ... send me a sissy man. Recorded 1935. 
987:0:4011::Heller): Und wenn ein Mann einen Mann liebt, so soll er ihn lieben,
987:0:4013::lieben, wenn sie sie liebt, denn ich will, da es alles gibt, was
987:0:4030::Things; Karate Is A Girl's Best Friend; Marvellous Demo; What Do You Do
987:0:4064::Read by the author. Gay author but no gay contents in these recordings. 
987:0:4092::interpret some of his songs (?) as having a wrapped up gay theme. 
987:0:4153::many of the younger lesbian singers who regarded her as the 'Mama Lion';
987:0:4182::2-4-6-8 Motorway; Up Against the Wall; Grey Cortina; Too Good To Be True;
987:0:4184::Saw; Better Decide Which Side You're On; You Gotta Survive; Power in the
987:0:4188::On cover: TRB is a rock band formed Jan. 77: through series of
987:0:4246::veltalenhed, Don't you wanna play this game no more ... when you go,
987:0:4258::about to begin]; Mary Lynne (4:36); Looking at you (3:29); Five two five
987:0:4266::Getting tighter; Our people; I shall be released; Glad to be gay (4:26)
987:0:4267::(Robinson); Don't take no for an answer; The Winter of '79; Martin; Right
987:0:4275::Looking For A Bonfire (3:54); Merrily Up On High (3:45); Those Days (4:26);
987:0:4301::Murder At The End Of The Day (4:55)(Robinson): On the murder of gay
987:0:4311::1. Feel So Good (with Kiki Dee). 2. Northern Rain. 3. Tattooed Me.
987:0:4320::a man it must be considered a gay song; also recorded with Imperiet
987:0:4346::Tekstuddrag: ...Oh where can I get my cock sucked, where can I get
987:0:435::first woman with whom I really felt a sense of sisterhood. We shared
987:0:436::years of changes, pain, and learning, and a special love I will always
987:0:4383::(3:13); Closet Case (2:36); Paint By Numbers (4:46). - Side 2: Womo Envy
987:0:4391::Trouble In Paradise - The Answering Machine Song - He Wasn't Talking To
987:0:43::I'm starved for breath, can't feel my hands, clutching at the sound of
987:0:4406::Betsy Rose is a lesbian; she lives together with Cathy Winter with whom
987:0:4413::Side 1: Every Tiny Step (2:56); My 2nd Home (3:20); Since Jenny (3:22);
987:0:4415::Like (2:50). - Side 2: Counting Sheep (3:22); The Service (3:08); In My
987:0:4472::popular American songs related to gay issues. For its success, then in the
987:0:451::hide when they cried 'homosexual'. - We women been waiting all our lives
987:0:4527::I Have Grown; Accustomed To Her Face; You Go To My Head m.fl. 
987:0:4552::my man ... they say under 21 and gay? we'll throw you in
987:0:4590::Old Lady Blue Jeans - A Lesbian Business, PO Box 515, Northampton MA
987:0:4595::Infectious new wave Eurodisco. I'm a shy boy, you're a coy boy, and
987:0:4597::the title track to Shelley's well received album. Other songs are: In Love
987:0:4617::just can't see the difference between a boy and girl, I love them
987:0:4645::Several songs with gay contents. The most known of this record and the
987:0:4663::der osse var piger, om klask og klap og pne folk der skriger
987:0:4678::The Father Of A Boy Named Sue (3:09) : Forhistorien hertil er, at
987:0:4680::temaet gik p, at en mand, der havde avlet et barn, ikke gad/orkede
987:0:4687::Scoop 7SR 5015, P 1969, CBS, Longplay single , 7, 33 rpm.) -
987:0:470::On cover: We want to dedicate this album to all the women throughout
987:0:471::time who have organized and fought for change and especially now to our
987:0:4826::on this album For My Men Friends from that collection. His folk guitar
987:0:4839::Side 1: Overture, Bend-A-Curl, Happy Birthday, A Guy Like Me, In My Dream,
987:0:4843:: May Be, Take Back Your Whips, Pot, Puppers and Pills, Frinella's Frenzy,
987:0:4885::ABC Rec. ABCL 5028 og MCA DSX 50135. UK 1973. Uden tekst. LP. 
987:0:4897::Du opgav den eneste kvinde, der elskede dig og valgte at vende tilbage
987:0:4904::quiet as it is kept, the jazz scene has always included gay life 
987:0:4910::I'm Gonna Keep My Hair Parted (Washboard Sam and his Washboard Band) 1938. 
987:0:4968::Mr. Lawrence, the film had a gay theme; Forbidden Colors is also the
987:0:4969::title of Mishima's gay novel from the late sixties. The song deals with
987:0:4971::children; he is a whole life from his beloved who wears forbidden colors.
987:0:4978::love so much, you're very special to me and you're always in my
987:0:5015::Side A: High Energy VOCAL Side B: High Energy INSTRUMENTAL (3:48 - 3:30).
987:0:5037::forbudt, s havde han koner to. Den ene hed Willy, den anden hed
987:0:5066::Recitation by the Danish author Poul Borum; see above, single Sonet T 8559. 
987:0:5073::I'd Like to Make Love With You; Second Chance; Sister I Love You;
987:0:5112::$6.60 from Wise Women Enterprises, Dept. O, PO Box 33, Stanington ME 04681. 
987:0:5134::inden i et forenet mands- og kvindetegn, men selv om han tit har
987:0:5225:: Village People: I Am What I Am - The Best Of Village
987:0:526::Maricon ( : )(written by C. Reid M. Diaz): [maricon is 'gay' in
987:0:5326::Liz Taylor geschafft, drei Superstars des Pop ins Studio zu holen, um eine
987:0:5396::Side 1: Intro, Bona Books; Bona Prods; The World Troll; The Ballet Bona;
987:0:541::The film 'Born To Boogie' is a fine example of what happened between
987:0:543::crash 1977 and is now a cult figure. Magazines and fanzines still appear
987:0:5456::has plenty of content to interest both lesbians and gay men. Tom's clever
987:0:5464::Records, P. O. Box 497, Boston, MA 02112, USA, for $7.95. Tom's other
987:0:5497::William S. Burroughs: Old Man Bickford from 'The Place of Dead Roads' (2:08); 
987:0:5499::Secret Solo (2:17); Lenny Kaye: No Jestering (4:17); Patti Smith: 7 Ways of 
987:0:5570::in the years 1984-1988, and since then only few updates have been made.
987:0:5575::and editing material, I gave him a diskette with my manuscript which was
987:0:5579::recordings of music and speech with themes relevant to gay men and lesbians.
987:0:5580::Items are selected based on 1) explicit statement of gay / lesbian issues,
987:0:565::Side 2: The Fortune Teller; Spanish; Nero; Mr. Wong; Ponce de Leon; One
987:0:57::by Bessie Smith in Detroit - she vividly describes the goings-on in a
987:0:584::me the leather belt round his hips. My knees were shaking, my cheeks
987:0:589::Five Years (4:42): contains a funny passage, where a cob kneels to kiss
987:0:596::Ziggy Stardust in 1972, that became a world sensation and was later filmed
987:0:60::The music included in this cut is from Bessie Smith's Soft Pedal Blues,
987:0:634::Wild Eyed Boy from Freecloud, All the Young Dudes, Oh! You Pretty Things. 
987:0:658::Lyrics by Donald Ward Bill Solly and music by Bill Solly. A musical
987:0:664::later Duke of Windsor, who was forced to marry the American Mrs. Simpson
987:0:668::Marry An American (3:02); It's A Boy's Life (2:25); Does Anybody Love You?
987:0:671::Just My Luck (2:18); It's A Dolly (4:32); What Do I Care (2:45);
987:0:67::April 1936. I woke up this morning with my business in my hand.
987:0:685::rape (only the first pressings had that - after the record had success,
987:0:688::Other records have no gay contents but are adressed to a gay audience. 
987:0:68::If you can't bring me a woman ... Bring me a sissy man. 
987:0:708::Side 2: Als Ik Bedenk (3:10); Mijn Lief (2:11); Nacht Vol Kleuren (3:32);
987:0:770::The record title is the English designation of the minimum age of sexual
987:0:794::understand, how I could hold your hand ... I'm a prisoner in this
987:0:81::Al Miller and his Swing Stompers: Ain't That A Mess (2:53) Feb. 1936. 
987:0:859::Denmark 1981. Enclosure with lyrics and notes on the bands etc. *. LP. 
987:0:862::(This song was made because we find age unimportant) 3rd verse is about
987:0:927::Les Boucs; T'aimer et te le dire; Les oreilles fragiles; Le viol de
987:0:934::J.H. cherche J.H.; Toi la tendresse; Je suis une folle; Je te parlerai
987:0:967::eingestellt - Ich bin die fesche Lola - Kinder, heut' abend such ich
987:0:992::(0:37); We Three Queers (1:05); What Child Is This (0:45); Alone In The
987:1:228::22. Nick Cave And The Bad Seeds - No More Shall We Part 
987:1:33::17. Kiss It Goodbye - She Loves Me, She Loves Me Not ... 
987:1:416::43. Throw Bricks At Coppers - How Many More Brutal Fucking Police Murders? 
987:1:500::Public Enemy - It Takes A Nation Of Millions To Hold Us Back 
987:2:101::Three The Hardway - Tropical Storm - COLL: Jungle The Extreme Volume III 
987:2:1055::A.C. - Johnny Violent Getting His Ass Kicked By Morrisey - 40 More 
987:2:1074::Howard Zinn - An Economic Bill of Rights - Cambridge, MA 10/18/91 [Radio 
987:2:1086::A.C. - Theme From Three's Company - 40 More Reasons To Hate Us 
987:2:1153::Arvonee Fraser, USA Rep UN Comm on the Status of Women - Women, 
987:2:1197::Michael Jerry Stevens and Mark Feldman - Keen Tyler, Sunset Park - Haiku 
987:2:1241::Frances Fox Piven - Women In The Welfare State, Univ of South Maine, 
987:2:1253::Exene Cervenka - I want, Good, Then It's Unanimous - Surface To Air 
987:2:1256::Howard Zinn - The Use and Abuse of Our History, St. Michael's College, 
987:2:1271::Ralph Nader 1/15/92 - The Citizen Agenda for the '92 Election, JFK School 
987:2:1294::Circular Firing Squad - I'm a Jackhammer Man in a Jackhammer Town - 
987:2:1296::Man Is The Bastard - Mocha Rebirth, Semen in the Eyesocket of Thomas 
987:2:1300::Daniel Johnston - True Love Will Find You In The End - 1990 
987:2:1338::Malformed Earthborn - Nailed Savior - Defiance Of The Ugly By The Merely 
987:2:1379::Daniel Johnston w/ Yo La Tengo - Speedy Motorcycle - Speedy Motorcycle 7" 
987:2:1389::Zakir Hussain and the Rhythm Experience - Lineage - Zakir Hussain and the 
987:2:1407::Noam Chomsky - The Economic Impact of Post WWII Foreign Policy - Phillip's 
987:2:140::Noam Chomsky - Education and Democracy, Michigan State University 3/28/95 [Radio Free Maine] 
987:2:1424::Noam Chomsky - The ABC's of US Policy Toward Haiti, Past, Present and 
987:2:1427::Sa Zna - Oberland Dream (and more tracks mixed in) - Into Oberland 
987:2:1429::Andres Contreras - Dame Mi Pasa Montanas - El Juglar De Los Caminos 
987:2:1430::Godheadsilo - The Walked In Line - COLL: A Means To An End 
987:2:1433::No Use For A Name - Fields Of Agony - !Leche Con Carne! 
987:2:1441::John Zorn - Track 8 and some more - The Book of Heads 
987:2:1453::Noam Chomsky, Kevin Danaher, Tim Wise - Challenging the World Bank and the
987:2:1501::Napalm Death - From Enslavement to Obliteration, Blind to the Truth - From
987:2:1538::383 Sinister - Embodiment of Chaos - COLL: Death Is Just The Beginning 
987:2:1542::398 Speedball Baby - Blitzkreig Bop - Get Straight For The Last Supper 
987:2:1573::139 Nicholas James Bullen - Nocturnal Crawl - COLL: Bill Lasswell Bass Terror,
987:2:157::Rova - Appearances Aren't Always What They Seem - The Works (volume 2) 
987:2:1618::The Electric Hellfire Club - Baptized In Blood - Drugs, Death The Devil 
987:2:162::soundbed: Paul Rutherford - The Gentle Harm Of The Bourgeoise, solo trombone improvisatoins 
987:2:1631:: Grand Master Flash - New York New York - The Best Of 
987:2:1642::X-Clan - Grand Verbalizer What Time Is It? - To The East, Blackwards 
987:2:1643::Public Enemy - Miuzi Weighs A Ton - Yo, Bum Rush The Show! 
987:2:1648::Beastie Boys - Looking Down The Barrel Of A Gun - Paul's Boutique 
987:2:1656::Paris - This Is A Test - The Devil Made Me Do It 
987:2:1683::Hellchild - Long And Stable Bridge, Treason Of Death - Where The Conflict
987:2:1688::592 The Haters - The Rapture of Transformation (twice), - Soundtrack for the
987:2:1690::454 Noam Chomsky - Corporate Media: Radio, TV and the Information Highway -
987:2:16:: Dec. 15 Howard Zinn: Lessons Past: Exploring The Legacy of the 1960s
987:2:170::Entombed - Wreckage - DCLXVI To Ride, Shoot Straight and Speak the Truth! 
987:2:1710::Zero Hour - In The Shackles Of Human Skin - Zero Hour 7" 
987:2:1713::809 Savage Aural Hotbed - Buhzillion - Cold Is The Absence Of Heat 
987:2:1722::Iconoclast - Killing The Humanrace - Who Does The Freedom And Equality Exist
987:2:1753::Recusant - Organised Murder On A Conveyor Belt - COLL: Bullshit Detector Vol.
987:2:1770::735 Musical Traditions Of Portugal - Track 4 - COLL: Musical Traditions Of
987:2:1805:: On top - Nicole Panter - Confession - COLL: Rock For Choice 
987:2:1806::517 Eskimo - Kill The Great Raven - Futher Adventures of Der Shrimpkin 
987:2:1816:: underneath: 662 Jackwacker - Bastard and a Bedhog - COLL: Hunters Safety:
987:2:1819::616 AFI - Cruise Control, Open Your Eyes - Fly In The Ointment 
987:2:183::Bill Ding - You've Always Got Me Running - The Horrendously Named EP 
987:2:1850::Paul Lansky - Not Just More Idle Chatter - More than Idle Chatter 
987:2:185::William Carlos Williams - Salt Pillar, Lest You Be Destroyed - White Women 
987:2:1864::159 Br Drake - The Dried Rat Dog - The Dried Rat Dog 
987:2:1867:: Skankin' Pickle - Rotten Banana Legs - Sing Along With Skankin' Pickle 
987:2:1875::White Zombie - Thunder Kiss '65 (The Remix That Wouldn't Die) - Nightcrawlers:
987:2:1886::562 Austin Lounge Lizards - Do Not Go to Tennessee - Small Minds 
987:2:1889::Boredoms - PopKis, Budokan Tape Try, Finger Action no5, 4 - Super Roots 
987:2:1898::Fudge Tunnel - Circle of Friends, Circle of Trends - The Complicated Futility
987:2:189::Rova - Beyond Columbus and Capitalism - The Works of Rova (Volume 2) 
987:2:1908::454 Noam Chomsky - Democracy: Rhetoric and Reality, Soviet and US "Democracy" -
987:2:1923::430 Huevos Rancheros - Rockin' in the Henhouse - Rockin' in the Henhouse 
987:2:1927::275 Choking Victim - You Ought To Die - Crack Rock Steady EP 
987:2:1928::376 Antiauthorize - Opening A Part Of The Mankind, Choice ... Wrong Freedom,
987:2:1934::A.F.I. - Who Said You Could Touch Me - Behind The Times E.P. 
987:2:1943::473 Ultra Bide - La Lee Lou Ley Lo - Kill Me Tender 
987:2:1948::966 Fred Frith - Solo Acoustic Guitar - Sounds of a Distant Episode 
987:2:1971:: underneath 927 Vendermark Quartet - leadfoot, for what it is - Solid
987:2:1977::356 Red Sun/Samulnori - Hear Them Say - Then Comes The White Tiger 
987:2:2000::341 Emperor - Into the infinity of thoughts - In the Nightside Eclipse 
987:2:2003::Fudge Tunnel - Random Acts Of Cruelty - The Complicated Futility Of Ignorance 
987:2:2014::Cannibal Corpse - A Skull Full Of Maggots - Eaten Back To Life 
987:2:2026::Jello Biafra D.O.A. - Full Metal Jackoff - Last Scream Of The Missing
987:2:2095::Iconoclast - New Militally Crisis - Who Does The Freedom And Equality Exist
987:2:2119::Played Under 133 Brutality - Violent Generation - When The Sky Turns Black 
987:2:2122::954 Tim Hodgkinson - From Descartes' Dreams - Each In Our Own Thoughts 
987:2:2125::181 John Cage and Marageret Leng Tan - Daughters of the Lonesome Isle 
987:2:2136::966 Fred Frith - Second Nature - COLL: Sounds of A Distant EP 
987:2:213::High Plains Tradition - When He Reached Down His Hand - Prairie Wind 
987:2:2142::Destroy - Burn This Racist System Down - Burn This Racist System Down 
987:2:2166::758 Lead Belly - Bully Of The Town - Lead Belly's Last Sessions 
987:2:2168::Greymatter - Burn No Bridges - Food For Thought + Take It Back 
987:2:2182::Mission of Burma - That's How I Escaped My Certain Fate - vs. 
987:2:2189::450 Fudge Tunnel - Circle of Friends, Circle of Trends - Complicated Futility
987:2:218::Emperor - With Strength I Burn - Anthems to the Welkin At Dusk 
987:2:2204::Beastie Boys - Looking Down The Barrel Of A Gun - Paul's Boutique 
987:2:2206::646 Paramecium - The Unnatural Conception in two parts The Birth and the
987:2:2239::A.F.I. - Who Said You Could Touch Me? - Behind The Times EP 
987:2:224::William Carlos Williams - The Firmest Pillar Of Good Government - White Women 
987:2:2261::495 Automaton - Asiyah Dub (Blinding The Starry Eyes Of God) Dub Terror
987:2:2268::Mad Professor - Song From The Wilderness -Escape to the Asylum Of Dub 
987:2:2277::646 Paramaecium - The Unnatural Conception In Two Parts, The Birth and the
987:2:2282::Robert Pete Williams - Louise -Vol.1 I'm Blue as a Man Can Be 
987:2:2302::Destroy - Burn This Racist System Down - Burn This Racist System Down 
987:2:2304::Destroy - Burn This Racist System Down - Burn This Racist System Down 
987:2:2306::546 Karen Finley - It's My Body - A Certain Level Of Denial 
987:2:2310::Iconoclast - Silence Equals Death - Who Does The Freedom And Equality Exist
987:2:231::Noam Chomsky - Free Market Fantasies: Capitalism In The Real World [AK Press] 
987:2:2320::543 The Cramps - Naked Girl Falling Down The Stairs - Flame Job 
987:2:2343::495 Atomaton - Asiyah Dub (Blinding The Starry Eyes Of God) "Dub Terror
987:2:2361::underneath : Carcass of Symphonies of Sicknes and 495 Automaton off Dub Terror
987:2:2369::514 The Spudmonsters - Ace Of Spades "Stop The Madness/Ace Of Spades E.P." 
987:2:2370::514 The Spudmonsters - Stop The Madness "Stop The Madness/Ace Of Spades E.P."
987:2:2380::Zakir Hussain and the Rhythm Experience - Lineage "Zakir Hussain and the Rhythm
987:2:2382::Zakir Hussain and the Rhythm Experience - Nines Over Easy "Zakir Hussain and
987:2:2386::412 Lonnie Pitchford - Real Rock Music: Crawlin' king Snake "All Around Man" 
987:2:2388::Alice Donut - Hose "Dry Humping the Cash Cow - Live at CBGB" 
987:2:238::Emperor - Thus Spake the Nightspirit - Anthems to the Welkin At Dusk 
987:2:2392::Happy Flowers - Just Wait Till I'm Bigger Than You "Flowers on 45" 
987:2:2401::445 Baboon - Naked in the Mall / California Dreaming "Face Down In
987:2:2446::380 Mordor - Dark Is The Future - Dark Is The Future 7" 
987:2:2450::Art of Noise - Peter Gunn (With Duane Eddy) - In Visible Silence 
987:2:2460::Iconoclast - Killing The Humanrace - Who Does The Freedom and Equality Exist
987:2:2462::Iconoclast - Silence Equals Death - Who Does The Freedom and Equality Exist
987:2:2468::334 The Fatima Mansions - Belong Nowhere - Lost In The Former West 
987:2:2477::144 - Jack With Killer - Jesus - Counterattack from an Obscure H.C. 
987:2:2478::264 - M.D.C. - Nazis Shouldn't Drive - COLL: M.D.C. / Capitalist Casualties
987:2:2499::Reagan Youth - What Will The Neighbors Think? - A Collection Of Pop
987:2:2505::346 Sunday's Well - Black Tans - We Don't Care Where Your Grandparents
987:2:2520:: 260 Flat Tire - Girl Scout Corpse Carousel - Norman Fell EP 
987:2:2526::Destroy - Burn this Racist System Down - Burn this Racist System Down 
987:2:2527::Destroy - Atomic - Myopia of Evil - Burn this Racist System Down 
987:2:2550::Universal Congress Of - Mud Man Blues - The Eleventh Hour Shine On 
987:2:2559::293 Sick Of It All - Force My Hand - Scratch The Surface 
987:2:2560::Regan Youth - Jesus Was A Communist - a collection of pop classics 
987:2:2565::231 Society Gang Rape - More Dead Than Alive - Society Gang Rape 
987:2:2567::249 The Tahitian Choir - Ua Putuputu Tatou E - Rapa Iti, #2 
987:2:2568::290 Negativland - The Piddle Diddle Report: Human Values, Where is Friday?, A
987:2:2591::130 Glenn Spearman - Operation at the Level of the Phrase - Smokehouse 
987:2:2592:: Albums played underneath: Hellnation - Control, Bluntz On Wax 12", Merzbow -
987:2:2625:: 830 Hellchild - almost all the album - Where the Conflict Reaches 
987:2:262::Afro Cuban All Stars - Elube Chango - A toda Cube Le Gusta 
987:2:2631::733 Zillatron - C.B.I. Files / Bugg Lite - Lord Of The Harvest 
987:2:2649::112 The Mighty Mighty Bosstones - We Should Talk - Question The Answers 
987:2:2651::834 Melt-Banana - 55 hands need to cut down - Squeak Squeak Squeak 
987:2:2680::106 Impala - Wild Night At The Bloody Bucket - El Rancho Reverbo 
987:2:2695::839 Skankin' Pickle - Rotten Banana Legs - Sing Along with Skanin' Pickle 
987:2:2723::917 Godhead Silo - Bereft rescue mission no. 43 - The Scientific Supercake
987:2:2738::Jello Biafra D.O.A. - Attack of the Peacekeepers - Last Scream Of The
987:2:2744::Dead Kennedys - Holiday In Cambodia - Give Me Convenience or Give Me
987:2:2781::872 Bloody Mess The Skabs - Skab Seduction - Hung Over And Stoned 
987:2:2786::Dixie Doughboys - I'm Satisfied With You - Dixie Doughboys/ Live at Lou's 
987:2:2787::Dixie Doughboys - I'll Sign the Papers - Dixie Doughboys/ Live at Lou's 
987:2:2788::Dixie Doughboys - Burn Another Honky Tonk Down - Dixie Doughboys/ Live at
987:2:2792::Dixie Doughboys - Roof Over My Head - Dixie Doughboys/ Live at Lou's 
987:2:2804::Milton Brown His Musical Brownies - Ida, Sweet as Apple Cider - Texas
987:2:2806::Cliff Bruner - That's What I Like About The South - Texas Sand 
987:2:2819::Riders In The Sky - Blue Shadows on the Trail - Prairie Seranade 
987:2:2828::Waylon Jennings - Bob Wills Is Still The King - Dreaming My Dreams 
987:2:2830::Lacy J Dalton - Hillbilly Girl With The Blues - Blue Eyed Blues 
987:2:2855::770 Mukilteo Fairies - Queer Enough For You? - [COLL] Outpunk Dancy Party 
987:2:2858::773 Sarband Osnabrucker Jugend Chor - We Hurry Towards Death - - Libre
987:2:2867::Fugazi - Last Chance For A Slow Dance - In On The Killtaker 
987:2:2876::680 - S.W.A.T. - Theme From SWAT - Deep Inside A Cop's Mind 
987:2:288::Emperor - The Acclamation of Bonds - Anthems To The Welkin At Dusk 
987:2:2896::Siggilum S - Chloroform Rewind: A Sharp Approach to Suppressing - Sound From
987:2:2917::Crime The City Solution - The Adversary - Until The End Of The
987:2:291::Nels Cline & Thurston Moore - We Love Our Blood - Pillow Wand 
987:2:2957::676 Pigpen - Cause I'm In Love Yeah - V As In Victim 
987:2:2966::Dead Kennedys - Holiday In Cambodia - Give Me Convenience Or Give Me
987:2:2982::Jello Biafra D.O.A. - Attack of The Peacekeepers - Last Scream Of The
987:2:2992::Dead Kennedys - Straight A's - Give Me Convenience Or Give Me Death 
987:2:2994::Dead Kennedys - Short Songs - Give Me Convenience Or Give Me Death 
987:2:3008::Diamanda Galas - This Is The Law Of The Plague - Plague Mass 
987:2:3010::Diamanda Galas - Confessional (Give Me Sodomy Or Give Me Death) - Plague
987:2:3015::234 God Is My Copilot - Rubber Or Leather - How To Be 
987:2:3026::Boo-Ya T.R.I.B.E. - We Used To Be Homies - Rumours Of A Dead... 
987:2:3037::546 Dumpster Juice - Clown Midget - Get That Out Of Your Mouth 
987:2:3060::511 Child Ren Coup D'Etat - Song 14 - COLL: Tod Und Fuer 
987:2:3085::522 Mad Professor - African Hebrew Dub - The Lost Scrolls Of Moses 
987:2:3089::Primus - Jery Was A Racecar Driver - Sailing The Seas of Cheese 
987:2:3107::Gang of Four - Life, It's A Shame - Songs Of The Free 
987:2:3159::389 - Reverend Horton Heat - Five-O Ford - Liquor in the Front 
987:2:315::Sun Ra & His Intergalactic Arkestra - Untitled I - Stardust from Tomorrow 
987:2:3168::186 Moondog the london saxophonic - sandalwood - sax pax for a sax 
987:2:3206::X-Clan - Heed The Words Of The Brother - To The East, Blackwards 
987:2:3234::Ram Dass Amazing Grace - A bunch of songs - Chords of Love 
987:2:3243::God Is My Copilot - Le Corps Sans Merci - How To Be 
987:2:3265::Last Exit - No One Knows Anything - Head First Into The Flames 
987:2:3299::Bomb - The Power Of Suggestion - Lucy In The Sky With Desi 
987:2:3312::801 Benedictine Monks of Santo Domingo De Silos - Song 5 - Chant 
987:2:3319::926 Napalm Death - Twist The Knife Slowly - Fear, Emptiness and Despair 
987:2:3331::234 God Is My Copilot - Rubber Or Leather - How To Be 
987:2:3336::926 Napalm Death - Retching On The Dirt - Fear Emptiness and Despair 
987:2:3412:: Disposables Heroes - Television, Drug of the Nation - Hipocrisy is the
987:2:341::Cradle of Filth - Dusk and Her Embrace - Dusk And Her Embrace 
987:2:3431::Mission of Burma - That's How I escaped My Certain Fate - vs. 
987:2:3460::Grand Master Flash and the Furious Five - New York, New York 12" 
987:2:350::My Own Victim - Walls Apart - No Voice, No Rights, No Freedom 
987:2:3559::Nick Cave and the Bad Seeds - John Finn's Wife - Live Seeds 
987:2:371::M.I.R.V. - Searching for Ticks, Pink Elephants - Feeding Time on Monkey Island 
987:2:390::Industrial Terror Squad - Da Bastardz Are Back - Da Bastardz Are Back 
987:2:401::A.C. - Jack Kevorkian is Cool - I Like it When You Die 
987:2:438::Bill Ding - Outbreak - Trust In God, But Tie Up Your Camel 
987:2:453::Tribes of Neurot - A Manifestation By Modern Means - Silver Blood Transmission 
987:2:462::A.C. - You Own A Store - I Like It When You Die 
987:2:467::Michael Parenti - Part 5: Lazy Law And Social Control - Radio Democracy 
987:2:481::Rig - American Guey - King of the Soft Serve (With A Semi) 
987:2:497::Kataklysm - Beckoning of the Xul - Temple of Knowledge (Kataklysm Part III) 
987:2:505::Bill Ding - Wesn - Trust In God, But Tie Up Your Camel 
987:2:513::Spearhead - Gas Guage (Tha World's In Your Hands) - Chocolate Supa Highway 
987:2:531::COLL: Traditional Music of Peru 3, Cajamarca & Colca Valley - Track 4 
987:2:55::20 Miles - Come Right In - COLL: NOt The Same Old Blues 
987:2:589::Smegma - Smegma Plays Merzbow - COLL: Smegma Plays Merzbow/ Merzbow Plays Smegma 
987:2:600::Diamanda Galas - Do Room, I-- I Am-- Dreams - Screi x Live 
987:2:605::soundbed: a whole bunch of hip hop instrumental tracks from the A File 
987:2:623::Angelite & Huun-Huur-Tu - Fly, Fly My Sadness - Fly, Fly My Sadness 
987:2:661::Niden Div. 187 - A View In The Mirror Black - Twards Judgement 
987:2:668::Oluyemi Thomas / Gin Robair - Checkin Within A&B - Unity in Multiplicity 
987:2:698::Corrupted - Bajo De Cero - Tiraron El Cadaver En Plen Cinta Asfaltica 
987:2:732::Niden Div. 187 - A View In The Mirror Black - Towards Judgement 
987:2:768::Propagandhi - A People's History Of The World - Less Talk More Rock 
987:2:790::The Martians - Had Too Much To Think - Low Budget Stunt King 
987:2:804::Noam Chomsky - The International Arena - Covert Action Quarterly Benefit - 12/8/95 
987:2:847::English Muffin - Blood of an English Muffin - COLL: Industrial F**king Strength 
987:2:850::Newman Guttman - Pitch Variations - COLL: Historical CD Of Digital Sound Synthesis 
987:2:851::John R. Pierce - Stochatta - COLL: Historical CD Of Digital Sound Synthesis 
987:2:852::Max V. Mathews - Numerology - COLL: Historical CD Of Digital Sound Synthesis 
987:2:869::Today Is The Day - Bugs/ Death March - Today Is The Day 
987:2:922::Dead Kennedys - At My Job, Stars And Stripes of Corruption - Frankenchrist 
987:2:929::Exhumed - Death Metal - Hemdale/Exhumed Split CD In The Name Of Gore 
987:2:973::Howard Zinn - New Patriotism, War, Peace & Me - Brookline, MA 4/20/93 
987:2:980::Scissor Girls - World of Unreal Time(?) - We People Space With Phantoms 
987:4:101:: as if I want to be feeling his dick pushing inside me.
987:4:109:: A familiar sensation builds in me. I glance down at myself. Between
987:4:121:: that touching my hole gets me to explode. The braves stabs desire
987:4:134:: unconsciousness and the great roar filling my ears. My eyes open after
987:4:141:: butthole. I reach between my cheeks for what hes squirted to me.
987:4:158:: We kiss sweetly without naughty tongues. Only lips on lips to express
987:4:15:: surrounded by other naked boys. My dick always grew long from the
987:4:167:: breechclout near the horse. I glance over his tanned nakedness for a
987:4:171:: again cover his beautiful body. He examines the horses hurt leg. I
987:4:174:: A tickling sensation runs down my thigh. My hand discovers more of
987:4:177:: finger. The sensation is like pushing in Owopspecs butt with my dick.
987:4:194:: whisper against each other. Deep feelings stir in my heart. Hes loving
987:4:207:: on. I open the heavy pouch containing dried strips of meat. Owopspec
987:4:227:: speaking The brave nods in reply. I point to the other parts
987:4:228:: of my head. He gladly teaches me what I want to know.
987:4:230:: as I had already known, stands for eyes. I smile with the
987:4:243:: Owopspecs warmth leaves my face. My lips are still trembling when I
987:4:24:: strokes. The good feelings fill it with each held breath. Im thrilled
987:4:276:: My heart finishes speaking. My eyes end their boyish tears. I look
987:4:277:: deep within myself for how Im acting and see why: my struggling
987:4:283:: fort soldiers shooting at the Blackfoot? Even if Im allowed to remain
987:4:286:: strange customs; their Indian ways of life? Is Owopspec going to help
987:4:299:: horses rein. I smile slyly at his trick. After equiping himself with
987:4:2:: Its about a true account of Indian boys having to endure a
987:4:302:: Small trees reach out their stinging branches to me. I have to
987:4:316:: We dont ride Cogue-ahtose though. I snuggle against my brave as we
987:4:320:: forest. Owopspec heads towards a large river. He gestures for me to
987:4:33:: the mans warmth. The other freezing boys also embrace him. Our wet
987:4:352:: what the soldiers will do next; of battle formations, the accuracy of
987:4:355:: Darkness falls. I sleep on stone floors with the other Indian boys.
987:4:363:: Someone cradles me in warmth. Im hurting something fierce yet I know
987:4:48:: his feet. From his hairy loins sprouts an excited manhood just begging
987:4:53:: reminded of yesterdays neck wound done in the heat of passion. He
987:4:59:: Owopspec pulls from my mouth and smiles wickedly at me. His strong
987:4:65:: I prepare to spring away. Owopspec may allow my escape to his
987:4:67:: dicks rubbing together or with my hand pulling over it? Please! Im
987:4:68:: not ready to feel the pain of being raped in my butt!
987:4:6:: A warrior looking on from the bank would watch for signs of
987:4:76:: and gentleness show his control. I get the feeling that he doesnt
987:4:77:: intend to rape me. Yet how will the man spend his lust?
987:4:7:: weakness. If even one boy complained or tried to leave before the
987:4:80:: when the brave ends his painful advances. He begins a shallow movement
987:4:86:: cheeks for his pleasure as Id earlier thought how Indian love was
987:4:8:: warriors permission, all the boys would be forced to sit a while
987:4:90:: A wetness fills my butt. Sweat, I think, along with the braves
987:4:95:: breath blows down my neck. All the while his dick thrusts quickly
987:4:98:: hands. My fingers dig into the soft dirt for support. Im pushed
987:6:130:: A ir L iquide - U p I n S moke '98 
987:6:235::Gabriel on Mister Heartbreak and the soundtrack from her film Home of the
987:6:240:: A nd now we've got new gadgets, and a new Bush ...
987:6:242:: L aurie A nderson - L ife O n A S tring 
987:6:354:: A ranos - M aking L ove In S mall S paces 
987:6:464:: T he cornerstone of Kosmische has been its love affair with that
987:6:70::enough analogue technology to make a synth player drool with envy meet burbling 
987:6:72::Bobby" thrown in for good measure. The sleeve photos, apart from attesting to 
987:7:296::Where can I get the hip book that decyphers all your cool lingo? 
987:7:306::Where can I get the hip book that decyphers all your cool lingo? 
987:7:323::My frined has a demo too. It's not heavy so you've been warned. 
987:7:327::Where can I get the hip book that decyphers all your cool lingo? 
987:7:328::And in my case, the lingo I used meant newbie (). Duh! :rolleyes: 
987:7:38::I also second MrJoeSoap for Queens of the Stone Age, very good band. 
987:7:63::Not metal, but singer Carl McCoy does have a bit of a howl. 
987:7:83:: Shred 17-09-2002, 14:31 OK, probably get shot for this, but here goes: 
987:7:85::Anything by Tesla, especially Mechanical Resonance, The Great Radio Controversy and so on 
987:7:91::They tend to get forgotten about by the newer generation of metal/rock fans:( 
988:0:1012::Darlin' Woman; The Road I Took To You; Rosalind; Rainbow; The Rock
988:0:1027::she will always be a player on the ball-field of my heart. 
988:0:102::over them - searching for the spaces that might like company. Into
988:0:1035::friends. A less angry record (compared to her first records) with many
988:0:1043::be found on these records. Love songs, fighting songs, songs about living
988:0:1056::love to a man who feels attraction but cannot fulfil the desire. 
988:0:106::photography, the very design and flow of the production. - The process
988:0:110::Margie Adam, an open lesbian, wrote all songs; released from M.A.'s own
988:0:1134::Recorded live at The Albany Empire benefit concert in aid of Lesbian
988:0:1135::Line and London Gay Switchboard. Deptford 8th Dec. 1982. Gayn Records is
988:0:1145::Jimmy Somerville formerly lead singer in Bronski Beat made the new band
988:0:1146::the Communards together with Richard Coles, both of them openly gay men. 
988:0:1155::lie you lived deceiving me. - Life goes down not realising the
988:0:1160::Heavens Above (Somerville/Coles): he's got a hold on my heart - his
988:0:1175::another? Through time they've always tried to hide and cast aside this
988:0:1188::Hello Hooray (4:14): ... I've been thinking so long I was the
988:0:1195::- Die Fummeltrinen und ihre Szene haben den Rock 'n' Roll gerettet.
988:0:11::while producing radio programmes for the Danish gay radio, Radio Rosa in
988:0:1202::perhaps the first in a series of musical stage personalities to employ
988:0:1203::bizarre costumes and props as an integral part of his stage appearances.
988:0:1204::Some of Alice's more familiar stage props include the use of boa
988:0:1206::attracts a legion of devoted and adoring fans who continually flock to
988:0:1208::Rock'N'Roll Revival 1969, and is a must for any serious Alice Cooper
988:0:1222::Side 1: Johnny Are You Queer?(2:43): A woman's fear that his boyfriend
988:0:1224::your friends I can't help wondering where I stared I'm afraid I'll
988:0:1225::lose you, if I can't seduce you, is there something wrong? On
988:0:1237::Fuck Off: Aggressive song with the message If you don't wanna fuck
988:0:125::Life; Woman (My Lovely Woman); Letting Go; The Times Are Indeed Changing; 
988:0:1281::and Music' (1931). In 1945 they became friends (?) and lived together
988:0:1295::Memorial record to New York's Gay Men's Health Crisis. - Cowley died
988:0:1310::Stylish, funny and theatrical. Crisp is the author of The Naked Civil
988:0:134::also agony in respect to love and the wish for being alone. 
988:0:1364::Summer In The City (3:05); I Put A Spell On You (3:31). 
988:0:1397::Let's Make Love (3:32)(M.Dane): I stood on the corner / Just to
988:0:1426::nach dem Krieg kriminell - im Knast wegen Schwulseins. Teksten til Ballade
988:0:1431::und die zwei Onkel umarmen sich fest und tanzen Musette wie ein
988:0:1434::Tam-tam, und gar nicht mal heimlich, und gar nicht mal klamm. Schwule
988:0:1470::such as gays in the military, the coming out experience, Barbie and
988:0:148::the girls go by), but both they are afraid to show their
988:0:1531::Immer , Gold und Liebe og Brothers, den sidste med tvetydige tekster,
988:0:1536::Taleplade med digte af bl.a. John Ashbery, William S. Burroughs, John Cage,
988:0:153::and now a man like all others! - but I am gay. 
988:0:1552::Money For Nothing ( : )(Mark Knopfler): Se the little faggot with
988:0:1578::Lesbian (2:47); A Woman's Love (3:10); View From Gay Head (3:39) m.fl. 
988:0:1579::Fs fra: Project No. 1, Dept. S., Preston Hollow NY 12469, USA. 
988:0:1585::Fs fra: Project No. 1, Dept. S, Preston Hollow NY 12469, USA. 
988:0:1591::Contradictions (3:41) - Separation 78 (3:28) - A Mother Knows (4:33) -
988:0:1612::I'll Try For The Sun (3:38)(Donovan Leitch, P: Donovan Music): A love
988:0:1618::look down what's happening here below, I stand here singing to the
988:0:164::Peter Allen who is openly gay has been married to Liza Minelli. 
988:0:1668::Produced and arranged by Ted Lemon and Alex Hughes for Altered Productions
988:0:1669::Creole Records England. Fan club and information send SAE to Judge Dread
988:0:1679::Seine erste LP hatte die Knabenliebe gleich auf dem Cover. Das Bild
988:0:1682::Ian Dury er forsanger i The Blockheads. Der skulle vre en del
988:0:1745::Indeholder den lesbiske Sisters are doin' it for themselves - duet med
988:0:1791::im Herbst dieses Jahres [1979] kommt, sang schon 1969 auf der historischen
988:0:1831::En lidt speciel sangerinde, hun skriver selv bde tekst og musik, er
988:0:1879::Die Bisexualitt (3:31) - Shake it off (6:04) - I'm a lesbian,
988:0:1894:: Bill Folk: We Are Here / Woman To Woman, Man To
988:0:190::Tom Robinson: Glad To Be Gay (4:30): presumably the most classical gay
988:0:1920::September Monday 'Soap It Up' (1983) Island-ZTT 106 104) and Two Tribes
988:0:1927::two lead singers Holly Johnson and Paul Rutherford are openly gay. And
988:0:2049::lesbians (1:46): det opstyltede i at se lesbiske som en srlig race,
988:0:2050::der kan vre filmobjekt ligesom cowboys - A Woman of the world
988:0:2060::Charlie and Sal are sharing a flat. Liz, Charlie's lover, spends a
988:0:2062::Val, Sal's lover, returns after being in prison. Into their lives comes
988:0:2066::catalyst in events of the story. These women remain together; the musical
988:0:2076::I Am What I Am (5:48)(Jerry Herman): about being oneself. Gay anthem
988:0:2077::from the musical La Cage Aux Folles; frequently played in gay discoes. 
988:0:2081::I Am What I Am (From La Cage Aux Folles)(5:56)(Jerry Herman): It's
988:0:2097::Homofelxible (Omar Dupree Jr.; Nada Music): I know what you got -
988:0:2139::Allen Ginsberg: also see 'National March On Washington' and 'You're A Hook' 
988:0:2140:: Giorno Poetry Systems Institute , Inc., 222 Bowery, New York, NY
988:0:2145::hrt flere af tingene igennem uden at komme til fuld afklaring af,
988:0:2157::A Diamond Hidden in the Mouth of a Corpse, GPS 035 * 
988:0:2190::J. W. von Goethe. - ven mycket relevant av icke-gay komp. Mozart
988:0:21::Take this manuscript as it is: fragments and notes in different languages.
988:0:2232::Side 1: Caravan Tonight (3:34); Out (3:27): about coming out; Five O'Clock
988:0:2233::Song (2:27); Christophers Blues (4:08); Song to Bonnie (3:33); Song to That
988:0:2262::Deutsche Neue Welle. A transsexual from Berlin. Most known is her song
988:0:231::and kisses me, he doesn't know I smile because I love him. 
988:0:2338::down on the corner, wearin' those star-studded high heel boots, wear your
988:0:2343::Modern Boy ( : ): allusion to being cruised or possibly mugged. 
988:0:2348::Heller): I want the feasibility of men loving men, women loving women.
988:0:237::An album of poetry and songs recorded at San Francisco's County Jail
988:0:2396::und Tanz und mit vielen schnen Frauen, von denen man nie genau
988:0:2413::Whatever I Do (Wherever I Go) (4:32)(M. Stock/M. Aitken) - Paul Parker:
988:0:2414::Desire (4:16)(Ian Anthony Stephens) - Divine: You Think You're A Man (7:10)
988:0:2431::'Dear Ladies' Dr Evadne Mona Hinge (George Logan) and Dame Hilda Bracket
988:0:2434::opera classics they turned to the BBC and developed their characters as
988:0:2435::two elderly spinsters living in Stackton Tressel Suffolk. - In 1984 they
988:0:2437::the two gay men maintain their characters at all public appearances. -
988:0:2453::Side 1: Good Morning Brother Sunshine (1:40); When the Nidnight Choo Choo
988:0:2459::To See You Today 1:30); Maashla (2:18); Tit Willow (3:07); Can't Help
988:0:2469::Gel' du magst mi (Die besten Lieder des Ludwig Hirsch)(Polydor 815 556-1). 
988:0:2492::corner of 10th Hudson 2) His golden blond locks Updates for 'The
988:0:24::If you have suggestions about entries for a homosexual discography, you may
988:0:2510::Side Two: Hearts In Exile; All About Cheap; Soft South Africans (2nd);
988:0:2540::Side 2: Niceness (3:04); Every Mother Wants A Boy Like Elton (4:42);
988:0:2599::All songs written by 13. All songs copyright 1986 Silent Sound Music. 
988:0:259::The Weakness In Me (3:32): interpreted lesbian by some but sex is
988:0:2640::Eat the Root (3:45)(J. Fineberg): I gotta a big city mama from
988:0:2641::suburban L. A., she give me part time lovin' every other day.
988:0:2650::hold me like I like ... I never dig a goodnight kiss. 
988:0:2667::Pretty Boys (3:41): Pretty boys on my TV screen. Teeth so white,
988:0:2673::Real Men (Joe Jackson)(4:05): about the typical male role in opposition to
988:0:2722::ble den boikottet i NRK. Det var homser i NRK-huset som srget
988:0:2736::Triad (4:54): sunget af kvinde, enten til 2 mnd eller 2 kvinder. 
988:0:2755::og en dag fik han nok, flyttede til Stockholm, hvor han sgte
988:0:2763::(DJM DJH 20442) og p The New Collection (Everest Rec. CBR 1027). 
988:0:2771::Song for Guy (6:36)(Elton John): Guy Burchett was our messenger boy who
988:0:2791::barriers and loving what I find. I'm breaking down the barriers that
988:0:2807::takes the stage like a pigmentless praying mantis, dressed in black, all
988:0:2819::i ett fllande med en ung pojke om hans relation med en
988:0:2822::av honom tycker vi. (Reporter Nr. 1, April 1987) [Don Johnson has
988:0:2860::political action, gay pride week, the mass marches in New York, Chicago
988:0:2861::and Los Angeles. This is the first documentary record album on the
988:0:2862::homosexual rights demonstrations of June 28, 1970. It is also a living
988:0:2886::veel succes boekt. - Als 'Pogo de Clown' treed hij tijdens kinderfeestjes
988:0:2889::samen met zijn moeder bewoont. Ook zij heeft, net als iedereen, geen
988:0:2909::Alle som blir igjen (Elton John/Finn Kalvik): han er ikke lenger her.
988:0:2923::Dances and musical numbers staged by Bob Fosse. Screenplay by Jay Allen.
988:0:2925::by Bob Fosse. ABC Records, Inc. , 1972, Los Angeles, California 90048,
988:0:2948::He's So Fine (R. Mack/P. Maurice): He's so fine, gonna make him
988:0:2986::ogs generelt at turde leve sit liv ud, mens man har det. 
988:0:2988::af venner var vi bekymrede for andres vel, for bsser, sorte og
988:0:2997::Callboy (3:14): Fr Geld mach ich was man verlangt, ich bin ein
988:0:3020::Henning Schram: Man er som man er (2:59)(M: Mireille, T: Ralph Oppenhejm):
988:0:3047::Homodaal; Jongens laat je prikken; Tolerant; Hetro Joopie; Ik kan je niet
988:0:3052::On cover: ""Met andere ogen" van Manfred Langer ging 15 oktober 1984
988:0:3053::in premire en is een programma met liedjes en praatjes rond de
988:0:3057::kritisch accent. - Het is een goede gedachte geweest om dit gebeuren,
988:0:3062:: Hij haalde onder meer (samen met Erik Beekes) het televisiescherm als
988:0:3066:: en vele anderen meewerkten. - Dit Gala is intussen een jaarlijks
988:0:3087::Side 2: Back in the Closet Again (3:30)(Patrick Haggerty); I Can't Shake
988:0:3138::Funky Tale; Back in love again; Nomad - og 5 andre lesbiske. 
988:0:3169::Germany 1985. German and English. Lyrics on inner sleeve *. LP . 
988:0:3171::be ... I'd give my soul just to call you my own. 
988:0:3210::Das ist einer, der alles verkauft, was gerade Mode ist, Gott oder
988:0:3237::Firma haben. Neulich machten wir einen Scherz, und da wurde der denn
988:0:325::USA 1978. Lyrics enclosed in English and Spanish *. Jazz/beat. LP distributed
988:0:3279::One new song: Jeder hat Angst (3:04): about prejudices, also about gays,
988:0:3300::har udgivet i alt 4 kassettebnd, men deres numre har ingen b/l
988:0:3324::The Parachute Club was formed from the Lesbian feminist group Mama Kila. 
988:0:3348::While Boy George has taken the sex out of androgyny, Marilyn has
988:0:3375::(Butch Imgram): What can you do when your love is untrue, there's
988:0:3377:: Ian Matthews: When He Walked Me Home (Da Dad Ron Ron) 
988:0:3381::Rod McKuen siger: Jeg har fartet rundt i s mange ensomme byer,
988:0:3386::i tankerne, og det er den samme, visen Stanyan Street handler om.
988:0:339::Joan Baez made words and music herself. At several occasions she has
988:0:3402::Don't Drink the Orange Juice (3:18): handler om Anita Bryant og kampagnen
988:0:3425::in intensity like a runaway carousel. Erotic or wistful they always speak
988:0:3428::Tesco of the Meatmen, dressed as the devil disguised as the Easter
988:0:3429::bunny, is singing a hymn to teen-age sexuality. He pitches 300 condoms
988:0:3430::into the audience of hardcore kids, singing one in four has the
988:0:3440::Own eller My Love Is Dangerous. En af sangene hedder Foolin' Around,
988:0:3454::Roll und der Popmusic im Allgemeinen. Bette Midler zum Beispiel. Die ist
988:0:346::Altar Boy and the Thief (3:22)(J.Baez): about types in a gay bar. 
988:0:3525::Wayne, The Penis Song and Homophobia are among the twelve songs included. 
988:0:3531::American Men Die Young, Kim and Tina, The Matador and nine others. 
988:0:3541::tidspunkt (groft oversat): Sig mig! Sagde du ikke lige, at din lesbiske
988:0:3542::veninde mtte lires med en Dr. Browns (et eller andet) eller hun
988:0:3566::Wedding Song ( : )(Holly Near): there were other people living in
988:0:3601::oplever ved at vi selv bliver tiltrukket af andre, eller oh rdsel,
988:0:3620::Overcome: We are gay and straight together and we are singing for
988:0:3626::videre, sange mod racisme, krig etc., s det er i grunden ikke
988:0:3640::Good For the World (2:43)(Wprds by Holly Near, Music by Holly Near 
988:0:3661::Pladen omtalt i N. Y. Native april 1986 i forbindelse med gruppens
988:0:3675::Jordan bass. Produced by Sylvain Sylvain. Recorded live May 2, 1975 at
988:0:3676::the Little Hippodrome Club in New York City. - David Johansen har
988:0:3677::medvirket p bl.a. A Diamond Hidden in the Mouth of a Corpse
988:0:3682::Half A Man (3:38)(Randy Newman): about gays: A big old queen was
988:0:3749::Hvem faaen tror du du er (Fosslie, Stein/Yen, Johnny); Mamma, mannen ga
988:0:374::Recordings from women's festival 1978 in benefit of a women's house in
988:0:3786::A Million Ways (3:48); Somethin' Bout Cha (3:15); Duke of Earl (2:40).
988:0:3790::Canadian gay band consisting of 4 gay men from Vancouver specialized in
988:0:380::Earth; when her spaceship landed on a tiny island rock outside of
988:0:3848::A compilation CD benefiting lesbian and gay human rights around the world. 
988:0:3858::the global battle for human rights to include the fundamental rights of
988:0:3864::(0:59); The Odd Couple (2:54); The Fashion Show (3:38); Gay Cruise (4:20). 
988:0:3865::Side 2: Bedtime Story (3:42); The Last Chance Saloon (0:43); The Cricket
988:0:3873::Life. Gay people are a major international force in out Art, Music,
988:0:3874::Fashion and attitudes. - More recently, Gay Life has been examined in
988:0:3878::for all minorities, humor keeps life from being one long struggle while
988:0:3895::Mix); Fuk U in the Ass (Save Sex Mix); Fuk U Re-Mix. 
988:0:390::certain smile, someone they can hold for just a little while. Tired
988:0:3916::A group from Toronto, Canada, has formerly recorded two LPs, by RCA,
988:0:3917::RCA 785508. The Parachute Club was formed from the Lesbian feminist group
988:0:392::man, while the grinny man watches from the bar. - About gay
988:0:3972::by Patti Smith. (Advocat 451, July 22, 1986). - Her first record. 
988:0:4029::Dirty Old Man; We've Both Been Here Before; Romantic Love; These Foolish
988:0:4031::In Bed; How Will It Feel In the Morning; Chain Reaction; Invisible
988:0:4034::Long play cassette of Presland's one man show, recorded live at the
988:0:407:: Beastie Boys (from USA) made an anti-gay-song on their first LP. 
988:0:4088::Ein Pakt mit dem Teufel. Soundtrack nach dem Film von Rainer Werner
988:0:4091::Gay German singer. Gay relevance in lyrics not evident but you might
988:0:4178::Tom's debut album contains the anthem, Glad to be Gay. He's the
988:0:4180::distribution. The Winter of '79, Ain't Gonna Take It are among the
988:0:4189::lucky breaks + much support from diehard fans we landed recording contract
988:0:4195::Skrevet af Tom Robinson og Elton John. Alle royalties gr til Gay
988:0:4205::deal of it can be absolutely fatal. OSCAR WILDE. Udspring over for
988:0:4207::Law And Order (2:35)(Tom Robinson/T. Robinson - Brian Taylor - Nick Plytas):
988:0:4210::- og 6 andre, hvor de fleste kan tolkes i relevant retning. 
988:0:4216::the woman, how come you both dress like men? En mands manglende
988:0:4220::Baby, You're An Angel (2:47)(Robinson): En fyrs savn af ham, han skippede. 
988:0:4238::Closing A Door (4:09)(Lewis Furey): Twenty lovers in a week, you can
988:0:4257::have we got to lose? (4:56); Not Ready (4:17)[...for the gay revolution
988:0:4259::(5:15); Total recall (3:13); Where can we go tonight? (3:21); Take or
988:0:4265::2-4-6-8 Motorway; Bully for you; Never going to fall in love (again);
988:0:4273::Band, FA 3028]; Atmospherics (3:03); Can't Keep Away - Part II (4:30)
988:0:4285::Side 2: Atmospherics - part 2. / (Don't do me) any favours. 
988:0:4335::for stillingtagen og lovlighed. He don't know if it's right or wrong.
988:0:4376::(Rolling Stones bruger tit ord som faggot, fruit, gay etc. i deres
988:0:4392::Me - Don't Use Your Penis (For A Brain) - Carnival People. 
988:0:4434::recorded many records. Were very known in Europe in 1981-1983. All their
988:0:4454::hjemmefra og flyttede sammen med Jonny i storbyen, sharing one love -
988:0:4469::singer lyrics writer of one of the most famous pop/rock bands here
988:0:4474::old Italian hits, which was even more successful than his latest work,
988:0:448::Gay And Proud (3:26)(D. Lempke): Gay and proud, I was born a
988:0:4509::California who are committed to singing and growing together in order to
988:0:4539::hjerte - de havde ikke plads, du flytter deres grnser, du kapper
988:0:4540::deres tov, men du skal frifindes for deres lov. - Bruges som
988:0:4551::Underage Blues (1:47): I'm gonna break the law, gonna make love to
988:0:4554::Mark (3:51): om fyren han ikke fik fat i, mske af tilbageholdenhed,
988:0:4577::Hagatha, real name Clark, ex of Sex in Miami, was the Original
988:0:4625::du er som en hjertevarm kvinde der ler ... du strkker dig
988:0:465::Back to Boston (Nancy Vogl)(2:22): Lovesong to a female friend and to
988:0:4686::af motivet til navngivningen. (Johnny Cash: A Boy Named Sue et al.,
988:0:4689::Named Sue (3:09) : samme tema, men: snnen er ved gensynet ikke
988:0:4728::from leaflet: Whether in a hay barn in Potter Valley, along the
988:0:4758::sex roles, nuclear power, women's rights and hugging. A dozen and one
988:0:4764:: The Smiths: This Charming Man 1) Manchester 2) London (2:48) /
988:0:4775::stay with a fat girl ... William, William it was really nothing. 
988:0:4776::You've Got Everything Now (4:18): You are your Mother's only son and
988:0:4800::Skt. Peders Engle (4:15): om Skt. Pedersstrde i Kbh. og dem, der
988:0:4805::tried to argue, but they say it's because he walks this way. 
988:0:4816::aard (2:48); Ik weet nu al... (3:28); De sex is uitgesproken (2:22);
988:0:481::that fit - skintight, sexy and butch. (Advocate 451, July 22, 1986) 
988:0:4825::Sordill was originally heard on the WALLS TO ROSES LP. He includes
988:0:4828::Mothers and Fathers, I Don't Care What They Say, plus eight more
988:0:4845::High camp musical set in hair salon which opened Pax Andreas Theatre,
988:0:4873::Ziggy, der er David Bowie-fan, har ndret sit navn for hans skyld
988:0:4896::The Wild Side of Life (5:05)(Words and music by W. Warren/A. Carter):
988:0:4914::I Got What It Takes (Blanche Calloway and her Joy Boys) 1931. 
988:0:4932::Single in benefit of the research against AIDS. Also performed on the
988:0:4954:: Sweet Honey in the Rock: B'lieve I'll Run On...See What The
988:0:5004::Te Lul. - Side 2: Liefde; Nieuwjaar '77; Paranoia; Fantasie Des Volkes;
988:0:5005::Kinderen de Straat Op; Van Agt; Zuiart Leer. - Songs Tedje de
988:0:5054::And I Moved (3:22): text originally written for Bette Midler, but she
988:0:5055::would not sing it, as she considered it immoral. Townshend himself calls
988:0:505::It's Okay (3:52): about love between two boys, but prejudice and public
988:0:5061::transvestites, gays and junkies; inspired by Lou Reed's Walk On the Wild
988:0:5074::Woman-Loving Women; Grey Day; Don't Say Sister; I Hope She Will See. 
988:0:5081::There's a Light (4:28); Every Woman (3:24); You in My Life (4:29);
988:0:5089::det var kommet frem, at han var b se herom Mads Thranholms
988:0:514::country-western, R B. He's the only black gay man to emerge from
988:0:518::Includes 'Come On Now', 'Closer to Your Friend', 3 others and a
988:0:522::cabaret groups in the world. [Pink Book 85, p. 116]. No recordings.
988:0:5230::In Hollywood (Everybody Is A Star) (5:13) (Morali - Belolo - Hurtt). 
988:0:5233::Macho Man (5:18) (Morali - Belolo - Willis - Whitehead - Hurtt). 
988:0:5235::Fire Island (5:17) (Morali - Belolo - Willis - Whitehead - Hurtt). 
988:0:5236::Sodom And Gommorrah (4:23) (Jacques Morali - Henri Belolo - Willis -
988:0:5257:: Village People : New York -- April 29, 1996. The recently
988:0:52::extract from a remarkable series of interviews I had with Ruby Smith
988:0:5306::WALLS TO ROSES is the landmark collaboration of the gay and men's
988:0:5309::Geof Morgan, Willie Sordil, and Fred Small ... A must have album. 
988:0:5312::Side 1: Die liebe Familie (5:11): a translation of Den Kre Familie
988:0:5334::Featuring Elton John, Gladys Knight and Stevie Wonder. Arista Rec. 107 775. 
988:0:5338::profits from the sale of this single towards research programs for the
988:0:5362::T: Poul Henningsen og Holger Bech) Ved flyglerne: Hans Kauffmann og Amdi
988:0:537::T. Rex) sho enjoyed great success between 1970-75. Bolan wore heavy make
988:0:5387::- Skulle jeg have banket pr jeg kom ind? Kom jeg for
988:0:5397::Bona Grapplers; Bona Performances. - Side 2: La Casserole de Bona Gourmet;
988:0:5398::Fabe Homes and Bona Gardens; Bona Law; Bona Pets; Bona Palare; Bona
988:0:5433::(2:59); Shrink Song (1:45); Second runner-Up (3:16). - Side 2: Momma's Boy
988:0:5439::title selection and Momma's Boy. A wonderful album by a real fine
988:0:5446::I'll Call You Lover (3:34), He Likes Me (2:48) and seven others.
988:0:5459::appeared in Ten Percent Revue are comic Laurie Bushman, diva Ruth Jovel,
988:0:5460::Paul Philips of Romanovsky and ..., and Elliot Pilshaw, whose debut album
988:0:5465::recordings, Gay Name Game and All-American Boy, both on LP or cassette,
988:0:5469::en gammel dame, men da hun opdager det, bliver han smidt ud. 
988:0:5496::John Giorno: (Last Night) I Gambled with My Anger and Lost (9:12); 
988:0:5498::Laurie Anderson: Song from America on the Move (6:55); Philip Glass: A 
988:0:54::(her aunt by marriage) for fourteen years, as a dancer and confidante,
988:0:5500::Going from 'The Histories of the World' (6:14); Jim Carroll from 'The 
988:0:5520::Bobby Brown (2:43): bsse - S/M. Also on single CBS 7485 (Holland). 
988:0:5538::Navnet ZERO tog han efter, at han fandt sin sande identitet; flte
988:0:5581::2) orientation to a gay audience, 3) recordings related to gay literature,
988:0:586:: David Bowie: The Rise And Fall Of Ziggy Stardust And the
988:0:591::Lady Stardust (3:22): people laughed at his long black hair and his
988:0:593::Ziggy Stardust (3:13): about the guitar playing gay Ziggy and his band. 
988:0:597::(see sound track below!). David Bowie music is much played among gays;
988:0:608::lyrics from these albums: The World of David Bowie, David Bowie, Images,
988:0:609::Hunky Dory, Ziggy Stardust, Space Oddity, The man who sold the world,
988:0:614::Time (5:10) : Bowie: All I can do is assemble information that
988:0:643::David Bowie performs in the film, which is about the narcotics milieu
988:0:656::USA, UK 1975, 1977, 1980. Detailed information on cover *. LP . 
988:0:659::comedy where boy meets boy and then live happily together. The action
988:0:660::takes place in London and Paris between December 1936 and June 1937.
988:0:666::Prologue: Boy Meets Boy (0:51), Overture (4:45), Party In Room 203 (1:53);
988:0:667::Giving It Up for Love (2:18); Me (2:32); The English Rose (1:53);
988:0:673::You? - It's A Boys Life - Finale: Boy Meets Boy (4:45). 
988:0:683::being used in stead of Gay Disco, being more acceptable. The number
988:0:687::High Enough' that became the real big hit of Boys Town Gang. 
988:0:73::Ma Rainey: Prove It On Me Blues (2:32) Juni 1928. (Also see
988:0:763::narrow-minded people / Heatwave / Junk / Need a Man Blues (4:09):
988:0:764::Boys and heroes, lovers and men, turning me upside down, again and
988:0:772::the loneliness suppressed upon young people through life in a small town. 
988:0:798::Dr. John: loving is different, so full of fear, can't love you
988:0:802::that perfect beat, Truthdare doubledare, C'mon c'mon, Do it, In my dreams. 
988:0:848::and phrases in a new way. Avantgarde. Burroughs is a well-known gay
988:0:885::them, from an earlier marriage, is going to be married and the
988:0:890::The Broadway Musical. Music and lyrics by Jerry Hearn, book by Harvey
988:0:898::Mike Callen is a member of the American group Lowlife; see Lowlife. 
988:0:904:: George Carlin: Indecent Exposure - some of the best of George
988:0:91::Best Friend (The Unicorn Song) (4:14): about having a solitary soul and
988:0:928::Joseph; Au bout du monde; Il est des guerres; Disait Oscar Wilde;
988:0:929::Monsieur le maire de Paris; Dans la prison de Nantes; Ame fr
988:0:962::und Tanz und mit vielen schnen Frauen, von denen man nie genau
988:0:984::Side 1: Moral Majority (0:38); Immoral Despicable (0:40); Just As I Am
988:0:993::Tenderloin (0:50); It Came Upon A Midnight Clear (1:30); God Rest You
988:1:304::16. The Angels Of Light - Everything Is Good Here/Please Come Home 
988:1:57::9. Queens Of The Stone Age - Queens Of The Stone Age 
988:1:626::Ulver - Themes From William Blake's The Marriage Of Heaven And Hell 
988:2:100::Even Parker & Lawrence Casserley - The Central Region - Solar Wind 
988:2:1035::soundbed: Blackhouse - Hidden Beneath The Metal - Hiddeen Beneath The Metal 
988:2:1039::20 Dead Flower Children - Burn 777 - 20 Dead Flower Children 
988:2:1051::Romatic Gorilla - Hesitate, I Love Wrestler - Split CD with Spazz 
988:2:1062::Johnnetta B. Cole, President of Spellman College - Black Women In The 
988:2:1068::Rituel - Are You Experienced - New Music For A New America 
988:2:1090::Dick Levins, Harvard Dept of Public Health - New Disease: How Parasites, 
988:2:1114::The Sky Is Falling, And I Want My Mommy - Alternative Tentacles 
988:2:1129::Spazz - Willis, Leonard The Dirt Thrower, Death Rivals of Shao-Lin - 
988:2:1131::Despise You - Past Reasons, PCP Scapegoat, Cesar Chavez, Guess, Guitly View- 
988:2:1134::Sleater-Kinney - I wamma be your joey ramone - Call The Doctor 
988:2:1136::So, basically, all the following stuff was just slopped together in one 
988:2:1140::Skankin' Pickle - Rotten Banana Legs - Sing Along With Skankin' Pickle 
988:2:1147::Noam Chomsky - The Fortune 500: Unaccountable Private Power - Class War 
988:2:1158::soundbed: Staped Shut - No Score - Split 7" with Despise You 
988:2:1159::Sigetoshi Iwamatsu - Fifty Years After The Bomb, A Personal Vision of 
988:2:1178::Baby Flamehead - Thimble Full 'O' Nothin' - Life Sandwich (Texax hotel) 
988:2:1217::Noam Chomsky - Manufacturing A New World Order: Containing Crisis At Home 
988:2:1228::Helen Caldicott - Technology, Spirituality & The Future of the Planet - 
988:2:1249::Abigor - My Soft Vision in Blood - Verwustung/Invoke The Dark Age 
988:2:1289::Noam Chomsky - Media Censorship and Our Right to Know 11/7/95, MIT, 
988:2:1332::Govt. Issue - Teenager in a Box - No Way Out '82 
988:2:1348::X - Come Back To Me - Under The Big Black Sun 
988:2:134::Minutemen - Ain't Talkin' 'Bout Love - Double Nickles On The Dime 
988:2:1362::Mr Bungle - Desert Search for Techno Allah, Violencia Domestica - Disco 
988:2:136::God Is My Co-Pilot - Rubber Or Leather - How To Be 
988:2:1372::Splatter Trio - Three Tests for Detecting Lack of Control - Anagrams 
988:2:137::Laika - Out of Sight and Snowblind - Sounds of the Satellites 
988:2:1393::Morton Feldman - Patterns in a Chromatic Field (disk2 track1) - Patterns 
988:2:1422::Nailbomb - Sum Of Your Acheivements - Proud to Commit Commercial Suicide 
988:2:1423::Milk Cult - (the rest of the tracks) - Burn or Bury 
988:2:143::Today Is The Day - Mankind - Temple of the Morning Star 
988:2:1446::147 John Zorn - Etude #32, 33 - The Book Of Heads 
988:2:1464::130 Crowbar - first 3 or 4 tracks - Time Heals Nothing 
988:2:1467::434 Primus - On The Tweek Again - Tales From The Punchbowl 
988:2:1475::383 Konkhra - Chaos To Climb - COLL:Death Is Just The Beginning 
988:2:1476::The Molecules - Are You Motherfuckin, Experienced? - Down Under The Black
988:2:147::Darkus - Touched Me - COLL: Jungle The Extreme collection volume III 
988:2:1495::130 Crowbar - Through a wall of Tears - Time Heals Nothing 
988:2:1509::418 Ritual Music of the Kaypo Xikirin from Brazil - Track 5 
988:2:1537::139 Bill Laswell - Bass Terror Tetragrammation - COLL with james bullen 
988:2:1543::Society Gang Rape - React!, Leave Her Alone - Society Gang Rape 
988:2:1554::Napalm Death - It's a M.A.N.S World! - From Ensavement To Obliteration 
988:2:1559::Cannibal Corpse - Shredded Humans, Edible Autopsy - Eaten Back to Life 
988:2:1560::Ween - Don't Get 2 Cose (2 My Fantasy) - Pure Guava 
988:2:1587::Phillip Agee - tape: Speaking on April 26, 1988, William Patterson College,
988:2:1591::758 X-Cops - Interloper - You Have The Right To Remain Silent 
988:2:1594::923 Season To Risk - Jack Frost - In A Perfect World 
988:2:1601::873 Sucking Chest Wound - War On Drugs - War On Drugs 
988:2:1612::802 Filibuster - From Bad To Worse - New Ruler The King 
988:2:1613::574 Crucifixion - Tomorrow is The End - Desert of Shattered Hope 
988:2:1661::Jungle Brothers - Straight Out The Jungle - Straight Out The Jungle 
988:2:1663::Monie Love - Don't Funk With The Mo - Down To Earth 
988:2:1665::Monie Love - Wheel Of Fortune - In A World Or 2 
988:2:1693::Scraping Foetus Off The Wheel - Private War, Anything (Viva!) - Nail 
988:2:1697::Abraham Cross - Same As War - COLL: Tokyo Crusties Conp E.P. 
988:2:1705::404 Kramer - Who Are You Today? - The Secret Of Comedy 
988:2:1735::Stein Fur Den Frieden - Free? - COLL: Bullshit Detector Vol. 4 
988:2:1751::Naked A'S - You're A Discrace - COLL: Bullshit Detector Vol. 4 
988:2:1756::Mi-AEMA - The Dirtiest Game (War) - COLL: Bullshit Detector Vol. 4 
988:2:175::Corrupted - Esclavo - Tiraron El Cadaver En Plena cinta Asfaltica EP 
988:2:176::Dave Douglas - Parallel Worlds - COLL: Critics' Pick Sampler (Vol. 2) 
988:2:1782::354 Bob Ostertag - Right Like A Railroad - Fear No Love 
988:2:1791::Metallica - The Thing That Should Not Be - Master Of Puppets 
988:2:1836::Decide - When Satan Rules His World - Once Upon The Cross 
988:2:1840::562 Austin Lounge Lizards - Big Tex's Girl - Austin Lounge Lizards 
988:2:1860::551 Loomis Slovak - Bi - 1917-2917, 1000 Year Reign of Terror 
988:2:1877::Skinny Puppy - Stairs and Flowers Remix - Mind: The Perpetual Intercourse 
988:2:187::Brutal Truth - Postulate Then Liberate - Sounds of the Animal Kingdom 
988:2:1882::589 Pet UFO - Razor Burn - My Name Is Esther Cohen 
988:2:1893::Manufacturing Of Humidifiers - The Existing Fur of Visorless Dreams Waltz -
988:2:1897::The Fringe - Two Plus Three - It's Time For The Fringe 
988:2:1904:: underneath - Painkiller - Parish of Tama (Ambient) - Execution Ground 
988:2:1910:: soundbed 282 Rova - LG - [S-DB-J] TV - Pipe Dreams 
988:2:1916::404 Kramer - The Secret Of Philosophy - The Secret Of Comedy 
988:2:1925::517 Eskimo - Dado Peru - The Further Adventures of Der Shrimpkin 
988:2:1953::Lard - Can God Fill Teeth? - The Last Temptation of Reid 
988:2:195::Brutal Truth - Postulate Then Liberate - Sounds of the Animal Kingdom 
988:2:1968:: In between - Carcass - Genital Grinder - Symphonies of Sickness 
988:2:1969::454 Noam Chomsky - Against Democracy in the Dependencies: Haiti and Central
988:2:1974::Funkadelic, Parliament, George Clinton P-Funk All Stars - Red Hot Mama -
988:2:2002::Hellchild - songs 1 2 off of - Where The Conflict Reaches 
988:2:2019::Darkthrone - I En Hall Med Flesk Og Mind - Transilvanian Hunger 
988:2:2059::Zeke - 302 Cubic Inc V8 Powered Blues - Super Sound Racing 
988:2:2060::Doors - The Hitchhiker (part) An American Prayer - An American Prayer 
988:2:2063::Sick Of It All - The Pain Strikes - Just Look Around 
988:2:2087::689 Insult 2 Injury - Point of This - Point of this 
988:2:2091::Darkthrone - Kathaarian Life Code - A Blaze In The Northern Sky 
988:2:2128::183 Mustard Plug - Too Stoopid - COLL: Ska: The Third Wave 
988:2:2135::188 Sonic Youth - Webb of Mud - Made in USA soundtrack 
988:2:2154::Toxic Narcotic - War Song - New Ways To Create Waste 7" 
988:2:2156::Disposable Heroes Of Hiphoprisy - Television - Television, the Drug Of The
988:2:2167::758 Lead Belly - Sweet Jenny Lee - Lead Belly's Last Sessions 
988:2:2170::905 Bill Laswell and Tetsu Indue - Monochrome Existence - Cymatic Scan 
988:2:2191::748 Kate Bornstein - Voice Lessons - COLL:LIP: CD With Big Mouth 
988:2:222::Rova - The Visible Man - The Works of Rova (Volume 2) 
988:2:223::B. Bergman, P. Brotzmann, A. Cyrille - The Fourth Idea - Exhilaration 
988:2:2241::607 - Latcho Drom - Kaman Garo Kanhaji - COLL: Latcho Drom 
988:2:2243::Plainfield With Jello Biafra - Track 6 - Jello Biafra With Plainfield 
988:2:2247::Bomb - Healthfood And Heroin - Lucy In The Sky With Desi 
988:2:2266::568 The Revolutionary Dub Warriors - Dub The E -Reaction Dub Part
988:2:2314::underneath jello - Painkiller - Parish of Tama Ambient - Execution Ground 
988:2:2321::540 Jon Spencer Blues Explosion - Out Of Luck - Mo' Width 
988:2:2322::546 Karen Finley - Lost Hope - A Certain Level of Denial 
988:2:2324::Fear Factory - Crash Test - Soul of a New Machine" *** 
988:2:2329::546 Karen Finley - Road Kill - A Certain Level of Denial 
988:2:233::Amy Goodman & Allan Nairn - Massacre: The Story of East Timor 
988:2:2357::450 Fudge Tunnel - Random Acts Of Cruelty "Complicated Futility Of Ignorance"
988:2:2359::469 Kahil El'Zabar Ritual Trio - Sweet Meat, Ornette "Renaissance of the
988:2:2364::458 Schwartzeneggar - Cool White Lie "The Way Things Are... And Other
988:2:2384::underneath: Ill Brothers - Mescaline, Nailbomb - World of Shit "Point Blank" 
988:2:2385::460 Spazz - Hard Boiled, M.P.S., No Thought, Pressure "Dwarf Jester Rising" 
988:2:2431::230 Slut - deja vu (sniff me while i'm sour) - Slut 
988:2:2437::H - In a Free Land - Everything Falls Apart And More 
988:2:2441::137 Zero Hour - I'll Never Forget - Image of a Man 
988:2:2454:: Obituary - In The End of Life - The End Complete 
988:2:2469::830 Hellchild - Long and Stable Bridge - Where The Conflict Reaches 
988:2:2472:: played underneath: Andrew Jeanne Lee Cyrille - Nuba 1 - Nuba 
988:2:2475::333 Displaced Person - Awful Overrun with Inept and Corruption - Growl 
988:2:2503::770 Mukilteo Fairies - Queer Enough For You - Outpunk Dance Party 
988:2:2523::Destroy - Get Used To It - Burn this Racist System Down 
988:2:2555::839 Skankin' Pickle - Rotten Banana Legs - Sing Along With Skankin'
988:2:2569::Cal from Howland Island and the President - Time Zones Exchange Project 
988:2:2579::Bob Mould - Black Sheets Of Rain - Black Sheets Of Rain 
988:2:2589::Clancy Jones - What Will Your Mama Say - COLL: Skinhead Revolt 
988:2:2593::Venerology, Eroded - In, Sepultura - Schizophrenia, Pantera - Vulgar Display of
988:2:2645::874 Controlled Bleeding - A Hidden Section - Songs from the Drain 
988:2:2678::112 The Mighty Mighty Bosstones - Dogs And Chaplains - Question The
988:2:270::Candiria - Lost in the Forest, Paradigm Shift - Beyond Reasonable Doubt 
988:2:2721::The Bleeding as well as Nine Whatcha Want 12" instrumental mixed in... 
988:2:2734::Dead Kennedys - Kill The Poor - Fresh Fruit For Rotting Vegetables 
988:2:273::Spazz - One Ghetto To The Next - Sweatin' to the Oldies 
988:2:2749::Disposable Heroes of Hiphoprisy - California Uber Alles - COLL: Virus 100 
988:2:2762::874 Controlled Bleeding - On Eating Garbage - Songs from the Drain 
988:2:2780::863 Forswear - Indifference Is Sin - COLL: Izumo City Hardcore 7" 
988:2:2782::830 Hellchild - Long And Stable Bridge - Where The Conflict Reaches 
988:2:2816::Skankin' Pickle - Rotten Banana Legs - Sing Along With Skankin' Pickle 
988:2:2822::Mark O'Connor - Billy in the Lowground etc. - Texas Fiddle Jam 
988:2:2824::Ernest Tubb / Willie Nelson - Waltz Across Texas - Legend Legacy 
988:2:2835::Bob Wills - What Makes Bob Holler - B. Wills Anthology 1933 
988:2:2836::Bob Wills - New San Antonio Rose - B. Wills Anthology 1935 
988:2:283::Anthony Braxton, Brett Larner - Composition 74A - 11 Compositions (Duo) 1995 
988:2:2856::769 Nukes - This Is What They Want - Why Things Burn 
988:2:2887::694 Troubleneck Brothers - Classic mix of - Back To The Hiphop 
988:2:2914::Current `93 - When The May Rain Comes - Thunder Perfect Mind 
988:2:2924::Jimmy Cliff - Sitting In Limbo - The Harder They Come Soundtrack 
988:2:2937::Simon Garfunkel - Slip Slidin' Away - The Concert In Central Park 
988:2:2961:: 626 Sons of Hurcules - Carving Knife - Sons of Hercules 
988:2:2976::Dead Kennedys - Let's Lynch The Landlord - Fresh Fruit For Rotting
988:2:2980::Tumor Circus - The Man With The Corscrew Eyes - Tumor Circus 
988:2:2981::Dead Kennedys - Kill The Poor - Fresh Fruit For Rotting Vegetables 
988:2:2987::Dead Kennedys - Take This Job Shove It - Bedtime For Democracy 
988:2:2990::Lard - Drug Raid At 4AM - The Last Temptation Of Reid 
988:2:2991::616 Marilyn Manson - Organ Grinder - Portrait Of An American Family 
988:2:3018::Spice 1 - Rad Coed 18 Street(?) - Welcome To The Ghetto 
988:2:3036::367 Word Salad - Portrait Of A Submissive... - Punk In Drubl... 
988:2:3053::Public Enemy - Burn Hollywood Burn - Fear Of A Black Planet 
988:2:3076::397 - Cancer - Hung, Drawn And Quartered - COLL: Live Death 
988:2:307::Apocalyptica - Master of Puppets - Apocalyptica Plays Metallica By Four Cellos 
988:2:3086::389 Reverend Horton Heat - Big Sky - Liquor In The Front 
988:2:3090::489 Defunkt - Strangling Me With Your Love - Live and Reunified 
988:2:3096::Grandmaster Flash The Furious Five - New York New York, - Greatest
988:2:3103::Public Enemy - Party For Your Right To Fight - Greatest Misses 
988:2:3108::Prehensile Monkey Tailed Skank - Anarchy Is Stupid - Anarcy Is Stupid 
988:2:3128::454 Tempest - Take You To The Well - Surfing To Mecca 
988:2:3136:: Crash Worship - procession, Fiebre de atarantdo, bajo la piel -
988:2:3153::234 God Is My Copilot - Reading Dick - How To Be 
988:2:3177::340 Iggy Pop - I Wanna Be Your Dog - TV Eye 
988:2:3178::Mission of Burma - Sing A Long - Mission of Burma CD 
988:2:3181::372 Beck - Cyanide Breath Mint - One Foot In The Grave 
988:2:3182::248 - Arceneaux, Fernest Zydec Al - Zydeco Boogaloo - Zydeco Blues
988:2:3194::Minutemen - This Ain't No Picnic - Double Nickels On The Dime 
988:2:3208::Monie Love - Don't Funk With The Mo - Down To Earth 
988:2:320::Parker/Guy/Lytton & Marilyn Crispell - Natives and Aliens - Natives and Aliens 
988:2:3228::Adrian Belew - This Is What I Believe In - Inner Revolution 
988:2:3229::389 Reverend Horton Heat - Rockin' Dog - Liquor, In The Front 
988:2:322::English Muffin - Blood of an English Muffin - COLL:Industrial F**king Strength 
988:2:3237::273 Esplendor Geometrico - Heroe Del Trabajo - El??ro Del Partido 1980-82 
988:2:3246::Anthrax Public Enemy - Bring The Noise - Apocalypse `91, The Enemy
988:2:3251::878 Man Or Astro-man - In Toxica - Destroy All Astro Men 
988:2:3257::888 Doyle Lawson - Helelulia In My Heart - Smoky Mountain Singing 
988:2:3272::Tokyo Dowser - Swimming Party Edit - Land Of The Rising Noise 
988:2:3291::Paris - Lights, Camera, Revolution - Devil Made Me Do It 12" 
988:2:3327::Rova - What's The Frequency Kenneth - From The Bureau Of Both 
988:2:3345::Metallica - Last Caress/ Green Hell - Garage Days Re-Revisted, the $9.98
988:2:3356::White Zombie - Black Sunshine - La Sexorcisto, Devil Music Volume 1 
988:2:3403::926 Napalm Death - More Than Meets They Eye - Fear, Emptiness 
988:2:3417::White Zombie - Wecome to the Planet Motherfucker/ Psychotic Slag - La
988:2:3463::William S. Borroughs - Warning to Young Couples "Spare Ass Annie Other
988:2:3480::Blackhouse - Halo Trance (Eternal Spirit Mix) "Sky Flowers and Horse Eggs" 
988:2:3482::Current '93 - All The Stars Are Dead Now "Thunder Perfect Mind" 
988:2:3502::Current `93 - A Lament For My Suzanne - Thunder Perfect Mind 
988:2:3505::Master Slave Relationship - The Heaviest - My State of Evil Dreams 
988:2:3513::Golden Palominos - I'm Not Sorry - This Is How It Feels 
988:2:3547::Revolting Cocks - Da Ya Think I'm Sexy - Linger Ficken' Good 
988:2:368::D.O.A. - Pound Down On Your Brain - New York City Speedcore 
988:2:384::Michael Parenti - Part 11: The Ivy Tower Myth - Radio Democracy 
988:2:387::Michael Parenti - Part 11: The Ivy Tower Myth - Radio Democracy 
988:2:405::Michael Parenti - Part 9: The Supremely Political Court - Radio Democracy 
988:2:408::Michael Parenti - Part 10: In Our Own Image - Radio Democracy 
988:2:426::Bob Mould - Black Sheets of Rain - Black Sheets of Rain 
988:2:448::Built To Spill - Out of Site - Perfect fFrom Now On 
988:2:463::Cradle of Filth - Funeral in Carpathia - Dusk and Her Embrace 
988:2:465::Mark of the Beast - Whisper -a- Threat - COLL: Repopulation Program 
988:2:500::Michael Parenti - Part 1: The Two Party Monopoly - Radio Democracy 
988:2:529::Henry Threadgill - In Touch - Too Much Sugar for a Dime 
988:2:542::Ira Cohen/ Automaton - Prometheus - COLL: Myth: Dreams of the World 
988:2:548::Climax Golden Twins - Track 7, 8, 9 - Imperial Household Orchestra 
988:2:565::Merzbow - Merzbow Plays Smegma - Merzbow Plays Smegma/ Smegma Plays Merzbow 
988:2:56::Utah Phillips - Nevada City, California - The Past Didn't Go Anywhere 
988:2:574::Seekers of the Truth - Food for thought - Out Of Ignorance 
988:2:580::Evolution Control Committee - Pollution - Double The Phat and Still Tasteless,br!!
988:2:59::Hellnation - Think Before You Act - At War With Emo 5" 
988:2:607::KRS-One - Can't Stop, Won't Stop - Can't Stop, Won't Stop 12&quot 
988:2:619::U.K. Apachi/Shy FX - Original Nuttah - COLL: Law of the Jungle 
988:2:649::Scientist - Don't Rush The Dub - Dub in the Roots Tradition 
988:2:650::Pica - The Price of Fear - The Doctors Ate The Evidence 
988:2:667::Creedle - Bossa Me (You're Not The) - When The Wind Blows 
988:2:67::Donkey - Theme From "Nobby's Chaser" - I Ain't Yer House Nigger 
988:2:685::Evolution Control Committee - Computers - Double The Phat And Still Tasteless 
988:2:691::underneath: Melt-Banana - first 6 or so tracks of Scratch or Stitch 
988:2:693::Boredoms - 01, 0, 6, 2, 3, 9 - Super Roots 6 
988:2:72::Hatebreed - Prepare For War - Satisfaction Is The Death Of Desire 
988:2:748::White Zombie - Grease Paint and Monkey Brains - Supersexy Singin' Sounds 
988:2:791::The Torpedoes - Manta Ray, The Hornet - Good For the Country 
988:2:85::Big Black - The Power of Independent Trucking - Songs About Fucking 
988:2:867::Abruptum - Track 1 - Obscuritatem advoco amplectere me (?) Black CD 
988:2:913::Howard Zinn - Speaking on the CIA - 1991 [Radio Free Maine] 
988:2:924::Slayer - Filler, I Don't Want To Hear It - Undisputed Attitude 
988:2:947::The Reverend Horton heat - Rock The Joint - It's Martini time 
988:2:962::Manu Le Malin - Paris Hardcore DJ Mix - Idustrial F**king Strength 
988:2:964::Li Chin Sung - Grandfather 2 (Driver Away The Thief) - Past 
988:2:965::Exhumed - Debauched - Split with Hemdale In The Name Of Gore 
988:3:0:: Soundfiles Here you can find links to soundfiles of metal bands. 
988:3:807:: My Sixth Shadow Intoxicate my heart Mythopoeia Inflammation Of Inner Fire 
988:4:120:: often handled my butt to enhance my ending thrills. Ive discovered
988:4:126:: endure it for his pleasure. The mans slippery cock pushes easily
988:4:127:: through my tightness. A low grunt... Owopspecs loins explode! I feel
988:4:129:: Pain and ecstasy combine! My burning butthole, filled with a mans
988:4:131:: strong arms keep our heated bodies together and mated. An unbelievable
988:4:132:: thrill! I cry out as if Is afraid of the dark.
988:4:133:: A greyness fills my eyes... Am I fainting? I fight against
988:4:170:: Owopspec tightens the thong around his waist. His scanty cloths once
988:4:220:: answers the brave when his hands form the shapes of Indian
988:4:289:: it. Was Owopspec promising something unto Him about me? Promising to
988:4:303:: shield my eyes from their cruel sting. Cogue-ahtose doesnt mind the
988:4:335:: hands silently gesture in the starlight. Although I cant take any
988:4:345:: Blue riders descend upon my Indian friends. Metal arrows shoot from
988:4:348:: soldiers. The battle is joined. Im rushed with the other children
988:4:34:: bodies rub against each other while hard poles thrust and naughty
988:4:357:: their eyes of hate. I feel deep shame for being white.
988:4:358:: My proud Indian brave returns. Only a handful of weary warriors
988:4:362:: A blow has me falling to the ground. I am dying.
988:4:38:: embarrassment fills me. Owopspec watches me with bright eyes. Is he
988:4:3:: rite-of-passage before becoming braves. Pa told me that the test was
988:4:62:: The fort seems very far away. Major Brinshalt and his soldiers
988:4:69:: The Indian stills my trembling body with carassing hands and soft
988:4:85:: I understand what the brave performs. Hes moving through my butt
988:4:88:: while keeping my thigh pressed together. The man stabs deeper through
988:4:97:: I lean closer to the ground and steady myself with outstretching
988:6:124:: B rian A gro - P oems A nd P reludes 
988:6:155:: A lien S ex F iend - I nformation O verload 
988:6:194:: B erlin-based sound artist Carsten Nicolai (a.k.a. Alva.Noto ) has established
988:6:234:: T he anthology progresses steadily through her albums: collaborations with Peter
988:6:351:: Y ou simply MUST avail yourself of this aptly named eminently 
988:6:361:: P ierre-Andr� A rcand - L e L ivre S onore 
988:6:38::Above, So Below is in a scaldingly epic league of its own. 
988:6:405:: M asayo A sahara - S t A gnes F ountain 
988:6:430:: K oji A sano - P reparing F or A pril 
988:6:467:: O f course the beat is everpresent and metronomically so; the
988:6:482:: A tari T eenage R iot - R evolution A ction 
988:6:493:: A tari T eenage R iot - 6 0-second W ipeout 
988:6:540:: A ttrition - T he H and T hat F eeds 
988:6:585:: A udio A ctive - A pollo C hoco R emixed 
988:6:595:: A udio A ctive - R eturn Of The R ed-I 
988:6:73::how deeply attractive the band members are, completes the picture. Their studio, 
988:7:162::Queens Of The Stone Age - The first album (self-titled) on Roadrunner. 
988:7:189:: ThenComesDudley 06-04-2003, 01:10 i just gonna throw a few in here 
988:7:236::Here are some great albums to buy, if you appreciate talented music: 
988:7:255::- it's what serious musicians and fans refer to those bands as. 
988:7:330::Dialogue with the stars leaves me with nasty stains in meh b0x0rs 
988:7:37::None of these are metal but they are some of my favourites 
989:0:1024::her gym teacher with peculiar manifestations. Refrain: She was a big
989:0:1031::Contents: Old Friend; Southern Home; Gym II; Window Paynes; I Wish
989:0:1032::You Well; Turning It Over; There's A Light; Restless; Moving Right
989:0:105::brought their special parts to the engineering, the album jacket, the
989:0:107::of the album represents a stunning collaboration of all the women
989:0:1080::far kommer og smadrer inventaret med en kse, og sidenhen med
989:0:1081::nogle venner for at gennembanke Mike. Mike og vennen prver at
989:0:1085::Ariola 25 215 XU (LP ) (MusiCassette: 57 136 XY) (4:17). 
989:0:108::involved in making it. Margie Adam, September 1976. - Kay Gardner,
989:0:1103::Cohen's premiere album is an intimate journey of a gay man's
989:0:1130::Tom Robinson: Glad To Be Gay (5:54)(with performers acc.): Did you
989:0:1149::La Dolarosa (Somerville/Coles): Boy you and I should hide away as
989:0:114::All compositions by Margie Adam. Published as a protest against women
989:0:1157::You Are My World (Somerville/Coles): Gay love song for a boy. 
989:0:1181::For A Friend (5:00). Never Can Say Goodbye (4:45). Lovers And
989:0:1182::Friends (4:11). Hold On Tight (4:47). If I Could Tell You
989:0:1193::Billion Dollar Babies (3:39): ... man or woman living couldn't love
989:0:1196::Alice Cooper war eigentlich 'ne Fummeltrine, aber macho. Alice ist wirklich
989:0:119::Scorpio Rising (Inspired by the classic gay film by Kennett Anger). 
989:0:1201::distributed by Stage 1 Records England, LP : Alice Cooper was
989:0:1207::his concert appearances. This album was recorded at the historic Toronto
989:0:1216::Er (3:20): A guy's infatuation with a boy on the beach. 
989:0:1229::Josie Cotton (vocals), Bobby Paine, Jimmi Ehinger, J. B. Frank, Richard
989:0:1246::Padovani): Aggression against the man who emphasizes his own normality at
989:0:1256:: J./W. County: The Best of Jayne/Wayne County And The Electric
989:0:1279::heart will follow. Originally written for Graham Payn who sang it
989:0:1282::for nearly 30 years until Nols death in Jamaica in 1973. 
989:0:1289::been recorded by Tom Robinson and by Peter Sellers (see here). 
989:0:12::Copenhagen 1984-88. At first the comments were generally written in Danish;
989:0:1305::Sold in aid of AIDS research by Gay Men's Health Crisis. 
989:0:1316::of a man and two women. (Also recorded by Jefferson Airplane). 
989:0:1339::LP ±Ûù 1983, er der ingen tydelige b/l/referencer, men mske tvetydige. 
989:0:1463::Duet (Male-male) Perhaps love is like the ocean, Full of conflict,
989:0:146::Peter Allen): two twin brothers grew up together under the same
989:0:14::Swedish, German, Dutch, French etc.). At a later stage translations were
989:0:151::Peter Allen): searching after love, tempted by gay life but resigned. 
989:0:1545::Holland 1980, English (USA-edition: WB 3480). Lyrics *. Rock. LP . 
989:0:1563::Indeholder: I'm So Beautiful (7:54), Native Love (3:36), You Think You're
989:0:1631::bsser, og det er dem, der har komponeret tekst og musik.
989:0:1636::musik. (Pan 2/85, side 17). Anmeldt i Pan 6/85 side 17. 
989:0:163::good experiences, but then Simon falls in love with a girl. 
989:0:1648:: Dr. Hook And The Medicine Show: The Ballad Of Lucy
989:0:165:: Alliance: Give A Helping Hand (4:47) / The Saddest And
989:0:1660::- I mina sr texten minst lika viktig som melodin. Jag
989:0:168::Advanced funk mix by Rick Latham. Words and music: Ian Flexman.
989:0:169::Buying this record you are helping the research of the Foundation
989:0:1731::Don't Dance (Clarke/Bell): You can step on out, you can do
989:0:1740::Blut / wir tauchen auf und schrein / hren kann /
989:0:1750::, RCA 70109, England 1983, LP, er anmeldt i Body Politics
989:0:1770::Sivertsson, Mats Carinder - T: Mats Carinder): Sussi och Lena e'
989:0:1790::Troubadoura 5 (Sept. 79) page 5: Maxine Feldmann, deren erste Platte
989:0:1858::from the 20th Century-Fox motion picture. Filmens tema er et trekantdrama:
989:0:1897::We Are Here (3:57); Woman To Woman, Man To Man (3:29). 
989:0:1912::wrote the book Es ist schwer, meinen schwulen Schwager aus der
989:0:1921::from the group's 2nd single (Two Tribes 'Cowboys And Indians'/One February
989:0:1961::boardingschool teacher who rapes him the first night in the hotel,
989:0:1972::Comes'. Tom Robinson covered his song in his record North by
989:0:2037::USA 1983. Maxi 45 US mix. Europe version on . Disco. 
989:0:2057::Vocals Vicky Ryder, Trudy Howson o.a. All songs copyright: Sharon Nassauer
989:0:2088::English gay twins having sexual relations to each other [?]. (Which
989:0:2103::kapitel om Karl Gerhard, Stegelands, 1977, 183 s. ill. Karl Gerhard
989:0:2106::Jazzgossen er senere sunget af Magnus Uggla (se denne). Jazzgossen (2:18)
989:0:2207::Tango (4:56) : Om de mange spekulationer om, hvad homosexualitet kommer
989:0:2236::Can't.. Papa Blues (3:32); Circle Nine Times (3:22); Dry Dock Dreaming
989:0:2259::Side 2: Berlin (3:51); Rosen im Schnee (3:20): Du bist ein
989:0:2292::Sexualpolitisk snack (3:07): En drm om en helt utrolig fest, hvor
989:0:2328::krlighedssang til en gammel grim fyr, lad os elske i Guds
989:0:2337::She's Such A Drag (4:15)(Murray Head): Darlin' you'll love it, it's
989:0:235::Recorded January 1983 in lvstadion CAROL. The contents is not gay.
989:0:2370::sang. Da es sich dabei auch um berhmte Zarah Leander-, Fritzi-Massary,
989:0:2387::unglaublich frech: Ich kenn' den Jimmy aus Havanna und den Jonny
989:0:2398::With La Domino, Lana, Marcel Andr, Pepa Darena, Everest and others. 
989:0:2410::Contents: Tina Fabrique: Alive With Love (A Love Letter) (7:42) (Jeffrey
989:0:2415::(Geoff Deane) - Hazell Dean: Searchin' (8:16)(Ian Anthony Stephens) - Eric:
989:0:2416::Who's Your Boyfriend (4:53)(Bobby Orlando) - Ramming Speed: When You Walk
989:0:2427::Side 2: Poor Wandering One; Tchaikovsky's Piano Concerto In Bb minor
989:0:2432::(Patrick Fyffe) are men! - After becoming stars at London's Black
989:0:2454::(3:00); I Did Not Know (1:40); Happy Talk (2:40); Dear Little
989:0:2456::(2:24); 3 Little Maids (1:50); Haven of Your Heart (2:25); Moonstruck
989:0:2461::Songs by N. Coward, Gilbert Sullivan et al. Tunes include linking
989:0:2468::Liederbuch Ludwig Hirsch (Polydor 2679075; 2 LP) og p Ludwig Hirsch:
989:0:2485::Holland 1983. English. Cassette 60 mins total. Poetry live. Gay poems
989:0:2487::Side 1: English Sonnet, Lave Trade, Love Letter To Sydney, Australia,
989:0:2488::Dress Code, Asshole Poem, Polaroid, Pricksong, Exit Pursued by a Teddy
989:0:2495::Since I've Known You, Jack; Poem from for John Denver; Characteristics
989:0:2507::Side One: My Night Out; Technique Street; Vociferous Slam; Soft South
989:0:2508::Africans (1st Version); Neutron Lover; A Million Keys; Naming of Paris;
989:0:2519::homosexuel teater- og musikgruppe fra New York, der fra 1978 optrdte
989:0:2649::Peter (3:43)(Peter Ivers): why can't you stay with me tonight ...
989:0:2663::Fit (4:47)(Joe Jackson, Albion Music Ltd.): Born as boys - and
989:0:266::UK 1983. Lyrics on inner sleeve *. Pop. LP stereo . 
989:0:267::Tell Tale (2:31)(Joan Armatrading): I saw ya kissing all the boys,
989:0:2687::Om selvundertrykkelse (2:06): om at fle afsky ved sig selv over
989:0:2691::dengang); udtrykker den unges forsvar for den ldre ven, som han
989:0:2693::Hvordan kan du vide? (3:30): - at du ikke er bsse?
989:0:2714::Lesbians' og Barbara Bauermeister i 'Lysistrara' og senere sammen i 'Ying
989:0:2734::RCA LSP 4058 (USA) og SF 7976 (UK) samt RCA NL83797. 
989:0:2741::Joe Orton's Wedding; Requiem for Joe; The Gospel according to Fear
989:0:2742::(David J. with Max Akropolis and Mr. Liquorice); Point of Departure. 
989:0:2743::Written and produced by David J. Engineered by Derek Tompkins. Beggars
989:0:2757:: Elton John: Don't Shoot Me - I'm Only the Piano
989:0:2772::was tragically killed on his motorcycle at the age of seventeen.
989:0:2774::Big Dipper (4:00)(Elton John Gary Osborne): Du fyldte ham med al
989:0:2784::Never Gonna Fall In Love Again (4:07)(Elton John/Tom Robinson): Denne sang
989:0:2786::om en mand; alts samme sang i hetero- og homosexuel udgave. 
989:0:2837::Human's Lib (4:03)(Jones/Bryant): Nogle gange har jeg lyst til at g
989:0:2856::Narrated by Breck Ardery. A living history of the homosexual rights
989:0:2857::movement. The voices of gay leaders across America. Actual sounds of
989:0:2892::die John Gacy heen en weer slingeren tussen perversiteit en een
989:0:2898::to dance with men, but, as the slogan goes, No way,
989:0:2904::Skogens sang (trad.arr.: B. Jansch, text: Finn Kalvik): Med ett sto
989:0:2907::deg her, farvel for siste gang. En tydeligt homosexuel sang, men
989:0:2919::Fritz Wepper and Joel Grey as . Based on the Musical
989:0:2922::Christopher Isherwood. Produced on the New York Stage by Harold Prince.
989:0:2941::Spring ud: ofte brugt i Spring ud-redaktionens udsendelser i Radio Rosa. 
989:0:2949::mine; I just can't wait to hold him in my arms. 
989:0:2977::The film explores such issues as the nature of masculinity, fantasy,
989:0:3038::Schwulen / da hat sie mir ihre Brust nicht mehr gezeigt. 
989:0:3039:: Francis Lalanne: La plus belle fois qu'on m'a dit je
989:0:3040::t'aime , Ed. Phonogram (les 3 oranges bleues) STEREO 6313 089
989:0:3061:: zich ontwikkeld tot een boeiende figuur in de Nederlandse show-wereld.
989:0:3065:: waaraan ook Andr Hazes, Lenny Kuhr, Imca Marina, Dolly Dots
989:0:3088::The Stranger Out Of You (2:07)(Haggerty); To A Woman (2:50)(Eve); Straight
989:0:3093::Reflecting the fire of the early gay liberation movement, this is
989:0:3094::one of the early post-Stonewall recordings. Using country music as a
989:0:3112::Several members of the Lemon Kittons have formed Shock Headed Peters.
989:0:3123::Indhold: Linda (Tui) Tillery: Don't Pray for Me; Meg Christian: Nina;
989:0:3124::Teresa Trull: Prove It On Me Blues; Cris Williamson: Sweet Woman;
989:0:3163:: Udo Lindenberg: Rock in Deutschland, Vol 2 - Udo Lindenberg
989:0:3200::Derudover tekster om ensomhed, forstillelse, problemer med at se enhed i
989:0:3221::translations on ber kurz oder lang (see this). Robert Long is
989:0:3235::Wenn man mich mal fragen wrde (2:17): den selvsikre machofyr synger
989:0:3242::lngerevarende forhold, men den ene har en kone ved siden af. 
989:0:3256::Afscheid; Allemaal angst; Als de zon schijnt; Dankbaar; Flink zijn; Het
989:0:3259::Met een perfekt gevoel; Mien; Moederziel alleen; Pa; Stank voor dank;
989:0:3341::Leather Man (7:10); [evt.:] Our Love Won't Last the Night (6:53). 
989:0:3352::Unfortunately the song is boring, mindless pop - a B record...? 
989:0:3363::The Face of Dorian Gray / The Tale of Dorian Gray. 
989:0:3389::kommentere den yderligere udover at sige, at det fortalte kom hurtigt,
989:0:340::treated the subject of gayness and has mentioned herself as a
989:0:3410::To share the Summer Sun (2:20); I'll Never Be Alone (1:48). 
989:0:3424::The Denver Post: His songs are affidavits of affection that swell
989:0:3431::virus. Be careful. But do it. (Advocate 451, July 22, 1986) 
989:0:3438::Freddie Mercury, forsanger i 'Queen', har lavet denne solo-LP. Coveret er
989:0:3448::I Got My Right Hand (5:46) : onani live p scenen. 
989:0:3455::clever. Sie mischt hier und da mit: Schwules, Showbusiness, Top 40.
989:0:3530::than his first, is just as professional and insightful. Songs include:
989:0:3539::Do You Like My New Car? (7:49): Nummeret beskriver nogle popmusikeres
989:0:3548::Side 1: Gay Spirit (4:56); Double Love (2:59); Under Capricorn (3:17);
989:0:3574::and Jeff Langley (indeholder sangene fra You Can Know All I
989:0:3596::Fire in the Rain (4:10); Golden Thread (5:15). Overraskelsen ved at
989:0:3615::Perfect Night (2:20): handler om forskellige lesbiske typer, som er i
989:0:3622::Ronnie Gilbert har en fortid som medlem af den legendariske amerikanske
989:0:3633::Couple of Friends (2:44): women loving women and men loving men. 
989:0:363::the nazis; historians often forget about the gays also suppressed and
989:0:3649::So Fine; Sister-Witch: Sang til alle hekse! Om kvinders styrke og
989:0:3703::Max Romeo: Wet Dream; Lloyd Tyrell: Bang Bang Lulu; Lloyd Tyrell:
989:0:3776::New York, USA 1979. To taleplader LP uden tekstbilag. Avantgarde antologi.
989:0:3778::Smith, Philip Glass, Brion Gysin, Frank Zappa, Ed Sanders, John Cage,
989:0:3785::Side 1: The Lion Sleeps Tonight (4:48); Love Potion #9/Spooky (3:38);
989:0:378::Barbie, daughter of an American president and a moviestar, was sent
989:0:3792:: The Nylons: That Kind Of Man [from this record??]: about
989:0:3799::Remember (Walking In The Sand) (2:59); This Boy (2:57); Stepping Stone
989:0:3800::(3:0?). - Side 2: Combat Zone (4:37); Perpetual Emotion (4:02); Samba
989:0:381::Stockholm Sweden, two lesbians named Lady Jane and Wanda Mavies picked
989:0:3849::As the first record specificaly directed at the global struggle for
989:0:3854::directly benefit the work of the International Gay Lesbian Human Rights
989:0:3866::Report (3:02); Gossip (3:02); The Big Switch (2:34); The Visit (6:00);
989:0:3869::Kip Kina, Tamara Long, Pamela Myers, Marilyn Sokol, Betty Thomas, Bruce
989:0:3872::Closet. The Gay Community has become an integral part of American
989:0:3876::one has yet addressed themselves to the fabulous humor of this
989:0:3880:: like? ... has been heard from the beginning of time
989:0:3881::from that live outside of the group. - It is our
989:0:3884::everywhere. After all, aren't we all part of one? THE PRODUCERS. 
989:0:38::Kln, West-Germany 1983, performed in English, lyrics on inner sleeve *.
989:0:3935::Side 1: Freaker's Ball (Freakin' At The ...)(2:22); Triad (3:34); What
989:0:3939::One Hundred Ways To Lose A Man (2:32); Rubber Duckie (2:07). 
989:0:3945::og Gud er god, og lykken kan smile selv til homofile! 
989:0:3948::og pissoirer. Fred for lam og fred for svin. Skriften st
989:0:3988::Tower 5093 (USA), Columbia SCX 6157 (UK), Columbia 04292 (Germany). LP. 
989:0:4006::Original dialogue and music soundtrack recording with Woody Allen et al. 
989:0:4032::People; We Were In There; Travelling Gay Cabaret. (Side 1: 28:45;
989:0:4036::Norman Penney. Satire and humour in the distinctive style of Englands
989:0:4039::Obtainable from GAYN Records, 220 Oldfield Grove, London SE 16 2NF,
989:0:403::I Was Born This Way (Extended)( : )/(Instrumental)( : )(B. Jones/C.
989:0:4044::Jailhouse Rock: Number 47 said to Number 3, You're the cutest
989:0:4046::Magic of Elvis Presley, RCA DVL1-0461 (C U 173). USA 1980.
989:0:405::Produced by Motown Records. Has been described as the gay national
989:0:4110::Disposeof Properly (3:37); Softball (4:25). - Side 2: Rose Covered Radical
989:0:4113::Lesbian. - Wild Patience Records, PO Box 6330, Arlington Virginia 22206. 
989:0:4132::The Kids: They're taking her children away because they said she
989:0:4175::Harvest (USA)(2 LP); EMC 3226 (England)(1 LP); STB-11778 (Canada)(2 LP );
989:0:4179::only openly gay performer recording on a major label with international
989:0:417::lesbian love, what has been and what is going to come. 
989:0:41::Head Over Heels (4:25): about sex by night in the park,
989:0:4204::PA little sincerity is a dangerous thing - and a great
989:0:4214::Pub Hassle (3:20)(Norden): en bar med lesbiske; What do you mean
989:0:4222::homosexuelle og om lavalderen, men sing if you're glad to be
989:0:4227::Stand Together (4:02)(Greig): All you gay women, all you gay men,
989:0:4250::Recorded live at the Collegiate Theatre, London, June 1979. This is
989:0:4276::In The Cold Again (3:42); The Nighttide (3:39); Duncannon (4:03); Love
989:0:429::USA 1976. Distributed by Olivia Records. Lyrics on inner sleeve, comments
989:0:432::with 'em cause lesbians got natural rhythm, there's a new day
989:0:434::Take the Time (4:29)(N. Vogl): This song was written for the
989:0:4353::Vinyl Works Co. EAR-100SE. Copyright 1943 (sic!). 25 cm 45 rpm.
989:0:4354::(Can be bought from Rockin' Ronnie's (Ronald Heiser), Emser Strae 6,
989:0:4382::Side 1: Prince Charming Tango (2:59); Best Friends (4:39); Outfield Blues
989:0:4385::(For Men Who Love Men)(3:52); Living In The Nuclear Age (3:37). 
989:0:4393::Produced by Teresa Trull. This album is dedicated to gay and
989:0:441::Janet's Song (6:22)(S. Shanbaum): My momma said you better get out
989:0:4446::Crimes Of Passion: (also on 12 maxi F.M. 12 VHF 19) 
989:0:444::night.This song is a journal of our coming out together. -
989:0:4456::greb ind med vold. Johnny: vi m frem for verden og
989:0:4461::Rupaul, a black Southern queen, on stage, on roller skates, with
989:0:4473::next year he released his second solo album, Equilibrio Distante, singing
989:0:4475::bringing Russo to the top as male singer and gay proud. 
989:0:4503::Understand (2:56); Stouthearted Men (2:20); San Francisco. - Side 2: Behold
989:0:4504::Man (3:09); Nacht...[?] im Walde Opus 139B (6:40); Locus iste (4:07);
989:0:4555::Mama's Song (4:41): you can't comprehend the things that make me
989:0:455::USA 1978. Distributed by Olivia Rec. Lyrics *. Pop/beat. LP . 
989:0:4562::accompanying himself with piano or dulcimer his music is haunting and
989:0:4596::you know we're homosapien too. One could almost substitute homosexual in
989:0:4598::With Somebody Else, I Generate a Feeling, and eight others. Alle
989:0:461::ourselves to stand a fighting chance, got to do something ourselves
989:0:4631::og over for konen - mon hun ligeledes sder uden for
989:0:463::Tryin' to Survive (S. Shanbaum)(3:30): The fight to survive as lesbians
989:0:4654::The original motion picture sound. Written and performed by Curtis Mayfield
989:0:4673::Masochistic Baby (1:35): den sadistiske mand er blevet forladt af sin
989:0:4679::Silverstein lavede A Boy Named Sue (3:39)(indsp. af Johnny Cash), hvor
989:0:4693::forbrdringen som en fryd for faderen, fordi: han laver min mad,
989:0:4715::Jericho (Mick Hucknall): listen boy, I'll tell you a thing, I'll
989:0:4717::you a toy, I'll make you turn into my little boy. 
989:0:472::Lesbian movement and the strength and spirit of revolution that is
989:0:4733::Live festival recording with Sweet Honey In The Rock, Cris Williamson,
989:0:4734::Holly Near, Jane Sapp, Moving Star Hall Singers, Cathy Fink, Ronnie
989:0:4757::first studio recording. His music deals with issues of social change,
989:0:4773::William It Was Really Nothing (2:09) kan evt. tolkes: and everybody's
989:0:4794::The Boy With The Thorn In His Side (3:15)(Morrissey Marr) (also
989:0:480::meandering through a maze of musical styles, found rock'n'roll the one
989:0:4833::Side 1: Best Of Friends; More Than Brothers (4:24); Primary Emotional
989:0:4835::Gone; Bobby; No Easy Answers; Attraversando il Tevere; Share Your Load. 
989:0:4840::When You Were Children, Electrical Storm, La La Land, Frinella's Lament,
989:0:4892::og flytter til New York, hvor han falder til i bet,
989:0:4893::men en dag bliver han rent tilfldigt offer for en overfaldsbande,
989:0:4902::comprised of songs dealing with sex of both persuasions, [...] Jazz
989:0:492::It Might Be You (Theme from Tootsie). Die Originalmusik aus dem
989:0:4937::about a gay man seeking contact by night with other men. 
989:0:4970::the latency about being gay with half faade being married, having
989:0:498::contact to other guys; reference to the gay Swedish designer Sighsten
989:0:49::USA 1977. Volume One. Jazz/Blues. Background comments on cover *. LP 
989:0:5003::Side 1: Op De Baan; Pierangelo; Sjit; Nijmegen; Noodkreet; Lijflijk; Stuk
989:0:5039::Nyhederne Vol. 2 (4:02): En fingeret, morsom radioavis, hvori bl.a. den
989:0:5043::kattekillinger, og dr har han forbrudt sig mod ham. (Sidste del
989:0:5068::New York. Bl.a. med p Leonard Bernsteins udgivelse af West Side
989:0:5100::Growing Up (2:20)/No Thanks To Disney (Tyler); Love Means Never Having
989:0:510::Also the lyrical contents of other songs might be interpreted gay
989:0:5137::Mata Hari og handler om en dragshow-stjerne. Den findes ikke p
989:0:5143::Jazzgossen (2:46) (E. Brink - K. Gerhard): Karl Gerhards tekst om
989:0:5170::desillusioneret i forhold til sig selv, men han tror p forandring,
989:0:521::The English cabaret group Bloolips is one of the bestknown gay
989:0:5250::Village People International Fan Club: c/o Mario de Laat, Groenhoven 306,
989:0:5259::Village People albums on CD, including Village People, Macho Man and
989:0:5266::Shanbaum, both of them lesbians, former members of Berkeley Women's Music
989:0:5271::Hs elskov (3:30) (Johnny Voss - Nils Torp / Paul Monrad):
989:0:5314::Der schwule Markt (7:35); Flossenbrg (5:35). - Side 2: Dreh dich,
989:0:5321::Elton John, Gladys Knight Stevie Wonder: That's What Friends Are For
989:0:5325::besondere Bewandnis hat. - Dionne hat es nmlich auf Anregung von
989:0:5328::singen: Elton John, Gladys Knight und Stevie Wonder. Ja, und wofr
989:0:5335::P 1985. Single 45 rpm. (Also available on maxisingle 602 119). 
989:0:5336::That's What Friends Are For (3:58): Arista Records, the artist, the
989:0:5353::Brandstrup) i 4 indspilninger: Opt. 1925 Polyphon (3:25), Opt. 1925 Odeon
989:0:5354::(2:57), Opt. 22/4-1925 HMV (3:16), Med Hans Peder Aases orkester opt.
989:0:538::up and sang post-hippie songs like 'Children of the Revolution' (9/72),
989:0:539::'20th Century Bay' (3/73) and 'Metal Guru' (5/72). No albums include
989:0:53::(ne Walker) in 1971. Ms. Smith, who travelled with Bessie Smith
989:0:5419::Born to Win; You Can Get It If You Really Want. 
989:0:5435::(3:59); Ballad Of Plain Jane (2:39); Threesome (2:45); Gay Name Game
989:0:5438::often humorous. His cabaret style is particularly well suited for the
989:0:5444::Tom's second recording is a wonderful collection of new material that's
989:0:5451::This is an in-concert recording, re-mixed in the studio, two female
989:0:5455::that The live recording of Tom Wilson Weinberg's Ten Percent Revue
989:0:5457::lyrics cover many topics and his sensitive portrayal of lesbians is
989:0:5462::jubilant in its affirmation of gay and lesbian love, life and
989:0:5472::synger om en mands jne, men tanken har muligvis ligget Gustav
989:0:5491::Original Motion Picture soundtrack with Barbra Streisand living as a man
989:0:5501::Basketball Diaries' et al. (3:28); Frank Zappa: The Talking Asshole (5:24); 
989:0:5531::i Bundeswehr (hren), og som nu er officer med 5 stjerner. 
989:0:5569:: Most of the entries in this homosexual discography were made
989:0:55::made numerous records as a blues singer between 1938 and 1947.
989:0:563::Side 1: Russian Refugee; Cleopatra And Her Asp; The Stipend Must
989:0:570::Side 2: Mrs. Bevington Swope; A Gentlemen's Gentlemen; Sisters of Charity;
989:0:582::The Width of the Circle (8:07)(David Bowie, Moth Music Corp.): Gay
989:0:583::reference. He swallowed his pride and puckered his lips and showed
989:0:58::local buffet flat. Actually, buffet flats were common in black urban
989:0:590::a priest's feet, and a gay man is disgusted seeing it. 
989:0:595::carried himself with his transsexual look after his break through with
989:0:59::areas, and the pleasures they offered were not restricted to sex.
989:0:636::Side C: Cracked Actor / Time / Width of a Circle. 
989:0:651::Lesbian singer-songwriter from California, USA, tours on both the mainstream and
989:0:661::When then two men celebrate their white wedding the newspapers notice
989:0:663::English Rose with a transparent allusion to King Edward 8th, the
989:0:66::Connie McLean's Rhythm Boys: Sissy Man Blues (2:47) vocal: Connie McLean.
989:0:672::Clarence's Turn (4:20); It's A Dolly (Reprise) (2:12); Does Anybody Love
989:0:686::the porno was dropped). The reverse side contains 'Ain't No Mountain
989:0:691::The Boystown Gang is Jackson Moore (singing lead), Tom Morley (back-up
989:0:695:: Bradford GLF: Glad to be Gay (2:52)(by Tom, Rose Annie)
989:0:706::Side 1: Thuis (4:16); Lekkere Pim[?] (3:33); Engel (2:40); Angelo (4:05);
989:0:709::Ode Aan de Nacht (2:13); Ballade Van De Schone Jonker (8:07). 
989:0:713::West Germany 1982. German. Lyrics on inner sleeve *. LP . 
989:0:723::From the novel by Evelyn Waugh. Sir John Gielgud reads excerpts
989:0:724::from Waugh's story of Charles Ryder and the aristocratic Marchmain family.
989:0:72::Tampa Red's Hokum Jug Band: It's Like That (2:43) November 1928.
989:0:743::About Benjamin Britten see Pan 5/85 page 5 and Mikael Garns:
989:0:757::Fruit, BITLP 1 (820 171-1) (cassette: BITMC 1; CD: 820 171-1) 
989:0:767::Bronski Beat (Jimmy, Larry, Steve) med John Folarin, The Uptown Horns,
989:0:771::intercourse. Bronski Beat's first single Small Town Boy was inspired by
989:0:780::Fan club information: Claire P O Box 544 London NW2 3SQ. 
989:0:796::This Heart: about rumour mongering and suppression of homosexuals in a
989:0:799::right, until the cure is here ... physical breakdown ... emotional
989:0:801::Other songs on the record without a directly homosexual contents: Hit
989:0:808::Fummelrock (2:18); I Stand On You (3:18); Kommen Sie schnell (4:30);
989:0:817::Raus (4:10); Grete Heiser und Zara Frustra: 'Mdel, was bist du
989:0:825::Anita Bryant is primarily known to gays for her crusade against
989:0:830::John has been recording and touring with Holly Near, Elliot Pilshaw,
989:0:849::author and poet with several works published by Giorno Poetry Systems,
989:0:85::A collection of classical blues tunes by lesbians and gay men.
989:0:86::Humorous tunes from the 20ies og 30ies about homosexuals, 15 recordings
989:0:881::La cage aux folles (Birds of a Feather)(French film, Danish version:
989:0:893::Polydor 829 646-1. Germany 1986. LP . Original-Aufnahme aus dem 'Theater
989:0:92::finally finding the best friend within oneself; not a pronounced lesbian
989:0:937:: Chaotic Dischord: Fuck Off You Cunt!... What A Load Of
989:0:951::Rita Jane: Wir sind gar nicht so (Olaf Bienert/Curth Flatow); Gloria
989:0:953::Side 2 (20:49): Gloria Fox: Heut' liegt was in der Luft
989:0:96::Williamson): I wonder where you are, lovable lady, I wonder what
989:0:991::Hall (0:32); White Christmas (1:42); Hark, I Hear The Christians Sing
989:0:99::Would You Like to Tapdance on the Moon? (3:49)(vocals: Margie Adam,
989:1:20::4. Entombed - To Ride, Shoot Straight And Speak The Truth 
989:1:23::7. Today Is The Day - Temple Of The Morning Star 
989:1:259::12. Queens Of The Stone Age - Songs For The Deaf 
989:1:263::16. Scalplock - Spread The Germs ... Over The Human Worms 
989:1:296::8. The Meads Of Asphodel - Exhuming The Grave Of Yeshua 
989:1:361::30. My Dying Bride - Songs Of Darkness, Words Of Light 
989:2:102::Karen Caroll - Blue Chicago Blues - COLL: Red Hot Mamas 
989:2:1048::soundbed: Zubi Zuva - Jehovah, Neurosis - Through Silver In Blood 
989:2:1052::Eyehategod - Peace Tru War (Thru Peace And War) - Dopesick 
989:2:1057::Rituel - Donovan's Isle - New Music for A New America 
989:2:1069::Eyehategod - My Name Is God (I Hate You) - Dopesick 
989:2:1092::Modernization and Debt Make Us Sick - 8/15/94 World Fellowship Center, 
989:2:1099::Type O Negative - der untermensch - Slow, Deep and Hard 
989:2:109::Brutal Truth - Average People - Sounds of the Animal Kingdom 
989:2:1104::Agents Of Satan - Unholy Ascension, Hog, Crosshairs, Posted, Sliver in 
989:2:1108::Spazz - Dan Lifting Banner - COLL: Split with Romantic Gorilla 
989:2:1123::Mirror of Galadriel - The Lord Of The Rings, BBC Production 
989:2:1145::Art of Noise - Into Battle With The Art Of Noise 
989:2:1168::Noam Chomsky, Bringing the Third World Home, The Domestic Politics of 
989:2:1169::the Republican Right, Lucy Parsons Center Benefit at Arlington St. Church, 
989:2:1180::Affirmative Action - Panel 57 4/9/95 - 1995 Socialist Scholars Conference 
989:2:1262::Black Sabbath - Children of the Grave - Master of Reality 
989:2:1263::Society Gang Rape - Tell me no shit - No Fate 
989:2:1266::Soundbed: Deadguy - Pins and Needles - Fixation on a Coworker 
989:2:1292::Soundbed: Melvins - Ozma, Web, Hellscape 2, Necromantia - Scarlet Evil, 
989:2:1293::Makigami Koichi - Kuchinoha, Peter Brotzmann - Die Like A Dog 
989:2:1303::Adrian Belew - Laughing Man - Desire of the Rhino King 
989:2:1315::Necromantia - The Serpent and the Pentagram - Scarlet Evil, Witching 
989:2:131::Brutal Truth - Machine Parts - Sounds of the Animal Kingdom 
989:2:1322::Lydia Lunch / Exene Cervenka - Track 16 - Rude Heiroglyphics 
989:2:1342::Emperor - Burning Shadows of Silence - In The Nightside Eclipse 
989:2:1349::Los Crudos - En Mi Opinion - Spitboy/Los Crudos split LP 
989:2:1355::Brutal Truth - Ill - Neglect - Extreme Conditions Demand Extreme 
989:2:1359::Illusion of Safety - Track 7 - From Nothing to Less 
989:2:1361::Brian Eno / Jah Wobble - Where We Lived - Spinner 
989:2:1365::Adrian Belew - Laughing Man - Desire of the Rhino King 
989:2:1369::Noam Chomsky - NAFTA: People Suffer as Profits Rise, NAFTA, Democracy, 
989:2:1375::Nels Cline Trio - Rumpus Room/ Rift (live boot) - Ground 
989:2:1386::God is my Co-Pilot - Secrets, Chicken Reel - Puss 02 
989:2:1391::Nailbomb - World of Shit - Proud to Commit Commercial Suicide 
989:2:1392::Happy Flowers - I Dobn't Wanna Go To School - Oof 
989:2:13:: Nov. 24 An Evening of Solidarity to Free Mumia Abu-Jamal
989:2:1412::Tribes of Neurot - Fires of Purification - Silver Blood Transmission 
989:2:1413::Thumper - Holy Roller - No One Left the Disco Alive 
989:2:1418::Duke - The World Today - COLL: A Taste of Soca 
989:2:1432::Mazaruni! - Jungle Fever Getting Stronger - The Jungle Dub Experience 
989:2:1459::506 KRS One - MC's Act Like They Don't Know 7" 
989:2:1471::Noam Chomsky - 12/5/94 The Role of Media in Manufacturing Consent 
989:2:1478::971 Mudwimmin - Bend That Spagetti - Mysteries of inner Beauty 
989:2:1490::Zakir Hussain - Lineage - Zakir Hussain and the Rhythm Experience 
989:2:1496::172 Kung Fu - Future Troubles - COLL: Strictly Riddum #1 
989:2:1507::432 Meshuggah - Inside What's Within Behind - Destroy Erase Improve 
989:2:1533::322 Tim Berne/ Bloodcount - alot of it - Poisoned Minds 
989:2:1555::960 Destroy - The Revolution Will Not Be Analog - Necropolis 
989:2:1557::975 Psychic TV - A Hollow Cost - A Hollow Cost 
989:2:1580::971 Mudwimmin - Not My Sex - Mysteries of Inner Beauty 
989:2:159::Embalmer - There Was Blood Everywhere - There Was Blood Everywhere 
989:2:160::Deicide - Serpents Of The Light - Serpents Of The Light 
989:2:1640::Boogie Down Productions - Illegal Business - By Any Mean Necessary 
989:2:1641::Eric B. Rakim - Paid In Full - COLL: Colors Soundtrack 
989:2:1655::Conscious Daughters - Princess of Poetry - Ear To The Street 
989:2:1659::Arrested Development - Give A Man A Fish - 3 years.... 
989:2:165::Jackie & The Cedrics - Squad Car - COLL: Tokyo Trashville 
989:2:1669::465 Painkiller - Parish Of Tama (Ossuary Dub) - Execution Ground 
989:2:1682::Screetching Weasel - Peter Brady - Anthem For A New Tomorrow 
989:2:169::Smegma - Smegma Pays Merzbow - Smegma Plays Merzbow/Merzbow Plays Smegma 
989:2:1726::392 Chris Cutler, Fred Frith - Webcore - Live Vol. 2 
989:2:1729::Immortal Squad - Mother Earth - Result of Human Greed 7" 
989:2:1740::Yan - Heavy Metal Music - COLL: Bullshit Detector Vol. 4 
989:2:1743::Armed Revolution - Corporate Slave - COLL: Bullshit Detector Vol. 4 
989:2:1745::Pille Allein - No Fun - COLL: Bullshit Detector Vol. 4 
989:2:1760::Freak Show - Handled World - COLL: Bullshit Detector Vol. 4 
989:2:1783::688 Faxed Head - Time To Retire - Uncomfortable But Free 
989:2:1788::Lemonheads - Don't Tell Yourself It's Ok - Hate Your Friends 
989:2:1820::676 Tim Berne's Bloodcount - bloodcount - Lowlife, the Paris Concert 
989:2:1831::Polvo - Fractured (Like Chandeliers) - Celebrate the New Dark Age 
989:2:1841::Cannibal Corpse - Post Mortal Ejaculation - Tomb of the Mutilated 
989:2:1845::397 Godheadsilo - Master of Balance - Elephantitus of the Night 
989:2:1848::616 AFI - Theory of Revolution - Fly in the Ointment 
989:2:1851::Adrian Belew - Laughing Man - Desire Of The Rhino King 
989:2:1852::625 Chinese Han Music - Solo Zheng - Chinese Han Music 
989:2:1859:: Carcass - A Bunch O Tracks - Symphonies of Sickness 
989:2:1874::Fear Factory - Crash Test - Soul Of A New Machine 
989:2:1878::450 Acumen - no arms no legs - Transmissions from Eville... 
989:2:1936::Raw Power - Fight The Army - Too Tough To Burn 
989:2:1944::904 Paul Lansky - The Lesson - More Than Idle Chatter 
989:2:1957:: underneath God Macabre - Lamentation, In Grief - The Winterlong... 
989:2:1958::450 Acumen - no arms no legs - Transmissions from Eville... 
989:2:1960::Marginal Prophits - Guns 'n' Money - Guns 'n' Money 7" 
989:2:1976::361 The The - I Saw The Light - Hanky Panky 
989:2:1985::352 - Iceburn - Poem of Fire - Poetry Of Fire 
989:2:198::Lee Scratch Perry - I Am A Madman - Maritime Hall 
989:2:2015::Destroy - Banality Of Evil - Burn This Racist System Down 
989:2:2028::Morgoth - Pits Of Utumno - The Eternal Fall/ Resurrection Absurd 
989:2:2041::Ramones - Beat On The Brat, KKK Took My Baby Away 
989:2:204::Darkus - Joy - COLL: Jungle The Extreme Collection Vol. III 
989:2:2055::Emperor - I Am The Black Wizards - COLL: Hordanes Land 
989:2:2058::Forbidden - Parting of The Ways, Infinite - Twisted Into Form 
989:2:2062::258 Universal Stomp - Circle Of Fear - Stomping of Jake 
989:2:2068::Rhythm Activism - Venimos a la Guerra - Blood And Mud 
989:2:206::Nevermore - The Politics of Ecstasy - The Politics of Ecstasy 
989:2:207::Metallica - For Whom The Bell Tolls - Ride The Lightning 
989:2:2082::Jimi Hendrix - All Along The Watchtower - The Ultimate Experience 
989:2:2106::Napal Death - Multinational Corporations, Instinct of Survival, The Kill, Scum
989:2:2117::Paris - Panther Power - The Devil Made Me Do It 
989:2:2121::141 God Dog - Hole - of love death and blood 
989:2:2127::198 Edge of Sanity - Of Darksome Origin - Purgatory Afterglow 
989:2:2132::Gas Huffer - hand of the nomad - One Inch Masters 
989:2:2149::Throbbing Gristle - What a Day - Throbbing Gristle's Greatest Hits 
989:2:2151::Controlled Bleeding - Burried Blessing - Songs from the Grinding Wall 
989:2:2152::900 Bolt Thrower - Lest We Forget - ... For Victory 
989:2:2153::Neurosis - To Crawl Under One's Skin - Souls At Zero 
989:2:2194::Destroy - Prey In School - Burn This Racist System Down! 
989:2:2200::Lead Belly - Dick Ligger's Holler - Lead Belly's Last Sessions 
989:2:2201::Lead Belly - Miss Liza Jane - Lead Belly's Last Sessions 
989:2:2202::Lead Belly - Dog Latin Song - Lead Belly's Last Sessions 
989:2:2228::Adrian Belew - Sexy Rhino - Desire of the Rhrino King 
989:2:2251::743 Killtech - Let's Go Gulfin' - Meet The Friendly Natives 
989:2:2255::733 Craw - Botulism, Cholera + Tarik - Lost Nation Road 
989:2:2263::547 Karen Finley - Hello Mother -A Certain Level Of Denial 
989:2:226::Brutal Truth - Blue World - Sounds of the Animal Kingdom 
989:2:2284::293 Sick Of It All - Maladjusted -Scratch The Surface - 
989:2:229::Exit 13 - Diet For A New America - Ethos Music 
989:2:2300::555 Laika - Red River - Silver Apples Of The Moon 
989:2:2318::487 Out Cold - Fantasy Won't Last - Lost Cause EP 
989:2:234::Neurosis - Cold Ascending, Lexicon 5 - Enemy Of the Sun 
989:2:2356::385 Brutal Truth - Collapse, Black Door Mine "Need To Control" 
989:2:2367::played over: 412 Lonnie Pitchford - My Babe "All Around Man" 
989:2:2394::at 78rpm: 436 Disafect - Craven Image "Home of the Slave" 
989:2:2397::457 Rhythm Activism - Venimos a la Guerra "Blood and Mud" 
989:2:2398::450 Fudge Tunnel - Backed Down "The Complicated Futility of Ignorance" 
989:2:2403::275 Exit 13 - Diet For A New America "Ethos Music" 
989:2:2410::155 Woody Guthrie - Wiggledy Giggledy " Long Ways To Travel" 
989:2:2438::Iggy The Stooges - Cock In My Pocket - Metallic `KO 
989:2:2442::Destroy - Prey In School - Burn This Racist System Down 
989:2:2445::Eyehategod - Hit A Girl - In The Name Of Suffering 
989:2:2455:: 210 The Gerogerigegege - side two - Senuri Fight Back 
989:2:2456::372 Vandermark Quartet - leadfoot - Here Comes Mr. Weasel 7 
989:2:2470::830 Hellchild - Treason Of Death - Where The Conflict Reaches 
989:2:2471::830 Hellchild - Emptiness for Happiness - Where The Conflict Reaches 
989:2:247::William Carlos Williams - As The Hen Ages... - White Women 
989:2:2494::Sun City Girls - Blue Mambo - Torch of the Mystics 
989:2:2497::Minor Threat - I Don't Wanna Hear It - Minor Threat 
989:2:249::Toru Takemitsu - Harakiri - The Film Music of Toru Takemitsu 
989:2:2501::268 Teengenerate - I Don't Mind - I Don't Mind 7" 
989:2:2502::320 Born Against - Resist Control - COLL: Our Voice Pro-Choice 
989:2:2511::Disposable Heroes Of Hiphoprisy - California ber Alles - Hypocricy Is
989:2:2515::349 Torture Circuis - Mixamatosis - In The Land Of Lullabye 
989:2:2521::137 Zero Hour - I'll Never Forget - Image of Man 
989:2:2522::Destroy - Banality of Evil - Burn this Racist System Down 
989:2:2525::Destroy - Ode To Ramen - Burn this Racist System Down 
989:2:2530::260 Flat Tire - Side B - The Norman Fell EP 
989:2:2575::Adrian Belew - Laughing Man - Desire Of The Rhino King 
989:2:2587::803 Shellac - Song of The Minerals - At Action Park 
989:2:2588::Big Black - Fists Of Love - Rich Man's 8 Track 
989:2:2630::839 Skankin' Pickle - Smorgasborgnine - Sing Along With Skankin' Pickle 
989:2:2670::Screetching Weasel - Peter Brady - Anthem For A New Tomorrow 
989:2:2681::840 Spearhead - Crime to Be Broke In America - Home 
989:2:2682::876 Doo Rag - Train I Ride - Chunked and Muddled 
989:2:2704::839 Skankin' Pickle -Pabu Boy - Sing Along With Skankin' Pickle 
989:2:2706::936 Brise-glace - Stump of a Drowner - When In Vanitas... 
989:2:2714::830 Hellchild - Emtiness For Happiness - Where The Conflict Reaches 
989:2:2715::904 Bill Dixon - Viale Nino Bixo 20 - Vade Mecum 
989:2:2716::940 Dead World - Dead World - This Will Hurt Someone 
989:2:2717::847 Controlled Bleeding - Loop Cycle - Songs From The Drain 
989:2:2726::676 Pigpen - Light This Candle - V as In Victim 
989:2:2727::803 Shellac - Dog And Pony Show - at Action Park 
989:2:2741::Napalm Death - Nazi Punks Fuck Off - COLL: Virus 100 
989:2:2747::Dead Kennedys - Religious Vomit - In God We Trust, Inc. 
989:2:2748::Dead Kennedys - Moral Majority - In God We Trust, Inc. 
989:2:2755::Godflesh - Love Is A Dog From Hell - COLL:Pathological Compilation 
989:2:2759::761 Front Line Assembly - Until Death Remix - Millennium EP 
989:2:2763::767 Merzbow - I Lead You Toward Glorious Times - Venerology 
989:2:2764::Happy Flowers - I Don't Wanna Go To School - Oof 
989:2:2765::762 Tetsuo Furudate - Scene 1 : Third Witch - Macbeth 
989:2:2766::762 Tetsuo Furudate - Scene 1 : Lady Macbeth - Macbeth 
989:2:2767::762 Tetsuo Furudate - Scene 1 : Third Witch - Macbeth 
989:2:2770::762 Tetsuo Furudate - Scene 1 : Lady Macbeth - Macbeth 
989:2:2791::Dixie Doughboys - Ragtime Annie - Dixie Doughboys/ Live at Lou's 
989:2:2793::Bob Wills His Texas Playboys - Texas Playboy Theme - Tiffiany
989:2:2795::Bob Wills His Texas Playboys - You're From Texas - Tiffiany
989:2:2798::Monster Voodoo Machine - Copper Theft (Denial Mix) - Defense Mechanism 
989:2:279::Ani DiFranco - (spoken) The Future of Feminism [Radio Free Maine] 
989:2:2812::Hot Rize Red Knuckles - Texas Hambone Blues - In Concert 
989:2:2818::Riders In The Sky - Blue Bonnet Lady - New Trails 
989:2:281::William Carlos Williams - As The Hen Ages... - White Women 
989:2:2846::Eyehategod - Kill Your Boss - Take As Needed For Pain 
989:2:2848::760 Dose - Let's Sack Rome - Planet Purgatory Field Companion 
989:2:284::Hellchild - Long And Stable Bridge - Where The Conflict Reaches 
989:2:2854::Madchild featuring DJ Q-Bert - Pregnant - Bomb Hip Hop Compilation 
989:2:2857::777 The Tape-Beatles - America Is Confident - The Grand Delusion 
989:2:285::Ralphie Dee - Mad As Hell - COLL: Industrial Fucking Strength 
989:2:2862::715 Foetus - Outside Of Time - Foetus / Chrome Cranks 
989:2:2869::770 Sister George - Handle Bar - [COLL] Outpunk Dancy Party 
989:2:2872::Harmless - They Dug Up Elvis - Protect Us From Evil 
989:2:287::Zao - Exchange - The Splinter Shards The Birth of Separation 
989:2:2883::715 Foetus - Vice Squad Dick - Foetus / Chrome Cranks 
989:2:2884::Paris - Intro/Scarface Groove - The Devil Made Me Do It 
989:2:2885::Public Enemy - Give It Up - Muse Sick-N'Hour Mess Age 
989:2:2892::Brian Eno - Blank Frank - Here Come The Warm Jets 
989:2:2893::Brian Eno - Third Uncle - Taking Tiger Mountain By Strategy 
989:2:2900::H - Makes No Sense At All - Flip Your Wig 
989:2:2913::Current `93 - Rosy Tears From Heaven - Thunder Perfect Mind 
989:2:2920:: Bad Brains - Let Me Help - I Against I 
989:2:2921::X - The Hungry Wolf - Under The Big Black Sun 
989:2:2932::Black Sabbath - Children Of The Grave - Master of Reality 
989:2:2936::Steely Dan - Babylon Sisters - A Decade Of Steely Dan 
989:2:2938::Squeeze - Black Coffee In Bed - Singles 45 and under 
989:2:2950::669 Lync - Song 2 - These Are Not Fall Colors 
989:2:2955::681 Terminal Cheesekcake - Tibetan Liftoff - King Of All Spaceheads 
989:2:2971::Dead Kennedys - Chemical Warfare - Fresh Fruit For Rotting Vegetables 
989:2:2975::Dead Kennedys - Religious Vomit - In God We Trust, Inc. 
989:2:2988::Dead Kennedys - California Upber Alles - Fresh Fruit For Rotting
989:2:2998::615 Machine Head - Blood For Blood - Burn My Eyes 
989:2:3003::Disposable Heroes of Hiphoprisy - California Uper Alles - Virus 100 
989:2:3006:: Diamanda Galas - There Are No More - Plague Mass 
989:2:3019::506 Pro-Pain - Make War (Not Love) - The Truth Hurts 
989:2:3022::Screetching Weasel - Peter Brady - Anthem For A New Tomorrow 
989:2:3023::Monie Love - Sex U All - In A World Or... 
989:2:3042::528 Victims Of The System - We Got Problems - 7" 
989:2:3061::454 Tempest - Top Of The Hill - Surfing to Mecca 
989:2:3068::Bad Brains - Intro, I Againt I - I Against I 
989:2:3069::La Vista Hotheads - Feeling Around In The Dark - Live 
989:2:3074::Divinity and Immortality (Suffocated to the Flesh That It Desired) -
989:2:3084::503 Orb - Pomme Fritz (Meat `n Veg) - Pomme Fritz 
989:2:3094:: Boogie Down Productions - Illegal Business - By Any Means
989:2:3106::429 Babyland - Worst Case Scenario - A Total Let Down 
989:2:312::Wadachi - Remembrance of First Time in my Life - Compostela 
989:2:313::Fall Silent - The Wheel Of Pain - The Rulers 7" 
989:2:3143::386 Noise Unit - Kick To Kill - Strategy of Violence 
989:2:3146::451 Slapshot - Back On The Map - Live at S036 
989:2:3173::385 Negativland - Introduction, First Club Soda, Toads, etc. - Willsaphone
989:2:3198::397 Malevolent Creation - Slaughter of Innocence - COLL: Live Death 
989:2:319::Matmos - ...And Silver Light Popped In His Eyes - Matmos 
989:2:3202::207 45 King - Hip Hop Music - Lost Break Beat(?) 
989:2:3213::386 Noise Unit - Hate You Feel - Strategies of Violence 
989:2:3238::21st Century Dub - Pecher Poer Partone - 21st Century Dub 
989:2:3261::938 Dazzling Kilmen - Blown Face Down - Face Of Collapse 
989:2:3269::Bomb - Spoked Feet - Lucy In The Sky With Desi 
989:2:3282::Yeastie Girls - You Suck - Consolidated - Play More Music 
989:2:3296::Melvins - King Buzzo, Bob, Dale - King Buzzo, Bob, Dale 
989:2:3304::990 7 Year Bitch - Rock A Bye - Viva Zapata 
989:2:3318::The Selecter - Their Dream Goes On - Celebrate The Bullet 
989:2:3334::Scraping Foetus Off The Wheel - Descent Into Inferno - Nail 
989:2:3370:: Material - Mantra (Praying Mantra Mix) - Mantra CD Single 
989:2:3392::Fred Frith - Same Old Me - Step Accross The Border 
989:2:3393::178 Exene Cervenka - SideB track 1 - Wordcore Vol 7 
989:2:3410::Ramonse - Rock and Roll Radio - End Of The Century 
989:2:3423::Morton Subotnick - Part 1 - Silver Apples of the Moon 
989:2:3453:: Afrika Bambatta James Brown - Unity Part 3 (Nuclear Wildstyle)
989:2:345::Society Gang Rape - Tell Me No Shit - No Fate 
989:2:3467::Golden Palominos - To A Stranger "This Is How It Feels" 
989:2:3468::Silica Gel - Master Of The Game "50) Noisy Children Party" 
989:2:3469::Paris - Intro, Scarface Grove "The Devil Made Me Do It" 
989:2:347::Coalesce - A Safe Place - Split CD with Napalm Death 
989:2:3484:: Ice Cube - When Will They Shoot - The Predator 
989:2:3510::Led Zeppelin - Dazed Confused - The Song Remains The Same 
989:2:3517::Swans - In The Eyes Of Nature - Love Of Life 
989:2:3536::Plastic Ono Band - Give Peace A Chance - Shaved Fish 
989:2:3577::Consolidated - Hello Are You There, Infomodities - Play More Music 
989:2:357::Pamela Z - Questions (Trips) - COLL: Dice 2 [She Says] 
989:2:3580::John Zorn - Verlaine: Part 2 La Bleue - Caged/ Uncaged 
989:2:370::Naftule Brandwein - Freilicher Yontov - King of the Klezmer Clarinet 
989:2:377::Naftule Brandwein - Nifty's Freilach - King of the Klezmer Clarinet 
989:2:379::Eugene Chadbourne - Whiskey and Women - Boogie With The Hook 
989:2:382::Naftule Brandwein - Kleine Princessin - King of the Klezmer Clarinet 
989:2:386::Naftule Brandwein - Nifty's Eigene - King of the Klezmer Clarinet 
989:2:399::D.O.A. - I'll Give You Hard - New York City Speedcore 
989:2:423::Napalm Death - Food Chains - COLL: split CD with Coalesce 
989:2:429::Atari Teenage Riot - Atari Teenage Riot - Not Your Business 
989:2:443::Chumbawamba - Heaven Hell - For A Free Humanity, For Anarchy 
989:2:444::Leaving Trains - Bash In Your Face - Smoke Follows Beauty 
989:2:44::Old Lady Drivers - Colostomy Grab Bag - COLL: Grind Crusher 
989:2:458::Reagan Youth - Regan Youth - A Collection of Pop Classics 
989:2:491::Eugene Chadborne - The Banjo Duet - Boogie with the Hook 
989:2:4:: Oct. 6 Katha Pollit: What is the Future of Feminism
989:2:502::Michael Parenti - Part 2: Justice For Sale - Radio Democracy 
989:2:507::Climax Golden Twins - Tracks 17, 18 - Imperial Household Orchestra 
989:2:508::Brutal Truth - Let's Go To War - Kill Trend Suicide 
989:2:530::John Zorn - Subliminal Perceptions, Measuring, Macbeth - Filmworks VI 1996 
989:2:537::Material - Gost Light/ Dread Recall - COLL: Mysteries of Creation 
989:2:54::Lard - Can God Fill Teeth? - Last Temptation of Reid 
989:2:552::Spearhead - Africa On-Line, Chocolate Supa Highway - Chocolate Supa Highway 
989:2:562::Diamanda Galas - Shrei 27, excluding track 19 - Shrei X 
989:2:582::Brutal Truth - Blind Leading The Blind - Kill Trend Suicide 
989:2:591::Destroy - Burn This Racist System Down, Atomic Myopia - Necropolis 
989:2:597::Atari Teenage Riot - Riotside - Deutschland Has Gotta Die! 7&quot 
989:2:608::Jeru the Damaja - One Day - Wrath of the Math 
989:2:625::Viet Nam: Music from the City of Hue - Chau van 
989:2:63::Sofia Run - Josie And The Pussycats - COLL: TV Terror 
989:2:643::Lussier, Rene, Derome, Cutler - Track 5 - Three Pieces Suite 
989:2:655::John Spencer Blues Explosion - Sticky - Now I Got Worry 
989:2:659::Brutal Truth - Let's Go To War - Kill Trend Suicide 
989:2:663::Good Riddance - Lampshade - A Comprehensive Guide To Moderne Rebellion 
989:2:670::Pica - Timmy's Final Thoughts - The Doctors Ate The Evidence 
989:2:681::Corrupted - Esclavo - Tiraron El Cadaver En Plena Cinta Asfaltica 
989:2:682::Spazz - Bitter (The Execution of a Chump) - La Revancha 
989:2:697::Earth Crisis - Names Carved Into Granite - Gomorrah's Season Ends 
989:2:704::Corrupted - Nadie - Tiraro El Cadaver En Plena Cinta Asfaltica 
989:2:724::Godflesh - Gift From Heaven - Songs Of Love And Hate 
989:2:729::Corrupted - Esclavo - Tiraron El Cadaver En Plena Cinta Asfaltica 
989:2:735::Lard - Time To Melt - The Power Of Lard EP 
989:2:797::Today Is The Day - Realization - Today Is The Day 
989:2:817::Backfire - The Stakes Are Too High - Rebel 4 Life 
989:2:819::Destroy - Burn This Racist System Down, Atomic Myopia - Necropolis 
989:2:845::Path of Resistance - See The Damage - Who Dares... Wins 
989:2:84::Donkey - Youth Spent Sniffing Ventolin - I Ain't Yer House-Nigger 
989:2:860::The Reverend Horton Heat - Generation Why - It's Martini Time 
989:2:864::Nurse With Wound - Brained (unconscious mix) - Sugar Fish Drink 
989:2:86::Deicide - Slave to the Croff - Serpents of the Light 
989:2:894::Exit 13 - Diet For A New America - Ethos Music 
989:2:905::Ralphie Dee - mad As Hell - COLL: Industrial F**king Strength 
989:2:90::Sacramentum - The Coming Of Chaos - The Coming of Chaos 
989:2:949::Blackhouse - Hidden Beneath The Metal - Hidden Beneath The Metal 
989:2:950::underneath: Blowhole - three rules (ii): the spectacle of my departure 
989:2:951::The Exploited - Law For The Rich - Beat The Bastards 
989:2:96::Mayhem - Intro/ I Am Thy Labyrinth - Wolf's Lair Abyss 
989:2:991::soundbed: Skinny Puppy - Stairs and Flowers 12" - Side A 
989:2:993::soundbed: Skinny Puppy - Stairs and Flowers 12" - Side B 
989:2:999::soundbed: Exhumed - Hemdale/Exhumed Split CD In The Name of Gore 
989:3:158:: Bloody Sign Possessed by Ancient Earth Bludgeon [USA] Smoke Screen 
989:3:177:: Bugen Hagen These Things Must Be Nipped In The Bud 
989:3:643:: Isle Of Man Daddy I wanna be a rocksta r 
989:3:667:: Key of Mythras Hecates Chamber (rename the .666 to .mp3) 
989:3:758:: Merodac Elegias de una Bestia Mess Age Fulfilled With Nothing 
989:4:111:: Owopspecs thrusts sends a thrilling surge through my erection. It
989:4:116:: Ive heard that Indian warriors mate with their women doggie-style.
989:4:147:: doesns thrilling to be eating of his flow! Some of
989:4:156:: Owopspecs expression turns gentler. His lips try reaching over my
989:4:238:: becomes more intense. My whole body tingles with wonderful feelings.
989:4:364:: who keeps me safe: Owopspec, the great warrior! Todays accomplishments
989:4:39:: angry at me for not having done it with him?
989:4:61:: tremble when feeling his hands pull my butt cheeks apart.
989:6:299::far, no one can quite cope with the absence of egoism 
989:6:376:: A rmy Of G hosts - T he H orror 
989:6:413:: - T he E nd Of A ugust i n 
989:6:477:: A tari T eenage R iot - R age EP 
989:6:608::Foolishness" seems identical to the original from the Apollo Choco album. 
989:6:71::distortion head on. There's even the football terrace post-pub stomper "Monster 
989:6:77:: A dd N To (X) - A vant H ard 
989:6:99:: T he A dvent - W ar H ead EP 
989:7:116::Has some great tunes on it,especially 'fabric', love that song :) 
989:7:123:: Mordeth 18-09-2002, 22:21 blind guardian - nightfall in middle earth 
989:7:137:: Drazhar 20-09-2002, 01:10 Lot of different variations being thrown around!! 
989:7:140::someone mentioned Master of Puppets, id also get Ride the Lightning 
989:7:143::Definately get the two Tool albums, Lateralus being my preferred one. 
989:7:145::All of the Maiden recommended, Rock in Rio being bloody class!! 
989:7:14:: lordsippa 15-09-2002, 21:25 Type O Negative - World Coming Down 
989:7:174::the latter album easily one of my favourite releases of 2002. 
989:7:176:: mishima 05-04-2003, 22:01 children of bodom - follow the reaper 
989:7:32::And here's a thread asking for stuff that isn't mainstream... :rolleyes: 
989:7:96:: hostyle 17-09-2002, 15:54 16 volt - 16volt.com for their discography 
990:0:1007::It Weren't For the Music , Olivia Records LF 901. 
990:0:1013::Will Wear Away; Leaping; Where Do We Go From Here. 
990:0:1014::Especially 'Leaping' is a funny song about 'grim' lesbians chrouching
990:0:1034::Retrospective songs about relations to the 'roots', family and old
990:0:1048::Contents: You Got My Attention; Cheap Thrills; Happy Birthday; Willing
990:0:1055::Von Mann zu Mann (4:35)(Carmen - dt.T.: Mller-Bosshard): a man's
990:0:1060::Lesbian singer, lesbian musicians. (G.C. is the producer of Gay
990:0:1062:: Ginni Clemmens and Friends: Wild Women Don't Get the
990:0:1077::Mike und sein Freund (4:21)(Under One Roof, musik: Richardson, tekst:
990:0:1078::Williams, tysk tekst: Weigel): om bssen Mike, der finder tryghed
990:0:1082::stte sig ud over hindringerne, men den psykiske belastning er
990:0:1086::Originalteksten synges p samme melodi af The Rubettes (se disse). 
990:0:1096::When I Grow Cold (4:35): Hvor bliver flelserne af? Vemod. 
990:0:109::Cris Williamson, Meg Christian, Linda Tillery, Woody Simmons et al. 
990:0:10::These fragments of a manuscript consist of notes I made
990:0:1105::relationships along the way. A warm, Dylanesque portrait that remains
990:0:1115::England 1983. Live gay cabaret. Homosexual liberation songs. LP . 
990:0:1140::Side A: You are my world (Jimmy Somerville Richard Coles)(7:03):
990:0:1150::far as love will let us stray. About gay love. 
990:0:1154::Reprise (Somerville/Coles): Now I know the truth about you, The
990:0:1164::fruit but we take each bite with pride not shame. 
990:0:1176::love denied, In the shadows we held each other tight. 
990:0:1199::On the cover of Alice Cooper: Toronto Rock'n'roll Revival 1969,
990:0:1209::collector. (On this latter record no relevant references found in
990:0:1217::Music lyrics: Roland Schneider. Available from the gay book store
990:0:1234::Johnny, Are You Queer? (B. L. Paine)(2:45) [Contents: see above!] 
990:0:1248::Man Enough To Be A Woman (3:50)(W. County): about transsexuality. 
990:0:1249:: Wayne County and the Electric Chairs: Things Your Mother
990:0:1255::Are You A Boy Or Are You A Girl (Morris/Morris). 
990:0:1259::Man Enough To Be A Woman (3:51)(County); Fuck Off (2:44)(County);
990:0:1287::SHB 44 (2 LP-set, UK 1977), recorded 14th Sept. 1945 
990:0:1311::Servant and How To Be A Virgin. Crisp is gay. 
990:0:1315::Triad (5:07)(D. Crosby): A proposal of making a matrimonial triangle
990:0:1324::Music from the original motion picture soundtrack. Al Pacino as
990:0:1326::murderer. Based upon the novel by Gerald Walker. Featuring Willy
990:0:1327::DeVille, The Cripples, John Hiatt, Madelynn von Ritz, Mutiny, Rough
990:0:132::New York USA 1979. Jazz-fusion. Accompanying text *. LP . 
990:0:1333::femininiserede sanger Boy George, der brer sminke og er blevet
990:0:1334::beskyldt for at vsse. Flere af teksterne er netop tvetydige,
990:0:133::Part Of Me/Changes (8:15)(rhiannon): about love to another woman, but
990:0:1349::Sexuality (5:27): Playing with my sexuality, Play with your body,
990:0:1362::On A Roll (2:49); Take Me I Am Yours (3:52). 
990:0:136::We believe in the revolutionary and spiritual power of music
990:0:1392::Arnold Layne (1:42)(Syd Barrett): also performed by Pink Floyd on
990:0:13::and quotations were given in the appropriate language (Danish, Norwegian,
990:0:1420::Polydor 2372 124 (cassette: 3151 124). Tyskland 1982. Tekstbilag *.
990:0:1425::die Horde Euch mit Teer das Schwulenzeichen eingebrannt. - und
990:0:1433::Freuden Tam-tam (4:03): Ja - dann tanzen sie ihren Freuden
990:0:1442::tyckte jag synd om dem. De betraktades som parias, utsttta
990:0:1447::mina kompositioner: Vi r inte som andra (2:40) och Achilles
990:0:1451::Bertil och Sven [?]: r inte som andra, B. och
990:0:1452::Sv. , about two gay men being in other people's
990:0:145::Two Boys (3:27)(Words and Music: Marvin Hamlisch, Carole Bayer Sager 
990:0:1462::Perhaps love (*2:56)(Song John Denver/Cherry Lane Pub Co Inc ASCAP):
990:0:1481::Schwester Detlev singt von Dieter (mein Gott) Walther und anderen
990:0:1541::S. Burroughs, Sonic Youth, Cabaret Voltaire, Diamanda Galas, Coil, Michael
990:0:154::We've Come to an Understanding (3:51)(Words and Music: Peter Allen)
990:0:1555::Holland 1982, engelsksproget. Uden tekstbilag. High energy disco. LP . 
990:0:155::about giving each other independence and margin in partner relations,
990:0:157::Paris At 21 (6:58)(Words and Music: Peter Allen): mournful thoughts
990:0:1632::Bandet, der har eksisteret siden 1980, har frt en omskiftelig
990:0:1667::hurts next day when he has visited a gay bar. 
990:0:167::Christopher Music, Copenhagen, Denmark 1985. Pop. Single 45 rpm . 
990:0:1693::Looking Back On Love; It's Leroy; Take Me With You. 
990:0:16::a homosexual discography was continued by Jay McLaren in Amsterdam:
990:0:171::Knabrostrde 3, DK-1210 Kbh. K., Denmark. Reviewed in Pan 6/85
990:0:1729::Hideaway (Clarke/Bell; Sonet Music): about a gay boy being rejected
990:0:1732::without ... You don't have to dance like every other. 
990:0:1733::Sexuality (Clarke/Bell): Let's tell the world about it. Play it.
990:0:1734::We've got no rules or regulations. Do it. Sexuality. Sensuality. 
990:0:1769::S e' livet (5:20)(M: Lars Olof Larsson, Ted Larsson, Kenneth
990:0:1784::White Mountain Mama (2:26); Holbrook (3:10); Amazon (5:46); Closet Sale
990:0:1787::Maxine Feldman has been an out-front lesbian feminist for over
990:0:1788::ten years, singing with pride what others were only whispering.
990:0:1799::Julie Felix who is 100% lesbian has made several records. 
990:0:1816::er sauna; han har et bsseforhold til en svensker, grinagtigt
990:0:1828::Who Loses (4:10): Handler om oplsning af et lesbisk parforhold. 
990:0:1829:: - Muligvis flere relevante, hvis de betragtes gennem lyserde
990:0:1837::It's My Party: ... when he's supposed to me mine. 
990:0:1849:: Kathy Fire: Songs of Fire. Songs of a lesbian
990:0:1865::sladderen i Norge (6:10), Hva vil fremtiden bringe (0:32), Ingen
990:0:1885::medsstre, som ikke er kommet ud af skabene. Vistnok den
990:0:1919::Includes the group's first number Relax (from the single Relax/One
990:0:1934::Smile; Buttercup's Aria; May Morning; Oh Sleep; Stormy Weather; Rule
990:0:1947::feel that a miracle will get me through the year. 
990:0:1955::I Could't Get High (3:38) dediceret lesbiske dvrge i San
990:0:196::Sharkey's Night (2:29) (vocals: William S. Burroughs). Also on single:
990:0:199::Laurie Anderson has at several occasions worked together with the
990:0:200::avantgarde artists William S. Burroughs and John Giorno among others.
990:0:201::Laurie Anderson commented page 8-9 in: Musikmagasinet GAFFA No. 29,
990:0:2029::A collection of songs by various artists who celebrate sexuality
990:0:2046::usynliggjort gruppe - Telephone call (1:29): samtale om bl.a. lesbiske,
990:0:2056::(2:11) - One warm night (2:08) - It's alright (2:14). 
990:0:2113::(Rehm/Mabel); Der Weg zum Erfolg (3:20)(Rehm/Mabel); Krieg und Frieden (3:19)
990:0:2115::Side 2: Baby Love (3:15)(Eschi Rehm); Leutnant Miller (3:50)(Rehm); Galaxy
990:0:2121::Katia Kinska. Alle Titel P.O.E.M. Musikverlag K D Mueller, Berlin. 
990:0:2141::10012, USA, kendes isr for avantgardeudgivelser, som i hvert fald
990:0:2161::The John Giorno Band: I'm Rock Hard, LP, GPS 038 
990:0:2162::Better An Old Demon Than a New God, GPS 033 
990:0:2169::Interesserede kan skrive til GPS om katalog med udfrligere omtale. 
990:0:2184::Mycket gay-relevant i fransk och italiensk opera frn 16-1700 talen.
990:0:218::Side 1 (16:56): Archibald und Detlef suchen ein warmes Pltzchen.
990:0:2216::Produced by Jahn Teigen. Pressed in pink vinyl. Norwegian group. 
990:0:2222::der Mensch Ich Nr. 2, Februar 1988, p. 11 (German
990:0:223::Side 2 (17:37): Marcel plaudert aus der Schule. Der se
990:0:2270::Auf'm Bahnhof Zoo (5:25) om en lesbisk kvindes forhold p
990:0:2284::Det amerikanske rock-idol Daryl Hall, der sammen med John Oates
990:0:22::Nevertheless my hope is that you will find useful information. 
990:0:2306::Innan hjulen brja' rulla (4:49): Tanker omkring en elsket fyr,
990:0:2323::Sverige 1982. Tekster p cover *. Single 45 rpm . 
990:0:2325::fde og bare give mig hen til dig, glemme alle
990:0:2332::ltar av Hans som har spelat med Jan Hammarlund och
990:0:2369::Hellers Auswahl ist eine extrem subjektive: Lieder, die seine Mutter
990:0:2381::es riskant: nner umschwirr'n mich wie Motten um das Licht,
990:0:2384::des Hollaender-Chansons ist - schlicht gesagt - grandios. ... Dann
990:0:238::for Women. $5.50 from Women's Prison Concert Collective, UUSC, 1251
990:0:23::Please, do not expect that this file will be updated. 
990:0:2412::Technique: Heaven To Me (6:29)(Bob Mitchell/Jamie Kaleth) - Hazell Dean:
990:0:2446::Side 1: Dialogue (4:46); Blameless Dances (4:23); Dialogue (1:24); Liste
990:0:2466::Herbert (3:34): Transvestitten Herbert er blevet brndt af og bliver
990:0:2493::Gay Stud's Guide' 1) Another Springtime Another Argos 2) Keeping
990:0:2494::Company 3) Rendezvous at Rob's, Foreplay, Conversation Piece, Role Play;
990:0:2511::False Sentiments; Mecho Madness; Astral Glamour; The Birds Have Risen. 
990:0:2554::Miracle Row/Maria (7:24): Forelskelse i Maria, som bor p Miracle
990:0:2596::From a Dead Man; Pig Hunt; World War In America. 
990:0:2608::3eme sexe (4:55)(D. Nicolas - N. Sirkis) (Samme som p
990:0:2617::sang om homosexualitet. Ikke p.g.a. manglende erfaring, men fordi ordene
990:0:2625::Herp sange af Meg Christian, Holly Near, Lilith og andre. 
990:0:2644::lady, you know we have a long way to gorlighed
990:0:2681::Husmodervals (1:44): er du utilfreds med husmoderrollen, s tag og
990:0:2705::Tekst og musik: Bent Jacobsen. Medvirkende: Bent Jacobsen, Anders Koppel,
990:0:272:: Ashton, Gardner, Dyke What a bloody long day it's
990:0:2760::Daniel (3:48)* (E.John/E.John): Sangeren kommer til at savne Daniel, der
990:0:2797::Elton's Song (3:03)(Elton John/Gary Osborne): about the disire of having
990:0:2812::band of mixed genders and orientations, as visually interesting as
990:0:2813::Johnson's lyrics and music are challenging. (Advocate 451, July 22,
990:0:2858::the massive gay demonstrations. Hear and learn about: the homosexual
990:0:2884::buren zeer geliefd, hij is betrouwbaar en een typisch Amerikaans
990:0:2887::op, waar hij tegelijkertijd ook zijn slachtoffers uitzoekt. De lijken
990:0:288::1980 F-Beat Records Ltd. LP * Produced by Roger Bechirian. 
990:0:2896::King Spade: Gay Jos (6:00)(BMI): tells about a homosexual who
990:0:2905::han der ... en ung vakker mann. Timene flrket falt
990:0:2917::Director And Orchestrator Ralph Burns. Liza Minelli, Michael York, Helmut
990:0:2918::Griem in A Feuer Martin Production Cabaret with Marisa Berenson,
990:0:2920::Play . Book by Joe Masteroff. Music by John Kander.
990:0:2953::Got To Be Free (2:57) : Vi skal vre, hvad
990:0:2958::Lola (3:56): om mdt ud som kvinder. Lola findes i
990:0:297::of Tina Thrmer, Margaret Diehl, Melanie Beyer, and Hucky Porzner. 
990:0:2984::en del i Radio Rosas Spring ud-udsendelser; iflg. Klaus Kjellerup
990:0:3001::Lesbiske parforhold (3:53) : about a lesbian couple, implying lesbian
990:0:3010::Tramteatret: Glad to be gay (Tom Robinson): norsk indledning, engelske
990:0:3051::Live-opname van de première in de Kleine Komedie te Amsterdam. 
990:0:3054::gedachte dat hetrofielen en homofielen elkaar eens 'met andere ogen'
990:0:3084::Side 1: Come Out Singing (4:14)(Patrick Haggerty); Gypsy John (4:06)
990:0:3091::All musical arrangements by Lavender Country. Issued by Gay Community
990:0:3125::Judy Grahn: A History of Lesbianism; Berkeley Women's Music Collective:
990:0:3126::Gay and Proud (text: Debbie Lempke); Sue Fink: Leaping Lesbians;
990:0:3127::Gwen Avery: Sugar Mama; BeBe K'Roche: Kahlua Mama; Mary Watkins:
990:0:3128::No Hiding Place; Pat Parker: For Straight Folks...; Meg Christian:
990:0:3129::Ode to a Gym Teacher (7:53); Teresa Trull: Woman-Loving Women. 
990:0:3142::Lyrics and music: Johnny Delgada (alias Johnny Bode). Vocals: Lillemor
990:0:3176::having partly a homosexual theme. Words: Poul Borum. Music: Kim
990:0:3217::Aust. (including: Charles Aznavour: What Makes A Man A Man). 
990:0:3228::Homo sapiens (4:06) [see below the rec. Morgen sind ...] 
990:0:3230::Germany 1981. German translation from the Dutch version. LP . 
990:0:3247::tolkes pdofilt, men det siges ikke klart. Robert Longs tekster
990:0:3275::Germany. Lyrics sheets stitched in *. 2 compilation LPs . 
990:0:3288::and others. Dennis and Hal are inseparable. They are also
990:0:3289::irreverent, boisterous, highly sexed and eager to acquire a quick
990:0:3299::Lyngtotterne er en vestjysk lesbisk gruppe, der laver live optrden,
990:0:3326::Bolts (maxi) / Mega MRCX 122216 / Mega MRCS 2216. 
990:0:3330::Anders (2:48): To fyre, som bor sammen, udstter sig for
990:0:3340::USA 1982. LP . Lyrics: Maxx Mann; music: Paul Hamman. 
990:0:3374::Another Man (vocal)/Short - Instru, Rap (6:56, 3:47, 5:49, 4:46)
990:0:3379::USA 1965. Med kommentarer til teksterne *. Folk. LP . 
990:0:337::P 1976. Folk/beat. Lyrics on inner sleeve *. LP . 
990:0:3382::ssten kan synes, som om jeg har tilbragt halvdelen af
990:0:3390::hvorimod det tog noget lngere tid at skrive selve sangen. 
990:0:3396::The Hunters: folk kan deles op i to grupper, j
990:0:3397::vi hrer nok alle en lille smule til i begge. 
990:0:3398::So Many Others: folk vil hellere hgne end slet ikke
990:0:3411::Digte: The Singing of the Wind (1:22); Dandelion Days (2:11);
990:0:3419::Stille og fredfyldt, men intenst og vkkende til eftertanke synger
990:0:341::(possible) lesbian. The words are also printed in Joan Baez's
990:0:3421::indholdet ikke er specifikt homosexuelt, m lytte efter hans ord.
990:0:3422::Dette dobbeltalbum var jeg s heldig at finde hos en
990:0:3441::hvilket iflge The Queen's Veinacular, A Gay Lexicon side 84
990:0:345::P 1977. Lyrics on inner sleeve *. Folk/beat. LP . 
990:0:3501:: Moonlighter Music: Don't You Know You're Part of The
990:0:3507::New lesbian feminist band blending Cleo Laine, Sarah Vaughan, Joan
990:0:3514::my ear. Lesbian song recorded 1936. With Sammy Price (piano). 
990:0:3518::Homophobia (3:12)(G. Morgan): About gays: My son's gonna be a
990:0:3522::Morgan is a seasoned country-western singer and songwriter. Although his
990:0:3543::gik bananas? - Kun denne korte passage i relevant retning.
990:0:3550::Struggle (5:43); No More (1:37); Burning Times (6:37); Healing Song
990:0:3577::Interview med Holly Near bl.a. side 16 i Pan 5/1983. 
990:0:3589::Imagine My Surprise; Nina; Lady At the Piano; You Bet;
990:0:3590::Rock Me in Your Arms; Something About the Women (3:35). 
990:0:3599::som har pvirket Holly Near meget (it changed my life).
990:0:3623::folkemusikgruppe The Weavers, som bl.a. talte Pete Seeger. Gruppen blev
990:0:3624::oplst til dels som resultat af McCarthy-hetzen mod alt uamerikansk.
990:0:362::Night (Kristallnacht) 9th Nov. 1938 Jewish possessions were plundered by
990:0:3641::Jeff Langley): Gay people working for peace on this earth,
990:0:3645:: The New Haven Women's Liberation Rock Band: Mountain Moving
990:0:3647::USA(?). Tekster vedlagt i hfte med div. oplysninger om gruppen.
990:0:364::pursued. The lyrics are in the Cologne dialect (Klner Mundart). 
990:0:3662::optrden i Carnegie Hall i marts 1986. A Broadway Extravaganza.
990:0:3668::sang. Sylvain Sylvain guitar, piano sang. David Jo Hansen sang,
990:0:3710::and protective Diaghilev, and romola de Pulsky - Nijinsky's admirer,
990:0:3716::Klaus Nomi, tysk bde af AIDS i New York for
990:0:3759::verden hvor utvalg og personlig sevice mangler sidestykke. Velkommen til
990:0:3803:: Lena Nyman: r det ont - Lena Nyman sjunger
990:0:382::her up and decided to make her a rockandroll star. 
990:0:3847:: Y'ALL : My Man, Our Horses, and Me . 
990:0:3875::Dramatic terms in Theatre, Motion Pictures and Television. However, no
990:0:3883::terms. And so, we dedicate this album, affectionately, to Minorities
990:0:3915::1986. Lyrics included *. LP . (German edition: Plne 88523). 
990:0:3926::its look and character with him. - Producer: Patrick Cowley. 
990:0:3930::(Includes melody sung by Klaus Nomi. Man Parrish is gay.) 
990:0:3938::Side 2: Silhouettes (2:35); Gimme That Wine (3:01); Deadalus (3:19);
990:0:3968::She generally introduces herself after her first song, in a
990:0:3969::laconic tone reminiscent of Arlo Guthrie, punctuating the litanity with
990:0:3970::strums on her acoustic guitar: Hello. I'm Phranc. Just your
990:0:3975::Les Natali presents Charles Pierce. Recorded Live at Bimbo's, San
990:0:3985::Sissy Man (2:52)(Walter Roland (pno), Josh White (vocal)): If you
990:0:3995::Waiting for the Worms; Outside the Wall [?, sidste linie
990:0:4019::The Old Main Drag (3:16)(MacGowan): En trkkerdrengs liv og nedtur
990:0:4035::London School of Economics, June 26th-27th 1984, accompanied by pianist
990:0:4052::sangeren synger om savnet af vennen i srke vendinger, at
990:0:4055::Warner Bros.(USA)/Paisley Park Records 925 577-1 (Europe)/ WX 88 (UK). 
990:0:4058::man died of a big disease with a litte name. 
990:0:4109::Side 1: Cheese (3:14); Sunday Painter (3:43); Hollywood Hairout (3:20);
990:0:4114:: Red Lipstique: More GDM / Oscar Wilde, Wilde Greek
990:0:4154::Malvina always advocated freedom and justice and appeared at gay
990:0:4213::Hamburg, Germany 1982. Lyrics on inner sleeve *. LP . 
990:0:4228::come together, stand together, and each other's rights defend, om
990:0:4230::Easy Street (2:38)(Robinson): I'm alone again, I'm only thinking of
990:0:4236::bashing Lesbian mothers and under-age lovers disowning gay sons and
990:0:4240::1967 (So Long Ago) (3:38)(Robinson): Barndomsminder sammen med Martin, da
990:0:4242::Even Steven (3:19)(Robinson): Forelsket i en pige, men some day
990:0:4264::This compilation: England 1981. Forklarende noter p cover. LP . 
990:0:4280::War Baby: Re-recorded extened version / a live duo version. 
990:0:4299::(cassette: PK 70551) Castaway Records ZL 70483 (cassette: ZL 70484). 
990:0:4303::Atmospherics (3:43); Looking for a Bonfire (3:29); War Baby (4:11);
990:0:4322::SD 7270 0598, LP 1973: Surabaya Johnny (4:52)(Kurt Weill, Bertolt
990:0:4333::Something Happened To Me Yesterday (4:58): en forbavset erkendelse af,
990:0:4359::I'd Much Rather Be With the Boys (2:09)(Oldham/Richard): rather with
990:0:4377::sange uden at sangene egentlig handler om b hvor mere?
990:0:4420::Just Tell Him, Jim Said Hello (2:27)(Jerry Leiber Mike Stoller,
990:0:4421::Intersong): He's sitting right over there. I'd know that face
990:0:4432::Meddeler: A group from Toronto, Canada, (punk) with strong gay/lesbian
990:0:4455::nobody cared about them, men Billys far opdagede sammenhngen og
990:0:4457::holde sammen. - Findes i tysk oversttelse sunget af Bernd
990:0:4471::Celebration Concert, the first in English he ever recorded, singing
990:0:4489::which includes a gay theme. (Henszelman's prize short film Venner
990:0:4505::Wisdom Is Beautiful (Evil Shall Not Prevail) (4:23); Pilgrim's Chorus
990:0:4514::Sound clips from Dishonorable Discharge , O Disturbing Boy ,
990:0:4524::works by Brahms, Mozart, Bernstein and resident composer Robert Seeley. 
990:0:4585::Mama; Womanchild; Goddesses And Other Truths; Woman Let Go Now;
990:0:4587::Old Woman; Portrait/Song To Myself; Family Of Woman; Lesbian Woombmoon
990:0:4591::01060, $6.00. To be sold and shared by women only. 
990:0:45::The group consists of Udo Dirkschneider, Wolf Hoffmann, Hermann Frank,
990:0:4616::Lones Bossa (3:42)(Lone Poulsen/Lone Poulsen): I am a woman who
990:0:4627::og snart myldrer blomsterne frem af dit hrk du er
990:0:4630::Lette damer (2:00)(Anne Linnet/Anne Linnet): Manden rolle over for luderen
990:0:4670::Freakin' at the Freakers Ball (3:19): til vanskabningernes bal kommer
990:0:4681::familiesituationen og derfor skred efter at have navngivet sin sn
990:0:4735::Gilbert, Alicia Partnoy, Flora Molton, Reel World String Band, Amparo
990:0:4744::Passiv Bg (3:22): passive gay, pessimistic thoughts of an apathetic
990:0:4752::sexliv er blevet lidt trist) om sadomasochisme, og foreningen SMil
990:0:4762::LAND (9:36) horses (P. Smith) Land. of a thousand dances
990:0:4777::you're a desperate one but I don't want a lover. 
990:0:479::extraordinaire, discovered inside himself a person named Zette who, after
990:0:4815::Beeld en gebak (2:28); Wachten (2:52); Obsessie (4:10); Van voorbijgaande
990:0:4819::De Softies, Ad Schuring, Oostsingel 134, NL-2612 HJ Delft, Netherlands,
990:0:4827::style lends itself to subjects like love, jealousy, and friendship.
990:0:4841::Believe Yourself, Wawer Of Your Dreams, Hunky Number, Confused, Wanda.
990:0:4844:: I Couldn't Have Done It Without You, Remember Me. 
990:0:4858::You Gotta Shout (written by Carole Nelson)(4:28); Love and Romance
990:0:4869::Fabienne Thibeault: Un garon pas comme les autres (3:05): om
990:0:4889::USA 1976. Pop. Lyrics on inner sleeve *. LP . 
990:0:4890::The Killing of Georgie (Part I and II)(6:31)(Tekst musik: Rod
990:0:4908::Anybody Here Want To Try My Cabbage (Maggie Jones) 1924. 
990:0:4920::Rollin' Mama Blues (Ruby Glaze and Blind Willi McTell) 1932. 
990:0:4926::first-ever compilation of Gay and Lesbian Singers and Songwriters, and
990:0:4927::Winter Moon, the first-ever seasonal compilation of Gay and Lesbian
990:0:4967::Forbidden Colours (4:42): title song from the film Merry Christmas
990:0:4974::USA 1982. Uden tekstbilag. High Energy Disco Funk. LP . 
990:0:5030:: Lily Tomlin : openly lesbian American; recordings without homosexual
990:0:5047::Danmark, indsp. 1980, P 1985. Med tekstblad *. LP . 
990:0:5060::P vildspor (Lou Reed/Poul Borum): about male and female prostitutes,
990:0:5065::P vildspor (Walk On The Wild Side) (4:18)(Lou Reed/Poul Borum):
990:0:5086::Pjotr Iljitj Tjaikovskij (1840-1893) forlod i 1877 hustruen kun f
990:0:5087::uger efter brylluppet, da han var homosexuel. Kort efter opfrelsen
990:0:5099::Yiddish/Roots (R. Tyler); If I'm Paranoid It's Valid (1:00)(R. Tyler);
990:0:5101::To Say You're Sorry (3:17)(Tyler); Always A Bridesmaid ... (2:48)(Tyler);
990:0:5106::(Tyler); Dear Ms. Bryant (3:28)(Tyler): om Anita Bryant; Dear Ms.
990:0:5116::Indsp. i Kbh. 1981/82. Tekster p inderpose *. LP . 
990:0:5117::Aldrig forbi (3:23)(Tekst og musik: Klaus Kjellerup): ... den jeg
990:0:512::Blackberri is one of San Francisco's finest performers. His debut
990:0:513::album shows immense comfort with many musical styles - reggae,
990:0:5209::Produced by Andy Warhol (1927-1987; bsse). Texts by Lou Reed. 
990:0:5213::a lesbian rock'n'roll band (Netherlands) [Pink Book 85, p. 115]. 
990:0:5234::Key West (5:42) (Morali - Belolo - Willis - Whitehead). 
990:0:5248::(5:58); Sexual education (5:33); Sensual (4:36); Sex over the phone
990:0:5258::revived Casablanca Records today released the entire back catalog of
990:0:5265::Nancy Vogl's first solo album including guitar duets with Suzanne
990:0:5307::liberation movements. Since its release in 1979, five performers from
990:0:5308::this have released solo efforts. They include: Blackberri, Charlie Murphy,
990:0:5315::schwarzer Ledermann (5:27); An den linken Mann (4:35); Schwul (10:22).
990:0:5322::(4:14)(Carole Bayer Sager/Burt Bacharach). - Du Ich Nr. 2, Februar
990:0:5330::die AIDS-Forschung. Burt Bacharach und Carole Bayer Sager schrieben den
990:0:5337::producers, the publishers and the respective unions are donating their
990:0:5360::lesbisk er nok et spl og nok senere tiders tolkning? 
990:0:5361::Man binder os pnd (3:16) (M: Kai Normann Andersen -
990:0:5364::indskrnkninger i den personlige frihed. At bringe visen ind i
990:0:5367::udtrykke i 1940. Senere ogs sunget af gruppen Parkering Forbudt. 
990:0:5384:: Jerry Williams jr. (al. Swamp Dogg): Have You Heard
990:0:5390::Det ville ikke have s meget, som det gjorde, hvis
990:0:5405::Forskellige sange, flere skrevet til kvinder. Dette er Cris Williamsons
990:0:5434::(3:24); Day After Dade (4:45); Save Our Children/Recruiters' Fight Song
990:0:5437::Former Philadelphian, Tom Wilson's debut LP is insightful, didactic, and
990:0:5445::light, satirical, and political. Songs include: Two Men Dancing (3:46),
990:0:5453::accompaniment (we added bass and some syntheziser in the studio).
990:0:5476::New York, USA 1980. Lyrics on inner sleeve. LP . 
990:0:5505::Oplsning af bl.a. William S. Burroughs, Laurie Anderson og John
990:0:5521:: Frank Zappa : He's So Gay [from which record??] 
990:0:5536::Zero (Robert Karl Oskar Broberg) med Janne Schaffer, Per Lindvall,
990:0:5539::at han begyndte forfra (fra nul) p et nyt liv. 
990:0:5571::Many gay people have contributed with entries, especially Erik Harrison
990:0:5573::Jay McLaren (Amsterdam, Netherlands) started his own investigations in 1986.
990:0:5590:: ] Want to join the ring? Click here for
990:0:5625:: Note on the presense of text/words of the song 
990:0:569::Side 1: The Wedding; Mr. Wong; Erma's Weekend; The Raid. 
990:0:577::The Wild Eyed Boy From Freecloud: (( relevant quote ???)) 
990:0:5:: ] Want to join the ring? Click here for
990:0:61::a song dedicated to the very buffet flat Ruby describes.
990:0:62::(Sleeve note by Chris Albertson, contributing editor to Stereo Review
990:0:635::Side B: Moonage Daydream / Space Oddity / My Death. 
990:0:639:: David Bowie: Original Soundtrack zum Film 'Christiane F. Wir
990:0:701::Published by the Campaign for Homosexual Equality, Manchester. - C.H.E.
990:0:70::Harlen Ham Fats: Garbage Man (2:25) Herb Morand Joe MacCoy.
990:0:714::Text und Musik: Carolina Brauckmann, Freiburg i. Br., git. voc.:
990:0:737::Opera founded on Herman Melvilles story with the same name. 
990:0:742::In the principal part as Gustav von Aschenbach: Peter Pears. 
990:0:754::med Orchestra dell'Accademia di Santa Cecilia under ledning av Franco
990:0:758::London Records 1984. Lyrics on inner sleeve *. LP . 
990:0:76::George Hannah: Boy In the Boat (2:31) Blues. Oktober 1931. 
990:0:818::progressiv' (2:23); Wann, wann, wann (5:55); Heute blasen wir den
990:0:837::Live recording from Donmar Warehouse, London, by well-known singer and
990:0:83::Bert (Snake Root) Hatton: Freakish Rider Blues (3:23) April 1927. 
990:0:861::nummer har vi lavet, fordi vi mener, alder er ligegyldigt.
990:0:882::Md min hr. mor), the original soundtrack album, music composed
990:0:908::[tracks listing available; which tracks are relevant not yet ascertained] 
990:0:933::Homoportrait; Nuit; Hommes, je vous hais-me; A cause d'un chromosome!;
990:0:949::Davon geht die Welt nicht unter (Michael Jary/Bruno Balz); Christina:
990:0:956::un millionnaire (Nacio Herb. Brown/Le Fils, Lima, L. Lelievre); Rita
990:0:985::(1:50); In The Garden (0:48); America (2:45); Amazing Gays (2:26);
990:0:988::Violence (0:50); Precious Hiding Place (0:50); Old Closet Door (1:32);
990:0:990::Side 2: Onward Christian Soldiers (1:15); Jingle Coins (1:22); Radcliffe
990:0:995::The Choral Majority is a bold, blaspheming quartet crusading and
990:0:996::caroling against the new right, Reaganomics, and all things homophobic
990:1:173:: High On Fire - The Art Of Self Defence 
990:1:183:: The Haunted - The Haunted Made Me Do It 
990:1:281::34. Down - II - A Bustle In Your Hedgerow 
990:1:336::5. Blut Aus Nord - The Work Which Transforms God 
990:1:374:: 1. Discharge - Hear Nothing See Nothing Say Nothing 
990:1:410::37. SNFU - And No One Else Wanted To Play 
990:1:483::Ministry - The Mind Is A Terrible Thing To Taste 
990:1:526:: (in alphabetical order except Carcass which is no. 1) 
990:1:543::Cradle Of Filth - The Principle Of Evil Made Flesh 
990:1:621::The World Of Skin - Ten Songs For Another World 
990:1:68::20. System Of A Down - System Of A Down 
990:2:1018::Godheadsilo - Guarians Of The Threshold - Skyward in Triumph 
990:2:1045::soundbed: The Large Professor - Mad Scientist, Skullflower - Transformer 
990:2:1063::Academy: Defending Our Name 1894-1994, MIT Cambridge, MA [Radio Free 
990:2:1078::Arsedestroyer - 4.25 Minuters Sodomi - COLL: Distortion To Hell 
990:2:1079::Ubzub - Track 10 - Alien Manna for Sleeping Monkeys 
990:2:1088::Melvins - Influence of Atmosphere - COLL: Caged heat Soundtrack 
990:2:108::Human Remains - Rote - Using Sickness as a Hero 
990:2:1094::soundbed: Borah Bergman/ Roscoe Mitchell with Thomas Buckner - First 
990:2:10:: Nov. 10 Welfare Reform: The Road to Indentured Servitude?
990:2:1106::Sielwolf - Beweglich Animalisch(Import Version) - COLL: The Van Richter 
990:2:1115::Dr. Helen Caldicott - Nuclear Madness and Children, Portland, Maine, 
990:2:112::Dismember - When Hatred Killed The Light - Death Metal 
990:2:1137::mad mix that may or may not have had value 
990:2:1154::International Informatoin Policy and Human rights - Women, Information & 
990:2:1155::The Futgure, Collecting & Sharing Resources World-Wide June 17-20, 1994, 
990:2:116::Born Against - Nail That Sticks Up - COLL: Bbbllllleeeeeaaaaahhhhhaaaaaaaarrrggggghhhh! 
990:2:1170::Boston, MA, approx 2 1/2 hrs 5/19/95 (Radio Free Maine) 
990:2:1181::Beyond The Fragments, Building A Viable Left, Democratic Socialists of 
990:2:1186::Arvonee Fraser - Un Comm on the Status of Women 
990:2:1188::7000 Dying Rats - Adrenalin - COLL: Entertainment Through Pain 
990:2:1189::Spaceheads - Whatever Happened to Billy the Comedian - Spaceheads 
990:2:1203::soundbed: Blackhouse - Material World, The Ruins - Early Works 
990:2:1225::soundbed: Neurosis - Enemy of The Sun, Gamelan, Princess Drangonmom 
990:2:1248::Steve Gorn and Badal Roy - Rag Chandrakauns - Yantra 
990:2:1251::Ambush - The funny thing is..., Minute song - Pigs 
990:2:128::Evan Parker & Lawrence Casserley - Epicycles - Solar Wind 
990:2:1306::Nitzer Ebb - Fitness to Purpose - That Total Age 
990:2:1310::Gangreen - Snob - [COLL] This is Boston Not LA 
990:2:1312::M.J. Harris & Bill Laswell - Capacious - Somific Flux 
990:2:1313::Daniel Johnston - Don't Play Cards With Satan - 1990 
990:2:1314::Napalm Death - Finer Truths, White Lies - Greed Killing 
990:2:1319::The Woodentops - Do It Anyway - Well Well Well... 
990:2:1328::Nailbomb - Police Truck - Proud To Commit Commercial Suicide 
990:2:1335::Husker Du - Something I Learned Today - Zen Arcade 
990:2:1336::Kate Bush - Waking The Witch - Hounds of Love 
990:2:1358::Black Sabbath - A National Acrobat - Sabbath Bloody Sabbath 
990:2:1377::Daniel Johnston - Love Me Do - Happy Time 7" 
990:2:1378::Melt-Banana - Chicken Headed Raccoon Dog - Speak Squeak Creak 
990:2:1398::Tribes of Neurot - Closing In - Silver Bood Transmission 
990:2:1404::Nailbomb - Wasting Away - Proud To Commit Commercial Suicide 
990:2:1417:: 10/23/95 6-9PM in place of Palo Alto City Council 
990:2:1438::God Is My Co-Pilot - Smooth & Clean - Puss 
990:2:1444:: 10/9/95 6-9PM in place of Palo Alto City Council 
990:2:1470::960 Destroy - Burn This Racist System Down - Necropolis 
990:2:1484::285 Exene Cervenka - Like Morning - Surface to Air 
990:2:1491::245 Mordor - Dark Throne of Blasphemous Evil - Odes 
990:2:1497::441 Universal Stomp - Gray, No Opportunity - Full Swing 
990:2:14:: Dec. 1 Andy Kimbrell & Others: Biopiracy & Biohazards
990:2:1522::Talking Heads - Born Under Pnches - Remain In Light 
990:2:1523::Adrian Belew - Looking For A UFO - Young Lions 
990:2:1528::Gang of 4 - Not Great Men - Greatest Hits 
990:2:1529::181 Mamoru Fujieda - Falling Chant - The Night Chant 
990:2:152::Paul Lansky - Things She Carried - Things She Carried 
990:2:1531::Babatunde Olatunji - Dominira - Celebrate Freedom Justice and Peace 
990:2:1532::Babatunde Olatunji - side 1 - More Drums of Passion 
990:2:1552::130 Crowbar - The Only Factor - Time Heals Nothing 
990:2:1553::794 Broken Hope - Dilation and Extration - Repulsive Conception 
990:2:1562:: 906 Doctor Nerve - The Shameful Stain - Skin 
990:2:1570::285 Exene Cervenka - Like Morning - Surface to Air 
990:2:1581::852 Blixa Bargled - Ouvertre, Lange Szene - Commissioned Music 
990:2:1585::Allen Ginsberg - Cia Dope Calypso - Happy Soul Jellyroll 
990:2:1592::681 Aminature - Murk Time Cruiser - Murk Time Cruiser 
990:2:1598::915 Oblivians - No Reason To Live - Soul Food 
990:2:1599::921 Quitters Club - Bridge No. 0124 - Quitters Club 
990:2:1606::Sunny Day Real Estate - Pheurton Skeuto, Shadows - Diary 
990:2:1607::Initial State - Abort The Soul - Abort The Soul 
990:2:1617::752 Morbid Angel - Inquisition (Burn With Me) - Domination 
990:2:1619::701 Sielwolf - Beweglich Animalisch Lassigue Lendthaus Mix - Metastasen 
990:2:1628:: Herbie Hancock - Mega Mix - Mega Mix 12" 
990:2:1629::Grand Master Flash - The Message - The Best Of 
990:2:1630:: Grand Master Flash - Wheels of Steel - ? 
990:2:1635::Ministy - I Wanted To Tell Her - With Sympathy 
990:2:1639::L.L. Cool J - I'm Bad - Bigger and Deffer 
990:2:1646::874 Suffocation - Thrones Of Blood - Pierced From Within 
990:2:166::The Exotics - Taste Of Honey - Go Go Guitars 
990:2:1673::731 Robin Eubanks - Skin And Bones - Mental Images 
990:2:1680::443 Vyacheslav Ganelin - Part 1 - On Stage... Backstage 
990:2:1698::534 Solient Green - Thirteen Days A Weak - Pussysoil 
990:2:1701::812 Skeleton Of God - Urine Garden - Urine Garden 
990:2:1712::572 Big City Orchestra - Planter Peanuts - The Consumer 
990:2:1717::811 Sinister Six - People - Nobody Rides For Free! 
990:2:1721::Destroy - Atomic Myopia - Burn This Racist System Down 
990:2:1738::Putang-I-Nas - Radioactive Survival - COLL: Bullshit Detector Vol. 4 
990:2:1747::Gruutmagy - Start Insane - COLL: Bullshit Detector Vol. 4 
990:2:1749::Valtiokontrolli - Sairas Ihminen - COLL: Bullshit Detector Vol. 4 
990:2:1758::Katastrofialue - P Vailla - COLL: Bullshit Detector Vol. 4 
990:2:1772::687 Drink Me - Eddie's Place, Sleeping Accordion - Sleep 
990:2:1773::Idiot Flesh - The Nothing Show - The Nothing Show 
990:2:1775::Prey, Original Soundtrack Recording; Music from The Discovery Channelreg. TV
990:2:1777::747 Matt Heckert - Resonator Run - Mechanical Sound Orchestra 
990:2:1784::641 Inspecter 7 - Cookin - COLL: Oi!/Skampilation Vol 1 
990:2:1785::571 Mustard Plug - Mendoza - COLL: American Skathic II 
990:2:1792::Metallica - Fight Fire With Fire - Ride The Lightning 
990:2:1802::Even More Hits, M.J.C., Flowershop Guy - Top 40 Hits 
990:2:1807::Residents - The Cry of a Crow - August 1993 
990:2:1809::475 Under The Noise - Mind Machine - Future Automatic 
990:2:1813::611 Ovarian Trolley - Heal Me - Heal Me 7" 
990:2:1818::562 Austin Lounge Lizards - Old Blevins - Small Minds 
990:2:1832::643 Pavement - False Scorpion - Rattled By La Rush 
990:2:1844::219 Mike Watt - Big Train - Ballhog or Tugboat 
990:2:1846::549 Princess Dragon-Mom - Library Girl - Man On Silver... 
990:2:184::Samsara - So Light For Samsara - Wake Up Now 
990:2:1853::641 Skavoovie The Epitones - Sonic Boom - Oi!/Skampilation Vol.1 
990:2:1854::571 Stink Fish -0 Ronnie's Revenox - American Skathic II 
990:2:1865::Pro-Pain - Let Sleeping Dogs Lie - The Truth Hurts 
990:2:1872::Universal Stomp - Circle of Fear - Stomping on Jake 
990:2:1895::518 Fin- Misconceptions Science Ego Testicle Alliacne Bounce - Fin 
990:2:1911::397 Godheadsilo - Multiple Organic - Elephantitus of The Night 
990:2:1914::293 Dogbowl Kramer - Tarantula - Hot Day In Waco 
990:2:1915::250 Negativland - You Must Respect Copyright - Fair Use 
990:2:1929::FDL, The Darkest Storm - A Part of the Mankind 
990:2:192::Paul Lansky - Things She Read - Things She Carried 
990:2:1935::199 Strife - Arms Of The Few - One Truth 
990:2:1938::534 Solient Green - Thirteen Days A Week - Pussysoul 
990:2:1963::Fudge Tunnel - Excuse - The Complicated Futilty Of Ignorance 
990:2:1965::282Figure 8 (Rova + 4) - Tracers - Pipe Dream 
990:2:1973::475 Under The Noise - Mind Machine - Future Automatic 
990:2:1981::282 Figure 8 (Rova +4) - Triceratops - Pipe Dreams 
990:2:1982::149 Joe Boon Hammers - Our Band Could Be Your
990:2:1999::133 Brutality - Foul Lair - When The SkyTurns Black 
990:2:200::M.I.R.V. - Technology Doctor - Feeding Time on Monkey Island 
990:2:2016::198 Edge Of Sanity - Enter Chaos - Purgatory Afterglow 
990:2:2020::Brutal Truth - I See Red - Need To Control 
990:2:2023::Godheadsilo - I Luv U...nicorns - The Scientific Supercake EP 
990:2:2029::Ice Cube - When Will They Shoot - The Predator 
990:2:2031::Green Jello - Three Little Pigs - Green Jello Suxx 
990:2:2073::961 Pitch Shifter - Diable (Therapy?) - The Remix War 
990:2:2080::John Trudell - Bombs Over Baghdad - AKA Graffiti Man 
990:2:2086::Violent Femmes - Add It Up - Add It Up 
990:2:2099::199 Strife - Arms of the Few - One Truth 
990:2:209::Embalmer - The Necro-Filing Cabinet - There Was Blood Everwhere 
990:2:2116::Played Under Phobia - Sickening Discretion - Return To Desolation 
990:2:211::High Plains Tradition - Tupelo County Jail - Prairie Wind 
990:2:2133::Fear - Let's Have A War - Fear, The Record 
990:2:2145::945 Angel In Heavy Syrup - Water Mind - III 
990:2:2146::863 Sickening Gore - Blood For Tears - Destructive Reality 
990:2:2158::863 Sickening Gore - Free of Conscience - Destructive Reality 
990:2:215::Brutal Truth - Dimentia - Sounds Of The Animal Kingdom 
990:2:2160::Fudge Tunnel - Sunshine Of Your Love - Teeth EP 
990:2:2161::Hellchild - song 1 2 - Where The Conflict Reaches 
990:2:2163::Cannibal Corpse - Zero The Hour - Hammer Smashed Face 
990:2:2165::848 The Dramatics - Fine Medium Coarse - The Dramatics 
990:2:2169::Cop Shoot Cop - Burn Your Bridges - Consumer Revolt 
990:2:2176::Destroy - Crowd Control - Burn This Racist System Down 
990:2:2177::810 Skullflower - The Rose Wallpaper - Carved Into Roses 
990:2:2180::False Prophets - Who Will Be The One - Implosion 
990:2:2187::Destroy - Enforced Orthodoxy - Burn This Racist System Down! 
990:2:2205::601 Ultraviolence - We Will Break - Life of Destructor 
990:2:2211::Parliament - Come In Out Of The Rain - Rhenium 
990:2:2214::Kate Bush - Waking The Witch - Hounds of Love 
990:2:2217::450 Fudge Tunnel - Excuse - Complicated Futility of Ignorance 
990:2:2226::Pungent Stench - praise the name of the musical assassins 
990:2:2244::Monie Love - Pups Lickin' Bone - Down To Earth 
990:2:2259::557 Jonah Sharp / Bill Laswell - Zurvan Akarana -Visitation 
990:2:2273::648 Testify - Ballroom Blitz 2001 -Ballroomkiller/ The Blitzkrieg Mixes 
990:2:2275::Savatage - 24 Hours Ago -Hall Of The Mountain King 
990:2:2280::450 Fudgetunnel - Cover Up -The Complicated Futility of Ignorance 
990:2:2289::Lee Perry - In This Iwa -Sounds from The Hotline 
990:2:2291::554 Incantation - Emaciated Holy Figure -Mortal Throne of Nazarene 
990:2:2305::188 The Skatalites - Guns of Navarone - Hi-Bop Ska 
990:2:2319::534 Oxbow - Sunday - COLL: Harakiri No.2: Bonus Single 
990:2:2323::554 Incantantaion - Essence Ablaze - Mortal Throne of Nazarene 
990:2:2333::Red Aunts - Sleeping In The Wet Spot - Drag 
990:2:2339::468 Babkas - Rocky and Rachel "Ants to the Moon" 
990:2:2353::502 Devoid - Go To Hell "Songs Of Mass Destruction" 
990:2:236::Agothocles - Stained - COLL: Split 7" with Excruciating Terror 
990:2:2390::439 The Crusaders - Yeah - Yeah "Yeah Yeah 7"" 
990:2:2420::230 Slut - the last month of pregnancy - Slut 
990:2:2425::230 Slut - the world according to c.m. - Slut 
990:2:242::B. Bergman, P. Brotzmann, A. Cyrille - Exhilaration - Exhilaration 
990:2:2439::Destroy - Crowd Control - Burn This Racist System Down 
990:2:2440::Destroy - Enforced Orthodoxy - Burn This Racist System Down 
990:2:2443::Destroy - Lethal Habits - Burn This Racist System Down 
990:2:2447::405 Soulstorm - destructive testing - from euphoria to paranoia 
990:2:2466::231 Society Gang Rape - React! - Society Gang Rape 
990:2:2481::Thirteen Nightmares - The Black and The White - Shitride 
990:2:2484::Minutemen - Big Stick - 3 Way Tie For Last 
990:2:2508::342 Alice Di Micele - The T.V. Song - Naked 
990:2:2528::Destroy - Anthem/Ad Nausem/F.Y.I.P. - Burn this Racist System Down 
990:2:2533::876 Doo Rag - Bull Dog - Chunked and Muddled 
990:2:2537::H - First Of The Last Calls - Metal Circus 
990:2:2538::146 Copass Grinders - Ogre - COLL: Blood Thirsty Butchers 
990:2:2539::717 Graveyard Rodeo - Taught Well - On The Verge 
990:2:2547::264 M.D.C. - Bombs Not Food - COLL: M.D.C./Capitalist Casualties 
990:2:2548::730 The Red Krayola - 101st - The Red Krayola 
990:2:2553::264 Capitalist Casualties - A Terrible Trait - COLL: M.D.C./Capitalist
990:2:2566::830 Hellchild - track 1 - Where The Conflict Reaches 
990:2:2576::164 Pluto - Journey of the Dunce - Shoehorse Emerging 
990:2:2578::H - Never Talking To You Again - Zen Arcade 
990:2:2584::231 Society Gang Rape - Life? - Society Gang Rape 
990:2:2602::224 C.C. Nova - Relax And Sleep - C.C. Nova 
990:2:2618::Paul Leary - Appollo One - The History Of Dogs 
990:2:2635::917 GodheadSilo - Mr. pushup - The Scientific Supercake L.P. 
990:2:2637::612 Stephen Kent - Anthem for the People - Landing 
990:2:2644::Sandals - Feet (Night Slam VI mix) - Feet 12" 
990:2:2647::999 Einheit / Brotzmann - Merry Christmas - Merry Christmas 
990:2:2654::868 Disintegrator - In The Machines - COLL: Analog Heaven 
990:2:265::Ink And Dagger - The changeling - Drive this ... 
990:2:2661::115 Pinhead Gunpowder - Big Yellow Taxi - Jump Salty 
990:2:2662::887 Moist - Where I'm At - Six Under Three 
990:2:266::Miranda July - Blodrage - 10 Million Hours A Mile 
990:2:2672::120 Space Streakings - Youngman II - T * 7-TOKU 
990:2:267::Csik Region - Men's Dance - COLL: Hungary & Romania 
990:2:2684::880 Thee Headcoats - Every Bit Of Me - Conundrum 
990:2:2687::896 Ween - Buenas Tardes Amigo - Chocolate and Cheese 
990:2:2688::547 Epidemic - Written In Blood - Exit To Paradise 
990:2:268::Yasunao Tone - Part II - Solo For Wounded CD 
990:2:2693::883 Internal Bleeding - Conformed to Obscurity - Perpetual Degradation 
990:2:2705::893 Terror Fector - Insain Blasphemous - Everlasting Hell Damnation 
990:2:2707::896 Ween - Take Me Away - Chocolate And Cheese 
990:2:2708::876 Doo Rag - Black Mini - Chunked and Muddled 
990:2:2710::Sinister - Corridors to the abyss - Cross The Styx 
990:2:2713::Cannibal Corpse - Force Fed Broken Glass - The Bleeding 
990:2:2718::883 Internal Bleeding - Anointed in Servitude - Perpetual Degradation 
990:2:2729::717 Graveyard Rodeo - Burn Out - On The Verge 
990:2:2733:: Dead Kennedys - Government Flu - Plastic Surgery Disasters 
990:2:2737::Lard - Fork Boy - The Last Temptation of Reid 
990:2:2760::429 Babyland - (De)Pressing Plant - A Total Let Down 
990:2:2768::762 Tetsuo Furudate - Scene 1 : Macbeth - Macbeth 
990:2:2769::762 Tetsuo Furudate - Scene 1 : Macbeth - Macbeth 
990:2:2784::454 Tempest You Jacobites By Name - Surfing To Mecca 
990:2:2797::Jerry Jeff Walker - London Homesick Blues - Viva Terlingua 
990:2:27::Jay Howlett - Vacancy - Songs From A Wooden Box 
990:2:2813::Deathline Int'l - War Chant Machine - Venus Mind Trap 
990:2:2814::K D Lang - The Mind Of Love - Ingenue 
990:2:2826::Waylon Jennings Willie Nelson - Luckenbach Texas - Ol' Waylon 
990:2:2833::Masterson Blackburn - Moonlight on the Colorado - Tune Wranglin' 
990:2:2834::Melt-Banana - Chicken Headed Racoon Dog - Speak Squeak Creak 
990:2:2837::Bob Wills - Faded Love - B. Wills Anthology 1933 
990:2:2850::761 Front Line Assembly - Until Death Remix - Millennium 
990:2:2851::765 Inner Thought - Diseased Infected Earth - Woorldy Separation 
990:2:2875::Soft Boys - I Wanna Destroy You - Underwater Moonlight 
990:2:2886::581 The Legion - Legion Groove - 12" Legion Groove 
990:2:2891::728 Pain Emission - Expected of Me - War Within 
990:2:28::Red Aunts - I Can't Do Anything Right - Saltbox 
990:2:2904::731 Souls At Zero - I Against I - Six-T-Six 
990:2:2906::Selecter - Selling Out Your Future - Celebrate The Bullet 
990:2:2907::The Toasters - New York Fever - New York Fever 
990:2:2915::Nurse With Wound - Colder Still - Thunder Perfect Mind 
990:2:2925::Selecter - Their Dream Goes On - Celebrate The Bullet 
990:2:2928::Primus - You Can't Kill Michael Molloy - Frizzle Fry 
990:2:2929::Primus - The Toys Go Winding Down - Frizzle Fry 
990:2:2941::Love And Rockets - All In My Mind - Express 
990:2:2969::Dead Kennedys - Do The Slag - Bedtime For Democracy 
990:2:2979::Dead Kennedys - MTV Get Off The Air - Frankenchrist 
990:2:2997::Napalm Death - Nazi Punks Fuck Off - Virus 100 
990:2:29::Fudge Tunnel - Sunshine of Your Love - Teeth EP 
990:2:3004::Dead Kennedys - Moon Over Marin - Plastic Surgery Disasters 
990:2:3007::Diamanda Galas - Tickets To The Funeral - Plague Mass 
990:2:3028::Circle Jerks - Back Against The Wall - Group Sex 
990:2:302::Godflesh - Go Spread Your Wings - Selfless (courtesy Mike) 
990:2:3045::Consolidated - The Sexual Politics Of Meat - Friendly Fascism 
990:2:3049::481 Assfactor 4 - Sheepskin Graft - Smoked Out 7" 
990:2:3052::S.O.D. - March Of The S.O.D. - Live At Budokan 
990:2:3064::Kate Bush - Waking The Witch - Hounds Of Love 
990:2:3081::429 Babyland - Ramona Moraga - A Total Let Down 
990:2:3098::Basehead - The Popeye Philosophy - Not In Kansas Anymore... 
990:2:3101::Riot Squad II - `Nonshlentustokken' Ode To Vortex - 12" 
990:2:3104::386 Noise Unit - Corroded Decay - Strategy of Violence 
990:2:3112::Black Flag - Drinking And Driving - In My Head 
990:2:3115::337 Neurosis - Reasons to Hide - Pain Of Mind 
990:2:3120::Rollins Band - Gun In Mouth Blues - Life Time 
990:2:3131::Rova - The Floater - From The Burea of Both 
990:2:3148::990 7 Year Bitch - Cat's Meow - Viva Zapata 
990:2:3161::454 Tempest - On The Road - Surfing to Mecca 
990:2:3172::997 Mandible Chatter - Arcalumis - Hair Hair Lock Lore 
990:2:3179::Sepultura - Orgasmatron, live - Slave New World CD Single 
990:2:3184::273 - Esplendor Geometrico - Hroe del Trabajo - 1980-82 
990:2:318::Land of the Loops - Welcome (Back) - Refried Treats 
990:2:3199::Dischange - Seeing, Feeling, Bleeding - 5 years Nuclear Blast 
990:2:3201::209 The Nugs - Pump - Bomb Hip Hop Compilation 
990:2:3207::926 Napalm Death - Primed Time - Fear, Emptiness Despair 
990:2:3218::938 Dazzling Killmen - My Lacerations - Face Of Collapse 
990:2:3224::990 7 Year Bitch - Track 1 - Viva Zapata 
990:2:3230::228 Boiled In Lead - Sugarfoot Congress - Antler Dance 
990:2:3244::785 Raw Fusion - Doo Doo MCs - Hoochfield Funk 
990:2:3254::Birthday Party - Deep In The Woods - Oct 1982 
990:2:3255::775 Dave Alvin - Goodbye Again - King Of California 
990:2:3256::228 Boiled In Lead - Sugarfoot Congress - Antler Dance 
990:2:3267::990 7 Year Bitch - The Scratch - Viva Zapata 
990:2:3268::H - I Will Never Forget You - Zen Arcade 
990:2:326::Fall Silent - Unnecessary Decoration - No Strength To Suffer 
990:2:3273::Cop Shoot Cop - Burn Your Bridges - Consumer Revolt 
990:2:3277::Sly The Family Stone - Que Sera Sera - Fresh 
990:2:3279::Karlo Takki - On And On - Karlo Takki EP 
990:2:3283::Cannibal Corpse - Bloody Chunks - Eaten Back To Life 
990:2:3301::Selecter - Selling Out Your Future - Celebrate The Bullet 
990:2:3308::182 Death Cube K - Terror By Night - Dreamatorium 
990:2:330::Painkiller - Parish of Tama (Ossuary Dub) - Execution Ground 
990:2:3325::Nurse With Wound - Colder Still - Thunder Perfect Mind 
990:2:3333::990 7 Year Bitch - Get Lit - Viva Zapata 
990:2:3347::Bomb - B/E/A/F/A/G - Lucy In The Sky With Desi 
990:2:3359::Fugazi - Returning The Skrew - In On The Killtaker 
990:2:3368::Fudge Tunnel - Sunshine Of Your Love - Teeth Up 
990:2:3371::182 Death Cube K - Maps of Impossible... - Dreamatorium 
990:2:3384::Brutal Truth - Regression Progression - Extreme Conditions Demand Extreme
990:2:3394::Eric Donaldson - Come A Little Closer - COLL:Skinhead Revolt 
990:2:3397::Dead Kennedys - Rambozo The Clown - Bedtime For Democracy 
990:2:3400::Ethyl Meatplow - Close To You - Happy Days Sweetheart 
990:2:3402::Slavemaster - Each One Teach One - Under The Six 
990:2:3409::Cannibal Corpse - Hammer Smashed Face - Hammer Smashed Face 
990:2:3415::Jungle Brothers - Blahbludify - J. Beez Wit the Remedy 
990:2:3426::Dead Kennedys - Stars and Stripes of Corruption - Frankenchrist 
990:2:3430::*Nuclear Assault - Sign in Blood - Out of Order 
990:2:3432::Stanford Prison Experiment -t's Expected, I'm Gone - Stanford Prison
990:2:3437::Sepultura - Slave New World - Chaos A. D. - 
990:2:3439:: Christoper Koenigsberg - Brains - Brains - Computer Music 
990:2:3455::Bugout Society - Boswell's Rap, Bugout Society "Just Say Yo!" 
990:2:3457::Black Sabbath - Children of the Grave "Master of Reality" 
990:2:346::D.O.A. - This is D.O.A. - New York City Speedcore 
990:2:3474::Metallica - For Whom The Bell Tolls "Ride The Lightning" 
990:2:3477::P J Harvey - Rid Of Me "4 Track Demos" 
990:2:3486::Monie Love - Pups Lickin' Bone - Down to Earth 
990:2:3495::Bob Dylan - World Gone Wrong - World Gone Wrong 
990:2:349::Mortician - Drilling For Brains - Hacked Up For Barbecue 
990:2:3500::Massimoto Niutti - Balcone Con Baustra - Sound from Hands 
990:2:3501::Nitzer Ebb - Fitness to Purpose - That Total Age 
990:2:3525::Cramps - TV Set - Songs the Lord Taught Us 
990:2:3537::Rollins Band - Gun In Mouth Blues - Life Time 
990:2:3542::Golden Palominos - Breakdown - This Is How It Feels 
990:2:358::M.I.R.V. - Technology Doctor - Feeding Time on Monkey Island 
990:2:365::Oh Freedom, a tribute to Judi Bari, 3/5/97 [TUC Radio] 
990:2:396::Darkthrone - As Flittermice as Satans Spys - Transilvanian Hunger 
990:2:3::Sept. 29 Howard Zinn: Democracy In America: Myth and Reality
990:2:419::Fall Silent - Looking In - No Strength to Suffer 
990:2:422::Strapping Young Lad - Oh My Fucking God - City 
990:2:430::The Selecter - Cool Blue Lady - Celebrate The Bullet 
990:2:433::Michael Parenti - Part 8: Who Governs? - Radio Democracy 
990:2:454::Scorn - Logghi Barogghi, Black Box II - Logghi Barogghi 
990:2:457::The Leaving Trains - Big Star - Smoke Follows Beauty 
990:2:474::Spazz - Crop - COLL: Split CD with Monster X 
990:2:494::Delta 9 - Headstrong (Full on remix) - Disco Inferno 
990:2:509::Mortician - Fog of Death - Hacked Up For Barbecue 
990:2:510::Deadguy - Turk 182 - Sc4reamin' With The Deadguy Quintet 
990:2:514::Bastard Noise - Re-Entry Chute Failure - Merzbow/ Bastard Noize 
990:2:516::Trust Obey - Hands of Fire - Hands of Ash 
990:2:522::Eugene Chadbourne - In Between Comme C and Come Saw 
990:2:533::Deadguy - Angry Dwarf - Screamin' with the Deadguy Quintet 
990:2:535::Gravy - Track 8 - After that It's All Gravy 
990:2:538::lurking below: Angel Corpse - Consecration - Hammer Of Gods 
990:2:53::Scrawl - 100 Doors, Contempt, Truth & Beche - Q 
990:2:554::Caspar Brotzmann & Page Hamilton - Suburban Blight - Zulutime 
990:2:557::Noam Chomsky - Colombia & The Drug War [Colombia Viva] 
990:2:567::Assuck - Socialized Crucifixion, The Thousand Mile Stare - Anticapital 
990:2:578::Fall Silent - Looking In - No Strength To Suffer 
990:2:593::Human Remains - Rote - Using Sickness as a Hero 
990:2:594::Obscenity - Intro, Disgrace Over You - The 3rd. Chapter 
990:2:598::The Torpedoes - The Hornet - Good For The Country 
990:2:602::Berserkers - Whiskey and Leather - Whiskey and Leather 7" 
990:2:624::John Butcher - Close To Reason - London & Cologne 
990:2:645::COLL: Viet Nam - Music from the City of Hue 
990:2:648::Negativland - Ask Pastor Dick, Muriel's Purse Fund, Bible Quiz 
990:2:656::Down To Reality - Broken Hope - Victim Of Money 
990:2:662::Malicious Intent - Face Of Evil - COLL: Orchestrated Chaos 
990:2:671::Obscenity - Intro, Disgrace Over You - The 3rd. Chapter 
990:2:672::Kato Hideki - Against The Sky - Hope & Despair 
990:2:680::Cat Power - Enough - What Would The Community Think 
990:2:694::Minutemen - Big Stick - 3 Way Tie (For Last) 
990:2:713::Red Aunts - I Can't Do Anything Right - Saltbox 
990:2:719::Only Attitude Counts - Respect - We Stand As One 
990:2:725::Monster Voodoo Machine - Adding Insult to Injury - Suffersystem 
990:2:727::Pica - Mechanized Horror - The Doctors Ate the Evidence 
990:2:733::Glyceine Max - Falling Apart - Violent Mind //Peaceful heart 
990:2:738::Rod Drug '95 - lesser - COLL: America Salutes Merzbow 
990:2:739::Sheila Chandra - Roots And Wings - Roots And Wings 
990:2:744::Godflesh - Kingdom Come - Songs Of Love And Hate 
990:2:749::Blood Duster - Intro, Theatre of the Macbre - Yeest 
990:2:78::Brutal Truth - Vision - Sounds of the Animal Kingdom 
990:2:794::Assuck - Socialized Crucifixion, The Thousand Mile Stare - Anticapital 
990:2:795::The Dwarves - Let's Fuck - Blood Guts & Pussy 
990:2:801::Fall Silent - Never Forget - No Strength To Suffer 
990:2:822::Abruptum - De Profundis Mors Vas Consumet - Nordic Metal 
990:2:825::Lesser - Rod Drug '95 - COLL: America Salutes Merzbow 
990:2:839::Nels Cline - Intro: Chant for the Road - Chest 
990:2:83::Embalmer - Rotten Body Fluids - There Was Blood Everywhere 
990:2:842::Sonic Youth - Death Valley '69 - Bad Moon rising 
990:2:844::Fall Silent - Looking In - No Strength To Suffer 
990:2:878::Tackhead - Ska Trek - Friendly As A Hand Grenade 
990:2:897::Lime Spiders - Beyond The Fringe - Slave Girl E.P. 
990:2:909::The Exploited - Affected By Them - Beat The Bastards 
990:2:916::De La Soul - Itzsoweeze (Hot) - Stakes is High 
990:2:923::Fall Silent - Looking In - No Strength To Suffer 
990:2:955::Noam Chomsky - Democracy and Education 10/19/94 Loyola University, Chicago 
990:2:978::Disintegrator - Locked on Target - COLL: Industrial Fucking Strength 
990:2:97::Anthrax - Belly Of The Beast - Persistence of Time 
990:2:995::The Exploited - Beat the Bastards - Beat the Bastards 
990:3:1034:: Six Reasons To Kill Drown in frustration from Absidia 
990:3:1159:: Trapped In Life On the pavement you were born 
990:3:1206:: Vidres A La Sang El Mes Dur Sempre Guanya 
990:3:1214:: Viscera Slappin' your Shit Caked Lips with my Cock 
990:3:197:: Carnivore Diprosopus Filled My Stomack With A Pregnant's Corpse 
990:3:499:: Goat Of Mendes A Tale Of Doom And Passion 
990:4:138:: shallow. Are we really stuck together in Indian love?
990:4:173:: embarrassed to enter his Indian camp in the nude.
990:4:178:: My finger is smaller but so is my asshole.
990:4:191:: his manly urges. Knowing him, thatll probably be soon.
990:4:1:: (Part #5 of 10) Copyright 1995 by Vince Water
990:4:211:: glance over his slim form to see that here
990:4:246:: be sitting in his lap and holding him close.
990:4:261:: breast on mine. Our bodies intertwine and I sigh.
990:4:262:: The brave rubs his long hair against me in
990:4:301:: difficult since we dont have a trail to follow.
990:4:31:: I imagine something. Owopspec is that warrior from pam
990:4:334:: like himself though older and wearing several head-feathers. Their
990:4:84:: His oozing penis slips through my butt with care.
990:6:13:: A bstract Q - S tains And S cribbles 
990:6:168:: A lien S ex F iend - T arot 
990:6:181:: M arc A lmond - S tranger T hings 
990:6:184::Cabaret - there was an album befitting the be-jeweled man.
990:6:186:: A lphastone - L ife Is A M otorway 
990:6:18:: R ob A cid - A ndere S chatten 
990:6:197:: M ark A mbrose - M emory S tatus 
990:6:205:: A menti S uncrown - G olden N adir 
990:6:211:: A menti S uncrown - Z enith P itch 
990:6:226:: I s nostalghia just a case of mistaken identity?
990:6:269:: A ntenna F arm - E arly M ess 
990:6:276:: A ntenna F arm M ain - A F_M 
990:6:437:: K oji A sano - Q uoted L andscape 
990:6:453:: A sh R a T empel - F riendship 
990:6:517:: -Deuteronemu "No Gods, No Masters" 90210, Scourge Of Capitalism- 
990:6:529:: A tlon I nc - M ain T hings 
990:6:552:: A ube - B lood B rain B arrier 
990:6:576::different beat, dancelike in its orientation. It moves into another
990:6:579:: A uch - R emix T omorrow G oodbye 
990:6:637:: L ouie A usten - O nly T onight 
990:6:653:: A zcar L etal - A zcar L etal 
990:7:109::mazzy star- among my swan ( not metal, but amazing) 
990:7:138::Personally (that spelled right?) these are the ones I'd recommend 
990:7:146::Machine Head, Burn my Eyes and The More Things Change 
990:7:147::Pantera, Vulgar Display of Power (cant believe this wasnt mentioned) 
990:7:166::Pantera, Vulgar Display of Power (cant believe this wasnt mentioned) 
990:7:186:: Cremo 05-04-2003, 22:41 HIM - Razorblade romance great album 
990:7:308:: Mordeth 21-04-2003, 16:29 and ffs stop bitching about grammer!! 
990:7:30::Queens Of The Stone Age - Songs for the Deaf 
990:7:78:: deco 17-09-2002, 13:09 Manic Street Preachers - Holy Bible 
991:0:100::Cris Williamson Vicki Randle): love song, sexual gender unpronounced. 
991:0:1011::Contents: Face the Music; Change; Nipper; Mountain Song; Sweet
991:0:1019::Contents: Hello Hooray; Joanna; The Hive; Valentine Song; Scars;
991:0:1042:: Cris, and part of the lyrics is to
991:0:1054::Germany 1983. Lyrics on inner sleeve *. LP . 
991:0:1076::Germany. Uden tekstbilag. LP . (MusiCassette 57 117 DT) 
991:0:1093::Pray To Your God (4:30): Savn af den elskede. 
991:0:1094::Bitter Beginnings (3:37): Bitre erfaringer hindrer ikke tiltro til
991:0:1099::Dette debutalbum indeholder ni billeder fra en bsses liv,
991:0:1101::Songs sensitively and honestly dealing with the experience of
991:0:111::record company. Musicians, producer and engineer are lesbians too. 
991:0:1151::Disenchanted (Somerville/Coles): I'll be your friend ... hey young
991:0:1156::need to abandon your girlfriend as you are gay. 
991:0:1158::Loverman (Davis, Sherman, Ramirez): Longing for the Loverman, oh
991:0:1162::Forbidden Love (Somerville/Coles): about gay love, give in to
991:0:1167:: The Communards: , London Records LP 828 066-1,
991:0:1179::ignorance about gays, but No-one to blame, there's only
991:0:1200::Volume IV, Breakaway BWY 70, England 1983, recorded 1969,
991:0:1231::Also available on single: Elektra E-47255 (USA), duration: 2:43. 
991:0:1238::me baby, fuck off. Song for a 'prick tease'. 
991:0:127::Myself; Falling In Love Is Easier; Womansong Rise Up. 
991:0:1285::PMC715 (O.C.062.05328M), UK undated (rec. 1951?) (time: 3:15), cabaret
991:0:1325::detektive/policeman makes investigations in the gay milieu hunting a
991:0:137::(The women of Alive). Lesbian group consisting of: Barbara
991:0:1404::Woman (3:17)(Hunter Davis/Mischief Publishing BMI): all I know is
991:0:141::Live record recorded 17.-19. May 1981 in San Francisco. 
991:0:1421::Liedermachermusik. LP . Text und Musik: Franz Josef Degenhardt. 
991:0:1436:: Johnny Delgada: r inte som andra / Achilles
991:0:143::AM Records SP-4739 (USA), AMID 134, AMLH 64739 (UK). 
991:0:1454::[Uncertainty about correct title.] Demert is a Swedish singer. 
991:0:1484::So schwul kann doch kein Mann sein (3:43)(Moslener, Mhring,
991:0:1503::schlaf nicht gern allein ein) (4:10) (G.Gabriel/Spez.-T.: A. Gordan/G.
991:0:1509::Themas: Bearbeitung von Ignaz Kimme und Peter Hameg) (3:27)
991:0:150::Angels With Dirty Faces (3:49)(Words and Music: Adrienne Anderson 
991:0:1542::Gira, David van Tieghem, Jessica Hagedorn The Gangster Choir. 
991:0:1548::weapons any more, and they dress a little risky. 
991:0:1557::Divine er trans/drag. Han er kendt fra filmen Polyester. 
991:0:1586:: Alix Dobkin: , Women's Wax Works A 003 
991:0:1592::Denny's Tune (4:58) - Living in the Country (3:15). 
991:0:1621::Also performed on: , Pye FILD 004, (UK, 1977,
991:0:1629::numre, der har det tydeligste b derudover fire andre
991:0:1634::Olav Madsen, Rie Petersen, Henrik Hytteballe, Lars Heumann og
991:0:1637:: Dr. Fish: vd og fortalt det i alle
991:0:1646::Freaker's Ball (2:46) - Get My Rocks Off (3:04). 
991:0:1666::Brewers Droop (Lemon/Hughes/Cooke): he doesn't understand why his arse
991:0:166::Loneliest World (4:51) , Riff Records ApS RIFF 0501. 
991:0:1670::Fan Club, 37B New Cavendisch Street, London W1M 8JR. 
991:0:1706::Hotel California (6:30) er nvnt af flere af hinanden
991:0:1708::Hotel California var vist et bssehotel, hvor elskende par
991:0:1712::September (3:32)Love was changing the minds of pretenders /
991:0:1728::USA 1987. Lyrics on inner sleeve. Pop. LP . 
991:0:1785::(5:50); Angry Atthis (2:45); Everywoman (3:11); Bottom Line (3:15);
991:0:1794::mit ihrer Freundin gehen will, ohne dafr diskriminiert zu
991:0:1809::fyr ... og jeg elsker ogs (sunget af mand) 
991:0:1810::En truet art (5:29)(Bay): r sgu godt de lebtiske,
991:0:1832::ikke ret kendt uden for bsse-/lesbiske kredse i Canada-USA. 
991:0:1854::- Poetry (4:20) - Mother Rage ( : ). 
991:0:1857::Making Love (Carole Bayer Sager/Burt Bacharach/Bruce Roberts): Title song
991:0:1878::West-Berlin, Tyskland 1975. Engelsk/tysk. Tekstbilag *. Rock. LP . 
991:0:1883::lebbemusik, sher kommer vi fanme, og vi vil skide
991:0:1888::Buchvertrieb, Mehringdamm 32-34, D-1000 Berlin 61. Flere medlemmer af
991:0:1902::De homofile (3:41) : Opfordring til bsser, lesbiske, feminine
991:0:1903::mre sig fri, selv om de betragtes som perverse.
991:0:1915:: Frankie Goes To Hollywood: Welcome To The Pleasure
991:0:1932::UK [no date] English gay drag, cabaret live, LP. 
991:0:1942::Canada 1985. Choral. AIDS Comm. of Toronto. Gay. Maxi. 
991:0:1943::A: uptempo. B: full chorus version. No writing credit. 
991:0:1956::Francisco; indledes med en redegrelse for baggrunden for sangen.
991:0:1997:: Kay Gardner: , Urana Records ST WWE 83 
991:0:2013::Jeffrey C. Jones: Song for His 'n' Hers (7:11) 
991:0:2015::Malvina Reynolds: Love Somebody (Ginni Clemmens, vocal and guitar)(3:06) 
991:0:2040::Side 2: Radio version 3:30 - Instrumental version 3:00. 
991:0:2051::[Beverly Hill's song] (0:58): tv-reporterens sang om lesbiske som
991:0:2052::studieobjekt - Make-up (2:59) - Amanda Hobson knows (2:13). 
991:0:2064::shows a picture of lesbians as part of her
991:0:2067::follows the changes in their lives. Kort: et lesbisk
991:0:2098::muscle, You know what I need - body beautiful. 
991:0:2105::(revydirektr fra 1919) og skrev selv sine tekster. Teksten
991:0:2112::Side 1: Instru-Mental (2:10)(Eschi Rehm/Mabel); Die Gesunden kommen (3:25)
991:0:2120::Stiehler. Cover: Die Gesunden. Coverfoto: Horst Blohm. Produziert von
991:0:2146::hvori det ophidsende relevante skulle best GPS er udkommet
991:0:2155::William S. Burroughs / John Giorno, GPS 006-007 * 
991:0:2156::Biting Off the Tongue of a Corpse, GPS 005 
991:0:2163::Lenny Kaye Connection, I've Got A Right, GPS 032 
991:0:2166::Who You Staring At? (Glenn Branca/John Giorno), GPS 025 
991:0:2177::Oreste och Pylade i Iphig. en Tauride 1779, r
991:0:2182::relevant fr gay-medvetandet runt om i det franskinfluerade Europa
991:0:2196::What Makes a Man a Man (3:34)(Pizer) (see Aznavour) 
991:0:2224::Etwas Warmes (3:28) (H. GrSag' mal Ohrring, wieso /
991:0:2269::Tyskland 1978. Tekstbilag i visse udgaver *. Punk/rock. LP 
991:0:226::Many word puns and vulgar humour about gay life. 
991:0:2273::Nina Hagen betegner sig selv som bisexuel. - Debutpladen. 
991:0:2276::Hamburg, Tyskland 1979. Tekstark vedlagt *. Punk/rock. LP . 
991:0:2301::Ville (3:14) om to skoledrenge pr, der elsker hinanden
991:0:2314::vill inte ha glamourb Castro Street, jag vill ha
991:0:2324::Tnk om... (2:40)(Ante Ekman/Hans Hanner): bare jeg kunne lade
991:0:2336::UK 1975. Pop. With lyrics sheet *. LP . 
991:0:2351::The lyrics of this album are printed in Heller,
991:0:2367::Andr Heller singt Schnulzen, Schlager, Chansons aus den 20er,
991:0:236::Folke Antonsson is the choirmaster of Stockholm Gay Kr. 
991:0:2377::Vorbilder, weil der Heller mindestens ebenso verrucht seufzen und
991:0:2383::Schwuler geht's nimmer, besser auch nicht: diese homoerotische Variante
991:0:2394::Germany (no year of publication stated). Cabaretshow. LP . 
991:0:2465::Tyskland 1979. Tekst p cover *. Liedermachermusik. LP . 
991:0:2471::Tyskland 1979, tekst p inderpose *, Liedermachermusik, LP . 
991:0:2472::Sie nennen mich Tunte (3:14)(K. Hoffmann): Tre sig selv,
991:0:2476::publikum og tr selv er han Spitzenattraktion kl. 12,
991:0:2481::Then He Kissed Me (Spector/Greenwich/Barry): Male vocal; He walked
991:0:2489::Bear, Language Problems, Sixty Million Lovebugs, Sex-War, instruction 1)
991:0:2496::to the 1 to 7 Scale; TGG; Sarah Straight
991:0:2520::i Berlin (se side 188 i Mnner-Liebe, rororo 7658). 
991:0:2524::Sex in der Stadt (5:30)(Braunsteiner, Egg/Weibel): ein Montage von
991:0:2539::Things (5:24); I'm Sorry (4:20); A Woman's Woman (4:20). 
991:0:254::Me Myself I (3:16): would like to have ,
991:0:2557::Queen Merka and me ( : ): about gays. 
991:0:2565::faggots are animals); about a Norwegian pastor's crusade against
991:0:2578::Imagination: , Red Bus RBLP 1006. England 1983. U/tekst.
991:0:2600:: Indochine: )(D. Nikolas - N. Sirkis) / 3
991:0:2605::Studios, London. Licensed to Stranded Rekords by Ariola, France. 
991:0:2616::Fufi Sonnino: Lesbica (2:20): rt at skrive en smuk
991:0:2619::forandres, betyder ordet p italiensk pludselig kusse. Da jeg
991:0:2620::endelig besluttede mig til at bruge ordet homo-sexualitet, reagerede
991:0:2622::sang er bygget op over dobbeltbetydninger, f.eks. betyder den
991:0:2627::Japansk gruppe med bl.a. to erklsser, men vist ikke
991:0:2684::Til en mandschauvinist (2:35): om vrangforestillinger om bsser og
991:0:2700::Aftenrde (4:33): fascistens sang, skru tiden tilbage til dronning
991:0:2701::Victorias tid, udryd de homosexuelle; tider skal komme ... 
991:0:2721::motesak, og da jeg for noen t om dette,
991:0:2727::Nightporter (D. Sylvain)(6:48): om jagt efter krligheden i natlig
991:0:2728::regn; kan tolkes homosexuelt, men ingen tydelige referencer. Sangeren
991:0:2789::USA 1981. Lyrics on inner sleeve *. LP . 
991:0:2793::Just Like Belgium (4:08)(John/Bernie Taupin): Just like a hustler
991:0:281::Bruno ... Sixten och Knut stod inte ut ...
991:0:2836::P 1984, engelsk. Tekster p inderpose *. LP . 
991:0:2838::i seng med 100 kvinder eller mrk i lyst
991:0:2885::burgermannetje, die in de gemeenteraad van zijn geboortestad, Chicago,
991:0:2912::Alene (Finn Kalvik - Ted Grdestad/Finn Kalvik): om ensomhed. 
991:0:2929::van Druten's scenebearbejdelse af Christopher Isherwood's Goodbye to Berlin
991:0:2950:: Kinks: Lola versus Powerman and the Moneygoround: Kinks,
991:0:296::Lesbians from West Berlin playing experimental rock. Ausserhalb consists
991:0:2971::P 1985. Original Soundtrack with music dialogue. LP . 
991:0:2996::ist ganz egal, es gibt nur Dich fr mich. 
991:0:3014::Danmark 1984. Viser (revy, kabaret, refrain). 2 LP . 
991:0:3055::moeten gaan bekijken. 'n Warm-menselijk, eerlijk programma over liefde
991:0:3063:: Bulletje en Bonestaak en maakte verschillende graaggedraaide singles.
991:0:3089::White Patterns (4:18)(Haggerty); Sure Is Hard To Tell (0:20)
991:0:3095::medium, Haggerty explores the questions of gay liberation, sanity,
991:0:3143::Dahlqvist. Orchestra and choir leader: Staffan kerberg. (Ur Rondex
991:0:3145:: Lillemor: Willst du meine eig'ne Freundin sein (2:52)/Komm,
991:0:3170::Lover Man (4:24)(Ramirez/Davis): Lover man, oh where can you
991:0:3189::London 1985, dansksproget. Tekster p inderpose *. LP . 
991:0:3198::Kbenhavn, Danmark 1984. Fra musical Berlin '84. LP . 
991:0:3219::Belgium 1973, Dutch. No lyrics enclosed. Ballads/Lieder. LP . 
991:0:3220::Long's dbut LP. The contents correspond partly to the
991:0:3222::the stage name of Jan Gerrit Bob Arend Leverman. 
991:0:3238::ganz verschnappt. Natrlich haben wir ihm eins auf's Maul
991:0:3243::Andre numre, bl.a. Abschied (5:56) kan fortolkes som bssenumre,
991:0:3246::(Polydor 821 271-1, Hamburg 1984), hvor titelsangen mske kan
991:0:3251::af bl.a. homosexuelle. Robert Long himself is openly gay.
991:0:3271::kleiner Junge (2:55) og Thorbeckeplatz (3:31) (se kommentarer under
991:0:3277::Homo sapiens (4:20), Thorbeckeplatz (5:30) and others. See descriptions
991:0:3304::Lesbiske sange: Ich kann es nicht mehr h Gleich
991:0:3339:: Maxx Mann: , Red Dog Productions RD 4444. 
991:0:3403::mod at drikke juice, som hun gjorde reklame for. 
991:0:3437::USA 1985. Med tekster p inderpose *. LP . 
991:0:3439::umiskendeligt bsset og teksterne tvetydige, f.eks. Living On My
991:0:3459::Original Motion Picture Score. With Dustin Hoffman Jon Voight.
991:0:3498::Jan Monrad: manden. Trille: kvinden. yvind Ougaard ved orglet.
991:0:349::American drag star from California, imitating Judy Garland, Barbra
991:0:3524::liberation movement - intimacy, maschismo, women's rights. Goodbye John
991:0:3537::Bizarre (Warner Brothers, Reprise) MS 2042 (USA); K-44150 (UK). 
991:0:3583::You've Got Me Flying (3:16); Sister-Woman-Sister (3:21): skrevet efter
991:0:3625::Holly Near f smukkeste vis deres form for sange
991:0:3636::Pladen indeholder isr tekster om krig, fred og undertrykkelse. 
991:0:3637:: Holly Near, Arlo Guthrie, Ronnie Gilbert, Peter Seeger:
991:0:3656::Christmas selection by Bruckner Ave Marie, Sweelink 'Hodie Christus
991:0:3665::Mercury 6336 280, Mercury 6338270 (UK), SRM1 675 (USA). 
991:0:3669::harmonika gonggong. Arthur Harold Kane bas. Jerry Nolan trommer. 
991:0:3673::David Johansen singer; Johnny Thunders lead guitar; Sylvain Sylvain
991:0:3707::Great performances of music from the legendary Diaghilev ballets,
991:0:3709::between [the] young [ballet dancer] Nijinsky [1889-1950], the paternal
991:0:3718::War, hvor han synger sangen Total Eclipse (text/musik: Klaus
991:0:3739::f Kun perifert relevant. Sangen Lesbica af Fufi Sonnino
991:0:3758::cover stHello gays! Velkommen igjen til din egen homofile
991:0:3771::Gay Christian (1:46)(Rowan Atkinson): Are you a gay christian?
991:0:3773::homosexual ... God's like that ... he hates poofs. 
991:0:3777::Medvirkende: Terry Southern, William S. Bourroughs, John Giorno, Patti
991:0:3779::Anne Waldman, Laurie Anderson, Julia Heyward, Allen Ginsberg, Peter
991:0:3797::Holland 1984. English. Canadian gay group. Pop Acapella. LP. 
991:0:3806::Karin Boye was a lesbian Swedish author from Gteborg. 
991:0:3820::New synthesizer band focussed on androgyny. 12 new songs. 
991:0:3839::Everything But the Girl: I Don't Understand Anything ;
991:0:3846:: BETTY : Kiss My Sticky (Udderly Romantic) ;
991:0:3850::lesbian and gay rights, OUT LOUD writes a new
991:0:3859::lesbians, gay men, bisexuals, transgendered people, and people with
991:0:3868::Starring: Steve Bluestein, Jay Grossman, Anthony Holland, Howard Itzkowitz,
991:0:3892::12. Remixed: Klimaxxx No Fax Lucien for Stealth Records,
991:0:3896::Distributed by: ZYX Music Germany, Schwanenwall 33-35, D-44135 Dortmund. 
991:0:3940:: Ole Paus: , EMI 8C 062 37 442 
991:0:3942::Hvem er den mannen: En mand sidder alene pnk,
991:0:3949::veggen i urin: Guds fred, Guds fred, Guds fred. 
991:0:3976::Francisco. Camp male actress Charles Pierce imitating Bette Davis,
991:0:3989::Arnold Layne (2:52)(Barrett): transvestite rock; also 1971 on compilation
991:0:3996:: In the Flesh: om minoritetsgrupper bl.a. The Queers. 
991:0:399::personal decay and a hangover in a gay bar. 
991:0:4001::bssesange. De fleste af teksterne findes i en lille
991:0:4024::Instrumental by Weia and Rymke, recorded Feb. 20, 1984.
991:0:4037::favourite gay entertainer. Promoted by Consenting Adults In Public
991:0:409::USA 1976. Lyrics on inner sleeve *. LP . 
991:0:410::Understand (5:08)(Virginia Rubino): Do you feel like you've been
991:0:4111::(3:59); Translations (2:59); Merry-Go-Round (5:06); Dyke (2:47); Old Friends
991:0:4123:: Lou Reed: , RCA NL13806 RCA INTS 5061
991:0:4127:: Lou Reed: , RCA APL1-0207, RCA INTS 5150
991:0:4128::(cassette: INTK 5150), RCA RS1002 (UK), RCA 10207 (USA). 
991:0:4139::Velvet Underground , 2315 258 super (Musicassette 3110 258,
991:0:413::Kahlua Mama (3:50)(V. Rubino/Gioia Siciliano): It's for you the
991:0:4157:: Risen From the Rank: , EP 01, S.I.A.E. 
991:0:4166::Gay (Tom Robinson); Martin (Tom Robinson); Right On Sister
991:0:418::Lesbian band: Virginia Rubino, Jerene O'Brien, Peggy Mitchell, Janet
991:0:4201::Black Angel (4:02)(Robinson/Robinson): Steve forelskede sig i en negerdreng,
991:0:4218::Coldharbour Lane (6:30)(Robinson): Mde med en fyr i et
991:0:4221::Glad To Be Gay (5:05)(Robinson): om politiets forflgelse af
991:0:4231::soul brother Steven, the man that I missst kortvarige
991:0:4248::Mad About The Boy (4:07)(NoI'm mad about the boy,
991:0:4251::a gay showr af en stor rosa trekant af
991:0:425::Ingen kommer undan politiken (2:56): sexual-political song adopted by
991:0:4260::leave it (4:17); Bitterly disappointed (4:14)[reminds us of parental
991:0:4296::Tom Robinson Information Service: Roz Harvey, 75 Colombo Road,
991:0:4302::playwright Drew Griffiths killed by a hustler, July 1984. 
991:0:4313:: Chris Robison : Lookin For A Boy Tonight. 
991:0:4317::P 1969. Lyrics sheet stitched in *. LP . 
991:0:4321::(see this) and with Bette Midler on , Atlantic
991:0:4343::D spelade Stones in Cocksucker Blues (3:30), men bolaget
991:0:4360::the boys than with his wife, not mentioned why. 
991:0:438::San Francisco Bank Song (3:40)(S. Shanbaum): nobody even guessed
991:0:4394::lesbian activists around the world: past, present and future. 
991:0:4414::Macho Man (3:52); Bobby, Raoger And What I Also
991:0:4416::Hometown (2:42); Wounds Of Love (3:40); Stand-By Man (3:16). 
991:0:4433::political songs. Most known LP is . They have
991:0:4443::Sexual Outlaw (3:31): about male prostitutes cruising the street. 
991:0:4453::Under One Roof (4:33)(Richardson/Williams) om Billy, der stak af
991:0:4506::From Tannhuser (4:26). - Songs by Sibelius, Gershwin, Bruckner,
991:0:4512::communities in which we live (from the liner notes). 
991:0:4515::and I Take the World can be downloaded from
991:0:4541::udgangsmelodi i Radio Rosas udsendelser og i flere andre
991:0:4543::Other version on Comp.-LP , (time 5:14), CBS 98119.
991:0:4564::Rocky Wednesday, PO Box 4948, Vancouver B.C. V6B 3W2 
991:0:456::Nicole (Debbie Lempke)(4:23): Dreaming about and longing for 'Nicky'. 
991:0:4578::Danceteria Lady. Now gender-free (ahem!), reaching for spiritual heights
991:0:4579::with his hardcore Flipperesque gospel rock band. (Advocate 451,
991:0:4586::For Tryna; Ninetty; Remember; Well Story (Tryna)(recitativ); Well Song;
991:0:4589::Lesbian music for lesbians only. Produced and distributed by
991:0:460::Takes More Than Time (Bonnie Lockhart)(4:59): got to organize
991:0:4633::Lena (3:30)(Anne Linnet/Linnet): Lena stod p kajen og ventede
991:0:468::Darling Companion (N. Vogl)(2:45): About normal upbringing and education
991:0:4710:: Nina Simone : erklret lesbisk jazzsangerinde, skriver selv
991:0:4727::Holly Near: A Perfect Night (2:24)(H.Near Jeffrey Langley): Comment
991:0:4751::munter vise (r din kone gennem vridemaskinen, hvis dit
991:0:4756::Small's personable, charismatic concert style is conveyed by his
991:0:4765::Accept Yourself - Wonderful Woman , Rough RTT 136.
991:0:4778::Hand In Glove (3:14) om uacceptabel kand if the
991:0:478::The chameleon queen of master disguise, Area's tableau vivant
991:0:4795::on single RT 191). Vicar In A Tutu (2:21) 
991:0:4818::Cherbourg (2:59); Dance the night away (3:25); Verlaten (4:34). 
991:0:4847::Jim Murdoch Michael Lewis, 1808 No Van Ness, Hollywood,
991:0:4894::der sl gaden. - Also on single: Warner Bros.
991:0:4915::Somebody's Been Using That Thing (The Hokum Boys) 1930. 
991:0:4918::Sissy Blues (Ma Rainey and her Georgia Band) 1926. 
991:0:4921::Windy City Blues (Ruth Ladson and Three Shadows) 1941. 
991:0:4925::A Love Worth Fighting For, the groundbreaking, critically acclaimed,
991:0:4936::Boyss (5:00)(Staffan Birkenfalk - Benna Srman - Olle Olander):
991:0:4939::Sweden 1979. Lyrics on inner sleeve *. LP . 
991:0:4983:: presset i rosa vinyl! samt F-79010 TWO-RECORD SET
991:0:5042::Griffenfeldtsgade under foregivende af at ville vise ham nogle
991:0:5064::Denmark 1986. Lyrics on inner cover *. LP . 
991:0:5067:: Tatiana Troyanos : lesbisk grsk/tysk operasangerinde bosat i
991:0:5082::You're My Home (3:44); Let It Be Known m.fl. 
991:0:5083:: Peter Tschaikowsky: Symphonie Nr. 6 h-moll op. 74
991:0:5102::Hot Buttered Or Plain/Roles (1:38)(Tyler); The Drag Ball (4:15)(Tyler);
991:0:5109::Recorded live at Univ of New Mexico, Alberquerque, USA. 
991:0:5142::P 1977, svensk, tekst p inderpose *. LP . 
991:0:5165:: Och homosexuella. [fra anmeldelse af Jan-Olov Andersson i
991:0:5179::Avantgarde-betonet musik. Gruppen bestr af 3 medlemmer, 2 lesbiske
991:0:5316:: - Music: Eschi Rehm Reiner Borchert et al. 
991:0:5323::1986: Friends, diesen sympatischen Titel gab Dionne Warwick ihrer
991:0:5324::jngsten Langspielplatte. Wobei es mit den 'Freunden' so seine
991:0:532::Blowfly Rides Again (5:14): yepee-yi, whore, yeepee-yi, gay, gonna
991:0:5356::garonne er en drengepige, en navnlig i 1920'erne anvendt
991:0:5357::betegnelse p en drengeagtig, emanciperet ung kvinde, der lod
991:0:5369::Gay theatre group (Netherlands) [Pink Book 85, p. 116]. 
991:0:536::(1947-1977) adrogynous looking lead singer of Tyrannosaurus Rex (later
991:0:5371::Holland 1983, engelsk. Tekster p inderpose *. LP . 
991:0:5372::Bad Boys (3:21)(George Michael): drenge der udvikler sig mod
991:0:5375::Pat Parker and Judy Grahn), Olivia Rec. LF 909. 
991:0:540::'Electric Warrior' (1971), 'The Slider' (1973), 'Bolan Boogie' (1974).
991:0:5411::Sweet Woman (3:52); Dream Child (4:23); Shooting Star; Sister. 
991:0:5447::A good listen. Anmeldt i Body Politic sept. 1982. 
991:0:553::Borghesia is a group from Ljubljana (Slovenia) in Yoguslavia. 
991:0:5576::added to his own material. In 1990 he published 
991:0:5578::of Gay and Lesbian Recordings An index of published
991:0:562::USA [no date]. English. Gay drag cabaret monologues. LP. 
991:0:599::, RCA Pl 14202 including John I'm Only Dancing, 
991:0:657::A Musical Comedy performed by the Out About Theatre. 
991:0:662::two June weddings: Duke marries Mrs. Simpson, O'Brien marries
991:0:665::in order to hide his gayness to the public. 
991:0:670::It Up For Love (Reprise)/Farewell at Victoria Station/Finaletto (2:34);
991:0:674::Different recordings available with different performers, some with a
991:0:684::contains an almost pornograhic 'teatre play' describing a homosexual
991:0:689:: Boys Town Gang: , ERC Records ERCLP 101 
991:0:705::Songs by Luc Bral / Lewis Furey et al. 
991:0:732::The original music from Granada Television's dramatisation of Evelyn
991:0:733::Waugh's Brideshead Revisited. Composed and conducted by Geoffrey Burgon. 
991:0:745::Brittens operaproduktion, thesis of musics science 1984, 82 pages. 
991:0:747::fascination Analyse af Thomas Mann: 'Der Tod in Venedig',
991:0:750::Both available as photocopy in F-48's library, Knabrostrde 3,
991:0:768::Beverly Lauridsen, Jesse Levy, mark Shuman ... et al. 
991:0:769::Bronski Beat is a gay London group, electro-funk trio. 
991:0:77::George Hannah: Freakish Man Blues (2:46) Oktober 1930. Social
991:0:789::England 1986. Lyrics on inner sleeve *. LP . 
991:0:792::his love... - is like 'Smalltown Boy' part two. 
991:0:804::Germany 1977. Gay Rock. LP . Distribution: David Volksmund
991:0:807::schon auf Dienstag (3:53); Mitten drin im Jugendrausch (3:07);
991:0:812::First German gay cabaret group playing aggressively agitating against
991:0:826::homosexuality. - Against Mrs. Bryant, see: Manfred: Message from
991:0:844:: William S. Burroughs: Nothing Here Now But the
991:0:84::George Noble: Sissy Man Blues (2:37) March 1935 unissued. 
991:0:886::parents-in-law are to meet the 'parents' of the bridegroom. 
991:0:90::USA 1976. Lyrics on cover *. Folk/beat. LP . 
991:0:942::Germany 1979. Drag show. LP . (Vertrieb: Intercord Ton). 
991:0:94::Sweet Friend of Mine (2:49)(vocal: Margie Adam Meg Christian):
991:0:955::Gloria Fox: Karoussel (Frederic Botton/Max Colpet); Everest: Je cherche
991:0:965::C'est vrai (Oberfeld); Je n'peux pas vivre sans amour
991:0:966::(Gabaroche/Perly/Pruvost); Ich bin von Kopf bis Fu auf Liebe
991:0:968::mir was aus (Hollaender); Kann denn Liebe Snde sein
991:0:976::Featuring: La Domino, Lana, Marcel Andr, Pepa Darena a.o.
991:0:980::P 1984. Concours de la Chanson Gay - 1984. 
991:0:983::USA 1982. Gay. Religious Parody. LP-Cassette with associated book
991:0:987::Only Zombies (0:48); Valencia St (1:25); Community United Against
991:0:994::(2:15); Old Lesbianism (1:35); Leaning On The Everlasting (1:33). 
991:1:167:: Napalm Death - Enemy Of The Music Business 
991:1:185:: Queens Of The Stone Age - Rated R 
991:1:186:: Nevermore - Dead Heart In A Dead World 
991:1:187:: Amen - We Have Come For Your Parents 
991:1:218::12. Angels Of Light - How I Loved You 
991:1:234::28. Emperor - Prometheus: The Discipline Of Fire Demise 
991:1:235::29. Techno Animal - The Brotherhood Of The Bomb 
991:1:239::33. Masters Of Reality - Deep In The Hole 
991:1:243::37. Lost Soul - Scream Of The Mourning Star 
991:1:252::5. The Great Deceiver - A Venom Well Designed 
991:1:26::10. Brutal Truth - Sounds Of The Animal Kingdom 
991:1:273::26. Agoraphobic Nosebleed - Frozen Corpse Stuffed With Dope 
991:1:280::33. Today Is The Day - Sadness Will Prevail 
991:1:319::30. Twisted Tower Dire - Crest Of The Martyrs 
991:1:376::3. Dead Kennedys - Fresh Fruit For Rotting Vegetables 
991:1:407::34. Hard Skin - Hard Nuts And Hard Cunts 
991:1:415::42. Subhumans - From The Cradle To The Grave 
991:1:42::26. Sick Of It All - Built To Last 
991:1:460::Helloween - Keeper Of The Seven Keys Part Ii 
991:1:465::Iron Maiden - Seventh Son Of A Seventh Son 
991:1:475::Megadeth - So Far, So Good ... So What? 
991:1:493::Nick Cave And The Bad Seeds - Tender Prey 
991:1:53::5. Morbid Angel - Formulas Fatal To The Flesh 
991:1:576::Killing Joke - Extremities, Dirt And Various Repressed Emotions 
991:1:605::Rage Against The Machine - Rage Against The Machine 
991:1:61::13. Refused - The Shape Of Punk To Come 
991:1:620::Swans - White Light From The Mouth Of Infinity 
991:1:63::15. Iced Earth - Something Wicked This Way Comes 
991:1:658::19. Gore Beyond Necropsy - Noise A Go Go!!! 
991:1:69::21. Anthrax - Volume 8: The Threat Is Real 
991:1:72::24. Cradle Of Filth - Cruelty And The Beast 
991:1:78::30. The Gathering - How To Measure A Planet? 
991:1:81::33. Dillinger Escape Plan - Under The Running Board 
991:2:1006::Disintegrator - Locked on Target - Industrial F**king Strength 
991:2:1010::soundbed: DJ Spooky - Songs of a Dead Dreamer 
991:2:1026::Slayer - War Ensemble - Seasons In the Abyss 
991:2:1037::Eyehategod Broken Down But Not Locked Up - Dopesick 
991:2:106::Sunny Day Real Estate - In Circles - Diary 
991:2:1071::Fomoflo - Lift & Separate - Slug and Firearms 
991:2:1073::soundbed: Yoshikazu Iwamoto - Japon: Yoshikazu Iwamoto, Flut Shakuhachl 
991:2:107::Damaged - Eternal Dismemberment Complex - Token Remedies Research 
991:2:1097::Negativland - Nesbitt's Lime Soda - Escape From Noise 
991:2:1098::Negativland - Please Don't Sue Us - Fair Use 
991:2:1138::Negativland - Shake Your Pants #1 - Sex Dirt 
991:2:113::Mayhem - Fall of Scraphs - Wolf's Lair Abyss 
991:2:1151::Ambush - Charles, Where Is My Money? - Pigs 
991:2:1172::soundbed: Dirtstyle Records, Scarecrow Music - Bionic Booger Breaks, 
991:2:1174::soundbed: Ron Anderson - Pac Small &quotr&quot Half Inch 
991:2:1179::Stephen Steinberg, Leith Mullings, Reginald Wilson - Assault on 
991:2:118::Slayer - War Ensemble - Seasons In The Abyss 
991:2:1191::Bean, The Iron room, Incoming, Volatile Cocktail - D.I.Y.C.D. 
991:2:1194::Society Gang Rape - Oh yeah? - No Fate 
991:2:119::Meshuggah - Future Breed Machine - Destroy Erase Improve 
991:2:1200::Howard Zinn - The Clinton Administration: Its Historical Perspective, 
991:2:1220::soundbed: Chris Cutler, Fred Frith - Live Vol. 2 
991:2:1223::Ambush - Charles, Where Is My Money - Pigs 
991:2:125::Candiria - Intrusive Statements(first half) - Beyond Reasonable Doubt 
991:2:1264::Deadguy - Doom Patrol - Fixation on a Coworker 
991:2:126::Candiria - Intrusive Statements(second half) - Beyond Reasonable Doubt 
991:2:1276::Koenigsberg - Brains soundbed: Babyland - Who's Sorry Now? 
991:2:1280::187 Calm - Coathanger - One Eighty Seven Calm 
991:2:1287::Cop Shoot Cop - Corporate Protopop - White Noise 
991:2:1288::Man Is The Bastard - Koro Treatment - D.I.Y.C.D. 
991:2:1290::Cambridge, MA, including Questions & Answers. Approx 2hrs, !!a 
991:2:1301::Cop Shoot Cop - Corporate Protopop - White Noise 
991:2:1307::Buck O Nine - Callin' In Sick - Barfly 
991:2:1308::Buck O Nine - On A Mission - Barfly 
991:2:130::Minor Threat - No Reason - Out of Step 
991:2:1318::Greg Brown - Spring Wind - The Live One 
991:2:1324::KRS One - Health, Wealth, Self - KRS One 
991:2:1325::Central Nervous System - Track 2 - Reality Check 
991:2:1331::Angry Samoans - Steak Knife - Back From Samoa 
991:2:1334::Agent Orange - Blood Stain - Real Live Sound 
991:2:1352::Benediction - Intro-Portal to your phobias, Subconscios terror - 
991:2:1354::Fudge Tunnel - Good Kicking - In A Word 
991:2:1360::Toasters - Decision At Midnight - Thrill Me Up 
991:2:1380::Gino Robair - Autres Directions (+Poetics) - Other Destinations 
991:2:1395::Kazutoki Umezu - (title in Japanese) - '94 Live 
991:2:1406::Slayer - War Ensemble - Seasons in the Abyss 
991:2:1409::Played underneath - Rova - The Works (Volume 1) 
991:2:1419::Jambay - 3 Night Stand - For The Madness 
991:2:1420::Gabby - Boots - COLL: A Taste of Soca 
991:2:1431::Fudge Tunnel - Sweet Meat - In A Word 
991:2:1436::Einsturzende Neubauten - Tanz Debil - Strategies Against Architecture 
991:2:1439::Citizen Fish - 2000 and One - Millenia Madness 
991:2:1448::751 Keiji Haino - Tracks2-7 - Tenshi No Gijinka 
991:2:144::William Carlos Williams - Ru End - White Women 
991:2:1454::International Monetary Fund, MIT3/23/95 - with Questions and Answers 
991:2:1456::Sinister - Tribes of The Moon - Diabolical Summonic 
991:2:146::Capitalist Casualties - Left A Scar - Capitalist Casualties 
991:2:1474::Brutal Truth - Perpetual Larceny - Perpetual Conversion EP 
991:2:1481::298 Lozenge - saw a man: loony - Plenum 
991:2:1482::Crucifucks - Democracy Spawns Bad Taste - The Crucifucks 
991:2:1493::275 Canon - Declaration/ Into the Fire - 7" 
991:2:1503::Agnostic Front - The Eliminator - Cause For Alarm 
991:2:1517::390 Informatik - Peril Eyes - Direct Memory Access 
991:2:1525::960 Destroy - Hordees of Destruction Santa-God - Necropolis 
991:2:1534::Exit 13 - lots of it - Ethos Music 
991:2:1541::341 Trick Babys - Red Leather Couch - Player 
991:2:1549::Sielwolf - Beweglich Animalisch Lassigue Lendthaus Mix - Metastasen 
991:2:1558::323 John Zorn Masada - Ziphim, Abidan - Gimel 
991:2:1578::Massive Attack - Safe From Harm - Blue Lines 
991:2:1579::801 Lunachicks - Buttplug - Jerk of All Trades 
991:2:1586::Noam Chomsky - [All tracks] - Prospects for Democracy 
991:2:1593::801 Lunachicks - Buttplug - Jerk of All Trades 
991:2:1600::859 Clutch - The House That Peterbilt - Clutch 
991:2:1614::749 Residents - Rulers Of The Deep - Hunters 
991:2:1620::905 Deceased - Alternate Dimensions - Blueprints For Madness 
991:2:1622::794 Broken Hope - Pitbull Grin - Repulsive Conception 
991:2:1625::676 Tim Berne/ Blood Count - Bloodcount - Lowlife 
991:2:1647::Beastie Boys - Rhymin' Stealin' - Licence To Ill 
991:2:1649::Fat Boys - Jail House Rap - Fat Boys 
991:2:164::Skullflower - IIIrd Gatekeeper - COLL: Sound From Hands 
991:2:1662::760 Tha Alkaholiks - Flashback - Coast II Coast 
991:2:1664::386 Channel Live - Build Destroy - Station Identification 
991:2:1672::383 Craig Harris - F-Stops: 2nd Flow - F-Stops 
991:2:1687::Shelly Doty - TV Song - Shelly live 4/2/95 
991:2:1696:: plus Ultraviolence, Sielwolf, Chris Cutler Fred Frith underneath 
991:2:1702::798 Philip Glass - La Belle va au Chte 
991:2:1704::Paul Lansky - just_more_idle_chatter - More Than Idle Chatter 
991:2:1709::Big Black - Steel Worker - The Hammer Party 
991:2:1715:: plus more Ultraviolence, Fred Frith Chris Cutler underneath 
991:2:1720::Nailbomb - Sum Of Our Acheivements - Point Blank 
991:2:1733::Protest - War - COLL: Bullshit Detector Vol. 4 
991:2:1737::Mankind - Selfish Schism - Let Her Be 7" 
991:2:173::Embalmer - Bone Box - There Was Blood Everwhere 
991:2:1765::743 D.R.I. - I Don't Need Society - Live 
991:2:1789::H - New Day Rising - New Day Rising 
991:2:1794::689 Gorelust - Infant Devourment - Reign of Lunacy 
991:2:1799::282 Figure 8 - Head Count - Pipe Dreams 
991:2:1812::641 Oxblood - Our Colors - COLL: Oi!/Skampilation Vol.#1 
991:2:1815::668 Gold Sparkle Band - Nuzion - Nuzion 7" 
991:2:1834::Praxis - Cold Rolled / Iron Dub - Sacrifist 
991:2:1838::Gravediggaz - Bang Your Head - 6 Feet Deep 
991:2:1843::611 Ovarian Trolley - Shark - Heal Me 7" 
991:2:1847::548 Spilth - Big Gack - Maximum Pity 7" 
991:2:1855::641 Blanks 77 - Let's Riot - Oi!/Skampilation Vol.1 
991:2:1858:: Underneath: Ultraviolence - Joan - Life of Destructor 
991:2:1870::Pansy Division - The Biggest Lie - Pile Up 
991:2:1871::199 Strife - To The Surface - One Truth 
991:2:1884::240 Dog Faced Hermans - Viva - Bump Swing 
991:2:1885::517 Eskimo - Bughead - Further Adventures of Shrimpkin 
991:2:1888::Scraping Foetus off the Wheel - Pigswell - Nail 
991:2:1896::282 Figure 8 - Head Count - Pipe Dreams 
991:2:1907::Hellchild - The Outsider - Where The Conflict Reaches 
991:2:1912::256 Spine Wrench - Black Eye Burnout - Soulscape 
991:2:191::Paul Lansky - just_more_idle_chatter - More Than Idle Chatter 
991:2:1924::327 Demolition Doll Rods - African Lipstick - Unauthorized! 
991:2:1926::Dr. John - Right Place, Wrong Time - Anthology 
991:2:1930::320 Ulcer - Burn... - Distort The Meaning 7" 
991:2:1937::352 Iceburn - Discolor (live) - Poetry Of Fire 
991:2:193::Bug - Countown to Elimination - Tapping the Conversation 
991:2:1945::404 Kramer - Strings - The Secret Of Comedy 
991:2:1962::250 Negativland - Gimmie The Mermaid - Fair Use 
991:2:1970::America, Prospects for Democracy Now - Prospects for Democracy 
991:2:1984::Minutemen - King of the Hill - Ballot Result 
991:2:1987::362 X-Legged Sally - Hate Song - Eggs Ashes 
991:2:1990::359 Smog - Sweet Smog Children - Wild Love 
991:2:1992::337 Gamelan Pacifica - Trance Gong - Trance Gong 
991:2:1994::256 Spine Wrench - Black Eye Burnout - Soulscape 
991:2:1998::258 Universal Stomp - Lost - Stomping of Jake 
991:2:2010::961 Pitch Shifter - NCM - The Remix War 
991:2:2011::Biohazard - Failed Territory - State Of The World 
991:2:2012::863 Sickening Gore - Obscene Existence - Destructive Reality 
991:2:2013::Metallica - Last Caress/Green Hell - Garage Days Re-Revisited 
991:2:2018::Slayer - War Ensemble - Seasons In The Abyss 
991:2:2024::Grave - Inhuman - ...And Here I Die... Satisfied 
991:2:2025::Graveyard Rodeo - Taught Well - On The Verge 
991:2:202::Andy Kimbrell - The Human Body Shop [TUC Radio] 
991:2:2030::Sepultura - Stronger Than Hate - Beneath The Remains 
991:2:2054::Sex Pistols - EMI - Never Mind The Bollocks 
991:2:2065::Doo Rag - Bull Dog - Chunked And Muddled 
991:2:2066::The Who - Love Reign O'er Me - Quadrophenia 
991:2:2067::Daisy Chainsaw - Dog With Sharper Teeth - Eleventeen 
991:2:2076::played underneath 16-17 - Attack - Impulse - Gyatso 
991:2:2079::Peter Gabriel - Mother Of Violence - Peter Gabriel 
991:2:2081::Jambay - Bad Coffee - Live In The Northwest 
991:2:2094::Agnostic Front - The Eliminator - Cause For Alarm 
991:2:2098::Mothman - Poison Arm - Live on WFMU tape 
991:2:2114::130 Adult Fantasies - Nice Morning - No-Sleep Feeling 
991:2:2123::845 Crash Worship - Phuchi - Tripple Mania II 
991:2:2126::Gastr Del Sol - Mirror Repair - Mirror Repair 
991:2:2129::163 Alton Ellis - Alton's Groove - Sunday Coming 
991:2:212::Lard - Faith, Hope, Treachary - Pure Chewing Satisfaction 
991:2:2134::154 Tribe 8 - neanderthal dyke - fist city 
991:2:2148::Basehead - Brand New Day - Play With Toys 
991:2:216::the 5,6,7,8's - Ki-Kya Shout - COLL: Tokyo Trashville 
991:2:2172:: Naram Sin - Abrasion (Meow Mix) - Daisies 
991:2:2178::Sigillum S - Human Chainsaw - Cybertantrick Quantum Leaps 
991:2:2192::Fishbone - Slow Bus Moving - Truth And Soul 
991:2:2193::Nailbomb - Vai Toma No C - Point Blank 
991:2:2207::Massacre of the Innocents - Exhumed of The Earth 
991:2:2208::The Golden Palominos - Clean Plate - Golden Palominos 
991:2:2219::451 God - Tunnel - The Anatomy of Addiction 
991:2:2223::Racist System Down - Burn This Racist System Down 
991:2:2224::Splatter Trio - Splatter vs. The Titans - Anagrams 
991:2:2227::717 Mukilteo Fairies - I'm Spun - Special Rites 
991:2:2245::Pungent Stench - blood, pus and gastric juice (tekkno-house-mix) 
991:2:2246::Pantera - Strength Beyond Strength - Far Beyond Driven 
991:2:2252::Dead Kennedys - Government Flu - Plastic Surgery Disasters 
991:2:2253::X-Clan - Funkin' Lesson - To The East, Blackward 
991:2:2256::Splatter Trio - Correct Change - Fistful of Dewey 
991:2:2260::652 Axiom Ambient - Aum -Lost In The Translation 
991:2:227::Crack Up - Cracked Pack - From the Ground 
991:2:2281::275 Exit 13 - Societally Provoked Genocide "Ethos Music" 
991:2:2285::Dag Nasty - Can I Say -Can I Say 
991:2:2286::La Vista Hotheads - Livin' In Casinos -Pee EP 
991:2:2288::Jambay - Wombat Tomb -Jambay Live In The NorthWest 
991:2:228::Capitalist Casualties - Kill Our State - Capitalist Casualties 
991:2:2303::550 Helios Creed - Dog Star - Planet X 
991:2:2330::Ice - Out Of Focus - Under The Skin 
991:2:2334::380 Mordor - - Dark Is The Future 7 
991:2:2336::Nitzer Ebb - Fitness to Purpose "That Total Age" 
991:2:2342::496 Blacklight Braille - Cryptolithic "Sleep Not Yet Songs" 
991:2:2350::503 English Dogs - Psycho Killer "Bow To None" 
991:2:2351::497 Blenderhead - Escape Reason "Prime Candidate For Burnout" 
991:2:235::Will Haven - Stick Up Kid - El Diablo 
991:2:2374::451 God - Body Horror "The Anatomy of Addition" 
991:2:2378::917 Godheadsilo - Bereft rescue mission no. 43 " 
991:2:237::Cumbrage or Dismachine - track of their Split 7" 
991:2:2391::457 Rhythm Activism - Les Corneilles "Blood and Mud" 
991:2:2405::385 Brutal Truth - Turn Face "Need to Control" 
991:2:2406::405 Soulstorm - Destructive Testing "From Euphoria to Paranoia" 
991:2:2408::398 Mephiskapheles - Center of The... "God Bless Satan" 
991:2:2426::230 Slut - ballad of larry parker - Slut 
991:2:2428::230 Slut - continuation of the miracle - Slut 
991:2:2434::Butthole Surfers - Sweat Loaf - Locust Abortion Technician 
991:2:2451:: Obituary - Rotting Ways - The End Complete 
991:2:2464::266 Phranc - Bulldagger Swagger - Bulldagger Swagger 7" 
991:2:2480::343 Overdose - Zombie Factory - Progress of Decadence 
991:2:2483::The The - Infected (extended Mix) - Infected 12" 
991:2:2491::The Molecules - Rock And Roll - Steel Toe 
991:2:2493::958 Youth Gone Mad - AcidRainbow - Day Job 
991:2:2504::266 Phranc - Hillary's Eyebrows - Bulldagger Swagger 7" 
991:2:2507::803 Shellac - The Crow - At Action Park 
991:2:2510::840 Spearhead - Hole In The Bucket - Home 
991:2:2524::Destroy - Gynocide - Burn this Racist System Down 
991:2:252::Fall Silent - The Rulers - The Rulers 7" 
991:2:2536::Sepultura - Beneath The Remains - Beneath The Remains 
991:2:253::Silk Saw - Use it, Throw It - Dystopia 
991:2:2540::275 Exit 13 - Disemboweling Party - Ethos Musick 
991:2:2549::Unversal Congress Of - Marginal - ...salty black wind 
991:2:2557::188 The Skatalites - Split Personality - Hi-Bop Ska 
991:2:2570::276 Front Line Assembly - Sex Offender - Millennium 
991:2:2609::130 Glenn Spearman Double Trio - No! - Smokehouse 
991:2:2624::846 Caffeine - almost all the album - Caffeine 
991:2:2627::Sandals - Feet (Dust Brothers Mix) - Feet 12" 
991:2:2628::840 Spearhead - Hole In The Bucket - Home 
991:2:2634::115 Pinhead Gunpowder - Beastly Bit - Jump Salty 
991:2:2638::612 Stephen Kent - White Tree (angel) - Landing 
991:2:2646::955 Mark Trayle - Beach - Etudes and Bagatelles 
991:2:2650::108 Jon Spencer Blues Explosion - Greyhound - Orange 
991:2:2659::717 Graveyard Rodeo - Choices - On The Verge 
991:2:2660::GBH - City Babies Revenge - City Babies Revenge 
991:2:2669::Circle Jerks - World Up My Ass - Gig 
991:2:2671::Youth Brigade - Sad But True - Happy Hour 
991:2:2673::101 Godflesh - Go Spread Your Wings - Selfless 
991:2:2675::676 Pigpen - Speech - V as in Victim 
991:2:2677::108 Jon Spencer Blues Explosion - Greyhound - Orange 
991:2:2683::104 Horace Pinker - Power Tools - Power Tools 
991:2:2690::542 Boredoms - 90 Teenage Bondage - Super Roots 
991:2:2692::Carcass - Vomited Anal Tract - Symphonies of Sickness 
991:2:2694::543 Cianide - Eulogy - A Descent Into Hell 
991:2:2696::875 Cop Shoot Cop - Sucker Punch - Release 
991:2:2699::Barrowside - Love Knows - the wish the way 
991:2:2709::875 Cop Shoot Cop - Ambulance Song - Release 
991:2:2712::Carcass - Regurgitation of Giblets - Symphonies Of Sickness 
991:2:2722::888 Omoide Hatoba - Scene, Scene, Scene - Mantako 
991:2:2725::949 Slayer - Sex, Murder, Art - Divine Intervention 
991:2:272::Capitalist Casualties - On The Take - Capitalist Casualties 
991:2:2730::955 Mark Trayle - Watermusik - Etudes and Bagatelles 
991:2:2732:: 10/7/94 Jello Biafra Special, Artist of the Week 
991:2:2753::Iugula-Thor - Xes Lived - COLL: Sound From Hands 
991:2:2758::656 Chaos Face - Body Hammer - Doom Ride 
991:2:2771::846 Caffeine - Beyond the Gum Wrapper - Caffeine 
991:2:2772::676 Pigpen - Jazzmaster - V As In Victim 
991:2:2776::892 Arsenals - Hypocrite - COLL: Skarmageddon is Nigh 
991:2:2778::876 Doo Rag - Bullhorn - Chuncked and Muddled 
991:2:2783::883 Internal Bleeding - Inhuman Suffering - Perpetual Degradation 
991:2:2807::Prairie Ramblers - Deep Elm Blues - Texas Sand 
991:2:2811::Hot Rize - Sugar Foot Rag - In Concert 
991:2:2821::Sinister - Tribes of the Moon - Diabolical Summoning 
991:2:2829::Hellchild - Track 9 - Where The Conflict Reaches 
991:2:2841::757 Circle X - Tell My Horse - Celestial 
991:2:2842::756 Beatnick Filmstars - Swillyagro - Laid Back English 
991:2:2853::767 - Merzbow - Slave New Desart - Venereology 
991:2:2860::771 Puncture - Nailed To A Cross - Puncture 
991:2:2861::779 Megalon - Symbols - Trance Europe Express 2 
991:2:2863::Daniel Johnston - Sorry Entertainer - Yip Jump Music 
991:2:2864::Daniel Johnston - Speedy Motorcycle - Yip Jump Music 
991:2:2874::Liz Phair - Never Said - Exile In Guyville 
991:2:2881::776 Smog - Rene Died 1:45 - Burning Kingdom 
991:2:2888::Run-D.M.C. - King Of Rock - King Of Rock 
991:2:2894::733 Zillatron - Fuzz Face - Lord Of Harvest 
991:2:289::The Skatalites - Eastern Standard Time - Foundation Ska 
991:2:2902::602 Benediction - Violation Domain - The Grotesque Single 
991:2:2903::544 Demilich - Raped Embalmed Beach Sleep - Nespithe 
991:2:2905::Madness - In The Rain - My Girl 12" 
991:2:290::The Spudmonsters - Right Brigade - Moment of Truth 
991:2:2910::Nurse With Wound - Cold - Thunder Perfect Mind 
991:2:2930::24-7 Spyz - John Connely's Theme - Gumbo Milenneum 
991:2:2931::24-7 Spyz - New Superhero Worship - Gumbo Milenneum 
991:2:2933::Butthole Surfers - Sweat Loaf - Locust Abortion Technician 
991:2:2934::Toy Dolls - Dedrie's A Slag - COLL: Oi1 
991:2:2942::Pxies - Where Is My Mind - Surfer Rosa 
991:2:2944::Slayer - Angel Of Death - Reign In Blood 
991:2:2946::Foetus Corruptus - Private War/ Anything (Viva!) - Rife 
991:2:2949::615 Machine Head - Block - Burn My Eyes 
991:2:294::Delta 9 - Welcome To Hell - Disco Inferno 
991:2:2956::682 Twilight Earth - Human Flesh - International Soire 
991:2:2964::623 5'10" (Kevin Seconds) - Cats - Rodney, Reggie... 
991:2:2970::Dead Kennedys - Government Flu - Plastic Surgery Disasters 
991:2:2973::Lard - Fork Boy - Last Temptation of Reid 
991:2:2978::L7 - Let's Lynch The Landlord - Virus 100 
991:2:3000::Dead Kennedys - Stars Stripes Of Corruption - Frankenchrist 
991:2:3001::620 OBE - Bloodlust - Out Of Band Experience 
991:2:3035::Youth Brigade - One In Five - Come Again 
991:2:3041::Bad Brains - Sailin' On - Rock For Light 
991:2:3044::Babes In Toyland - Mad Pilot - To Mother 
991:2:3054::543 Cianide - Death Dealer - A Descent Into... 
991:2:3059::Budgie - Crash Course in Brain Surgery - Budgie 
991:2:3067::Praxis - Blast / War Machine Dub - Transmutation 
991:2:3082::542 Boredoms - Ear? Wig? Web? - Super Roots 
991:2:308::Obituary - Platonic Disease - Back From The Dead 
991:2:3105::393 Swamp Terrorists - Right Here - Combat Shock 
991:2:3117::397 Suffocation - Infecting The Crypts - Live Death 
991:2:3122::Daniel Johnston - Rocket Ship - Yip Jump Music 
991:2:3134::338 Ovarian Trolley - Crocodile Tears - Crocodile Tears 
991:2:3144::Slayer - War Ensemble - Seasons in the Abyss 
991:2:3149::338 Ovarian Trolley - Lost Girls - Crocodile Tears 
991:2:3154::938 Dazzling Killmen - Windshear - Face of Collapse 
991:2:3160::Defunkt - Avoid The Funk - Avoid The Funk 
991:2:316::Kiyohime - Departure - Sound Images by Guillermo Galindo 
991:2:3175::X-Clan - Funkin' Lesson - To The East, Blackwards 
991:2:3193::Rollins Band - If You're Alive - Life Time 
991:2:3204::253 MC Solaar - Song 6 - Prose Combat 
991:2:3205::Pantera - Strength Beyond Strength - Far Beyond Driven 
991:2:3209::Prong - Crazy Cuts Mix - Broken CD single 
991:2:3210::Beastie Boys - What Comes Around - Paul's Boutique 
991:2:3214::385 Negativland - Moldy Bagels - Willsaphone Stupid Show 
991:2:3215::148 Ruins-Hatoba - Olympic W/ Peter Gabriel - Ruins-Hatoba 
991:2:3223::Crowbar - All I Had (I Gave) - Crowbar 
991:2:3225::338 Ovarian Trolley - Coin Op - Crocodile Tears 
991:2:323::Fear Factory - Genetic Blueprint (New Breed) - Remanufacture 
991:2:3245::X-Clan - Funkin' Lesson - To The East, Blackwards 
991:2:3249::Soul Asylum - Whoa - Made To Be Broke 
991:2:324::M.I.R.V. - Unabomber - Feeding Time on Monkey Island 
991:2:3252::261 Drag King - Back Burner - Back Burner 
991:2:3262::Big Black - L Dopa - Songs About Fucking 
991:2:3271::Neurosis - Cold Ascending - Enemy of The Sun 
991:2:3274::Anthrax - Got The Time - Persistence Of Time 
991:2:3275::Cop Shoot Cop - System Test - Consumer Revolt 
991:2:3280::Boredoms - Bubble Bop Shot More - Soul Discharge 
991:2:3281::Pantera - New Level - Vulgar Display Of Power 
991:2:3286::Rollins Band - Burned Beyond Recognition - Life Time 
991:2:3290::Basehead - Brand New Day - Play With Toys 
991:2:3297::Ram Dass - Reading 2 - Chord of Love 
991:2:3314::240 Moonshake - Two Trains - Big, Good Ang... 
991:2:3315::288 Tall Dwarves - Self Deluded Dreamboy - 3EPs 
991:2:3323:: 7/14/94 Extracting Gametes With Various Needles And Such 
991:2:3324::Nurse With Wound - Cold - Thunder Perfect Mind 
991:2:3329::Scraping Foetus Off The Wheel - Pigswell - Nail 
991:2:3335::226 Kapp - Me Big Mouth - Moustache's will 
991:2:3343::964 Brujeria - El Patron - El Patron 7" 
991:2:3344::126 Mess - The Yesterday - Brain Itches EP 
991:2:3348::Flying Lizzards - I Want Money - 12" Money 
991:2:3349::207 45 King - Hiphop Music - Lost Breakbeat 
991:2:3353::130 Red Aunts - My Impala 65 - 7" 
991:2:3374::16-17 - The Trawler (Dredged Up Mix) - Gyatso 
991:2:3387::Eyehategod - Blank - Take As Needed For Pain 
991:2:3389::842 Beastie Boys - Eugene's Lament - Ill Communication 
991:2:338::Sepultura - Biotech Is Godzilla, Nomad - Chaos A.D. 
991:2:3398::Ovarian Trolley - See What Happens - Crocodile Tears 
991:2:3401::Elliot Sharp/ Carbon - Good For Business - Tocsin 
991:2:3421::Exploited - Troops of Tomorrow - Troops of Tomorrow 
991:2:3436::Twisted Sister - I Wanna Rock - Stay Hungry 
991:2:3440::**Pig Face - Chikasaw - Notes from the Underground 
991:2:3441::Joe The Boss - Skinhead Revolt - Skinhead Revolt 
991:2:3461::Bugout Society - New Wave Girls "Just Say Yo!" 
991:2:3465::Daniel Johnston - Don't Play Cards With Satan "1990" 
991:2:3471::Lightnin' Rod/ Jimi Hendrix - Doriella Du Fontaine "Trilogy" 
991:2:3485::Public Enemy - Shut `Em Down - Apocalypse `91 
991:2:3489::Ween - Flies on My Dick - Pure Guava 
991:2:3504::Police - Next to You - Outlandos D' Amour 
991:2:3507::Metallica - The Small Hours - Garage Days Re-Revisited 
991:2:3560::Diamanda Galas - I Wake Up - Vena Cava 
991:2:3575::Bad Brains - Love Is The Answer - Rise 
991:2:3585::Soft Boys - Wey Wey Hup Uh Hole 1976-81 
991:2:3586::Drive By Crucifixion - You Like All The Time 
991:2:375::D.O.A. - Zu Leiten - New York City Speedcore 
991:2:378::7.2 - Arab On Radar - COLL: Repopulation Program 
991:2:380::Off Ramp - If Then City - Off Chance 
991:2:395::Mortician - Deranged Insanity - Hacked Up For Barbecue 
991:2:398::The Red Krayola - Decaf the Planet - Hazel 
991:2:406::soundbed: Stars of the Lid - The Ballasted Orchestra 
991:2:410::Children of the Apocalypse - Spiritual Warfare - Ta'Wil 
991:2:414::Dead Kennedys - Government Flu - Plastic Surgery Disasters 
991:2:415::Petal - Left Hand Lane - Ice Cream Headache 
991:2:416::Babe The Blue Ox - Ego Pimps - Live 
991:2:440::Wheelchair - Violent Anal Death - COLL: Repopulation Program 
991:2:455::Chumbawamba - Give the Anarchist a Cigarette - Showbusiness! 
991:2:456::Babe The Blue Ox - Rube Goldberg - Live 
991:2:461::Mortician - Cannibal Feast - Hacked Up For Barbeque 
991:2:470::Informatik - Immigrant Song - Direct Memory Access v.2.0 
991:2:476::Crumbsuckers - Just Sit There - Life of Dreams 
991:2:477::Gravitar - McCoy - Now The Road of Knives 
991:2:47::Download - Flight of the Luminous Insects - III 
991:2:490::Ebola Soup - The Future - Feeling' Logy 7" 
991:2:504::Babe The Blue Ox - National Geographic - Live 
991:2:517::Bad Brains - Pay To Cum - "Black Dots" 
991:2:519::Off Ramp - Oyster of Aphrodite - Off Chance 
991:2:524::Grief - Miserably Ever After - Miserably Ever After 
991:2:534::Miss Murgatroid - Below the Bellows - Myoclyonic Melodies 
991:2:536::Exene Cervenka - Like Morning - Surface To Air 
991:2:547::underneath: Obscentiy - Sensation Mongering - The 3rd. Chapter 
991:2:568::Shredded Corpse - Cadaveric Desecration - Exhumed and Molested 
991:2:584::Marduk - Glorification of the black God - Glorification 
991:2:587::soundbed: Gnawa of Marrakech - Songs for Sidi Mimoun 
991:2:61::Hellnation - Trapped - At War With Emo 5" 
991:2:622::Rachel's - Rhine & Courtesan, The Voyage Of Camille 
991:2:626::Swans - Helpless Child - Soundtracks for the Blind 
991:2:653::Deadbolt - I Remember You - Tijuana Hit Squad 
991:2:657::Earth Crisis - Broken Foundation - Gomorrah's Season Ends 
991:2:658::Excruciating Terror - Think Again - Expressions Of Pain 
991:2:660::Immortal Destruction - No Escape - COLL: Orchestrated Chaos 
991:2:669::Rova - The Farallons pour Fred Frith - Ptow!! 
991:2:677::Earth Crisis - Broken Foundation - Gomorrah's Season Ends 
991:2:688::Praxis - Stronghold, Cold Rolled/ Iron Dub - Sacrifist 
991:2:689::COLL: Tibet: The Hear of Dharma - Track 5 
991:2:712::Skankin' Pickle - Gates Of Steel - Green Album 
991:2:715::COLL: Tibet: The Heart Of Dharma - Track 3 
991:2:717::Masskontroll - Carrion, Work Is Horrendous - COLL: MASSKONTROLL/HEARTLINE 
991:2:720::The Phantom Surfers - Tokyo Twist - Istanbul 7" 
991:2:723::Fall Silent - Sometimes - No Strength To Suffer 
991:2:743::Brujeria - La Ley De Plomo - Raza Odiata 
991:2:747::Adrian Belew - Only A Dream - Inner Revolution 
991:2:754::The Martians - Holdenpoken - Low Budget Stunt King 
991:2:755::Fall Silent - Linear - No Strength To Suffer 
991:2:756::Fudge Tunnel - Excuse - Complicated Futility of Ignorance 
991:2:792::White Zombie - Boogie Man - Supersexy Swingin' Sounds 
991:2:7:: Oct. 27 Andy Kimbrell: The Human Body Shop
991:2:802::Five Seconds Expried - Toss And Turn - Null 
991:2:80::Straphangers' Art Ensemble - Track 1 - Straphangers' Ball 
991:2:814::Dazzling Killmen - My Lacerations - Face of Collapse 
991:2:821::Islamic Diggers - Hashishin - 10% File Under Burroughs 
991:2:826::Fall Silent - Heartbreaker - No Strength To Suffer 
991:2:827::Glen Spearman Double Trio - Hot - The Fields 
991:2:829::DOS - Down In The Dumps - Justamente Tres 
991:2:82::Straphangers' Art Ensemble - Track 2 - Straphangers' Ball 
991:2:836::Beak - In The Wall Of Tongues - Autoselfreplicationalism 
991:2:854::S.E.T.I. - Mare Crisium - The Geometry of Night 
991:2:868::The Green Hornets - Pushover - Get The Buzz 
991:2:883::Uncurbed - Frige Alla Fangar - Punk and Anger 
991:2:884::soundbed: John Zorn - The Classic Guide To Strategy 
991:2:889::Arcturus - Rodt og Svart - COLL: Nordic Metal 
991:2:88::mixed with: Run-D.M.C. - Peter Piper - Raising Hell 
991:2:893::Man Is The Bastard - Oil Bomb - D.I.Y.C.D. 
991:2:895::Melt-Manana - Sick ZiP Everywhere - ScRaTcH or StiTcH 
991:2:917::Wu-Tang Clan - America - America Is Slowly Dying 
991:2:927::Impaled Nazarene - Violence I Crave - Latex Cult 
991:2:938::Anthony Braxton - Closing Music - Composition No. 173 
991:2:93::Dismember - Let the Napalm Rain - Death Metal 
991:2:94::the 5,6,7,8's - Ki-Kya Shout - COLL: Tokyo Trashville 
991:2:984::Collective 4Tet - Where We Go - The Ropedancer 
991:2:99::Joe Morris, William Parker - Hypnotext - Invisible Weave 
991:3:1019:: Series 7 The irony isn't lost on me 
991:3:1024:: Shadows Fall The Power Of I And I 
991:3:1095:: Sylvester Staline Free Power Violence With No Title 
991:3:1139:: The Wizards Of Gore Hess Is The Best 
991:3:159:: Bludgeon [UK] Omophagic Cravings For The Pyrolosis Infested 
991:3:234:: Convergence From Within Awaken to the Eternal Black 
991:3:245:: Cradle Of Flith Born In A Burial Gown 
991:3:308:: Deformed Ass KomTex Is A Bunch Of Faggots 
991:3:328:: Der Kaiser Der Narren We're living for ultraviolence 
991:3:384:: Drunk And Stoned The cult of self destruction 
991:3:42:: Altered Aeon The Resonance of Form in Transition 
991:3:534:: Hammers Of Misfortune A Room And A Riddle 
991:3:554:: Hellblazer Foul Is Fair And Fair Is Foul 
991:3:564:: Hibernus Mortis The Existing Realms Of Perpetual Sorrow 
991:3:566:: Hideous Fecal Splatter Sessions Out With The Scum 
991:3:578:: Hubi Meisel Lost in the Waters of Sargasso 
991:3:690:: Last Days Of Humanity In Advanced Haemorrhaging Conditions 
991:3:692:: Last Soul The Martyr part 1 part 2 
991:3:744:: May Result Slava To Our Horns In Blood 
991:3:760:: Metal Blade bands Different bands Metal Church Battalions 
991:3:763:: Milnuevesetentaysiete Genitalica es mi banda de rock favorita 
991:3:832:: Neurotic of Gods Reborn in thy Holy Flames 
991:3:88:: Artery Eruption Jacking Off On A Inside-out Butthole 
991:3:923:: Protest Component which doesn't fit to any machine 
991:3:957:: Requiem In Pain Du sang pour la bte 
991:4:104:: white boy to an Indian savages sexual need!
991:4:219:: realize that he is refering to his camp.
991:4:231:: thought that I all this time. Although I
991:4:236:: I answer him, and reach out to kiss
991:4:275:: know he canm saying. I tell him anyway.
991:4:296:: relieved to be taken from such painful thoughts.
991:4:351:: I suddenly find myself in Owopspecm telling him
991:4:365:: in battle has made him a proud one.
991:4:372:: {End of file: BARE-BUTT-BRAVE-5 Story continues in: BARE-BUTT-BRAVE-6}
991:6:336:: O ne for lovers of the oral tradition. 
991:6:414:: - A i n S econd D am 
991:6:442:: A S11 - 5 000m N ew WR 
991:6:462:: A shra - S auce H ollandaise - 
991:7:110:: deco 18-09-2002, 17:29 Hmmm...my Bloody Valentine - Loveless... 
991:7:11::Down - Down II... A Bustle in your Hedgerow... 
991:7:181::demons and wizards - demons and wizards (truly awesome) 
991:7:248:: herbie747 20-04-2003, 13:54 Originally posted by colin caustic 
991:7:24:: Karl Hungus 15-09-2002, 22:07 Opeth - Blackwater Park 
991:7:270::Download Go To Hell to taste. Dilute with water. 
991:7:29:: Karl Hungus 15-09-2002, 23:15 Originally posted by MrJoeSoap 
991:7:2:: View Full Version : recommend me some albums 
991:7:35::King Crimson - In the Court of King Crimson 
991:7:62:: Karl Hungus 17-09-2002, 07:16 Fields Of The Nephilim. 
991:7:6:: PORNAPSTER 15-09-2002, 20:29 Iced Earth - Horror Show 
992:0:1003::Spec. the melody What I Did For Love. 
992:0:1009:: Meg Christian: , Olivia Rec. LF 913. 
992:0:1016:: Meg Christian: , Olivia Rec. LF 902. 
992:0:1037:: Meg Christian At Carnegie Hall - In
992:0:1038::Celebration of Olivia's 10th Anniversary , Olivia Records
992:0:1044::lesbian and consequential 'problems'. Live recording, A Celebration
992:0:1074:: Bernd Cl , Hansa 25 186 IT
992:0:1104:: to mother, losing a lover, and beginning
992:0:112:: Margie Adam: , Pleiades Records, HB 2748. 
992:0:113::Berkeley USA 1980. Solo piano performances. LP . 
992:0:1143::Side B: Breadline Britain (Jimmy Somerville/Rich.Coles)(2:27) - Sentimental
992:0:1166::Mentioned in the Advocate 451, July 22, 1986. 
992:0:1171::T.M.T..T.B.M.G./There's More To Love Than Boy Meets Girl
992:0:1190::the LP . Also available on single: Alice
992:0:1205::constrictors, gallows and electric chairs. His ghoulish demeanor
992:0:1235:: Wayne County: , Illegal Records IL 002. 
992:0:1241::and had his first name changed to Jayne. 
992:0:1245::Mr. Normal (5:57)(W. County/E. Michaels/J. J. Johnson/V. Haller/H.
992:0:1250::Never Told You , Safari Records GOOD 2. 
992:0:1266::(Morris/Morris); When Queens Collide (Part 1)(County/Pearson); Love Lives
992:0:1275::let's do it, let's fall in love.l Coward. 
992:0:1283::Matelot is also performed on , Music For
992:0:1314::P 1970. Lyrics incl. *. 2 LPs . 
992:0:1338::Pste plade, "Colour by Numbers", Virgin 205 730,
992:0:1353::USA 1976. Distributed by Olivia Records, California. Lesbian. 
992:0:1354:: Tim Curry: , A&M Records SP 4717. 
992:0:1359:: Tim Curry: , A&M Rec. AMLH 64830. 
992:0:1368::Horror Picture Show , Ode Records ODE 21653. 
992:0:1369::England 1975. Without lyrics leaflet. Musical/rock. LP . 
992:0:138::Borden, Carolyn Brandy, rhiannon, Janet Small, Susanne Vincenza. 
992:0:1394:: Dame Edna Everage (pseudonyme) see Barry Humphries. 
992:0:1409::England 1978. Tekstark vedlagt *. Nyrock. LP . 
992:0:1418::Forsangeren Pete Burns er b andre relevante LPs.) 
992:0:1422::Ballade vom Edelweipiraten Nevada-Kid (6:40): Die Handlung spielt
992:0:1440::Tekst og musik: Johnny Delgada (alias Johnny Bode). 
992:0:1457::Bent Jacobsen: Den kre familie (4:40)(Bent Jacobsen/Bent Jacobsen)
992:0:1466::will be of you. Might be interpreted homosexual? 
992:0:1469::The Derivative Duo sings feminist/lesbian/gay parodies about things
992:0:1511::bearbeitet von Klaus Witkowski und Alexander Gordan) (4:54)
992:0:1517::nur seine Augen (Oh Mann, oh Mann) (3:41)(T.Hendrik/F.Thorsten/Spez.T.:
992:0:1519::Kerls, Kerls, Kerls (Girls, Girls, Girls) (2:57)(Kajanus/Spez.T.: G.
992:0:1530::(Deutsch Amerikanische Freundschaft har udgivet bl.a. pladerne Fr
992:0:1540::Anthologi: H, David Johansen, John Giorno Band, William
992:0:1551::Holland 1985. English. Lyrics *. Rock. LP . 
992:0:1562::(kassette: 460.07.075; CD: 290.07.075). P 1984. LP . 
992:0:1587::USA 1980. Tekstbilag *. LP . Meget lesbisk. 
992:0:1609:: Donovan: , Pye NPL 18128, NSLP 18128,
992:0:161::USA 1980. Lyrics incl.*. Pop (soft). LP . 
992:0:1622::re-issue) 2 LPs, and on , Golden Hour
992:0:1651::The Freakers Ball (Shel Silverstein; Tro-Essex Music Ltd.) 
992:0:1652:: Dr. Larsen: , Main attraction MAMS 1 
992:0:1672::Puerto Rico 1982. Sprog: engelsk/puertorikansk. 5 skringer. LP. 
992:0:1680::zeigt Dury, der einen zehnjhrigen vor einem Strumpfladen
992:0:1687:: Le Roy Dysart: , Le Roy Dysart
992:0:1704:: Eagles: , Asylum K 453 051 (UK),
992:0:1735:: Could eventually be interpreted as gay relevant. 
992:0:1747::Gruppen er mr kendt for sangerinden Annie Lennox:
992:0:1774::USA 1980. Original Motion Picture Soundtrack. LP . 
992:0:1775::Music, vocal, lyrics Paul McCrane/MGM Affiliated Music BMI. 
992:0:1812::sammen - bnd - meget moderne - rigtige
992:0:1814::Supermarkeds-sex (6:52)(Guthrie/Bay): en saftig historie om Kaj, der
992:0:1821::huske da vi gik ind prnelokkerne stikker et
992:0:182::(Mother fist alluding to masturbation; more gay references.) 
992:0:1851::USA 1978. LP. Sang, tekst, musik: K. Fire. 
992:0:1864::Melankolsk aften (1:33), Flettfrids sang (3:25), Desentralisering av
992:0:1866::atombomber over Trondhjem (4:17), Flettfrids sang (1:00), Trondheim
992:0:1869::Temaaften i Crystle Palace (6:44), Flettfrids sang (instr.)(1:32). 
992:0:186:: Amnesty International proudly present: The Secret Policeman's
992:0:1881::- Wir sind die homosexuellen Frauen (3:35) o.a. 
992:0:1884::p. I'm a lesbian er skrevet til de
992:0:1889::Flying Lesbians spillede tidligere i . - Anmeldelse
992:0:1906::Mller. Borgens Billigbogs Bibliotek 26. Borgens Forlag 1975.
992:0:191::liberation song. Other performers: Pete Townshend, Neil Innes,
992:0:1937::Coming Up Roses; Brundisi Duet; Aufenthalt; Jack Jill. 
992:0:1938:: The Frogs: quot;It's Only Right and Natural 
992:0:1953:: The Fugs: , Reprise Records RS 6396. 
992:0:1957::Tidligere udgivet i en anden version p 1965. 
992:0:1958:: Fun Boy Three: , Chrysalis CHR 1417. 
992:0:1990::France 1984. French (refrains in English). *. LP 
992:0:1991::Kiss me Hardy (4:21)(Gainsbourg/Gainsbourg; Phonogram): je suis sorti
992:0:1996::Harley David Son of a Bitch (2:59)(Gainsbourg/Gainsbourg; Phonogram):
992:0:2018::Diana Straight-as-an-Arrow: Weird (Vivian Davis, John Salewski, Skip
992:0:2024::Gill Turner: Carry It On (Dev Singh, vocal)(3:41) 
992:0:2027::Michelle Brody: Old Woman (Miss Saffman's Ladies Choir)(2:29) 
992:0:2043::England 1979. Lyrics *. From musical. LP . 
992:0:2065:: series. Dick, Karen's husband, is an unwelcome
992:0:206::Songs by H. Gaze, B. Balz et al. 
992:0:2070::Sexual Healing - Merry Christmas Mr. Lawrence (???) 
992:0:2079::ROYLP/ROYMC 7048 CBS 206 151-620 (CS: 406 151-652). 
992:0:208::Landschaft im Gewitter (3:00); Mein blonder Trompeter (2:05);
992:0:2093::Theatre play. Text: Jean Genet. Music: Hne Martin. 
992:0:2104::(1891-1964) var bsse og en kendt svensk revykunstner
992:0:2109:: Die Gesunden: , KS 80 028 (Vertrieb:
992:0:2117::Mechanik, Elektronik, Stimme: Eschi Rehm/Mabel. Schlagzeug: Tommi Wydler.
992:0:2119::IC-Studio, Winsen. Ton-Ingenieur: Thomas Stiehler. Mix: Die Gesunden/Thomas
992:0:211::Nowotny (2:00); Archibald (2:20); Der Ku Dreh dich
992:0:2123::rororo 7658, Rowohlt Verlag, Reinbek bei Hamburg 1982). 
992:0:2143::bsserelevante, f.eks. i Giovanni's Room's liste Records of
992:0:216::Music: M. Borchert. German gay cabaret. Subtitle: Musikalische
992:0:2172:: Christoph Willibald von Gluck (1714-1787): opera komposit
992:0:2173::reformerade den franska operan. Gay-relevant innehll och situationer.
992:0:2189::Kraus 1756-92 (svensk), Beethoven, Schubert. - Frfattare Metastasio,
992:0:2200::Norge 1976. Med tekstbilag *. Folk/viser. LP . 
992:0:2255:: Romy Haag: , Aladin/CBS ALA 85 285. 
992:0:225::Lexikon. O-na-nie, O-na-no. Archibald und Detlef schlendern heim. 
992:0:2300::Sverige 1981. Med tekstbilag *. Viser. LP . 
992:0:2317::Sweden 1986. Lyrics on cover *. LP . 
992:0:2320::Gay Notes (3:07) New York, January 29, 1946. 
992:0:2327::Kng til en ful gubbe (3:05)(Greger Eman/Hans Hanner):
992:0:2352::Buchstaben- und Bilderexile, Fischer Taschenbuch. Denn ich will
992:0:2371::Marlene Dietrich-Titel handelt, bekommt diese nostalgische Heller-LP einen
992:0:2375::oder Fritzi Massarys kessem Operettenliedchen Warum soll eine
992:0:2379::Ach...' - Bei Marlene Dietrich, ihrer damals weltberhmten
992:0:2380::Vamp-Arie aus dem Film von 1930, aber wird
992:0:2382::und wenn sie verbrennen, ja - daf -
992:0:2436::reached millions with their TV series . Nowadays
992:0:2462::dialogues. Vocal/dialogue introductions c. 22 secs per song. 
992:0:2474::om folk siger Tucke, Homo, schwules Schwein, Tunte. 
992:0:2477::(Salambo: Liveshow-Lokal auf der Groen Freiheit, Hamburg-St. Pauli). 
992:0:2490::Terms 2) Speech One-Track Song, Balling at Jaecques. 
992:0:250::not significantly pronounced. Joan Armatrading is a lesbian. 
992:0:2526::Stromtod (4:32)(Egg/Weibel): Wenn die Elektrofaust an meine nackten
992:0:2536::UK 1978. English straight drag, cabaret songs/studio. LP. 
992:0:2537::Songs by Nic Rowley/B. Humphries; BRM/ Noisy Music. 
992:0:253::England 1980. Words on back of cover. LP. 
992:0:2553::P 1977. Tekst p omslag *. LP . 
992:0:255::but prefers being alone most of the time. 
992:0:2585::P 1985. Tekst p inderpose *. LP . 
992:0:2586::Sura-Baya-Johny (3:46)(Bert Brecht/Pugh Rogefeldt): Da jeg var seksten,
992:0:2590::blevet til en b Rogefeldt har sunget i
992:0:262::RecordM Rec., AMLK 63725 with recordings published 1976-83.
992:0:2647:: Peter Ivers: , Warner Bros. BS 2930. 
992:0:2704::Morgensang (3:17): opvgnen sammen morgenen efter et knald. 
992:0:275::It's A Drag, I'm A Drag (Tony Ashton). 
992:0:2782:: Elton John: , Rocket Records 9103 511. 
992:0:2787:: Elton John: , Rocket Records 6302 106
992:0:2788::(Cassette: Rocket 7144 106) Geffen Records GHS 2002. 
992:0:2790::Breaking Down Barriers (4:40)(John/Osborne): I'm taking down the
992:0:2800:: Elton John: , Rocket Rec. 6302 230. 
992:0:2809::frightened, dysfunctional gay male in songs like ,
992:0:2815:: Don Johnson: , CBS/Epic EPC 450103 1. 
992:0:283::Bruno och Vera also on , Musiklaget MSLP-19,
992:0:2877:: Hubert Kah: , Curb Rec. 830 354-1. 
992:0:2882::away little boyIn de jaren 1972-1978 verkrachtte en
992:0:2900:: Finn Kalvik: , Polar Music POLS 295. 
992:0:2908::sangeren Finn Kalvik er dog ikke selv bsse. 
992:0:2914:: John Kander: , MCA Records ABCD 752. 
992:0:2916::Oplysninger p cover: Original Sound Track Recording. Musical
992:0:2928::Handlingsresum cover *. Cabaret/musical. LP . Efter John
992:0:2931::Isherwood (1904-1986) var en kendt homosexuel amerikansk forfatter. 
992:0:2973::Manuel Puig, written by Leonard Schrader (p dansk:
992:0:2981::Danmark 1983. Tekster p inderpose *. LP . 
992:0:2994::Tyskland 1982. Tekst p inderpose *. LP . 
992:0:3018::bsser). - Sid Merrimans Orkester, Cirkusrevyen 1942. Opt.
992:0:3078::Efter pladen kom filmen , men personen Rocco
992:0:3085::(Haggerty); Waltzing Will Trilogy (5:40)(Haggerty); Georgie Pie (2:58)
992:0:3120:: Lesbian Concentrate: A Lesbianthology of Songs and
992:0:3148::Text und Musik: Johnny Delgada. Gesang: Lillemor Dahlqvist.
992:0:3152::bekam, war ich so tief beeindruckt, da, ihr
992:0:3164::und Das Panik Orchester , Telefunken 6.24456 AG. 
992:0:3188:: Anne Linnet/Marquis de Sade: , CBS 26406. 
992:0:324:: Baba Yaga: , Bloodleaf Records OTE 105. 
992:0:3260::Thorbecke plein; Toe maar jongens; Toen hij zei 
992:0:3265::Homo Sapiens (4:20) om bsser, lesbiske, transvestitter og
992:0:327::Sweet Beginnings (4:22)(Goldberg/O'Hara): Sister ... what you give
992:0:3284::ISBN 90 218 3629 7. Sijthoff, Amsterdam 1987. 
992:0:3290::fortune by the most expedient method ... robbery.
992:0:3303::West-Berlin juni 1979. Tekstbilag vedlagt *. LP . 
992:0:3308::Vertrieb: Frauenbuchvertrieb GmbH, Mehringdamm 32-34, D-1000 Berlin 61. 
992:0:3325:: Man 2 Man Meets Man Parrish: ,
992:0:3329::Amsterdam, Holland 1979. Uden tekstbilag. Single 45 rpm. 
992:0:3347::Calling Your Name (4:04)(Marilyn/Caplin): Body Politic, March 1984:
992:0:3355::Du schwule Sau (4:08)(Mark Brouwer, Seppel Wenningshoff/Willi Landsknecht):
992:0:3358::(Denne tyske gruppe har kun navnet til fende
992:0:3366:: Lee Marrow: , Disco Magic MIX 280. 
992:0:3376::another man, another man is loving my man. 
992:0:3387::Stanyan Street er stadigv personlig en oplevelse, at
992:0:338::Stephanie's Room (4:05): about a declining lesbian relationship. 
992:0:3395::The Lovers: (se under 'Seasons in the Sun') 
992:0:3460::Based on the novel by James Leo Herlihy. 
992:0:3471::USA 1977. Lyrics on inner sleeve. LP . 
992:0:3474::USA 1981. Lyrics on inner sleeve. LP . 
992:0:3496::elsker kvinder ikke kvinder, hvorfor elsker mnd ikke
992:0:350::Streisand, Peggy Lee. (Lyrical contents without gay relevance.) 
992:0:3591::My Surprise grlighed til andre kvinder, og det
992:0:3605:: Holly Near: , Redwood Rec. RR 403 
992:0:3608:: Holly Near: , Hereford Music (ASCAP) -
992:0:3610::USA 1983. Tekstbilag *. Delvis reprise. LP . 
992:0:3614::USA 1983. Tekster p pladeomslag *. LP . 
992:0:361::Kristallnaach (music: BAP/lyrics: Wolfgang Niedecken): In the Crystal
992:0:3631:: Holly Near: , Redwood Rec. RR 406 
992:0:3639::USA 1985. Tekst p inderpose *. LP . 
992:0:3643::we come out it's good for the world. 
992:0:3653:: New York City Gay Men's Chorus: ,
992:0:3658:: New York City Gay Men's Chorus: ,
992:0:365:: BAP live: , DMM/EMI 1C 164 1651951. 
992:0:3680:: Randy Newman: , Warner Bros. HS 3346. 
992:0:3708::seen in the Paramount motion picture.The triangular conflict
992:0:3727::Anne-Marie och andra h , Amalthea AM 8. 
992:0:3761::- Distribution: Plateselskapet MAI as, boks 6575, Rodelkka,
992:0:377::Sweden 1985. Explaining text enclosed *. LP . 
992:0:3817:: Phil O'Kings: , ATO 12-27066 CB 181 
992:0:3831:: Tracks: Melissa Ferrick: Taking a Liking ;
992:0:3836::Girls in the Nose: Weddings are Icky ;
992:0:3891:: The Outhere Brothers: , ZYX DST 1191-12 
992:0:3901::Duo bestende af Jana Runnfills og Rosemary Schonfeld. 
992:0:3959::Maman; Marrakech; Outrage aux moeurs; Nous les tantes. 
992:0:3977::Mae West, Talullah Bankhead, Joan Crawford, Katherine Hepburn. 
992:0:397::France 1983. Lyrics on cover *. Single . 
992:0:3992::Starline SRS 5071 (UK), EMI/Harvest 1C 048-50 740. 
992:0:4009::Germany 1976. Lyrics on inner sleeve *. LP. 
992:0:4020::som voldsoffer og afhngig af stoffer i London. 
992:0:4028::London, England 1984. Cabaret live. Only on cassette. 
992:0:4077:: Queen : Good Old Fashioned Lover Boy 
992:0:408:: BeBe K'Roche: , Olivia Records LF 906. 
992:0:4104:: The Raincoats: , Rough Trade ROUGH 66
992:0:4120::Walk On the Wild Side (4:08) - ogs
992:0:4121::RCA APL-0959 og p RCA NL83752 (dog her
992:0:412::for the love of a faithless one ... 
992:0:4144:: Reel World String Band: , Flying Fish 
992:0:4159::AIDS (6:40)(R. Arduini/G. Bortolotti) - extended version (9:00). 
992:0:4164::England 1977. Live-optagelse, single 33 rpm, 4 skringer. 
992:0:416::Strong And Free (4:02)(Janet Lampert/Jone Gelfand): Reflections on
992:0:4171::Sing If You Are Glad To Be Gay. 
992:0:4177::1978. 1 or 2 LPs, 3 different variants. 
992:0:4190::that Aug. and Britisch hit Oct./Nov. with .
992:0:4197:: Tom Robinson Band: , EMI 7C 062-06977. 
992:0:4199::Alright All Night (2:59)(Danny Kustow-Ian Parker-Brian Taylor/Tom Robinson);
992:0:4215::you ain't interestedIf she's the man and you're
992:0:4235::next day it's back to the fray and 
992:0:4289::A: Back in the old country (extended version). 
992:0:4290::B: Begging back in the old country (live). 
992:0:4324::Drei Groschen Oper - Bert Brecht/Kurt Weill: ,
992:0:4325::Vintage 7850 001, LP 1974: Surabaya-Johnny (from )
992:0:4328::se, vi tv (you switched on the light,
992:0:4329::and see, we two can never become three). 
992:0:4334::at der findes knd og en usikkerhed over
992:0:4339::1970. Tekst findes i bog med RS-sange *. 
992:0:4341::utgr Stones skulle starta sitt egna skivbolag 1970,
992:0:4350:: - Published as under pseudonym Nanker Phelge:
992:0:4400::Bevor Du einen Mann liebst. (Gebr. Meisel, Berlin.) 
992:0:4407::she made the LP Sweet Sorcery (see: Winter). 
992:0:4411:: Jan Rot: , Rik Records WEA 58.486. 
992:0:4417::Songs by Jan Rot, Zaal Music/Warner Bros. Music. 
992:0:4424::Stop Drivin' Me Crazy (2:36)(Jan Rot, Mangala-Marinus Songs):
992:0:4444:: Rough Trade: , F.M. WKFM LP 43 
992:0:4459::Also on single: STATE Records, STAT 27. (UK) 
992:0:4462::a multicolored mohawk, out-jams Mr. Brown's Sex Machine.
992:0:4534::Danmark 1978. Tekster p cover *. LP . 
992:0:4535::Sange og musik fra filmen . Musikbilleder fra
992:0:4542::bsseradioer. Also featured on Sebastian Live, CBS 84272.
992:0:4546::U.S.Commonwealth United Records CU-6004. Original soundtrack album. LP. 
992:0:4561::Sereda (Edmonton Journal). Whether he's singing acapella or
992:0:458::Thorazine (Susann Shanbaum)(3:54): About attempts to 'cure' lesbians
992:0:4619::Rita (4:29)(Anne Linnet/Anne Linnet): forelskelse i luderen Rita. 
992:0:4646::most gay song is: I, Bloodbrother Be . 
992:0:4669::USA 1972. Tekst p omslag *. LP . 
992:0:467::Class Mobility (B. Lockhart)(3:45): About rooted social norms. 
992:0:4685::og de kommer i slagsmdring efter en forklaring
992:0:4702::Krlighedssange til kvinder. Spec. rar plade for country-fans. 
992:0:4706::USA 1980. Tekster p inderpose *. LP . 
992:0:4722::Christine (2:58)(Sioux/Severin): love song to Christine. Also performed
992:0:4753::er nvnt. Ikke b/l, medtaget for S/M-relevans (hetero). 
992:0:4787::I Want the One I Can't Have (3:13) 
992:0:4799::Danmark 1984. Tekst p inderpose *. LP . 
992:0:4821:: Bill Solly : se Boy Meets Boy! 
992:0:4836:: - Original Cast Recording, WEB 0C 105. 
992:0:4852::Rnd (5:21): en homofil vandrer ensom gennem den
992:0:4860::English lesbian group: Barbara Stretch (vocals), Angele Veltmeyer
992:0:4861::(saxophones, backing vocals), Carole Nelson (piano, backing vocals),
992:0:4864::Lesbian singer, made e.g. , Mercury 9109 607.
992:0:4878::Danmark 1978. Tekst vedlagt pladen *. LP . 
992:0:4879::Jonathan Trkkerdreng (2:45)(sunget af Peter Aaen): meget vovet
992:0:4880::og frisk sunget vise om en trkkerdrengs liv. 
992:0:4907::Toothache Blues (Victoria Spivey and Lonnie Johnson) 1928. 
992:0:4909::Take Your Hand Off It (Lil Johnson) 1937. 
992:0:490:: Stephen Bishop: , WEA WE 171 (92-9648-7-N) 
992:0:4955::End's Gonna Be , Redwood Records RR 3500. 
992:0:497::Sighsten H. (2:56)(Ericsson/Thimrn): Sighsten is eager upon taking
992:0:4982::Lover Man, Oh Where Can You Be (6:10)(Davis/Sherman/Ramirez). 
992:0:5023::Womanly Way; Wonderful; Don't Pray For Me o.a. 
992:0:502:: Blackberri And Friends: , Bea B. Queen
992:0:5078:: Teresa Trull: , Olivia Rec. LF 923 
992:0:5085::Dirigent: Herbert von Karajan. Deutsche Grammophon 2535 341. 
992:0:5097::USA 1979. Comedy, LP , lesbian. 'stand-up' comic. 
992:0:5105::Tyler); Commercials/Part 2 (3:40)(Harrison/R. Tyler); Dirty Words (1:21)
992:0:5111::Wise Women Enterprises /Urana Records ST WWE 82. 
992:0:5119::selv han kommer hjem igen en dag ... 
992:0:5135::besksser i sine tekster, er han ikke selv
992:0:5148::P 1978. Lyrics on inner sleeve. LP . 
992:0:5153::Sweden 1980. Lyrics on inner sleeve. LP . 
992:0:5156::Sverige 1986. Lyrics on inner sleeve*. LP . 
992:0:5167::Passionsfrukt (3:50): about venereal diseases incl. HTLV-3 virus. 
992:0:5183:: Unknown Gender: , Metronome LP 829 187-1. 
992:0:5200:: Valentino: I Was Born This Way (3:22)/
992:0:5232::I Ain't Got Nobody (3:21) (Williams - Graham). 
992:0:5255::San Francisco (You've Got Me)(5:27); Macho Man (6:01);
992:0:5270::Danmark 1984. Tekst p inderpose *. LP . 
992:0:528::International Pricks ( : ) ?? - others?? 
992:0:5303::Robbie Rosenberg: Tears falls From The Sky (4:01)
992:0:5317::Issued by Trikont, Kistlerstr. 1, D-8000 M Verlag
992:0:5318::Rosa Winkel, Potsdamerstr. 70, D-1000 Berlin 30, W.-Germany. 
992:0:5319:: Dionne Warwick: , (Ariola) Arista 207 438 
992:0:5399::Musicals. - Written by Barry Took Marty Feldman. 
992:0:5402::USA 1971. Tekster p omslag *. LP . 
992:0:5407::som handler om mnd. Cris Williamson er lesbisk. 
992:0:5416:: , The Dream Machine D 3 (Distribution
992:0:5423:: Cris Williamson: , Olivia Rec. LF 927. 
992:0:5458::impressive.Among the twelve singers and musicians who have
992:0:5477::Meget lesbisk plade. Kunstnerne er krester med hinanden. 
992:0:5593:: Optimale omfang af oplysninger Optimal extent of
992:0:5632:: Pladetype (EP, LP, single, maxi, cassette etc.) 
992:0:5638:: Titel der Nummer(n) spez. von schwuler/lesbischer Relevanz 
992:0:564::Rally 'Round Here; British Ways; Bourbon Goes Native. 
992:0:600::, K-tel BLP 81001 incl. Boys Keep Swinging, 
992:0:602::, RCA PL 02913, live recording, double album. 
992:0:620::I thought well, that's the strangest... (January 1973)
992:0:641::P 1983. With lyrics sheet *. LP . 
992:0:669::(2:17); You're Beautiful (4:20); Tango/Let's/Let's (Dance) (6:51); Giving
992:0:693:: Boys Town Gang: , RAMS HORN 5096. 
992:0:696:: / The Gay Switchboard Jingle (0:22) /
992:0:69::Bessie Smith: Foolish Man Blues (2:43) Oktober 1927. 
992:0:711::FBV, Best.-Nr. 26654 (Frauenbuchvertrieb GmbH, Mehringdamm 32-34, D-1000
992:0:717::Queen der Scene (2:13); Sub (4:49); Johanna-Gay-Town (2:16);
992:0:736::England 1968. 3 LPs + booklet with lyrics. 
992:0:752::Of interest might also be: Luchino Visconti presenterar
992:0:75::Kokomo Arnold: Sissy Man Blues (2:56) Januar 1935. 
992:0:782::Forbidden Fruit BITLP 2, PACLZ 3969 (820 291-1). 
992:0:785::Side 1: Heat Wave, Why, Run From Love. 
992:0:791::consent/minimum age for homosexuality in England), uncertain of
992:0:79::Bessie Jackson: B.D. Woman's Blues (2:51) Marts 1935. 
992:0:809::Geistersongs (3:21); Boogie anal (1:45); Zimt und Schwei
992:0:82::Peg Leg Howell: Fairey Blues (2:55) April 1928. 
992:0:838::songwriter including the minimusical 'Down in the Village',
992:0:843::Burroughs reads from 'The Naked Lunch' 'Nova Express'. 
992:0:851:: William S. Burroughs William S. Burroughs /
992:0:852::John Giorno , Giorno Poetry Systems GPS 006-007. 
992:0:887::Italian issue: , CAM Rec., SAG 9090 (1978). 
992:0:889::USA 1983. Summary of contents *. LP . 
992:0:891::Fierstein, based on the play by Jean Poiret. 
992:0:940::I Fucked the Pope ( : ) a.o. 
992:0:943::Anllich des 20. Geburtstages im Februar 1978 des
992:0:948::Haller-Revue (M: Siegwart Ehrlich/T: Hanns Heinz Haller); Christina:
992:0:954::(M. Jary/Bruno Balz, Flatow) - Mister Wonderful (Bock-Lohofcener/Weiss);
992:0:95::Beautiful Soul (3:42)(vocals: Margie Adam, Vicki Randle Cris
992:0:974::Ninon (O. Straus/Gr Frauen sind schwer zu durchschauen
992:0:977::Music performed by Franz Hintze and his ensemble. 
992:0:97::you're thinking, beautiful woman, about closeness and walls,
992:1:10:: 100 Most Important Albums Of The Nineties 
992:1:121:: 18. Sick Of It All - Call 
992:1:12:: Top 50 Punk Albums Of All Time 
992:1:153:: 35. 59 Times The Pain - End 
992:1:155:: 36. Fu Manchu - King Of The 
992:1:169:: Mayhem - A Grand Declaration Of War 
992:1:16:: 1. Emperor - Anthems To The Welkin 
992:1:171:: A Perfect Circle - Mer De Noms 
992:1:172:: Drowningman - Rock And Roll Killing Machine 
992:1:176:: Stampin' Ground - Carved From Empty Words 
992:1:184:: At The Drive-In - Relationship Of Command 
992:1:193:: The Chasm - Procession To The Infraworld 
992:1:203:: Stuck Mojo - Declaration Of A Headhunter 
992:1:204:: The Damage Manual - The Damage Manual 
992:1:217::11. Neurosis - A Sun That Never Sets 
992:1:220::14. Warhorse - As Heaven Turns To Ash 
992:1:223::17. Church Of Misery - Church Of Misery 
992:1:226::20. Pig Destroyer - Prowler In The Yard 
992:1:236::30. Cult Of Luna - Cult Of Luna 
992:1:237::31. My Dying Bride - The Dreadful Hours 
992:1:238::32. Madder Mortem - All Flesh Is Grass 
992:1:253::6. Napalm Death - Order Of The Leech 
992:1:260::13. Red Harvest - Sick Transit Gloria Mundi 
992:1:265::18. Botch - An Anthology Of Dead Ends 
992:1:278::31. High On Fire - Surrounded By Thieves 
992:1:279::32. Killswitch Engage - Alive Or Just Breathing? 
992:1:286::39. Abscess - Through The Cracks Of Death 
992:1:28::12. Vision Of Disorder - Vision Of Disorder 
992:1:292::4. Axis Of Perdition - The Ichneumon Method 
992:1:315::26. Every Time I Die - Hot Damn! 
992:1:318::29. Mars Volta - De-Loused In The Comatorium 
992:1:31::15. Godflesh - Love And Hate In Dub 
992:1:322::33. While Heaven Wept - Of Empires Forlorn 
992:1:327::38. Blood Brothers - Burn Piano Island, Burn 
992:1:333::2. Neurosis - The Eye Of Every Storm 
992:1:337::6. The Dillinger Escape Plan - Miss Machine 
992:1:338::7. Esoteric - Subconscious Dissolution Into The Continuum 
992:1:340::9. Anaal Nathrakh - Domine Non Es Dignus 
992:1:355::24. The Hidden Hand - Mother Teacher Destroyer 
992:1:35::19. Karma To Burn - Karma To Burn 
992:1:360::29. Deathspell Omega - Si Monumentum Requires, Circumspice 
992:1:375::2. Sex Pistols - Never Mind The Bollocks 
992:1:380::7. Subhumans - The Day The Country Died 
992:1:384::11. GBH - City Baby Attacked By Rats 
992:1:391::18. Anti-Nowhere League - We Are The League 
992:1:397::24. Iggy And The Stooges - Raw Power 
992:1:408::35. UK Subs - Another Kind Of Blues 
992:1:40::24. Samiam - You Are Freaking Me Out 
992:1:417::44. Raw Power - Screams From The Gutter 
992:1:418::45. Dead Boys - Young, Loud And Snooty 
992:1:448::Dead Kennedys - Fresh Fruit For Rotting Vegetables 
992:1:454::Discharge - Hear Nothing See Nothing Say Nothing 
992:1:466::Iron Maiden - The Number Of The Beast 
992:1:474::Megadeth - Peace Sells ... But Who's Buying? 
992:1:524:: Terrorizer 100 Most Important Albums Of The 
992:1:534::At The Gates - Slaughter Of The Soul 
992:1:546::Darkthrone - A Blaze In The Northern Sky 
992:1:555::Emperor - Anthems To The Welkin At Dusk 
992:1:591::My Dying Bride - Turn Loose The Swans 
992:1:606::Refused - The Shape Of Punk To Come 
992:1:60::12. Nile - Amongst The Catacombs Of Nephren-Ka 
992:1:611::Sick Of It All - Scratch The Surface 
992:1:630:: Godflesh - Songs Of Love And Hate 
992:1:638:: Blood Axis - The Gospel Of Inhumanity 
992:1:648::9. Cannibal Corpse - Tomb Of The Mutilated 
992:1:654::15. Deeds Of Flesh - Inbreeding The Anthropophagi 
992:1:656::17. Dead Infection - A Chapter Of Accidents 
992:1:660:: Email your comments and corrections to Rocklist 
992:2:1003::Mescalinium - Mescalinium United - Industrial F**king Strength 
992:2:1014::soundbed: Nusrat Fateh Ali Khan - Volume 1 
992:2:1027::Asphyx - Feart My Greed - God Cries 
992:2:1033::Blackhouse - Metal - Hidden Beneath The Metal 
992:2:1036::Asphyx - Fear My Greed - God Cries 
992:2:104::Nailbomb - World Of Shit - Point Blank 
992:2:1050::Lotion - The Sad Part - Nobody's Cool 
992:2:1053::Sleater-Kinney - Little Mouth - Call The Doctor 
992:2:1058::President's Breakfast - Stratospheres - Bar B Que 
992:2:1076::soundbed: Billy Tipton Memorial Saxophone Quartet - Box 
992:2:1077::soundbed: Ubzub - Alien Manna for Sleeping Monkeys 
992:2:1102::soundbed: Anal Cunt - Everyone Should Be KILLED 
992:2:1103::Despise You - Cesar Chavez - Pig Mindset 
992:2:1109::The Ex - Thunderstruck Blues - Mudbird Shivers 
992:2:1119::soundbed: Ved Buens Ende - Written in Waters 
992:2:111::Mortician - Decapitated - Hacked Up For Barbecue 
992:2:1121::Ambush - Living In A Jar - Pigs 
992:2:1127::Boiling Point - Enmity - Voice Of Reality 
992:2:1128::Hammerhead - Meandrethal - Duh, The Big Cigy 
992:2:114::Assuck - Wall Of Shame - COLL: Bbbllllleeeeeaaaaahhhhhaaaaaaaarrrggggghhhh! 
992:2:115::Infest - Why Don't You? - COLL: Bbbllllleeeeeaaaaahhhhhaaaaaaaarrrggggghhhh! 
992:2:1162::soundbed: Tribes of Neurot - Silver Blood Transmission 
992:2:1167::Rhythm Activism - Bella Ciao - More Kick! 
992:2:1175::soundbed: Head and Leg - In Your Dreams 
992:2:1209::Front Line Assembly - Condemned - Hard Wired 
992:2:1214::Man Is The Bastard - Eunuch - D.I.Y.C.D. 
992:2:1216::COLL: Until The End Of The World Soundtrack 
992:2:122::Iron Monkey - Fink Dial - Iron Monkey 
992:2:123::Tim Berne Bloodcount - The Opener - Discretion 
992:2:1250::Babatunde - I'm Back - Level Of Intent 
992:2:1265::Soundbed: Mortification - Until The End - Mortificatoin 
992:2:1270::soundbed: Paul Lansky - More than Idle Chatter 
992:2:1284::soundbed: Fudge Tunnel - Sunshine of Your Love 
992:2:12:: Nov. 17 Noam Chomsky: Education and Democracy
992:2:1302::Cop Shoot Cop - Consume - Comsumer Revolt 
992:2:1305::Wu-Tang Clan - Protect Ya Neck (Radio Edit) 
992:2:1321::Daniel Johnston - Rocket Ship - Yip/Jump Music 
992:2:1323::Babyland - Cancer Beat - Who's Sorry Now? 
992:2:1327::Nailbomb - World of Shit - Point Blank 
992:2:1330::Vandals - Urban Struggle - Peace Thru Vandalism 
992:2:1333::Black Flag - Can't Decide - My War 
992:2:1340::Milk Cult - Psychoanalytwist - Burn or Bury 
992:2:1341::Milk Cult - Love God - Love God 
992:2:1343::Brothers of the Mind - Stop Schemin 12" 
992:2:1351::Karp - See You at Lakefair - Suplex 
992:2:1373::Rova (Figure 8) - Triceratops - Pipe Dreams 
992:2:1387::Tim Berne - Impacted Wisdom - Nice View 
992:2:1410::Morton Feldman - Patterns In A Chromatic Field 
992:2:1416::Moist -